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Mercy<br />

-<strong>William</strong> <strong>Shakespeare</strong><br />

<strong>William</strong> <strong>Shakespeare</strong> (1564-1616) is unquestionably the greatest poetic<br />

dramatist of Europe. As a product of the European Renaissance, he brought<br />

the classical humanistic tradition to bear on his works. His works include 37<br />

major plays, 154 sonnets and other poems. It is a tribute to his genius that he<br />

continues to be acclaimed universally for his knowledge of the human heart<br />

and understanding of human psychology.<br />

This poem, entitled Mercy, is an extract from Act IV, Scene I of The Merchant of<br />

Venice, a famous <strong>Shakespeare</strong>an comedy. In these lines, Portia, the protagonist of<br />

the play pleads with Shylock the value of mercy. As a human virtue, mercy not only<br />

transcends the worldly power, but also becomes divine grace when combined with<br />

justice. It glorifies the giver and the taker alike.<br />

Rendered in blank verse, this poem is a striking example of the Renaissance ethos. It<br />

puts up a cogent plea for liberal human values.<br />

The quality of mercy is not strained;<br />

It droppeth as the gentle rain from heaven<br />

Upon the place beneath. It is twice blest-<br />

It blesseth him that gives, and him that takes.<br />

'Tis mightiest in the mightiest. It becomes<br />

The throned monarch better than his crown.<br />

His scepter shows the force of temporal power,<br />

The attribute to awe and majesty,<br />

Wherein doth sit the dread and fear of Kings;<br />

But mercy is above this sceptred sway;<br />

It is enthroned in the hearts of Kings,<br />

It is an attribute to God himself.<br />

And earthly power then show likest God's<br />

When mercy seasons justice…<br />

Renaissance / rI'neIsns /<br />

protagonist / prJ't&gJnIst /<br />

45<br />

cogent / 'kJUdZJnt /<br />

transcends / tr&n'sends /<br />

7


Glossary<br />

Renaissance - rebirth; the period in European civilization following the MiddleAges<br />

th th<br />

(14 -16 century AD), marked by a surge of interest in classical<br />

strained -<br />

tradition of belief, aimed at human happiness learning and humanistic<br />

values<br />

forced<br />

droppeth - drops<br />

blesseth - blesses<br />

throned - occupying the ruling seat<br />

scepter - an ornamental staff held as an emblem of authority<br />

temporal - worldly<br />

blest - blessed<br />

attribute - quality<br />

awe - fear<br />

doth - does<br />

majesty - supreme authority<br />

sway - power<br />

likest - like<br />

enthroned - invested with sovereign power or authority<br />

seasons - tempers<br />

Word Power<br />

Exercises<br />

(A) Choose the words from the text, which are opposite in meaning to the words given<br />

here:<br />

cruelty, above, spiritual, injustice, courage, hell, curse<br />

(B) Mark the use of the word, enthroned.<br />

It is a verb-form, derived from the noun,<br />

throne,<br />

using the prefix, en- . Make a list of prefixes/suffixes and give verb forms of<br />

the following nouns:<br />

power, place, heart, justice, force, quality<br />

th<br />

(C) In the 7 line, show has been used as a verb. It can also be used as a noun:<br />

The show passed off peacefully.<br />

Make sentences using the following words as noun and verb:<br />

season, attribute, sway, force, drop, crown<br />

(D) Mark the use of the word, the mightiest.<br />

It is an adjective in the superlative degree.<br />

The other two forms in the positive and comparative degrees are: mighty, mightier.<br />

Give the forms of the following adjectives in the comparative and superlative<br />

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(E)<br />

degrees.<br />

gentle, good, unlikely, quick, light, bad, far<br />

Match the words in column A with those in column B.<br />

Column A Column B<br />

Renaissance worldly<br />

temporal supreme authority<br />

majesty quality<br />

attribute power<br />

sway fear<br />

awe rebirth<br />

(F) Match words with their meanings, and use them in sentences of your own to bring<br />

out the difference in their meanings.<br />

mercy the feeling of being sorry for somebody<br />

compassion used to show that you are disappointed about something<br />

pity the ability to understand another person's feelings<br />

sympathy a kind or forgiving attitude towards somebody<br />

empathy the aim of giving money, food, help, etc.<br />

charity<br />

For example,<br />

a strong feeling of sympathy for people<br />

(i) Mercy (a kind or forgiving attitude towards somebody): The criminal pleaded for<br />

mercy from the judge.<br />

Comprehension<br />

(A) (i) 'But mercy is above this sceptred sway'. Explain.<br />

(ii) Why does the poet believe that 'earthly power then show likest God's when<br />

mercy seasons justice…'?<br />

(iii) His scepter shows the force of temporal power,<br />

The attribute to awe and majesty,<br />

(a) What is an attribute to awe and majesty?<br />

(b) What does show the force of temporal power?<br />

(iv) It droppeth as the gentle rain from heaven<br />

Upon the place beneath. It is twice blest-<br />

It blesseth him that gives, and him that takes.<br />

(a) What is mercy compared above lines?<br />

(b) How is mercy twice-blessed?<br />

(B) Write answer to the following question in two or three sentences each:<br />

(i) What is the quality of mercy?<br />

(ii) What makes mercy twice-blessed?<br />

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(iii) What does qualify a monarch more-mercy or throne? Why?<br />

(iv) What does the scepter show?<br />

(v) What is an attribute of God himself?<br />

(vi) What happens when mercy is tempered with justice?<br />

(C) Write answer to the following question in about 150 words.<br />

(i) How does mercy bless the giver and the taker alike?<br />

(ii) Give the central idea of the poem.<br />

Poetic Devices<br />

Notice the comparison of mercy with rain. It is a poetic device, called simile. A<br />

simile is a comparison of two unlike things, using 'like' or 'as'. Another important<br />

device is metaphor.<br />

The comparison is hidden in metaphor whereas it is obvious<br />

in simile.<br />

For example,<br />

(a) (i) The colonel roars like a lion. (simile)<br />

(ii) The colonel is a lion. (metaphor)<br />

(b) (i) He is cunning as a fox. (simile)<br />

(ii) He is a fox. (metaphor)<br />

(c) (i) My friend is slow as a snail. (simile)<br />

(ii) My friend is a snail. (metaphor)<br />

(A) Frame three such pairs of sentences, showing the difference between simile and<br />

metaphor.<br />

th<br />

(B) Notice the repetition of the same sound in the 10 line, 'sceptred sway'. This is an<br />

example of alliteration.Alliteration is a figure of speech, in which the same sound or<br />

letter is repeated at the beginning of words that are close together.<br />

For example,<br />

Three thousands<br />

did I see at a glance! (sound't')<br />

Every time she slide or sprang.<br />

(sound 's')<br />

(C) Observe the syllable, foot, metre and rhyme-scheme of each line.<br />

Syllable-It<br />

is the shortest segment of speech with a vowel. The consonant sounds<br />

may occur either before or after the vowel.<br />

For example, I, Out, Too, The, Qua-li-ty<br />

Foot-It<br />

is the smallest unit of metrical composition. It consists of syllables (short<br />

and/or long / ) and make up the metre of a poetic line. For example,<br />

- / - / - / - / - /<br />

The qua-li-ty /of mer/-cy is/ not strained<br />

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The above line has five feet of two syllables each, the short followed by the long.<br />

This kind of foot is called Iambic.<br />

Metre-<br />

Metre consists of feet (or beats in music), adding rhythm to a poetic line. For<br />

example, the above line has five feet in iambus .Therefore, it is in iambic pentameter,<br />

very popular with the poets.<br />

Rhyme-scheme- It is an arrangement of rhyme from the last syllable of each line,<br />

denoted by letters in lowercase(abcd…).When a rhyme is repeated, the pattern<br />

becomes distinct.<br />

This 14-line poem is unrhymed verse in iambic pentameter, which is commonly<br />

called<br />

blank verse.<br />

<strong>Shakespeare</strong> has used this poetic form skillfully in his dramas<br />

because it is closest to the natural rhythms of English speech, and can be adapted<br />

to various levels of discourse.<br />

Speaking Activity<br />

(A) Read aloud parts of the poem in groups, observing the stress-pattern.<br />

(Consult an English Pronunciation Dictionary)<br />

(B) Under the Indian law, the President of India can show mercy and commute the death<br />

sentence to life imprisonment. Do you think this provision should be continued? Give<br />

your arguments (for, or against).<br />

Writing Skills<br />

(A) Develop a story on the moral of mercy with the help of the following outlines: there<br />

lived a saint-visitor to the river- a scorpion bit him-he was asked to kill it-the saint<br />

refused-wisdom prevailed……<br />

(B) Write a letter to your friend, narrating one such event when your act of mercy was<br />

highly appreciated.<br />

Think it over<br />

(A) Mercy ennobles mankind. Think of other values which contribute to the development<br />

of human personality.<br />

(B) Every religion insists on showing mercy to fellow creatures. Think of the other noble<br />

values fostered by religions.<br />

Things to do<br />

(A) Prepare a list of <strong>William</strong> <strong>Shakespeare</strong>'s comedies.<br />

(B) Have you read any other 14-line poem in a rhyme-scheme? It is known as sonnet.<br />

<strong>Shakespeare</strong> has written 154 sonnets in all, based on his own life. Read some of the<br />

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sonnets and examine their rhyme-scheme.<br />

(C) Read the following extract from <strong>Shakespeare</strong>'s play, Hamlet and underline the lines<br />

that are well-known and oft-quoted.<br />

Give thy thoughts no tongue,<br />

Nor any unproportion'd thought his act:<br />

Be thou familiar; but by no means vulgar:<br />

The friends thou hast, and their adoption tried,<br />

Grapple them to thy soul, with hoops of steel:<br />

But do not dull my palm, with entertainment<br />

Of each unhatch'd, unfledg'd, comrade. Beware<br />

Of entrance to a quarrel; but being in<br />

Bear't that th' opposed may beware of thee.<br />

Give every man thine ear; but few thy voice:<br />

Take each man's censure: but reserve thy judgment:<br />

Costly thy habit as thy purse can buy;<br />

But not express'd in fancy; rich, not gaudy;<br />

For the apparel oft proclaims the man<br />

And they in France of the best rank and station<br />

Are most select and generous chief in that,<br />

Neither a borrower nor a lender be;<br />

For loan oft loses both itself and friend:<br />

And borrowing dulls the edge of husbandry.<br />

This above all; to thine ownself be true:<br />

And it must follow, as the night the day,<br />

Thou canst not then be false to any man.<br />

(D)<br />

Look for such poetic lines in <strong>Shakespeare</strong>'s other plays, which have become part of the<br />

common memory.<br />

What do you understand by these lines explain in two to three sentences.<br />

(a) Give every man thine ear; but few they voice<br />

(b) Costly thy habit as thy purse can buy<br />

(c) Apparel off proclaims the man<br />

(d) neither<br />

a borrower nor a lender be<br />

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