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A RESOURCE PACK FOR TEACHERS INCLUDING FULL PLANNING IN QCA FORMAT<br />

The Tudors:2<br />

Panel painting of Henry VIII, 16th Century, after Holbein © Board of Trustees of the <strong>Armouries</strong> 2002


Henry<br />

VIII<br />

Henry<br />

VIII<br />

The Tudors<br />

A RESOURCE PACK FOR TEACHERS AND<br />

PUPILS AT KEY STAGE 2<br />

1 Introduction, credits, copyright<br />

2–6 Study Unit: The Tudors with planning grid<br />

in QCA format<br />

7 Tudor Time–Line<br />

8 Tudor Family Tree<br />

9 Tudor Family: pupil ‘Who Done It?’<br />

activity<br />

10 Tudor Family: teacher’s notes<br />

11 King Henry VIII: portrait activity<br />

12 Faces Show Feelings: pupil sheet<br />

13 What does this portrait tell us ... ? frame<br />

for pupil notes<br />

14 Portrait of King Henry VIII: writing<br />

activity<br />

15 Descriptions of King Henry VIII: reading<br />

extracts<br />

16 Descriptions of King Henry VIII: frame<br />

for pupil notes<br />

17 Descriptions of King Henry VIII: writing<br />

activity<br />

18 Extracts from inventory of Henry VIII’s<br />

property: Greenwich<br />

19–20 Henry VIII tonlet armour<br />

21 Mystery Picture A (Emperor Maximilian<br />

visits his armourers’ workshop)<br />

22–24 How did King Henry VIII protect the<br />

country?: teacher’s notes<br />

25 How did King Henry VIII protect the<br />

country?: writing activity<br />

26 Picture A: The Embarkation of King Henry<br />

VIII, 1520<br />

27 Picture B: The Embarkation of King Henry<br />

VIII, 1520<br />

28 Picture 1: detail from Field of Cloth of Gold<br />

CONTENTS<br />

29 Picture 2: detail from Field of Cloth of Gold<br />

30 Picture 3: detail from Field of Cloth of Gold<br />

31 Picture 4: detail from Field of Cloth of Gold<br />

32 Picture 5: detail from Field of Cloth of Gold<br />

33 Life in Tudor Towns: writing activity<br />

34 Life in Tudor Towns: cut and paste sheet 1<br />

35 Life in Tudor Towns: cut and paste sheet 2<br />

36 Life in Tudor Towns: cut and paste sheet 3<br />

37 Life in Tudor Towns: cut and paste sheet 4<br />

38 Inventory of John Pawson: teacher’s notes<br />

39 Inventory Exercise: pupil’s sheet<br />

40–42 Inventory of John Pawson: source material<br />

and glossary<br />

43 Inventory of John Pawson: writing activity<br />

44 Going to School in Tudor Times:<br />

teacher’s notes<br />

45 Going to School in Tudor Times:<br />

Then and now: writing activity A<br />

46 Going to School in Tudor Times:<br />

extract 1 – Getting Up<br />

47 Going to School in Tudor Times:<br />

extract 2 – In School<br />

48 Going to School: Then and Now: writing<br />

activity B<br />

49 Queen Elizabeth I: ‘Armada Portrait’<br />

50 Queen Elizabeth I: portrait note frame<br />

51 Queen Elizabeth I: portrait writing activity<br />

52 Mystery Picture B: The Book of Faulconrie<br />

53 The Spanish Armada: frame for pupil notes<br />

54 The Spanish Armada: writing activity<br />

55–58 The Spanish Armada: what happened ... ?<br />

extracts A – I<br />

The poster enclosed is for use with the<br />

Henry VIII portrait activity on pages 11-14.<br />

Henry<br />

VIII<br />

Henry<br />

VIII


Henry<br />

VIII<br />

Henry<br />

VIII<br />

INTRODUCTION<br />

The materials in this pack have been created to help KS2 pupils learning<br />

about the Tudors. They have been assembled to fit the QCA planning<br />

format for teachers, as well as to provide ideal classroom resources for<br />

pupils to enjoy an exciting and varied investigation of the Tudors.These<br />

materials have been devised to complement another pack, The Tudors 1,<br />

that provides a set of teacher and pupil sheets which help a group to get<br />

the most from their visit to the <strong>Royal</strong> <strong>Armouries</strong>. Used together, the two<br />

packs provide the materials to support a term’s study of the Tudors,<br />

including a visit to the <strong>Royal</strong> <strong>Armouries</strong>.<br />

In this pack of materials for use in school before and after a visit to the<br />

<strong>Royal</strong> <strong>Armouries</strong> you will first find the planning materials for teachers<br />

followed by the teachers’ notes and pupil activity materials to explore<br />

The Tudors, portraits and descriptions of King Henry VIII, the Field of<br />

Cloth of Gold in 1520,Tudor town life, schools, Queen Elizabeth I and<br />

the Spanish Armada. Many threads link the topics to allow comparisons<br />

between different sections of society and examine continuity and<br />

development through time and the changing nature of monarchy and<br />

the defence of England against both internal and external threats. The<br />

range of activities is varied and seeks to provide a broad spectrum of<br />

learning opportunities for pupils of varying abilities, while concentrating<br />

on the reinforcement of core skills such as analysing sources, recording<br />

evidence, assessment of many different types of written and visual<br />

information, problem solving, understanding chronology and the<br />

synthesis of information to draw coherent conclusions.<br />

The <strong>Royal</strong> <strong>Armouries</strong> is pleased to acknowledge the valuable help of many teachers and<br />

pupils from the Rothwell Family of Schools, Leeds in piloting these materials. Particular<br />

thanks go to Clare Marshall and the children of class 5/6 CM, Rothwell Primary School.<br />

This pack has also benefited greatly from the excellent advice and assistance of Steven Burt.<br />

The <strong>Royal</strong> <strong>Armouries</strong> wishes to extend its sincere thanks to the following:The Marquess<br />

of Tavistock,Woburn Abbey, for permission to use the Armada portrait of Elizabeth I; the<br />

Museum of London, for the use of the copperplate map, Bishopgate Street, and the detail<br />

from the Central Part of the Long View of London, by Claes Jan Visscher; the British<br />

Library for the use of woodcut of ElizabethI; the Society of Antiquaries of London for The<br />

Inventory of King Henry VIII.<br />

All other illustrations are reproduced by permission of the Board of Trustees of<br />

the <strong>Armouries</strong>.<br />

* Teachers may be interested to know that posters of the Armada portrait are available<br />

from The Shop Manager,Woburn Abbey,Woburn, Bedfordshire MK43 0TP.<br />

Tel: 01525 290290.<br />

The material in this pack is not copyright free. However, it may be photocopied for use in connection<br />

with projects and visits to the <strong>Royal</strong> <strong>Armouries</strong><br />

<strong>Royal</strong> <strong>Armouries</strong> Education Department, Leeds, LS10 1LT<br />

© Board of Trustees of the <strong>Armouries</strong> 2002<br />

1<br />

Henry<br />

VIII<br />

Henry<br />

VIII


Henry<br />

VIII<br />

Henry<br />

VIII<br />

The Tudors<br />

A Study Pack for Schools<br />

From 1485 to 1603 a powerful family called the Tudors ruled England,<br />

Wales and Ireland.This pack provides a range of primary and secondary<br />

source materials which enable children to find out more about the lives<br />

of people at different levels of society.<br />

The planning sheets include a range of suggested activities which use<br />

varied teaching and learning strategies. These involve children in the<br />

process of enquiry and act as a catalyst for further research.<br />

Panel painting of Henry VIII, 16th Century, after Holbein.<br />

© Board of Trustees of the <strong>Armouries</strong> 2002<br />

2<br />

Henry<br />

VIII<br />

Henry<br />

VIII


The Tudors (Unit 7)<br />

About the Unit<br />

In this unit children find out about the Tudors and the lives of different people living at the time. They develop their<br />

ability to use written and pictorial sources, give reasons for actions and identify changes. Children will find out about<br />

the characteristic features of society at a time in the distant past by asking and answering questions from a range<br />

of sources.<br />

Where the Unit Fits In<br />

This unit builds on all the key stage 1 units, and Unit 4 in particular, by focusing on the contribution of key<br />

individuals to the history of Britain. It introduces some of the political and religious factors that affected Henry VIII’s<br />

decisions. It also also focuses on the Tudor period from a social and economic perspective.<br />

Adapting the Unit for a Different Age Group<br />

● Year 5 and 6 children could:<br />

● Explore some additional topics, e.g. the break with Rome, the dissolution of the monasteries, health, hygiene<br />

● Use a larger number of sources<br />

● Consider the suitability of Christina of Denmark and Mary of Guise as wives for Henry VIII<br />

● Support their reasoning with explanations<br />

● Assess the reasons for different representations of life in Tudor times<br />

Prior Learning<br />

It is helpful if the children have:<br />

● Used pictures of people as a<br />

source of information about<br />

the past<br />

● Read and talked about the<br />

lives of famous people in the<br />

past, e.g. Florence Nightingale,<br />

Guy Fawkes<br />

● Learnt about the way of life<br />

of people at a time beyond<br />

living memory<br />

Expectations<br />

at the end of this unit<br />

Most children will:<br />

Some children will not have made so<br />

much progress and will:<br />

Some children will have progressed<br />

further and will:<br />

Vocabulary<br />

In this unit, children will have<br />

opportunities to use:<br />

● Words associated with the<br />

Tudors, e.g. monarch, court,<br />

Protestant, Catholic, courtier,<br />

tournament, succession<br />

● Words associated with<br />

government, e.g. state, alliance,<br />

power, diplomacy<br />

● Words associated with armour<br />

e.g.Tonlet, visor<br />

● Words that describe people,<br />

e.g. proud, timid, fierce, sly,<br />

cold, jovial<br />

Resources (* the majority of these are<br />

provided in the pack.)<br />

● Portraits of Henry VIII<br />

● A large map of Europe<br />

● A class time–line<br />

● Story books about Henry VIII<br />

● Contemporary and modern descriptions of<br />

Henry VIII and his wives<br />

● Reference books and pictures about Henry<br />

VIII and his reign<br />

● A Tudor family tree<br />

● Pictures of Tudor homes<br />

● Inventories from Tudor households<br />

● Pictures of armour<br />

● Sources of information on Tudor forces<br />

Be able to place the Tudors within the context of Britain’s history; make<br />

inferences and deductions from portraits; know about the work of a Tudor<br />

monarch; know in outline the story of Henry VIII’s life; identify different ways<br />

in which people have represented and interpreted it; be able to communicate<br />

their knowledge and understanding orally and in writing; know and understand<br />

the distinctive features of the lives of rich and poor people in Tudor times; use a<br />

range of sources to reconstruct aspects of life; summarise the main aspects of life<br />

for rich and poor people; compare and contrast aspects of Tudor life with today.<br />

Know that the Tudors were a long time ago; know that Henry VIII was a king<br />

and that he had six wives; know about other events in his life; be able to make<br />

some deductions about the appearance of Henry VIII and his wives from their<br />

portraits.<br />

Recognise some of the main differences between wealthier and poorer people;<br />

extract information from a small number of sources; recognise a few similarities<br />

and differences between life in Tudor times and today.<br />

Know the dates of the Tudor period and its key events; understand what sort of<br />

information can and cannot be deduced from portraits; understand the<br />

significance of some of the symbols on armour and shields.<br />

Devise criteria for judging Tudor life and for comparing rich and poor; interpret<br />

a wide range of sources of information; ask a range of appropriate questions, plan<br />

information needed for a specific task and extract relevant information to answer<br />

questions; explain why there were differences in people’s lifestyles in Tudor<br />

times.<br />

3


POINTS TO NOTE<br />

POSSIBLE TEACHING ACTIVITIES LEARNING OUTCOMES<br />

CHILDREN<br />

LEARNING OBJECTIVES<br />

CHILDREN SHOULD LEARN<br />

● This may be an appropriate moment<br />

to begin assessment, using a Tudor web<br />

sheet to record what each individual<br />

child knew about the Tudors.<br />

● Identify the names/dates of Tudor<br />

monarchs and put them in sequence<br />

on a family tree<br />

● Begin to recognise Tudor monarchs<br />

from their portraits<br />

● Place Tudor times on a timeline<br />

Who were the Tudors?<br />

Ask the children what they know about Tudor times.<br />

Record this information. Help them to locate the Tudor<br />

period on a time–line and discuss whether it is longer<br />

ago or more recent than other periods they have studied.<br />

Show a slide/picture of each monarch in turn and<br />

introduce them. Give the children the Tudor family tree<br />

(p8). Establish the relationship between the five<br />

monarchs.<br />

Give the children the ‘Who done it?’ activity (p9) and<br />

ask them to guess who was responsible for each deed.<br />

● To locate the Tudors within the<br />

context of the history of Britain.<br />

– The names and order of the<br />

Tudor monarchs<br />

● Before this activity begins it may be<br />

sensible to record the children’s ability<br />

to deduce information from a portrait.<br />

● Later in this scheme the activity may<br />

be repeated using the portrait of<br />

Elizabeth I and teachers can assess<br />

whether a child’s ability to deduce<br />

information from this kind of source<br />

has improved.<br />

● Identify features and characteristics<br />

from portraits<br />

● Identify characteristics of Henry VIII<br />

from written sources<br />

● Summarise information about Henry<br />

using a writing frame<br />

● Discuss how the face can reflect the<br />

mood of the person<br />

What was Henry VIII like as a person?<br />

Show the children the poster of Henry (p11). Ask them<br />

to label what they can see.Tell them to use the portrait<br />

to ask and answer as many questions as they can about<br />

the king’s appearance.<br />

Teach them about facial expression, using the modern<br />

cartoon of faces, body language etc (p12) and ask them<br />

to look again at the portrait. Give them the frame (p13)<br />

and ask them to organise the information using those<br />

headings.<br />

Use questions and answers to recap (p14).<br />

Give the children the written descriptions of Henry<br />

(p15) and ask them to add any further information from<br />

this source (p16 & 17).<br />

● To ask and answer questions using<br />

a portrait as a source<br />

● About the appearance and<br />

character of Henry VIII<br />

● What information can be gathered<br />

about Henry VIII from portraits<br />

and written sources<br />

● Understand meanings in body<br />

language, dress, props and setting<br />

● With Henry’s armour – the more you<br />

protect, the more you restrict due to<br />

the weight of the armour and the<br />

difficulties of movement.<br />

● Identify some of the problems faced<br />

by a Tudor monarch<br />

● Sort information to demonstrate the<br />

significance of armour<br />

Extension Activity<br />

Mystery picture A: (p 21).<br />

Children use the clues to deduce that the<br />

picture shows the interior of an<br />

armourer’s workshop with crafstmen at<br />

work c. 1500<br />

How did Henry VIII protect himself?<br />

Show the children a map of Europe and explain that<br />

England was surrounded by hostile countries who would<br />

have been delighted to witness the death of Henry.<br />

Ask the children to name some dangerous Tudor sports<br />

in which Henry could have been injured (e.g. jousting<br />

with lances; fighting with swords or axes).<br />

Ask the children to list ways in which Henry could<br />

protect himself. Make a list of these suggestions. Give the<br />

children a part of the inventory listing some of Henry’s<br />

personal armour and weapons at Greenwich (p18).<br />

Discuss what this tells us about Henry as a person.<br />

Give the children the picture and supplementary<br />

information about the tonlet suit of armour (p19–20).<br />

Ask them to cut out the pieces of Henry’s armour and<br />

see if they can assemble the pieces in the correct order.<br />

Discuss their findings.<br />

● About the power and importance<br />

of a Tudor king<br />

● To identify the reasons why a<br />

monarch would need to protect<br />

their person<br />

● To use an inventory to identify<br />

characteristic features of a Tudor<br />

monarch<br />

4<br />

* This would be an ideal time to plan a visit to the <strong>Royal</strong> <strong>Armouries</strong>


POINTS TO NOTE<br />

POSSIBLE TEACHING ACTIVITIES LEARNING OUTCOMES<br />

CHILDREN<br />

LEARNING OBJECTIVES<br />

CHILDREN SHOULD LEARN<br />

● Recall that many European countries<br />

were hostile to England<br />

● Deduce information from pictures<br />

How did Henry protect the country?<br />

Give the children picture A of Henry and his navy (p26), and the<br />

‘Certain/Guess’ frame (p25). Ask them to work in pairs and list all the<br />

things they can see for certain.When they have completed this, ask<br />

them what they can guess from the picture. Ask the children to feed<br />

back the information and summarise their findings.<br />

Use information in teacher’s notes to draw the children’s attention to<br />

the fine detail on the engraving. Ask the children to add these details<br />

to their findings. Ask them to deduce what picture B (p27) shows and<br />

why it was made.<br />

● About one of the key events of the<br />

Tudor period<br />

● About the reasons for and results of<br />

this meeting<br />

● Understand differences between facts<br />

and opinions<br />

● To communicate their<br />

understanding both orally and in<br />

writing in a variety of ways using<br />

appropriate terms<br />

● Find out about the Field of Cloth of<br />

Gold by deducing information from<br />

a number of picture sources<br />

What was life like for Henry VIII and his courtiers?<br />

Divide the children into ‘Time Teams’ and give each group a different<br />

section of the Field of Cloth of Gold to examine (p28–32). Children<br />

use the frame (p25) to record their findings. Each group then reports<br />

back to the rest of the class.The teacher tells them the background to<br />

Henry’s historic meeting with Francis, King of France.<br />

● Appreciate that individuals may have<br />

different experiences of an event and<br />

give different accounts of it<br />

● Understand that pictures represent an<br />

artist’s or patron’s view of an event<br />

● Sort pictures into different categories<br />

● Make inferences about the lifestyle of<br />

different types of Tudor people,<br />

taking account of wealth, status, etc<br />

What was life like for ordinary people living in<br />

Tudor towns?<br />

Divide the class into groups of three or four. Using the town ‘cut and<br />

paste’ sheets(p34-37), which contain a range of pictorial evidence<br />

about Tudor towns, ask the children to sort these sources into<br />

categories, e.g. buildings in the town, what houses were like inside,<br />

jobs, transport, other.They should then stick these on the appropriate<br />

sheet of paper, and label and caption where necessary. Help the<br />

children summarise and record their conclusions about life in the<br />

towns. Discuss with the children what they have found out about life<br />

in Tudor towns. Use the writing frame to support the children’s<br />

writing (p33).<br />

● To draw conclusions about life in<br />

Tudor towns from different sources<br />

of information<br />

● That there are different ways of<br />

interpreting the same information<br />

● To identify different ways in which<br />

life in Tudor towns has been<br />

represented<br />

● The differences between inventories<br />

and pictures can be discussed.Which<br />

is better for providing us with<br />

particular kinds of information?<br />

● Summarise differences between<br />

homes of today and people living in<br />

Tudor times<br />

● Use evidence from inventories to<br />

make inferences about people’s<br />

lifestyles<br />

What can an inventory tell us about the life of<br />

people at this time?<br />

Explain that inventories can be used to find out about Tudor life.To<br />

illustrate the purpose of inventories, ask the children to make an<br />

inventory of a room in their house using the sheet provided (p39).<br />

Give the children an extract from the inventory of Mr Pawson<br />

(p41-42).Work through it carefully with them either explaining<br />

words where necessary or by getting them to use a glossary (p40).<br />

Help the children to summarise and record their conclusions about<br />

Mr Pawson (p43). Use the information to fill in the answers to the<br />

key questions. Ask them whether they think there are things missing<br />

from the inventory.<br />

● To use inventories to identify<br />

characteristic features of one type of<br />

person in Tudor times<br />

● To draw conclusions about life in<br />

Tudor times from different sources<br />

of information<br />

● That there are different ways of<br />

interpreting the same information<br />

5<br />

● Appreciate that we lack the evidence<br />

to understand fully some aspects of<br />

Tudor life


POINTS TO NOTE<br />

POSSIBLE TEACHING ACTIVITIES LEARNING OUTCOMES<br />

CHILDREN<br />

LEARNING OBJECTIVES<br />

CHILDREN SHOULD LEARN<br />

● Draw conclusions about life in a<br />

Tudor school from a single source<br />

● Understand what sort of information<br />

this can and cannot provide<br />

● Pupils could compare the illustration<br />

(p44) and understand the ways<br />

different sources may support or<br />

contradict each other<br />

What was it like to go to school in Tudor times?<br />

Ask the children to list the main activities that happen in a morning<br />

before they come to school.<br />

Summarise their comments.<br />

Give the children extract 1 ‘Getting up in the Morning’ from<br />

Claudius Hollyband’s plays (p46). Carefully read through the extract.<br />

Give the children the frame on similarities and differences (p45). Ask<br />

the children to write down anything that is the same today and also<br />

to note any differences.<br />

● About the lives of school children in<br />

Tudor times<br />

● About the attitude of teachers to<br />

their pupils<br />

● To draw conclusions about life in<br />

Tudor schools from an unusual<br />

source<br />

Give the children the second extract (p47) and frame (p48). Ask<br />

them to use the frame to extract information from the text on the<br />

topics of misbehaviour and punishment. Direct the children to the<br />

glossary to help them understand the extract fully. Compare<br />

behaviour today with that of Tudor times.<br />

● Extension activity. Mystery<br />

Picture B (p52)<br />

● Children use the clues to deduce<br />

that the picture is of Elizabeth I<br />

hawking (about 1575)<br />

● This is an ideal opportunity to<br />

undertake assessment of pupils’<br />

development in using visual<br />

sources of information<br />

● Identify features and characteristics<br />

from a portrait<br />

● Understand what sort of information<br />

a portrait can and cannot provide<br />

What can we find out about Elizabeth I from a<br />

portrait?<br />

Give the children the portrait of Elizabeth (p49). Ask them to recall<br />

what they already knew about the techniques of deducing<br />

information from a portrait. Let them work on this portrait<br />

independently, collect in their work and then use questions and<br />

answers to recap.The teacher should record their findings.<br />

● That portraits represent aspects of<br />

the past<br />

● To ask and answer questions using<br />

portraits as a source<br />

● About the appearance and character<br />

of Elizabeth I<br />

● This is an ideal opportunity to<br />

undertake assessment of pupils’<br />

development in using written<br />

sources of information<br />

● Identify key points in the story<br />

● Place the reasons for the failure of<br />

the Armada in order of importance<br />

What was the Armada?<br />

Tell the story of the Spanish Armada or use the Channel 4 video<br />

programmes on this topic. Discuss reasons the invasion was prepared<br />

and their importance. Give the children a list of the possible reasons<br />

it failed. Discuss why it failed and then ask the children to try and<br />

place them in the order of importance.<br />

● About one of the key events of the<br />

Tudor period<br />

● About the reasons for and results of<br />

this unsuccessful invasion<br />

● To communicate their<br />

understanding in a variety of ways<br />

What happened to the soldiers, sailors and ships after the<br />

Spanish Armada?<br />

Give each child one extract and a frame (p53). Ask them to read<br />

slowly through the piece, transferring the appropriate information<br />

into the frame. Summarise their findings on the board. Discuss with<br />

the class why they think this information was secret. Ask them to use<br />

the final frame to support their written conclusions (p54).<br />

6


A TUDOR TIME-LINE<br />

1485 August Henry Tudor defeats Richard III and becomes Henry VII<br />

1491 June Birth of Henry (later Henry VIII)<br />

1509 April Death of Henry VII, Prince Henry proclaimed Henry VIII<br />

1509 June Henry VIII marries Katherine of Aragon<br />

1513 September English defeat Scots at Flodden<br />

1515 February Birth of Princess Mary (later Queen Mary)<br />

1533 January Henry VIII marries Anne Boleyn<br />

1533 September Birth of Princess Elizabeth (later Elizabeth I)<br />

1534 November Henry VIII becomes Head of the Church of England<br />

1535 July Execution of Sir Thomas More<br />

1536 February Suppression of the smaller monasteries<br />

1536 May Execution of Anne Boleyn<br />

Henry VIII marries Jane Seymour<br />

1537 October Birth of Edward (later Edward VI)<br />

Death of Jane Seymour<br />

1540 January Henry VIII marries Anne of Cleves<br />

1540 July Henry VIII marries Catherine Howard<br />

1541 June Henry VIII made King of Ireland<br />

1542 February Catherine Howard executed<br />

1543 July Henry VIII marries Catherine Parr<br />

1547 January Death of Henry VIII. Edward proclaimed King<br />

1553 King Edward VI dies, aged 16 years<br />

1553 July Princess Mary becomes Queen<br />

1553 December The Catholic mass restored<br />

1554 July Mary marries Philip of Spain<br />

1559 November Death of Queen Mary. Princess Elizabeth becomes Queen<br />

1568 May Mary, Queen of Scots, takes refuge in England<br />

1587 May Execution of Mary, Queen of Scots<br />

1588 August Defeat of the Spanish Armada<br />

1603 March Death of Queen Elizabeth I, the last Tudor ruler<br />

King James VI of Scotland becomes King James I of<br />

England.The start of the Stuarts rule<br />

7


MARY I<br />

RULED 1553 – 1558<br />

THE TUDOR FAMILY TREE<br />

HENRY VII<br />

RULED 1485 – 1509<br />

HENRY VIII<br />

RULED 1509 – 1547<br />

ELIZABETH I<br />

RULED 1558 – 1603<br />

EDWARD VI<br />

RULED 1547 – 1553<br />

8


THE TUDOR FAMILY<br />

‘Who done it?’<br />

Below are a series of fascinating facts connected with members of the Tudor family. Each<br />

king or queen has two facts linked to them. Look at their pictures on the family tree.Try<br />

and match each fact to the right person.<br />

1. Who stole a crown?<br />

FACT ANSWER<br />

2. Who ordered the burning of the leader<br />

of the Church of England?<br />

3. Who was an excellent athlete and liked<br />

to play indoor tennis?<br />

4. Who married the King of Spain?<br />

5. Who had many wigs?<br />

6. Who allowed someone to chop off the<br />

head of Mary, Queen of Scots?<br />

7. Who became ruler of the country at<br />

the age of 9?<br />

8. Who liked studying stars?<br />

9. Who was very careful with money<br />

and kept detailed notes of how money<br />

was spent?<br />

10.Who played musical instruments and<br />

composed music?<br />

9


THE TUDOR FAMILY – TEACHER’S NOTES<br />

1. Who stole a crown?<br />

FACT ANSWER<br />

2. Who ordered the burning of the leader<br />

of the Church of England?<br />

3. Who was an excellent athlete and liked<br />

to play indoor tennis?<br />

4. Who married the King of Spain?<br />

5. Who had many wigs?<br />

6. Who allowed someone to chop off the<br />

head of Mary, Queen of Scots?<br />

7. Who became ruler of the country at<br />

the age of 9?<br />

8. Who liked studying stars?<br />

9. Who was very careful with money<br />

and kept detailed notes of how money<br />

was spent?<br />

10.Who played musical instruments and<br />

composed music?<br />

‘Who done it?’<br />

This activity is specifically designed to raise children’s awareness of the fact that the Tudor<br />

family comprised a number of ruthless individuals. In most cases children will associate<br />

blood-thirsty acts with Henry VIII and anything cultural with female members of the<br />

family. It is hoped that this fun activity will begin to change childrens’ preconceptions of<br />

what the monarchs were like.<br />

Henry VII<br />

Mary<br />

Henry VIII<br />

Mary<br />

Elizabeth I<br />

Elizabeth I<br />

Edward VI<br />

Edward VI<br />

Henry VII<br />

Henry VIII<br />

10


KING HENRY VIII<br />

Using a portrait to find out information.<br />

LOOK CAREFULLY AT THE PICTURE OF KING HENRY VIII.<br />

LABEL WHAT YOU CAN SEE.<br />

H for Henry<br />

on his chain<br />

11


FACES SHOWING FEELINGS<br />

To introduce the way a facial expression communicates a message visually, the teacher can adopt some of these and invite the pupils to identify the feeling.<br />

Alternatively, individuals can be asked to take on an expression in turn for the rest of the class.<br />

DISGUSTED PUZZLED DISAPPROVING EXHAUSTED SMUG<br />

IDIOTIC MISCHIEVOUS HORRIFIED DISTASTEFUL SURPRISED SUSPICIOUS<br />

SHOCKED MISERABLE INNOCENT INTERESTED JEALOUS GUILTY<br />

12


WHAT DOES THIS PORTRAIT TELL YOU<br />

ABOUT HENRY VIII?<br />

Look carefully at the portrait/poster and then use the frame below to help you sort out the clues.<br />

FACE JEWELS<br />

BODY LANGUAGE<br />

CLOTHES<br />

BACKGROUND<br />

OTHER INFORMATION<br />

13


When I saw his picture I felt<br />

Source of information: a portrait<br />

The expression on his face makes me think that he was<br />

His body language tells me that<br />

His clothes suggest to me that he was<br />

I noticed jewels on<br />

I think this picture was painted because<br />

KING HENRY VIII<br />

14


KING HENRY VIII<br />

Below are some descriptions of Henry VIII written by different people who actually knew<br />

him. Read them carefully and then use the frame to note down information about him.<br />

A.<br />

The King stands out the tallest... and his strength fits his majestic body...<br />

there is fiery power in his eyes, beauty in his face... He has immediately<br />

arrested and imprisoned anyone who had harmed the realm.<br />

Thomas More, a loyal courtier (1509)<br />

B.<br />

He plays well on the lute and harpsichord, draws the bow with greater<br />

strength than any man in England, and jousts marvellously.<br />

Pasqualigo, the Venetian ambassador to England (1515)<br />

C.<br />

His majesty is the handsomest potenate I ever set eyes on; above the<br />

usual height, with an extremely fine calf to his leg, his complexion very<br />

fair and bright, with auburn hair combed straight and short, in the<br />

French fashion, and a round face so very beautiful, that it would become<br />

pretty on a woman, his throat being rather long and thick... He speaks<br />

French, English and Latin, and a little Italian, plays well on the lute and<br />

harpsichord, sings from book at sight, draws the bow with greater<br />

strength than any man in England, and jousts marvellously.<br />

Rawdon Brown (1515)<br />

D.<br />

The King spent his time hunting, hawking... singing, dancing,<br />

wrestling... playing at the flute and writing songs.<br />

Edward Hall (1542)<br />

15


KING HENRY VIII<br />

Using documentary evidence to find out more information about him.<br />

WHAT HE LOOKED LIKE THE SPORTS HE LIKED TO BE<br />

INVOLVED IN<br />

THE MUSICAL INSTRUMENTS<br />

HE COULD PLAY<br />

OTHER INFORMATION INCLUDING<br />

LANGUAGES HE COULD SPEAK<br />

16


KING HENRY VIII<br />

First of all I read carefully the descriptions of Henry VIII, written by people who actually<br />

knew him.<br />

I discovered that he was a tall person who<br />

He enjoyed playing musical instruments including<br />

Henry was a great sportsman who took part in<br />

He could speak many foreign languages including<br />

I also learnt that<br />

17


Short extract based on the inventory of Henry VIII’s property, made after his death in 1547.<br />

Note the high number of these items.The first thing on the list was the king’s crown of gold.<br />

What else do you think he owned?<br />

In the Custody of Sir Thomas Pastone, Knight, one of the Gentlemen of the king’s<br />

Privy chamber remaining in the tilt yard at Greenwich.<br />

The Long House<br />

8384 Item one harness for his majesty the King, all gilt.<br />

8385 Item one steel saddle of red leather with a seat of crimson velvet embroidered with<br />

green silk.<br />

In the First House<br />

8386 Item upon the first horse one plain hosting harness. Lacking his gauntlets and a base cote<br />

of black velvet embroidered with cloth of gold and a steel saddle covered with black cloth.<br />

8387 Item upon the second horse a hosting harness with a base cote of black velvet<br />

embroidered with cloth of gold and a steel saddle covered with blue velvet.<br />

8388 Item upon the third horse a harness given unto his majesty the King by the Emperor<br />

Maximilian with a base of steel and goldsmith’s work of silver and gilt with a border about<br />

the same silver and gilt of goldsmith’s work.<br />

8389 Item upon the fourth horse a saddle of steel covered with cloth of gold and purple velvet.<br />

In the Second House<br />

GREENWICH<br />

8390 Item upon the first horse one steel saddle partially gilt and silver coloured with cloth of<br />

gold and silver and a base of black velvet embroidered with cloth of gold.<br />

8391 Item upon the second horse a steel saddle covered with black cloth a band of steel and<br />

crynnyan and a shaffron all gilt and silver and a base coat of black velvet embroidered with<br />

cloth of gold.<br />

8392 Item upon the third horse a plain tilt harness lacking a pair of gauntlets a base coat of<br />

black velvet embroidered with cloth of gold. A headpiece with a rams horn silver partially<br />

gilt and a steel saddle covered with black velvet.<br />

Word List<br />

harness: suit of armour<br />

gilt: covered with a thin layer of gold<br />

hosting: for the field of battle, not jousting at tournament<br />

crynnyan: piece of armour for a horse’s neck<br />

shaffron: piece of armour for a horse’s face<br />

tilt: joust with a barrier to separate the knights<br />

headpiece: helmet<br />

18


iiiThis<br />

armour was made for the Field of Cloth of Gold, one of<br />

r<br />

When Henry VIII took part in combats with sword or<br />

pollaxe at a tournament he needed to wear a steel<br />

armour to protect his whole body.<br />

the most splendid tournaments of Tudor times.<br />

Henry VIII and Francis I of France met at this tournament in<br />

1520 and hoped their countries could stay at peace.<br />

Arming doublet<br />

Reconstruction. No original<br />

survives but this shows how it<br />

might have looked<br />

Vambraces<br />

Arm defences. Laced to the<br />

arming doublet<br />

Cuisses<br />

Thigh defences<br />

Poleyns<br />

Knee defences, rivetted to the<br />

cuisses, and attached to the<br />

upper edge of the greaves by<br />

turning pins<br />

Greaves<br />

Lower leg defences, fixed with<br />

straps and buckles.<br />

Sabatons<br />

Foot defences<br />

This armour was put together in a hurry using pieces from<br />

different armours. Some of the decoration was rushed and has<br />

mistakes.<br />

The armour is called a ‘Tonlet’ because of the skirt of<br />

horizontal strips fixed together on the inside with rivets and<br />

leather bands.This protected the upper parts of the legs and<br />

lower body but allowed plenty of movement.<br />

Helmet<br />

Attached to the breast and<br />

backplates by bolts<br />

Pauldrons<br />

Shoulder defences<br />

Breastplate<br />

Attached to the tonlet and the<br />

backplate<br />

Gauntlets<br />

Not the original but suitable<br />

for this armour<br />

Tonlet<br />

Unusual ‘skirt’ used for foot<br />

combat only<br />

PLEASE CUT OUT THESE PIECES CAREFULLY. FIT THEM ONTO HENRY VIII USING RE-USABLE ADHESIVE<br />

19


Henry Viii<br />

1520 Tonlet Armour<br />

20


EXTENSION ACTIVITY<br />

Mystery Picture A<br />

Look carefully at the picture below. List all the things you can see.<br />

I have looked in detail at the picture and I think it shows<br />

The clues that make me think this are<br />

© Board of Trustees of the <strong>Armouries</strong> 2002<br />

21


HOW DID KING HENRY VIII<br />

PROTECT THE COUNTRY?<br />

The Field of Cloth of Gold – Teacher’s notes<br />

In Tudor times parts of France still remained under English rule. For centuries kings of France<br />

longed to rule over a unified country and regularly waged war on England to regain this<br />

territory. However, in 1520, England and France were at peace and in the spirit of this new<br />

accord Henry VIII invited Francis I, King of France, to a banquet and tournament in northern<br />

France at a site between Guisnes and Ardres. Regarded as the eighth wonder of the world, it<br />

was a lavish affair where even the English tents were made of crimson and gold cloth. The<br />

event was optimistically viewed as the beginning of a real friendship between the two nations,<br />

but after only two years of peace they were at war again.<br />

The two maritime views show Henry VIII setting out from Dover to France.<br />

Teachers should note:<br />

Picture A<br />

● Stone fort<br />

● Numerous cannon<br />

● Troops armed with halberds, pikes, swords and small shields (bucklers)<br />

● Small child carrying weapons<br />

● Small rowing boat taking troops out to the ship<br />

● Tudor rose emblazoned on flags<br />

● Shields draped over the side of the ship<br />

Picture B<br />

● Large number of warships<br />

● Ships driven by sails<br />

● Flags decorated with the <strong>Royal</strong> Standard<br />

● Shields draped over the sides of the ship<br />

● Ships heavily armed with cannon<br />

● Large anchor on main ship<br />

● Henry VIII on deck<br />

● Large number of troops going to France with the King<br />

22


The following five pictures are taken from a print of the painting which records the meeting of<br />

Henry VIII and Francis I in June 1520. It is the work of several artists. Full of inaccuracies it is,<br />

nevertheless, a remarkable record of this spectacular event.<br />

Teachers should note:<br />

Picture 1<br />

● Henry VIII in a heavy-pleated overgarment of cloth of gold, riding a fine white horse<br />

● Behind him Cardinal Wolsey riding a mule. Wolsey was responsible for the organisation of<br />

this event<br />

● The vast number of foot soldiers<br />

● The gentlemen on horseback<br />

● The hunting dogs<br />

● The castle in the background firing a military salute<br />

Picture 2<br />

Main palace:<br />

● Constructed on proper brick walls nearly three metres high<br />

● Most of the structure is cloth or canvas upon timber frames and then cunningly painted<br />

● Large windows of exceptionally fine white glass which cost a fortune<br />

● Slanting roof made of an oiled cloth painted a lead colour<br />

● Statues of armed men discharging stones<br />

● The <strong>Royal</strong> coat of arms and Tudor Rose emblazoned at the front of the palace<br />

● The palace provided accommodation for Henry VIII, his sister Mary, Queen Katherine of<br />

Aragon and Wolsey<br />

● A large banqueting hall, a chapel, rooms for household officers and wine cellars were also<br />

located here<br />

● Two fountains dispensing red and white wine<br />

● The fight going on in front of the right hand fountain<br />

● The person being sick at the side of the palace<br />

● The finely dressed musicians to the foreground<br />

● The tent to the right-hand side of the palace in which food is being eaten<br />

Picture 3<br />

The Tournament:<br />

● Henry VIII and Francis I sitting under the covered pavilion<br />

● The jousting taking place in front of them<br />

● The soldiers round the periphery of the ring<br />

● The mounted guard round the edge<br />

● The Tree of Honour containing the shields with the coat of arms of the participants<br />

● Henry VIII designed the layout of this area<br />

23


Picture 4<br />

● The two kings meeting inside the pavilion<br />

● Their two horses being looked after by the grooms to the side of the tent<br />

● The circle of armed guards on foot and on horseback<br />

● The enormous number of tents, extremely costly to manufacture<br />

● The special designs on the tent, done specifically for the Field of Cloth of Gold<br />

● The fact that 6,000 English workmen constructed the tents and palaces on this site<br />

Picture 5<br />

● The huge brick bread ovens to the right of the picture<br />

● The paddles for putting the bread in and out of the oven<br />

● The long wooden tables<br />

● The large tent with the cauldrons of boiling soup being stirred by a servant<br />

● The tent with the fowl being turned on a spit over the fire<br />

N.B.The kitchen boy doing this work<br />

● The servants carrying the food on the plates<br />

These pictures show how a grand event with sports and feasts was used to bring many<br />

important people from England and France together. If they could agree a treaty the<br />

English and French could live in peace, rather than at war with each other.<br />

24


NAMES:<br />

HOW DID KING HENRY VIII<br />

PROTECT THE COUNTRY?<br />

What I can see in the picture What I can guess from the picture<br />

I think this picture was drawn because<br />

25


Picture A<br />

© Board of Trustees of the <strong>Armouries</strong> 2002<br />

26


27<br />

© Board of Trustees of the <strong>Armouries</strong> 2002<br />

Picture B


28<br />

© Board of Trustees of the <strong>Armouries</strong> 2002<br />

Picture 1


29<br />

© Board of Trustees of the <strong>Armouries</strong> 2002<br />

Picture 2


© Board of Trustees of the <strong>Armouries</strong> 2002<br />

Picture 3<br />

30


© Board of Trustees of the <strong>Armouries</strong> 2002<br />

Picture 4<br />

31


© Board of Trustees of the <strong>Armouries</strong> 2002<br />

Picture 5<br />

32


Although I already knew<br />

TUDOR TOWNS<br />

Source: woodcuts and engravings<br />

about Tudor towns, I have learnt some new facts.<br />

I learnt that<br />

I discovered that<br />

The most interesting thing I learnt was<br />

33


TUDOR TOWNS: CUT & PASTE SHEET 1<br />

Cut out the following images. Sort them into different categories e.g. buildings in the town, what houses were like<br />

inside, jobs and transport. Look carefully at the images. Label or caption them.<br />

What have you discovered about Tudor towns?<br />

34


TUDOR TOWNS: CUT & PASTE SHEET 2<br />

35


TUDOR TOWNS: CUT & PASTE SHEET 3<br />

Detail from the central part of the Long view of London, by Claes Jan Visscher © Museum of London 36


TUDOR TOWNS: CUT & PASTE SHEET 4<br />

37<br />

Copperplate map, Bishopgate street © Museum of London


THE INVENTORY OF JOHN PAWSON –<br />

TEACHER’S NOTES<br />

John Pawson was a successful clothier who had a timber framed house on Kirkgate, Leeds.<br />

When he died in 1576 his friends made a list of everything he owned.This helped them<br />

to share out the goods just as he had asked them to do in his will.This information enables<br />

us to build a detailed picture of what life was like inside his house.<br />

John Pawson’s wife and only child each received £69. 18s. 5d (£69.92). This was an<br />

enormous sum of money for the time. The Office House was his kitchen and the only<br />

room possessing a hearth.The parlour also served as a bedroom and was warmed only by<br />

leaving the door open between it and the kitchen.The Chamber was a granary for corn<br />

and contained wool and the alum used in dyeing it.The arks held flour for the household.<br />

Pawson had three apprentices but they evidently slept in their own homes.<br />

Using an inventory allows pupils to make comparisons between the lives of people at<br />

different levels of society. Although Pawson was a wealthy man, it is clear that there are<br />

great differences betrween the property he owned and the items mentioned in the short<br />

extract from Henry VIII’s inventory. The poorer members of society, such as agricultural<br />

labourers would have owned only a small fraction of John Pawson’s goods.<br />

The inventory can also be used to highlight the difference between aspects of life in the<br />

16th century and now.<br />

The inventory provides a special kind of evidence because it had to be very precise about<br />

the types and quantities of objects. However it uses only words and numbers, so it is not<br />

good to show what particular things looked like. Pictures may be valuable to show what a<br />

cupboard or bed looked like in Tudor times.<br />

38


NAME:<br />

Inventory Sheet: Present Day<br />

An inventory of the items in the (room)<br />

Of my home at (address)<br />

on (date) year<br />

39


INVENTORIES<br />

When someone of property died, a list was made of all the goods in their house, noting what<br />

they owned and the value.This was needed for legal reasons and was connected to the will.<br />

Below is a glossary of terms that will help you to understand the inventory of John Pawson, a<br />

clothier who lived in Leeds, but died in 1576.<br />

GLOSSARY<br />

1. Alum A chemical used to stop the dye being washed out of cloth<br />

2. Ark A very large chest used for storing grain<br />

3. Flitch The side of an animal, salted and cured<br />

4. Hatchet A small axe<br />

5. Kneading trough A long narrow box used in bread making for kneading dough<br />

6. Laithe A barn<br />

7. Range A kitchen fireplace with ovens<br />

8. Shear board A flat board used for placing the cloth on so that the surface can<br />

be cut evenly with shears<br />

9. Walker shears A huge pair of scissors used for cutting the surface of the cloth<br />

to make it smooth and even<br />

10. Shilling An English coin that was worth a twentieth of a pound<br />

(now 5p)<br />

11. Shovel A tool like a spade with the sides turned up, for lifting and<br />

moving coal, earth etc.<br />

12. Spit A long thin metal spike put through meat to hold it whilst it is<br />

being roasted<br />

13. Swine Pig<br />

14. Tenter A frame used for stretching and drying wet cloth after it has<br />

been washed<br />

15. Wool comb Used to straighten the wool before spinning<br />

40


SOURCE: THE INVENTORY OF<br />

JOHN PAWSON<br />

This is the inventory of all the goods, corn, cattle, rights, credits, debts and moveable estate<br />

of John Pawson, late of Kirkgate in Leeds, in the county of York, clothier, deceased, priced<br />

and valued the fifth day of February, in the year of our Lord God 1576.<br />

IN THE OFFICE HOUSE<br />

His purse, girdle and dagger and 16 pence of money<br />

His apparell, one long table, one cupboard, two chairs,<br />

two buffet stools, one little board, other stools<br />

One iron range, one pair of tongs, one pair of racks, one pair of hangers,<br />

Two axes, two hatchets, one frying pan, three spits, one spade,<br />

Two shovels, two forks, two iron forks, one roasting iron<br />

Seven brass pots, nine round pans, one basin, one great pan<br />

Three candlesticks, one pewter can, one pot with cups<br />

Twenty saucers<br />

Ten cushions<br />

Three sacks of barley<br />

IN THE PARLOUR<br />

Five silver spoons worth fifteen shillings<br />

In money thirty shillings<br />

One cupboard<br />

One counter<br />

Two pairs of bedstocks<br />

Five coverlets<br />

Three pairs of blankets<br />

Two pairs of linen sheets<br />

Three pairs of hard sheets<br />

Three pillows<br />

Two chests<br />

Three towels<br />

Two sheets<br />

Twelve beef flitches<br />

Two stone of grease<br />

41


IN THE CHAMBER<br />

Fourteen stone of coloured wool<br />

Two arks<br />

Five stone of butter<br />

Alum<br />

Barley, rye and wheat<br />

Twenty seven stone of coloured wool<br />

Fifteen stone of white wool<br />

Sacks of barley<br />

Seven pairs of wool combs<br />

One kneading trough with tubs<br />

IN THE SHOP AND LOOMHOUSE<br />

Twenty one rolls of cloth<br />

One shear board<br />

Four pairs of walker shears<br />

Eight handles<br />

Two pairs of irons<br />

One shear board covering<br />

Two pairs of walker shears<br />

Five stone of wool<br />

One loom, and spinning wheel and all other things belonging<br />

IN THE LEADHOUSE, LAITHE (BARN) AND BACK YARD<br />

One lead for dyeing cloth<br />

Four tubs<br />

Certain hay and green grass<br />

Two tenter heads<br />

Tenter rope<br />

A cock and two hens<br />

Two cows<br />

One horse<br />

One hackney saddle<br />

One pack saddle<br />

Two swine<br />

Certain barley unthreshed<br />

Wood and coals<br />

Twenty five sawn boards<br />

42


THE INVENTORY OF JOHN PAWSON<br />

Use the information in the inventory to help discover about the lifestyle of John Pawson.<br />

How did he earn a living?<br />

Where did he work?<br />

Where did he eat?<br />

Where did he sleep?<br />

How did he heat his house?<br />

How did he light the house?<br />

What animals did he keep and why?<br />

How did he travel from town to town?<br />

What did he own that was valuable?<br />

Which of these were similar to the life of Henry VIII?<br />

What were the biggest differences between the lifestyles of Henry VIII and John Pawson?<br />

43


GOING TO SCHOOL IN TUDOR TIMES:<br />

TEACHER’S NOTES<br />

Most children in Tudor times had no opportunity to go to school and never learnt to read or<br />

write. However, private tutors often taught princes and princesses such as Henry and Elizabeth<br />

and those children of wealthy parents.They not only learnt reading, writing and arithmetic but<br />

often also foreign languages, both ancient Greek and Latin and modern languages. Other<br />

experts might be found to teach them music, dancing, riding and sports.<br />

Claudius Hollybrand emigrated to London from France and opened a private school to teach<br />

boys how to read and write. He specialised in teaching children how to speak and read French<br />

and produced his own text books to help children enjoy the subject. He wrote dialogues, or<br />

little plays about events in everyday life. These were printed in French on one side, with an<br />

English translation on the opposite page.Today these give us a wonderful insight into the life<br />

and times of a Tudor child.<br />

School of 1592<br />

44


NAME:<br />

List the things you do from waking up to getting ready for school.<br />

1. Now read Claudius Hollyband’s account then fill in the chart below.<br />

What do you do that is the same as Francis?<br />

What do you do that is different?<br />

GOING TO SCHOOL<br />

45


GOING TO SCHOOL IN TUDOR TIMES<br />

1. Getting up in the Morning<br />

Francis, the schoolboy Margaret, the maid<br />

Margaret<br />

Ho Francis rise, and get you to school: you should be beaten, for it is past seven : make your self ready<br />

quickly, say your prayers, then you shall have your breakfast.<br />

Francis<br />

Margaret, give me my hosen: dispatch I pray you : where is my doublet? Bring my garters, and my shoes:<br />

give me that shoeing horn.<br />

Margaret<br />

Take first a clean white shirte, for yours is foul.<br />

Make haste then, for I do tarry too long.<br />

Francis<br />

Margaret<br />

It is moist yet, tarry a little that I may dry it by the fire.<br />

Francis<br />

I cannot tarry so long : go your way, I will none of it.<br />

Margaret<br />

Your mother will chide me if you go to school without your clean shirt.<br />

Francis<br />

Where have you laid my girdle and my inkhorn? Where is my jerkin of Spanish leather?...Where be my<br />

socks of linen...Where is my cap...my mittens...My slippers, my handkerchief, my point, my satchel, my<br />

penknife and my books? Where is all my gear? I have nothing ready: I will tell my father: I will cause<br />

you to be beaten: Peter, bring me some water to wash my hands and my face. I will have no river<br />

water for it is troubled: give me Well, or Fountain water: take the ewer, and pour upon my hands:<br />

pour high.<br />

Margaret<br />

Can you not wash in the basin? Shall you have always a servant at your tail? You are too wanton.<br />

Francis<br />

Wilt thou that I wash my mouth and my face, where I have washed my hands, as they do in many<br />

houses in England? Give me a towel: maiden, now give me my breakfast, for I am ready : make haste.<br />

Word List<br />

hosen: very long socks<br />

doublet: jacket<br />

garters: band to hold up hosen<br />

shoeing horn: tool to help putting on a shoe<br />

girdle: belt<br />

jerkin: jacket without sleeves<br />

point: writing tool<br />

ewer: jug<br />

wanton: badly behaved, careless<br />

46


GOING TO SCHOOL IN TUDOR TIMES<br />

2. In School<br />

The Schoolmaster The Tell-Tale (Nicholas)<br />

The Black Sheep (John Nothingworth)<br />

Nicholas<br />

Master, John Nothingworth hath sworn by God, played by the way, sold his point, changed his book,<br />

stolen a knife, lied twice, lost his cap.<br />

Master<br />

Is it true? Come hither companion, untruss you: untie you: put your hosen down.<br />

John Nothingworth<br />

Nicholas doth mock me, plucketh me by the hair, by the ears: hath stroken me with his fist upon the<br />

head: hath stroken me: hath made me bleed.<br />

Master<br />

You shall be beaten both for company, for you have deserved it well.<br />

(Enter Francis the late riser)<br />

Master<br />

From whence come you good scholar? Is it time to rise, and to come to school at nine?<br />

Where have you been?<br />

Francis<br />

Master, I come from home: my father hath him recommended unto you, and sendeth unto you his<br />

ring for a token, to the end that you beat me not.<br />

Master<br />

That will serve you nothing, for you love not to rise in the morning.<br />

Francis<br />

Master, I met him by the way which did leap, did slide upon the ice: which did cast snow: which<br />

fought with his fist, and balls of snow: which did scorge his top: which played for points, pins, cherry<br />

stones, counters, dice, cards.<br />

Master<br />

Enter in gallant, I will teach you a game which you know not.<br />

Francis<br />

Master, pardon me for this time, and I will do so no more, it shall be the first, and the last Henry Page<br />

shall be my surety.<br />

Master<br />

Well, I will pardon you for this time, but if you do so any more, you shall not be quit for the price: I<br />

will pay you for both together.<br />

(Some of the boys have been taking advantage of the distraction)<br />

Nicholas<br />

William hath spitted on my paper: torn my book: broken my girdle: trod my hat under his feet: marred<br />

my copy: spoken English.<br />

Master<br />

Ah little fellow, you prattle, babble, crackle, play the vice. Give me my rod: stretch your hand...<br />

Word List<br />

untruss: undo (clothing)<br />

plucketh: pulled<br />

stroken: hit<br />

gallant: brave person<br />

(They settle down to work)<br />

surety: guarantee, bond<br />

marred: spoilt<br />

prattle: talk foolishly<br />

play the vice: behave badly<br />

47


2. Read the playlet on going to school, then fill in the chart below.<br />

Ways in which children in our class have misbehaved:<br />

Ways in which we could be punished:<br />

Ways in which Tudor children have misbehaved:<br />

Ways in which they might have been punished:<br />

48


QUEEN ELIZABETH I<br />

Source of information: a portrait<br />

• Look carefully at the portrait and then use the frame to help you sort out the clues.<br />

49<br />

© Marquess of Tavistock,Woburn Abbey


FACE<br />

QUEEN ELIZABETH I: Portrait Note Frame<br />

BODY LANGUAGE<br />

CLOTHES<br />

FURNITURE<br />

OBJECTS<br />

OTHER INFORMATION<br />

List at least two questions you would like answered if you could have met the Queen:<br />

50


When I first saw her picture I felt<br />

QUEEN ELIZABETH I<br />

Her face and how she looks gives me these ideas about her<br />

The way she is sitting tells me that she was<br />

Her clothes suggest to me that she was<br />

The things in the room are clues that tell us that<br />

I think the pictures behind her tell us a story about<br />

I think the picture was painted because<br />

51


EXTENSION ACTIVITY B<br />

Mystery Picture<br />

Look carefully at the picture below. List the things you can see.<br />

By Permission of the British Library G2372 (1)PG81<br />

I have looked in detail at the picture and I think it shows<br />

The clues that make me think this are<br />

The Book of Faulconrie or Hawking by George Turbeville (1575)<br />

52


NAME:<br />

EVIDENCE:<br />

THE SPANISH ARMADA<br />

What happened to the soldiers, sailors and ships after the Spanish Armada?<br />

Read your extract carefully. It was written over 400 years ago and at the time was top secret<br />

information. Use the frame below to help you sort out key facts from the extract.<br />

NAMES OF ANY PEOPLE INFORMATION ABOUT FOOD<br />

AND DRINK<br />

NAMES OF ANY COUNTRIES<br />

NAMES OF ANY SHIPS<br />

INFORMATION ABOUT THE<br />

PRISONERS<br />

OTHER INFORMATION<br />

53


WHAT HAPPENED TO THE SPANISH<br />

SOLDIERS, SAILORS AND SHIPS AFTER<br />

THE SPANISH ARMADA?<br />

I found the information interesting for several reasons. I discovered that<br />

I also learnt<br />

The most interesting thing I found out was<br />

54


THE SPANISH ARMADA:<br />

SOURCE EXTRACTS<br />

A. What happened to the Spanish Armada?<br />

(extract taken from the book The Voyage of Sir Francis Drake)<br />

The Lord Admiral pursued the Spaniards till they were past Edinburgh Firth, and then<br />

meeting with bad weather, gave over the chase.<br />

The Spanish fleet was driven by tempests beyond the Orkney Islands.The mariners, not<br />

accustomed to such hardships, nor able to govern such unwieldy vessels in stormy weather,<br />

suffered their ships to drive either to the Western Isle of Scotland, or on the coast of Ireland,<br />

where multitudes, both of mariners and soldiers, as appeared by their bodies cast ashore, were<br />

miserably shipwrecked. So that what with the destruction made by the two elements of fire<br />

and water, not one half of the boasted invincible Armada returned to Spain.<br />

The Duke of Medina Sidonia was beating up and down the seas of Scotland and Ireland<br />

some part of August, and all the month of September, miserably lost and shattered by<br />

tempestuous weather, insomuch that he was forced to leave behind him seventeen good ships<br />

that were now disabled, after he had lost fifteen ships in the English Channel.That in the<br />

whole, there perished, or were taken, thirty two of the Spanish galeaces, on board of which<br />

were above 13,500 soldiers and mariners.That the prisoners of all sorts, in Britain, Ireland,<br />

and Zealand, were 2 or 3000.That of the above mentioned 13,500, there were 5394 who<br />

were cast away on the coast of Ireland, and either put to the sword or hanged, to prevent their<br />

joining the Irish rebels; for which purpose, there actually landed 600 Spaniards in the north<br />

part of Ireland, who being attacked and defeated by about 150 English, those who escaped<br />

the sword, surrendered prisoners, and many of them were brought over to England, and<br />

committed to Bridewell in London.<br />

B. What happened to the soldiers and sailors on the Spanish ships?<br />

(Report to Queen Elizabeth concerning the Spanish Fleet off Ireland)<br />

On Tuesday, there wrecked, in the sound of the Bleskeys, a ship called Our Lady of Rosary, of<br />

one-thousand tons. In this ship was drowned the Prince of Ascule, one Don Pedro, Don<br />

Diego, and Don Francisco, with seven other gentlemen that accompanied the Prince.There<br />

was drowned in her also Michael Oquendo, a principal seaman, chief governor of the ship;<br />

Ville Franca, captain of the same ship; Matuta, captain of the infantry of that ship; Captain<br />

Suares, a Portuguese; Garrionerie, Ropecho de la Vega, Montenese, and Francisco Castilian,<br />

captains; one John Ryse, an Irish captain, Francis Roch, an Irishman, and about five hundred<br />

persons, whereof one hundred were gentlemen, and only one John Anthonio de Monona, a<br />

Genoese, being the pilot’s son of that ship, saved.<br />

55<br />


C. WHAT HAPPENED TO THE SOLDIERS AND SAILORS ON THE<br />

SPANISH SHIPS?<br />

(Report to Queen Elizabeth concerning the Spanish Fleet off Ireland)<br />

The same Tuesday, there were lost, upon the coast of Thomond, two great ships, out of which<br />

there were drowned about seven hundred persons, and taken prisoners about one hundred<br />

and fifty.<br />

About that Tuesday also, as appeareth by a letter written to Stephen White, of Limerick, twelfth<br />

of this September, there was cast, upon the sands of Ballicrahihy, a ship of nine hundred tons;<br />

thirteen of the gentlemen of that ship, as he writeth, are taken; and so writeth, that he heard<br />

the rest of that ship, being above four hundred, have fought, for their defence, being much<br />

distressed, to intrench themselves.<br />

He writeth, also, of another ship which was cast away at the isle of Clare in Irrise, and that<br />

seventy eight of the men of that ship are drowned and slain.<br />

D. WHAT HAPPENED TO THE SOLDIERS AND SAILORS ON THE<br />

SPANISH SHIPS?<br />

(Report to Queen Elizabeth concerning the Spanish Fleet off Ireland)<br />

He writeth also, that there was, about the same time, another great ship cast away in Tirawley,<br />

and that there are three noblemen, a bishop and a friar, and sixty nine other men taken by<br />

William Bourk, and all the residue of that ship are slain and drowned; insomuch, as he writeth,<br />

that one Meleghlen Mac Cabb, killed eighty of them with his Galloglass axe. Wednesday the<br />

eleventh of this September, seven of those ships, that then remained within the Shannon,<br />

departed out of that road with an easterly wind, and, before their going forth, they set on fire<br />

one other very great ship of their company, which was one thousand tons at least.<br />

The admiral, called John Martin de Ricalde, came into the sound of Bleskeys, with one other<br />

great ship, about the six day of this September. The ship had been shot through fourteen or<br />

fifteen times, her main-mast so beaten with shot, as she durst not bear her full sail, and now not<br />

sixty mariners left in her, and many of them so sick, that they lie down, and the residue so weak,<br />

that they were not able to do any good service; and there are daily cast over the board, out of<br />

that ship, five or six of the company.<br />

56<br />


E. EVIDENCE TAKEN FROM A PRISONER CAPTURED IN IRELAND<br />

IN 1588<br />

John Anthonio de Monona, an Italian, son to Francisco de Monona, pilot of the ship, called<br />

Santa Marie de la Rose, of a thousand tons, cast away in the sound of Bleskey, September 2,<br />

1588.<br />

Examined, the eleventh of September, he remembereth, that two ships were sunk upon the<br />

coast of Scotland, by reason of shots received from the English ships; the one called Saint<br />

Matthew, of five hundred tons, wherein were drowned four hundred and fifty men; the other<br />

ship, a Biscayan of Saint Sebastians, of four hundred tons, wherein were drowned three hundred<br />

and fifty men; and the ship wherein he was called Saint Mary Rose, of one thousand tons,<br />

wherein, of five hundred, there escaped but himself.<br />

He saith, that the fleet was in great want of fresh water; and being examined, what ordnance,<br />

wines, or other matters of moment were in the ship here cast away, saith, there were fifty great<br />

brass pieces, all cannons for the field, twenty five pieces of brass and cast iron belonging to the<br />

ship; there are also in her fifty tons of sack. In silver, there are in her fifty thousand ducats; in<br />

gold, as much more, rich apparel and plate, and cups of gold.<br />

F. EVIDENCE TAKEN FROM A PRISONER WHO SAILED ON THE<br />

SHIP THE ADMIRAL<br />

The Examination of Emanual Fremosa, a Portuguese, September 12, 1588<br />

He saith, that, about four days after the English fleet left them, the whole fleet remaining being<br />

towards one hundred and twenty came to an island off the north part of Scotland. He saith they<br />

came forth the worse furnished that they expected to be relieved of those things more amply<br />

by the Duke of Parma; he saith, that out of this ship there died four or five every day, of hunger<br />

and thirst, and yet this ship was one that was best furnished for victuals.<br />

After this, for ten days, the whole fleet remaining held together, holding their course the best<br />

they could towards Spain.<br />

He saith, that at the same time, which is now about twenty days or more past, they were severed<br />

by a great storm, which held from four of the clock in the afternoon of one day, to ten of the<br />

clock in the morning the next day; what is become of the rest of the navy he cannot tell.<br />

He saith, there be eighty soldiers, and twenty of the mariners in the Admiral, very sick, and do<br />

lie down and die daily; and the rest, he saith be all very weak, and the captain very sad and weak;<br />

he saith, the Admiral hath in her fifty four brass cannons, and bout four-score quintals of<br />

powder.<br />

There are in the Admiral left but twenty five pipes of wine, and very little bread and no water,<br />

but what they brought out of Spain, which stinketh marvellously, and their flesh meat they<br />

cannot eat, their drought is so great.<br />

57<br />


G. EVIDENCE TAKEN FROM A PRISONER WHO SAILED ON THE<br />

SPANISH SHIP THE ST JOHN<br />

(The Examination of Pierre Carre, a Fleming)<br />

He saith, that in the ship that he came hither in, called St John, a galleon of nine hundred tons,<br />

besides John Martin de Ricalde, there are five captains, Don John de Lune, Don Gomes de<br />

Galanezar, Don Pedro de Madri, Don Felice, and there is also an Italian Marquess of Piedmont,<br />

called the Marquess of Faruara.<br />

He saith also, that the admiral, after such time as the fight was at Calais, came not out of his<br />

bed, until this day sen’night in the morning that they ran upon the shore. He saith, his admiral<br />

is of Biscay, and of sixty-two years of age, and a man of service. He saith, that there were in this<br />

navy of the old soldiers of Naples, under the conduct of Don Alonso de Sono, and of the old<br />

soldiers of Sicily, under the conduct of Don Diego de Piementelli, whose ship was lost<br />

near Calais.<br />

H. SECRET REPORT TO QUEEN ELIZABETH<br />

On the fourteenth of September, it is certified to the Lord Deputy of Ireland, from the Earl of<br />

Tyrone, being at his castle of Dongannon, that, upon intelligence brought to him of the landing<br />

of certain Spaniards in the north of Ireland, he sent two English captains with their bands<br />

towards them, to the number of one hundred and fifty; who found them at a town, called Illagh,<br />

and there, discovering their number to be above six hundred, did that night camp within a<br />

musket-shot of them, and, about midnight, did skirmish with them for the space of two hours,<br />

in which skirmish the Spanish lieutenant and twenty more of the Spaniards were slain, besides<br />

many that were hurt.<br />

The next day following they did offer skirmish gain to the Spaniards, whereupon they all<br />

yielded, and so, as prisoners, were carried to Dungannon to the Earl, who meant to send them<br />

to the Lord Deputy, being judged to be men of good value.<br />

I. SHIPS AND MEN SUNK, DROWNED, KILLED, AND TAKEN UPON<br />

THE COAST OF IRELAND, IN THE MONTH OF SEPTEMBER, 1588<br />

In Tyrconnel In Loughfoyle 1 ship 1100 Men of that ship and<br />

others that escaped<br />

In Connaught<br />

In Munster<br />

In Sligo Haven<br />

In Tirawley<br />

In Clare Island<br />

In Finglass<br />

In Oflarty<br />

In Irrise<br />

In Galway Bay<br />

In the Shannon<br />

In Traylie<br />

In Dingle<br />

In Desmond<br />

In the Shannon<br />

TOTAL<br />

3 great ships<br />

1 ship<br />

1 ship<br />

1 ship<br />

1 ship<br />

2 ships<br />

1 ship<br />

2 ships<br />

1 ship<br />

1 ship<br />

1 ship<br />

1 ship burnt<br />

17 ships<br />

1500<br />

400<br />

300<br />

400<br />

200<br />

70<br />

600<br />

24<br />

500<br />

300<br />

5394 men<br />

{the men fled into<br />

other vessels<br />

{the men embarked in<br />

another ship<br />

58<br />

✃<br />

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