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9 th Mars 2011<br />

MONNAIE DE PARIS<br />

11, quai <strong>de</strong> Conti<br />

75006 PARIS<br />

www.<strong>monnaie</strong><strong>de</strong><strong>paris</strong>.fr<br />

Communication director<br />

Guillaume Robic<br />

Tel.: + 33 (0)1 40 46 58 18<br />

guillaume.robic@<strong>monnaie</strong><strong>de</strong><strong>paris</strong>.fr<br />

Marketing senior manager<br />

Muriel Penicaud<br />

Tel.: + 33 (0)1 40 46 58 28<br />

muriel.penicaud@<strong>monnaie</strong><strong>de</strong><strong>paris</strong>.fr<br />

PRESS RELEASE<br />

A NEW “DIFFERENT” FOR MONNAIE DE PARIS’<br />

ENGRAVING WORKSHOP<br />

“Differents” are the distinctive punches which are used to i<strong>de</strong>ntify<br />

French circulating coins and collector’s coins minted by Monnaie <strong>de</strong><br />

Paris. They are imprinted onto all of the production tools. “Differents”<br />

belong to a very ancient French monetary tradition which is why they<br />

only appear on the national si<strong>de</strong> of the circulating euros and not on the<br />

common si<strong>de</strong> to all <strong>Euro</strong>zone countries. “Differents” show that the<br />

coin matches the specifications laid down by the French State and<br />

guarantee its quality, origin and authenticity.<br />

THE HORN OF PLENTY - THE VERY FIRST “DIFFERENT”<br />

Since 1832, there has been an or<strong>de</strong>r in <strong>for</strong>ce stating that the<br />

“different” of each Monnaie <strong>de</strong> Paris’ mintmaster must appear on all<br />

coins. Up until 1879 this punch was the personal mark of each<br />

mintmaster but it then became unique in 1880 when the Horn of<br />

plenty, which symbolises Monnaie <strong>de</strong> Paris, ma<strong>de</strong> its first appearance<br />

on the institution’s coins, where it remains to this day.<br />

THE ENGRAVER’S MARK - THE SECOND “DIFFERENT”<br />

The second different which appears on coins besi<strong>de</strong> the Horn of<br />

plenty, is the mark of the Engraver General. Their “different” appears<br />

on all coins produced by Monnaie <strong>de</strong> Paris during their term of office.<br />

The Engraver General’s “different” is a signature embodying the<br />

engraving workshop. Between 2003 and 2010, the “different” of the<br />

head of the engraving workshop, Hubert Larivière, <strong>de</strong>picted a French<br />

hunting horn (the emblem of Saint Hubert), a few waves and the<br />

outline of a fish.<br />

A new “different” has appeared on all coins minted by the Monnaie <strong>de</strong><br />

Paris since 1 st January 2011; this is the mark of Yves Sampo, the new<br />

head of the engraving workshop. Staying true to tradition, his<br />

“different” illustrates the teamwork spirit of the engraving workshop.<br />

So this signature <strong>de</strong>picts a pentagon with the letters AG, which stand<br />

<strong>for</strong> “Atelier <strong>de</strong> Gravure” (engraving workshop) and MP standing <strong>for</strong><br />

“Monnaie <strong>de</strong> Paris et Pessac” insi<strong>de</strong> it. The motif is completed by Yves<br />

Sampo’s own initials on either si<strong>de</strong> of it.<br />

Top left: The new Monnaie <strong>de</strong> Paris “different”<br />

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THE ENGRAVERS GENERAL OF CURRENCY<br />

The position of Engraver General of Currency was created in 1547, at a<br />

time when there were mints scattered all over France. Back in those<br />

days the Engraver General used to cut the original punches, which<br />

were then sent out to all the different mints.<br />

MONNAIE DE PARIS ENGRAVERS GENERAL SINCE 1547<br />

1547 - 1557 Marc Béchot<br />

1557 - 1582 Clau<strong>de</strong> <strong>de</strong> Héry<br />

1582 - 1599 Philippe Danfrie (the el<strong>de</strong>r)<br />

1599 - 1604 Philippe Danfrie (the younger)<br />

1605 - 1625 Nicolas Briot<br />

1626 - 1630 Pierre Régnier<br />

1630 - 1646 Jehan Darmand<br />

1646 - 1672 Jean Warin<br />

1672 - 1681 François Warin<br />

1682 - 1703 Joseph Roettiers<br />

1704 - 1727 Norbert Roettiers<br />

1727 - 1753 Joseph-Charles Roettiers<br />

1753 - 1772 Charles-Norbert Roettiers<br />

1772 - 1774 Joseph-Charles Roettiers<br />

1774 - 1791 Pierre-Simon-Benjamin Duvivier<br />

1791 - 1803 Augustin Dupré<br />

1803 - 1816 Pierre-Joseph Tiolier<br />

1816 - 1842 Nicolas-Pierre Tiolier – Horse’s head and star<br />

1843 - 1855 Jacques-Jean Barre – Greyhound’s head<br />

1855 - 1878 Albert Désiré Barre - Anchor<br />

1879 - 1880 Auguste Barre - Anchor with a bar<br />

1880 - 1896 Jean Lagrange – Fasces of lictor<br />

1896 - 1930 Henry Patey - Torch<br />

1931 - 1957 Lucien Bazor – Bird’s wing<br />

1957 - 1974 Raymond Joly - Owl<br />

1974 - 1994 Emile Rousseau - Dolphin<br />

1994 - 2000 Pierre Rodier - Bee<br />

THE HEADS OF THE ENGRAVING WORKSHOP<br />

The role played by the heads of the engraving workshop involves<br />

coordinating staff and looking after product quality control.<br />

2000 - 2002 Gérard Buquoy - Horseshoe<br />

2002 - 2003 Serge Levet - Heart<br />

2003 - 2010 Hubert Larivière – Hunting horn<br />

Since 2011: Yves Sampo – “Fleurette d’atelier”<br />

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