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A RESOURCE PACK FOR TEACHERS INCLUDING FULL PLANNING IN QCA FORMAT<br />
The Tudors:2<br />
Panel painting of Henry VIII, 16th Century, after Holbein © Board of Trustees of the <strong>Armouries</strong> 2002
Henry<br />
VIII<br />
Henry<br />
VIII<br />
The Tudors<br />
A RESOURCE PACK FOR TEACHERS AND<br />
PUPILS AT KEY STAGE 2<br />
1 Introduction, credits, copyright<br />
2–6 Study Unit: The Tudors with planning grid<br />
in QCA format<br />
7 Tudor Time–Line<br />
8 Tudor Family Tree<br />
9 Tudor Family: pupil ‘Who Done It?’<br />
activity<br />
10 Tudor Family: teacher’s notes<br />
11 King Henry VIII: portrait activity<br />
12 Faces Show Feelings: pupil sheet<br />
13 What does this portrait tell us ... ? frame<br />
for pupil notes<br />
14 Portrait of King Henry VIII: writing<br />
activity<br />
15 Descriptions of King Henry VIII: reading<br />
extracts<br />
16 Descriptions of King Henry VIII: frame<br />
for pupil notes<br />
17 Descriptions of King Henry VIII: writing<br />
activity<br />
18 Extracts from inventory of Henry VIII’s<br />
property: Greenwich<br />
19–20 Henry VIII tonlet armour<br />
21 Mystery Picture A (Emperor Maximilian<br />
visits his armourers’ workshop)<br />
22–24 How did King Henry VIII protect the<br />
country?: teacher’s notes<br />
25 How did King Henry VIII protect the<br />
country?: writing activity<br />
26 Picture A: The Embarkation of King Henry<br />
VIII, 1520<br />
27 Picture B: The Embarkation of King Henry<br />
VIII, 1520<br />
28 Picture 1: detail from Field of Cloth of Gold<br />
CONTENTS<br />
29 Picture 2: detail from Field of Cloth of Gold<br />
30 Picture 3: detail from Field of Cloth of Gold<br />
31 Picture 4: detail from Field of Cloth of Gold<br />
32 Picture 5: detail from Field of Cloth of Gold<br />
33 Life in Tudor Towns: writing activity<br />
34 Life in Tudor Towns: cut and paste sheet 1<br />
35 Life in Tudor Towns: cut and paste sheet 2<br />
36 Life in Tudor Towns: cut and paste sheet 3<br />
37 Life in Tudor Towns: cut and paste sheet 4<br />
38 Inventory of John Pawson: teacher’s notes<br />
39 Inventory Exercise: pupil’s sheet<br />
40–42 Inventory of John Pawson: source material<br />
and glossary<br />
43 Inventory of John Pawson: writing activity<br />
44 Going to School in Tudor Times:<br />
teacher’s notes<br />
45 Going to School in Tudor Times:<br />
Then and now: writing activity A<br />
46 Going to School in Tudor Times:<br />
extract 1 – Getting Up<br />
47 Going to School in Tudor Times:<br />
extract 2 – In School<br />
48 Going to School: Then and Now: writing<br />
activity B<br />
49 Queen Elizabeth I: ‘Armada Portrait’<br />
50 Queen Elizabeth I: portrait note frame<br />
51 Queen Elizabeth I: portrait writing activity<br />
52 Mystery Picture B: The Book of Faulconrie<br />
53 The Spanish Armada: frame for pupil notes<br />
54 The Spanish Armada: writing activity<br />
55–58 The Spanish Armada: what happened ... ?<br />
extracts A – I<br />
The poster enclosed is for use with the<br />
Henry VIII portrait activity on pages 11-14.<br />
Henry<br />
VIII<br />
Henry<br />
VIII
Henry<br />
VIII<br />
Henry<br />
VIII<br />
INTRODUCTION<br />
The materials in this pack have been created to help KS2 pupils learning<br />
about the Tudors. They have been assembled to fit the QCA planning<br />
format for teachers, as well as to provide ideal classroom resources for<br />
pupils to enjoy an exciting and varied investigation of the Tudors.These<br />
materials have been devised to complement another pack, The Tudors 1,<br />
that provides a set of teacher and pupil sheets which help a group to get<br />
the most from their visit to the <strong>Royal</strong> <strong>Armouries</strong>. Used together, the two<br />
packs provide the materials to support a term’s study of the Tudors,<br />
including a visit to the <strong>Royal</strong> <strong>Armouries</strong>.<br />
In this pack of materials for use in school before and after a visit to the<br />
<strong>Royal</strong> <strong>Armouries</strong> you will first find the planning materials for teachers<br />
followed by the teachers’ notes and pupil activity materials to explore<br />
The Tudors, portraits and descriptions of King Henry VIII, the Field of<br />
Cloth of Gold in 1520,Tudor town life, schools, Queen Elizabeth I and<br />
the Spanish Armada. Many threads link the topics to allow comparisons<br />
between different sections of society and examine continuity and<br />
development through time and the changing nature of monarchy and<br />
the defence of England against both internal and external threats. The<br />
range of activities is varied and seeks to provide a broad spectrum of<br />
learning opportunities for pupils of varying abilities, while concentrating<br />
on the reinforcement of core skills such as analysing sources, recording<br />
evidence, assessment of many different types of written and visual<br />
information, problem solving, understanding chronology and the<br />
synthesis of information to draw coherent conclusions.<br />
The <strong>Royal</strong> <strong>Armouries</strong> is pleased to acknowledge the valuable help of many teachers and<br />
pupils from the Rothwell Family of Schools, Leeds in piloting these materials. Particular<br />
thanks go to Clare Marshall and the children of class 5/6 CM, Rothwell Primary School.<br />
This pack has also benefited greatly from the excellent advice and assistance of Steven Burt.<br />
The <strong>Royal</strong> <strong>Armouries</strong> wishes to extend its sincere thanks to the following:The Marquess<br />
of Tavistock,Woburn Abbey, for permission to use the Armada portrait of Elizabeth I; the<br />
Museum of London, for the use of the copperplate map, Bishopgate Street, and the detail<br />
from the Central Part of the Long View of London, by Claes Jan Visscher; the British<br />
Library for the use of woodcut of ElizabethI; the Society of Antiquaries of London for The<br />
Inventory of King Henry VIII.<br />
All other illustrations are reproduced by permission of the Board of Trustees of<br />
the <strong>Armouries</strong>.<br />
* Teachers may be interested to know that posters of the Armada portrait are available<br />
from The Shop Manager,Woburn Abbey,Woburn, Bedfordshire MK43 0TP.<br />
Tel: 01525 290290.<br />
The material in this pack is not copyright free. However, it may be photocopied for use in connection<br />
with projects and visits to the <strong>Royal</strong> <strong>Armouries</strong><br />
<strong>Royal</strong> <strong>Armouries</strong> Education Department, Leeds, LS10 1LT<br />
© Board of Trustees of the <strong>Armouries</strong> 2002<br />
1<br />
Henry<br />
VIII<br />
Henry<br />
VIII
Henry<br />
VIII<br />
Henry<br />
VIII<br />
The Tudors<br />
A Study Pack for Schools<br />
From 1485 to 1603 a powerful family called the Tudors ruled England,<br />
Wales and Ireland.This pack provides a range of primary and secondary<br />
source materials which enable children to find out more about the lives<br />
of people at different levels of society.<br />
The planning sheets include a range of suggested activities which use<br />
varied teaching and learning strategies. These involve children in the<br />
process of enquiry and act as a catalyst for further research.<br />
Panel painting of Henry VIII, 16th Century, after Holbein.<br />
© Board of Trustees of the <strong>Armouries</strong> 2002<br />
2<br />
Henry<br />
VIII<br />
Henry<br />
VIII
The Tudors (Unit 7)<br />
About the Unit<br />
In this unit children find out about the Tudors and the lives of different people living at the time. They develop their<br />
ability to use written and pictorial sources, give reasons for actions and identify changes. Children will find out about<br />
the characteristic features of society at a time in the distant past by asking and answering questions from a range<br />
of sources.<br />
Where the Unit Fits In<br />
This unit builds on all the key stage 1 units, and Unit 4 in particular, by focusing on the contribution of key<br />
individuals to the history of Britain. It introduces some of the political and religious factors that affected Henry VIII’s<br />
decisions. It also also focuses on the Tudor period from a social and economic perspective.<br />
Adapting the Unit for a Different Age Group<br />
● Year 5 and 6 children could:<br />
● Explore some additional topics, e.g. the break with Rome, the dissolution of the monasteries, health, hygiene<br />
● Use a larger number of sources<br />
● Consider the suitability of Christina of Denmark and Mary of Guise as wives for Henry VIII<br />
● Support their reasoning with explanations<br />
● Assess the reasons for different representations of life in Tudor times<br />
Prior Learning<br />
It is helpful if the children have:<br />
● Used pictures of people as a<br />
source of information about<br />
the past<br />
● Read and talked about the<br />
lives of famous people in the<br />
past, e.g. Florence Nightingale,<br />
Guy Fawkes<br />
● Learnt about the way of life<br />
of people at a time beyond<br />
living memory<br />
Expectations<br />
at the end of this unit<br />
Most children will:<br />
Some children will not have made so<br />
much progress and will:<br />
Some children will have progressed<br />
further and will:<br />
Vocabulary<br />
In this unit, children will have<br />
opportunities to use:<br />
● Words associated with the<br />
Tudors, e.g. monarch, court,<br />
Protestant, Catholic, courtier,<br />
tournament, succession<br />
● Words associated with<br />
government, e.g. state, alliance,<br />
power, diplomacy<br />
● Words associated with armour<br />
e.g.Tonlet, visor<br />
● Words that describe people,<br />
e.g. proud, timid, fierce, sly,<br />
cold, jovial<br />
Resources (* the majority of these are<br />
provided in the pack.)<br />
● Portraits of Henry VIII<br />
● A large map of Europe<br />
● A class time–line<br />
● Story books about Henry VIII<br />
● Contemporary and modern descriptions of<br />
Henry VIII and his wives<br />
● Reference books and pictures about Henry<br />
VIII and his reign<br />
● A Tudor family tree<br />
● Pictures of Tudor homes<br />
● Inventories from Tudor households<br />
● Pictures of armour<br />
● Sources of information on Tudor forces<br />
Be able to place the Tudors within the context of Britain’s history; make<br />
inferences and deductions from portraits; know about the work of a Tudor<br />
monarch; know in outline the story of Henry VIII’s life; identify different ways<br />
in which people have represented and interpreted it; be able to communicate<br />
their knowledge and understanding orally and in writing; know and understand<br />
the distinctive features of the lives of rich and poor people in Tudor times; use a<br />
range of sources to reconstruct aspects of life; summarise the main aspects of life<br />
for rich and poor people; compare and contrast aspects of Tudor life with today.<br />
Know that the Tudors were a long time ago; know that Henry VIII was a king<br />
and that he had six wives; know about other events in his life; be able to make<br />
some deductions about the appearance of Henry VIII and his wives from their<br />
portraits.<br />
Recognise some of the main differences between wealthier and poorer people;<br />
extract information from a small number of sources; recognise a few similarities<br />
and differences between life in Tudor times and today.<br />
Know the dates of the Tudor period and its key events; understand what sort of<br />
information can and cannot be deduced from portraits; understand the<br />
significance of some of the symbols on armour and shields.<br />
Devise criteria for judging Tudor life and for comparing rich and poor; interpret<br />
a wide range of sources of information; ask a range of appropriate questions, plan<br />
information needed for a specific task and extract relevant information to answer<br />
questions; explain why there were differences in people’s lifestyles in Tudor<br />
times.<br />
3
POINTS TO NOTE<br />
POSSIBLE TEACHING ACTIVITIES LEARNING OUTCOMES<br />
CHILDREN<br />
LEARNING OBJECTIVES<br />
CHILDREN SHOULD LEARN<br />
● This may be an appropriate moment<br />
to begin assessment, using a Tudor web<br />
sheet to record what each individual<br />
child knew about the Tudors.<br />
● Identify the names/dates of Tudor<br />
monarchs and put them in sequence<br />
on a family tree<br />
● Begin to recognise Tudor monarchs<br />
from their portraits<br />
● Place Tudor times on a timeline<br />
Who were the Tudors?<br />
Ask the children what they know about Tudor times.<br />
Record this information. Help them to locate the Tudor<br />
period on a time–line and discuss whether it is longer<br />
ago or more recent than other periods they have studied.<br />
Show a slide/picture of each monarch in turn and<br />
introduce them. Give the children the Tudor family tree<br />
(p8). Establish the relationship between the five<br />
monarchs.<br />
Give the children the ‘Who done it?’ activity (p9) and<br />
ask them to guess who was responsible for each deed.<br />
● To locate the Tudors within the<br />
context of the history of Britain.<br />
– The names and order of the<br />
Tudor monarchs<br />
● Before this activity begins it may be<br />
sensible to record the children’s ability<br />
to deduce information from a portrait.<br />
● Later in this scheme the activity may<br />
be repeated using the portrait of<br />
Elizabeth I and teachers can assess<br />
whether a child’s ability to deduce<br />
information from this kind of source<br />
has improved.<br />
● Identify features and characteristics<br />
from portraits<br />
● Identify characteristics of Henry VIII<br />
from written sources<br />
● Summarise information about Henry<br />
using a writing frame<br />
● Discuss how the face can reflect the<br />
mood of the person<br />
What was Henry VIII like as a person?<br />
Show the children the poster of Henry (p11). Ask them<br />
to label what they can see.Tell them to use the portrait<br />
to ask and answer as many questions as they can about<br />
the king’s appearance.<br />
Teach them about facial expression, using the modern<br />
cartoon of faces, body language etc (p12) and ask them<br />
to look again at the portrait. Give them the frame (p13)<br />
and ask them to organise the information using those<br />
headings.<br />
Use questions and answers to recap (p14).<br />
Give the children the written descriptions of Henry<br />
(p15) and ask them to add any further information from<br />
this source (p16 & 17).<br />
● To ask and answer questions using<br />
a portrait as a source<br />
● About the appearance and<br />
character of Henry VIII<br />
● What information can be gathered<br />
about Henry VIII from portraits<br />
and written sources<br />
● Understand meanings in body<br />
language, dress, props and setting<br />
● With Henry’s armour – the more you<br />
protect, the more you restrict due to<br />
the weight of the armour and the<br />
difficulties of movement.<br />
● Identify some of the problems faced<br />
by a Tudor monarch<br />
● Sort information to demonstrate the<br />
significance of armour<br />
Extension Activity<br />
Mystery picture A: (p 21).<br />
Children use the clues to deduce that the<br />
picture shows the interior of an<br />
armourer’s workshop with crafstmen at<br />
work c. 1500<br />
How did Henry VIII protect himself?<br />
Show the children a map of Europe and explain that<br />
England was surrounded by hostile countries who would<br />
have been delighted to witness the death of Henry.<br />
Ask the children to name some dangerous Tudor sports<br />
in which Henry could have been injured (e.g. jousting<br />
with lances; fighting with swords or axes).<br />
Ask the children to list ways in which Henry could<br />
protect himself. Make a list of these suggestions. Give the<br />
children a part of the inventory listing some of Henry’s<br />
personal armour and weapons at Greenwich (p18).<br />
Discuss what this tells us about Henry as a person.<br />
Give the children the picture and supplementary<br />
information about the tonlet suit of armour (p19–20).<br />
Ask them to cut out the pieces of Henry’s armour and<br />
see if they can assemble the pieces in the correct order.<br />
Discuss their findings.<br />
● About the power and importance<br />
of a Tudor king<br />
● To identify the reasons why a<br />
monarch would need to protect<br />
their person<br />
● To use an inventory to identify<br />
characteristic features of a Tudor<br />
monarch<br />
4<br />
* This would be an ideal time to plan a visit to the <strong>Royal</strong> <strong>Armouries</strong>
POINTS TO NOTE<br />
POSSIBLE TEACHING ACTIVITIES LEARNING OUTCOMES<br />
CHILDREN<br />
LEARNING OBJECTIVES<br />
CHILDREN SHOULD LEARN<br />
● Recall that many European countries<br />
were hostile to England<br />
● Deduce information from pictures<br />
How did Henry protect the country?<br />
Give the children picture A of Henry and his navy (p26), and the<br />
‘Certain/Guess’ frame (p25). Ask them to work in pairs and list all the<br />
things they can see for certain.When they have completed this, ask<br />
them what they can guess from the picture. Ask the children to feed<br />
back the information and summarise their findings.<br />
Use information in teacher’s notes to draw the children’s attention to<br />
the fine detail on the engraving. Ask the children to add these details<br />
to their findings. Ask them to deduce what picture B (p27) shows and<br />
why it was made.<br />
● About one of the key events of the<br />
Tudor period<br />
● About the reasons for and results of<br />
this meeting<br />
● Understand differences between facts<br />
and opinions<br />
● To communicate their<br />
understanding both orally and in<br />
writing in a variety of ways using<br />
appropriate terms<br />
● Find out about the Field of Cloth of<br />
Gold by deducing information from<br />
a number of picture sources<br />
What was life like for Henry VIII and his courtiers?<br />
Divide the children into ‘Time Teams’ and give each group a different<br />
section of the Field of Cloth of Gold to examine (p28–32). Children<br />
use the frame (p25) to record their findings. Each group then reports<br />
back to the rest of the class.The teacher tells them the background to<br />
Henry’s historic meeting with Francis, King of France.<br />
● Appreciate that individuals may have<br />
different experiences of an event and<br />
give different accounts of it<br />
● Understand that pictures represent an<br />
artist’s or patron’s view of an event<br />
● Sort pictures into different categories<br />
● Make inferences about the lifestyle of<br />
different types of Tudor people,<br />
taking account of wealth, status, etc<br />
What was life like for ordinary people living in<br />
Tudor towns?<br />
Divide the class into groups of three or four. Using the town ‘cut and<br />
paste’ sheets(p34-37), which contain a range of pictorial evidence<br />
about Tudor towns, ask the children to sort these sources into<br />
categories, e.g. buildings in the town, what houses were like inside,<br />
jobs, transport, other.They should then stick these on the appropriate<br />
sheet of paper, and label and caption where necessary. Help the<br />
children summarise and record their conclusions about life in the<br />
towns. Discuss with the children what they have found out about life<br />
in Tudor towns. Use the writing frame to support the children’s<br />
writing (p33).<br />
● To draw conclusions about life in<br />
Tudor towns from different sources<br />
of information<br />
● That there are different ways of<br />
interpreting the same information<br />
● To identify different ways in which<br />
life in Tudor towns has been<br />
represented<br />
● The differences between inventories<br />
and pictures can be discussed.Which<br />
is better for providing us with<br />
particular kinds of information?<br />
● Summarise differences between<br />
homes of today and people living in<br />
Tudor times<br />
● Use evidence from inventories to<br />
make inferences about people’s<br />
lifestyles<br />
What can an inventory tell us about the life of<br />
people at this time?<br />
Explain that inventories can be used to find out about Tudor life.To<br />
illustrate the purpose of inventories, ask the children to make an<br />
inventory of a room in their house using the sheet provided (p39).<br />
Give the children an extract from the inventory of Mr Pawson<br />
(p41-42).Work through it carefully with them either explaining<br />
words where necessary or by getting them to use a glossary (p40).<br />
Help the children to summarise and record their conclusions about<br />
Mr Pawson (p43). Use the information to fill in the answers to the<br />
key questions. Ask them whether they think there are things missing<br />
from the inventory.<br />
● To use inventories to identify<br />
characteristic features of one type of<br />
person in Tudor times<br />
● To draw conclusions about life in<br />
Tudor times from different sources<br />
of information<br />
● That there are different ways of<br />
interpreting the same information<br />
5<br />
● Appreciate that we lack the evidence<br />
to understand fully some aspects of<br />
Tudor life
POINTS TO NOTE<br />
POSSIBLE TEACHING ACTIVITIES LEARNING OUTCOMES<br />
CHILDREN<br />
LEARNING OBJECTIVES<br />
CHILDREN SHOULD LEARN<br />
● Draw conclusions about life in a<br />
Tudor school from a single source<br />
● Understand what sort of information<br />
this can and cannot provide<br />
● Pupils could compare the illustration<br />
(p44) and understand the ways<br />
different sources may support or<br />
contradict each other<br />
What was it like to go to school in Tudor times?<br />
Ask the children to list the main activities that happen in a morning<br />
before they come to school.<br />
Summarise their comments.<br />
Give the children extract 1 ‘Getting up in the Morning’ from<br />
Claudius Hollyband’s plays (p46). Carefully read through the extract.<br />
Give the children the frame on similarities and differences (p45). Ask<br />
the children to write down anything that is the same today and also<br />
to note any differences.<br />
● About the lives of school children in<br />
Tudor times<br />
● About the attitude of teachers to<br />
their pupils<br />
● To draw conclusions about life in<br />
Tudor schools from an unusual<br />
source<br />
Give the children the second extract (p47) and frame (p48). Ask<br />
them to use the frame to extract information from the text on the<br />
topics of misbehaviour and punishment. Direct the children to the<br />
glossary to help them understand the extract fully. Compare<br />
behaviour today with that of Tudor times.<br />
● Extension activity. Mystery<br />
Picture B (p52)<br />
● Children use the clues to deduce<br />
that the picture is of Elizabeth I<br />
hawking (about 1575)<br />
● This is an ideal opportunity to<br />
undertake assessment of pupils’<br />
development in using visual<br />
sources of information<br />
● Identify features and characteristics<br />
from a portrait<br />
● Understand what sort of information<br />
a portrait can and cannot provide<br />
What can we find out about Elizabeth I from a<br />
portrait?<br />
Give the children the portrait of Elizabeth (p49). Ask them to recall<br />
what they already knew about the techniques of deducing<br />
information from a portrait. Let them work on this portrait<br />
independently, collect in their work and then use questions and<br />
answers to recap.The teacher should record their findings.<br />
● That portraits represent aspects of<br />
the past<br />
● To ask and answer questions using<br />
portraits as a source<br />
● About the appearance and character<br />
of Elizabeth I<br />
● This is an ideal opportunity to<br />
undertake assessment of pupils’<br />
development in using written<br />
sources of information<br />
● Identify key points in the story<br />
● Place the reasons for the failure of<br />
the Armada in order of importance<br />
What was the Armada?<br />
Tell the story of the Spanish Armada or use the Channel 4 video<br />
programmes on this topic. Discuss reasons the invasion was prepared<br />
and their importance. Give the children a list of the possible reasons<br />
it failed. Discuss why it failed and then ask the children to try and<br />
place them in the order of importance.<br />
● About one of the key events of the<br />
Tudor period<br />
● About the reasons for and results of<br />
this unsuccessful invasion<br />
● To communicate their<br />
understanding in a variety of ways<br />
What happened to the soldiers, sailors and ships after the<br />
Spanish Armada?<br />
Give each child one extract and a frame (p53). Ask them to read<br />
slowly through the piece, transferring the appropriate information<br />
into the frame. Summarise their findings on the board. Discuss with<br />
the class why they think this information was secret. Ask them to use<br />
the final frame to support their written conclusions (p54).<br />
6
A TUDOR TIME-LINE<br />
1485 August Henry Tudor defeats Richard III and becomes Henry VII<br />
1491 June Birth of Henry (later Henry VIII)<br />
1509 April Death of Henry VII, Prince Henry proclaimed Henry VIII<br />
1509 June Henry VIII marries Katherine of Aragon<br />
1513 September English defeat Scots at Flodden<br />
1515 February Birth of Princess Mary (later Queen Mary)<br />
1533 January Henry VIII marries Anne Boleyn<br />
1533 September Birth of Princess Elizabeth (later Elizabeth I)<br />
1534 November Henry VIII becomes Head of the Church of England<br />
1535 July Execution of Sir Thomas More<br />
1536 February Suppression of the smaller monasteries<br />
1536 May Execution of Anne Boleyn<br />
Henry VIII marries Jane Seymour<br />
1537 October Birth of Edward (later Edward VI)<br />
Death of Jane Seymour<br />
1540 January Henry VIII marries Anne of Cleves<br />
1540 July Henry VIII marries Catherine Howard<br />
1541 June Henry VIII made King of Ireland<br />
1542 February Catherine Howard executed<br />
1543 July Henry VIII marries Catherine Parr<br />
1547 January Death of Henry VIII. Edward proclaimed King<br />
1553 King Edward VI dies, aged 16 years<br />
1553 July Princess Mary becomes Queen<br />
1553 December The Catholic mass restored<br />
1554 July Mary marries Philip of Spain<br />
1559 November Death of Queen Mary. Princess Elizabeth becomes Queen<br />
1568 May Mary, Queen of Scots, takes refuge in England<br />
1587 May Execution of Mary, Queen of Scots<br />
1588 August Defeat of the Spanish Armada<br />
1603 March Death of Queen Elizabeth I, the last Tudor ruler<br />
King James VI of Scotland becomes King James I of<br />
England.The start of the Stuarts rule<br />
7
MARY I<br />
RULED 1553 – 1558<br />
THE TUDOR FAMILY TREE<br />
HENRY VII<br />
RULED 1485 – 1509<br />
HENRY VIII<br />
RULED 1509 – 1547<br />
ELIZABETH I<br />
RULED 1558 – 1603<br />
EDWARD VI<br />
RULED 1547 – 1553<br />
8
THE TUDOR FAMILY<br />
‘Who done it?’<br />
Below are a series of fascinating facts connected with members of the Tudor family. Each<br />
king or queen has two facts linked to them. Look at their pictures on the family tree.Try<br />
and match each fact to the right person.<br />
1. Who stole a crown?<br />
FACT ANSWER<br />
2. Who ordered the burning of the leader<br />
of the Church of England?<br />
3. Who was an excellent athlete and liked<br />
to play indoor tennis?<br />
4. Who married the King of Spain?<br />
5. Who had many wigs?<br />
6. Who allowed someone to chop off the<br />
head of Mary, Queen of Scots?<br />
7. Who became ruler of the country at<br />
the age of 9?<br />
8. Who liked studying stars?<br />
9. Who was very careful with money<br />
and kept detailed notes of how money<br />
was spent?<br />
10.Who played musical instruments and<br />
composed music?<br />
9
THE TUDOR FAMILY – TEACHER’S NOTES<br />
1. Who stole a crown?<br />
FACT ANSWER<br />
2. Who ordered the burning of the leader<br />
of the Church of England?<br />
3. Who was an excellent athlete and liked<br />
to play indoor tennis?<br />
4. Who married the King of Spain?<br />
5. Who had many wigs?<br />
6. Who allowed someone to chop off the<br />
head of Mary, Queen of Scots?<br />
7. Who became ruler of the country at<br />
the age of 9?<br />
8. Who liked studying stars?<br />
9. Who was very careful with money<br />
and kept detailed notes of how money<br />
was spent?<br />
10.Who played musical instruments and<br />
composed music?<br />
‘Who done it?’<br />
This activity is specifically designed to raise children’s awareness of the fact that the Tudor<br />
family comprised a number of ruthless individuals. In most cases children will associate<br />
blood-thirsty acts with Henry VIII and anything cultural with female members of the<br />
family. It is hoped that this fun activity will begin to change childrens’ preconceptions of<br />
what the monarchs were like.<br />
Henry VII<br />
Mary<br />
Henry VIII<br />
Mary<br />
Elizabeth I<br />
Elizabeth I<br />
Edward VI<br />
Edward VI<br />
Henry VII<br />
Henry VIII<br />
10
KING HENRY VIII<br />
Using a portrait to find out information.<br />
LOOK CAREFULLY AT THE PICTURE OF KING HENRY VIII.<br />
LABEL WHAT YOU CAN SEE.<br />
H for Henry<br />
on his chain<br />
11
FACES SHOWING FEELINGS<br />
To introduce the way a facial expression communicates a message visually, the teacher can adopt some of these and invite the pupils to identify the feeling.<br />
Alternatively, individuals can be asked to take on an expression in turn for the rest of the class.<br />
DISGUSTED PUZZLED DISAPPROVING EXHAUSTED SMUG<br />
IDIOTIC MISCHIEVOUS HORRIFIED DISTASTEFUL SURPRISED SUSPICIOUS<br />
SHOCKED MISERABLE INNOCENT INTERESTED JEALOUS GUILTY<br />
12
WHAT DOES THIS PORTRAIT TELL YOU<br />
ABOUT HENRY VIII?<br />
Look carefully at the portrait/poster and then use the frame below to help you sort out the clues.<br />
FACE JEWELS<br />
BODY LANGUAGE<br />
CLOTHES<br />
BACKGROUND<br />
OTHER INFORMATION<br />
13
When I saw his picture I felt<br />
Source of information: a portrait<br />
The expression on his face makes me think that he was<br />
His body language tells me that<br />
His clothes suggest to me that he was<br />
I noticed jewels on<br />
I think this picture was painted because<br />
KING HENRY VIII<br />
14
KING HENRY VIII<br />
Below are some descriptions of Henry VIII written by different people who actually knew<br />
him. Read them carefully and then use the frame to note down information about him.<br />
A.<br />
The King stands out the tallest... and his strength fits his majestic body...<br />
there is fiery power in his eyes, beauty in his face... He has immediately<br />
arrested and imprisoned anyone who had harmed the realm.<br />
Thomas More, a loyal courtier (1509)<br />
B.<br />
He plays well on the lute and harpsichord, draws the bow with greater<br />
strength than any man in England, and jousts marvellously.<br />
Pasqualigo, the Venetian ambassador to England (1515)<br />
C.<br />
His majesty is the handsomest potenate I ever set eyes on; above the<br />
usual height, with an extremely fine calf to his leg, his complexion very<br />
fair and bright, with auburn hair combed straight and short, in the<br />
French fashion, and a round face so very beautiful, that it would become<br />
pretty on a woman, his throat being rather long and thick... He speaks<br />
French, English and Latin, and a little Italian, plays well on the lute and<br />
harpsichord, sings from book at sight, draws the bow with greater<br />
strength than any man in England, and jousts marvellously.<br />
Rawdon Brown (1515)<br />
D.<br />
The King spent his time hunting, hawking... singing, dancing,<br />
wrestling... playing at the flute and writing songs.<br />
Edward Hall (1542)<br />
15
KING HENRY VIII<br />
Using documentary evidence to find out more information about him.<br />
WHAT HE LOOKED LIKE THE SPORTS HE LIKED TO BE<br />
INVOLVED IN<br />
THE MUSICAL INSTRUMENTS<br />
HE COULD PLAY<br />
OTHER INFORMATION INCLUDING<br />
LANGUAGES HE COULD SPEAK<br />
16
KING HENRY VIII<br />
First of all I read carefully the descriptions of Henry VIII, written by people who actually<br />
knew him.<br />
I discovered that he was a tall person who<br />
He enjoyed playing musical instruments including<br />
Henry was a great sportsman who took part in<br />
He could speak many foreign languages including<br />
I also learnt that<br />
17
Short extract based on the inventory of Henry VIII’s property, made after his death in 1547.<br />
Note the high number of these items.The first thing on the list was the king’s crown of gold.<br />
What else do you think he owned?<br />
In the Custody of Sir Thomas Pastone, Knight, one of the Gentlemen of the king’s<br />
Privy chamber remaining in the tilt yard at Greenwich.<br />
The Long House<br />
8384 Item one harness for his majesty the King, all gilt.<br />
8385 Item one steel saddle of red leather with a seat of crimson velvet embroidered with<br />
green silk.<br />
In the First House<br />
8386 Item upon the first horse one plain hosting harness. Lacking his gauntlets and a base cote<br />
of black velvet embroidered with cloth of gold and a steel saddle covered with black cloth.<br />
8387 Item upon the second horse a hosting harness with a base cote of black velvet<br />
embroidered with cloth of gold and a steel saddle covered with blue velvet.<br />
8388 Item upon the third horse a harness given unto his majesty the King by the Emperor<br />
Maximilian with a base of steel and goldsmith’s work of silver and gilt with a border about<br />
the same silver and gilt of goldsmith’s work.<br />
8389 Item upon the fourth horse a saddle of steel covered with cloth of gold and purple velvet.<br />
In the Second House<br />
GREENWICH<br />
8390 Item upon the first horse one steel saddle partially gilt and silver coloured with cloth of<br />
gold and silver and a base of black velvet embroidered with cloth of gold.<br />
8391 Item upon the second horse a steel saddle covered with black cloth a band of steel and<br />
crynnyan and a shaffron all gilt and silver and a base coat of black velvet embroidered with<br />
cloth of gold.<br />
8392 Item upon the third horse a plain tilt harness lacking a pair of gauntlets a base coat of<br />
black velvet embroidered with cloth of gold. A headpiece with a rams horn silver partially<br />
gilt and a steel saddle covered with black velvet.<br />
Word List<br />
harness: suit of armour<br />
gilt: covered with a thin layer of gold<br />
hosting: for the field of battle, not jousting at tournament<br />
crynnyan: piece of armour for a horse’s neck<br />
shaffron: piece of armour for a horse’s face<br />
tilt: joust with a barrier to separate the knights<br />
headpiece: helmet<br />
18
iiiThis<br />
armour was made for the Field of Cloth of Gold, one of<br />
r<br />
When Henry VIII took part in combats with sword or<br />
pollaxe at a tournament he needed to wear a steel<br />
armour to protect his whole body.<br />
the most splendid tournaments of Tudor times.<br />
Henry VIII and Francis I of France met at this tournament in<br />
1520 and hoped their countries could stay at peace.<br />
Arming doublet<br />
Reconstruction. No original<br />
survives but this shows how it<br />
might have looked<br />
Vambraces<br />
Arm defences. Laced to the<br />
arming doublet<br />
Cuisses<br />
Thigh defences<br />
Poleyns<br />
Knee defences, rivetted to the<br />
cuisses, and attached to the<br />
upper edge of the greaves by<br />
turning pins<br />
Greaves<br />
Lower leg defences, fixed with<br />
straps and buckles.<br />
Sabatons<br />
Foot defences<br />
This armour was put together in a hurry using pieces from<br />
different armours. Some of the decoration was rushed and has<br />
mistakes.<br />
The armour is called a ‘Tonlet’ because of the skirt of<br />
horizontal strips fixed together on the inside with rivets and<br />
leather bands.This protected the upper parts of the legs and<br />
lower body but allowed plenty of movement.<br />
Helmet<br />
Attached to the breast and<br />
backplates by bolts<br />
Pauldrons<br />
Shoulder defences<br />
Breastplate<br />
Attached to the tonlet and the<br />
backplate<br />
Gauntlets<br />
Not the original but suitable<br />
for this armour<br />
Tonlet<br />
Unusual ‘skirt’ used for foot<br />
combat only<br />
PLEASE CUT OUT THESE PIECES CAREFULLY. FIT THEM ONTO HENRY VIII USING RE-USABLE ADHESIVE<br />
19
Henry Viii<br />
1520 Tonlet Armour<br />
20
EXTENSION ACTIVITY<br />
Mystery Picture A<br />
Look carefully at the picture below. List all the things you can see.<br />
I have looked in detail at the picture and I think it shows<br />
The clues that make me think this are<br />
© Board of Trustees of the <strong>Armouries</strong> 2002<br />
21
HOW DID KING HENRY VIII<br />
PROTECT THE COUNTRY?<br />
The Field of Cloth of Gold – Teacher’s notes<br />
In Tudor times parts of France still remained under English rule. For centuries kings of France<br />
longed to rule over a unified country and regularly waged war on England to regain this<br />
territory. However, in 1520, England and France were at peace and in the spirit of this new<br />
accord Henry VIII invited Francis I, King of France, to a banquet and tournament in northern<br />
France at a site between Guisnes and Ardres. Regarded as the eighth wonder of the world, it<br />
was a lavish affair where even the English tents were made of crimson and gold cloth. The<br />
event was optimistically viewed as the beginning of a real friendship between the two nations,<br />
but after only two years of peace they were at war again.<br />
The two maritime views show Henry VIII setting out from Dover to France.<br />
Teachers should note:<br />
Picture A<br />
● Stone fort<br />
● Numerous cannon<br />
● Troops armed with halberds, pikes, swords and small shields (bucklers)<br />
● Small child carrying weapons<br />
● Small rowing boat taking troops out to the ship<br />
● Tudor rose emblazoned on flags<br />
● Shields draped over the side of the ship<br />
Picture B<br />
● Large number of warships<br />
● Ships driven by sails<br />
● Flags decorated with the <strong>Royal</strong> Standard<br />
● Shields draped over the sides of the ship<br />
● Ships heavily armed with cannon<br />
● Large anchor on main ship<br />
● Henry VIII on deck<br />
● Large number of troops going to France with the King<br />
22
The following five pictures are taken from a print of the painting which records the meeting of<br />
Henry VIII and Francis I in June 1520. It is the work of several artists. Full of inaccuracies it is,<br />
nevertheless, a remarkable record of this spectacular event.<br />
Teachers should note:<br />
Picture 1<br />
● Henry VIII in a heavy-pleated overgarment of cloth of gold, riding a fine white horse<br />
● Behind him Cardinal Wolsey riding a mule. Wolsey was responsible for the organisation of<br />
this event<br />
● The vast number of foot soldiers<br />
● The gentlemen on horseback<br />
● The hunting dogs<br />
● The castle in the background firing a military salute<br />
Picture 2<br />
Main palace:<br />
● Constructed on proper brick walls nearly three metres high<br />
● Most of the structure is cloth or canvas upon timber frames and then cunningly painted<br />
● Large windows of exceptionally fine white glass which cost a fortune<br />
● Slanting roof made of an oiled cloth painted a lead colour<br />
● Statues of armed men discharging stones<br />
● The <strong>Royal</strong> coat of arms and Tudor Rose emblazoned at the front of the palace<br />
● The palace provided accommodation for Henry VIII, his sister Mary, Queen Katherine of<br />
Aragon and Wolsey<br />
● A large banqueting hall, a chapel, rooms for household officers and wine cellars were also<br />
located here<br />
● Two fountains dispensing red and white wine<br />
● The fight going on in front of the right hand fountain<br />
● The person being sick at the side of the palace<br />
● The finely dressed musicians to the foreground<br />
● The tent to the right-hand side of the palace in which food is being eaten<br />
Picture 3<br />
The Tournament:<br />
● Henry VIII and Francis I sitting under the covered pavilion<br />
● The jousting taking place in front of them<br />
● The soldiers round the periphery of the ring<br />
● The mounted guard round the edge<br />
● The Tree of Honour containing the shields with the coat of arms of the participants<br />
● Henry VIII designed the layout of this area<br />
23
Picture 4<br />
● The two kings meeting inside the pavilion<br />
● Their two horses being looked after by the grooms to the side of the tent<br />
● The circle of armed guards on foot and on horseback<br />
● The enormous number of tents, extremely costly to manufacture<br />
● The special designs on the tent, done specifically for the Field of Cloth of Gold<br />
● The fact that 6,000 English workmen constructed the tents and palaces on this site<br />
Picture 5<br />
● The huge brick bread ovens to the right of the picture<br />
● The paddles for putting the bread in and out of the oven<br />
● The long wooden tables<br />
● The large tent with the cauldrons of boiling soup being stirred by a servant<br />
● The tent with the fowl being turned on a spit over the fire<br />
N.B.The kitchen boy doing this work<br />
● The servants carrying the food on the plates<br />
These pictures show how a grand event with sports and feasts was used to bring many<br />
important people from England and France together. If they could agree a treaty the<br />
English and French could live in peace, rather than at war with each other.<br />
24
NAMES:<br />
HOW DID KING HENRY VIII<br />
PROTECT THE COUNTRY?<br />
What I can see in the picture What I can guess from the picture<br />
I think this picture was drawn because<br />
25
Picture A<br />
© Board of Trustees of the <strong>Armouries</strong> 2002<br />
26
27<br />
© Board of Trustees of the <strong>Armouries</strong> 2002<br />
Picture B
28<br />
© Board of Trustees of the <strong>Armouries</strong> 2002<br />
Picture 1
29<br />
© Board of Trustees of the <strong>Armouries</strong> 2002<br />
Picture 2
© Board of Trustees of the <strong>Armouries</strong> 2002<br />
Picture 3<br />
30
© Board of Trustees of the <strong>Armouries</strong> 2002<br />
Picture 4<br />
31
© Board of Trustees of the <strong>Armouries</strong> 2002<br />
Picture 5<br />
32
Although I already knew<br />
TUDOR TOWNS<br />
Source: woodcuts and engravings<br />
about Tudor towns, I have learnt some new facts.<br />
I learnt that<br />
I discovered that<br />
The most interesting thing I learnt was<br />
33
TUDOR TOWNS: CUT & PASTE SHEET 1<br />
Cut out the following images. Sort them into different categories e.g. buildings in the town, what houses were like<br />
inside, jobs and transport. Look carefully at the images. Label or caption them.<br />
What have you discovered about Tudor towns?<br />
34
TUDOR TOWNS: CUT & PASTE SHEET 2<br />
35
TUDOR TOWNS: CUT & PASTE SHEET 3<br />
Detail from the central part of the Long view of London, by Claes Jan Visscher © Museum of London 36
TUDOR TOWNS: CUT & PASTE SHEET 4<br />
37<br />
Copperplate map, Bishopgate street © Museum of London
THE INVENTORY OF JOHN PAWSON –<br />
TEACHER’S NOTES<br />
John Pawson was a successful clothier who had a timber framed house on Kirkgate, Leeds.<br />
When he died in 1576 his friends made a list of everything he owned.This helped them<br />
to share out the goods just as he had asked them to do in his will.This information enables<br />
us to build a detailed picture of what life was like inside his house.<br />
John Pawson’s wife and only child each received £69. 18s. 5d (£69.92). This was an<br />
enormous sum of money for the time. The Office House was his kitchen and the only<br />
room possessing a hearth.The parlour also served as a bedroom and was warmed only by<br />
leaving the door open between it and the kitchen.The Chamber was a granary for corn<br />
and contained wool and the alum used in dyeing it.The arks held flour for the household.<br />
Pawson had three apprentices but they evidently slept in their own homes.<br />
Using an inventory allows pupils to make comparisons between the lives of people at<br />
different levels of society. Although Pawson was a wealthy man, it is clear that there are<br />
great differences betrween the property he owned and the items mentioned in the short<br />
extract from Henry VIII’s inventory. The poorer members of society, such as agricultural<br />
labourers would have owned only a small fraction of John Pawson’s goods.<br />
The inventory can also be used to highlight the difference between aspects of life in the<br />
16th century and now.<br />
The inventory provides a special kind of evidence because it had to be very precise about<br />
the types and quantities of objects. However it uses only words and numbers, so it is not<br />
good to show what particular things looked like. Pictures may be valuable to show what a<br />
cupboard or bed looked like in Tudor times.<br />
38
NAME:<br />
Inventory Sheet: Present Day<br />
An inventory of the items in the (room)<br />
Of my home at (address)<br />
on (date) year<br />
39
INVENTORIES<br />
When someone of property died, a list was made of all the goods in their house, noting what<br />
they owned and the value.This was needed for legal reasons and was connected to the will.<br />
Below is a glossary of terms that will help you to understand the inventory of John Pawson, a<br />
clothier who lived in Leeds, but died in 1576.<br />
GLOSSARY<br />
1. Alum A chemical used to stop the dye being washed out of cloth<br />
2. Ark A very large chest used for storing grain<br />
3. Flitch The side of an animal, salted and cured<br />
4. Hatchet A small axe<br />
5. Kneading trough A long narrow box used in bread making for kneading dough<br />
6. Laithe A barn<br />
7. Range A kitchen fireplace with ovens<br />
8. Shear board A flat board used for placing the cloth on so that the surface can<br />
be cut evenly with shears<br />
9. Walker shears A huge pair of scissors used for cutting the surface of the cloth<br />
to make it smooth and even<br />
10. Shilling An English coin that was worth a twentieth of a pound<br />
(now 5p)<br />
11. Shovel A tool like a spade with the sides turned up, for lifting and<br />
moving coal, earth etc.<br />
12. Spit A long thin metal spike put through meat to hold it whilst it is<br />
being roasted<br />
13. Swine Pig<br />
14. Tenter A frame used for stretching and drying wet cloth after it has<br />
been washed<br />
15. Wool comb Used to straighten the wool before spinning<br />
40
SOURCE: THE INVENTORY OF<br />
JOHN PAWSON<br />
This is the inventory of all the goods, corn, cattle, rights, credits, debts and moveable estate<br />
of John Pawson, late of Kirkgate in Leeds, in the county of York, clothier, deceased, priced<br />
and valued the fifth day of February, in the year of our Lord God 1576.<br />
IN THE OFFICE HOUSE<br />
His purse, girdle and dagger and 16 pence of money<br />
His apparell, one long table, one cupboard, two chairs,<br />
two buffet stools, one little board, other stools<br />
One iron range, one pair of tongs, one pair of racks, one pair of hangers,<br />
Two axes, two hatchets, one frying pan, three spits, one spade,<br />
Two shovels, two forks, two iron forks, one roasting iron<br />
Seven brass pots, nine round pans, one basin, one great pan<br />
Three candlesticks, one pewter can, one pot with cups<br />
Twenty saucers<br />
Ten cushions<br />
Three sacks of barley<br />
IN THE PARLOUR<br />
Five silver spoons worth fifteen shillings<br />
In money thirty shillings<br />
One cupboard<br />
One counter<br />
Two pairs of bedstocks<br />
Five coverlets<br />
Three pairs of blankets<br />
Two pairs of linen sheets<br />
Three pairs of hard sheets<br />
Three pillows<br />
Two chests<br />
Three towels<br />
Two sheets<br />
Twelve beef flitches<br />
Two stone of grease<br />
41
IN THE CHAMBER<br />
Fourteen stone of coloured wool<br />
Two arks<br />
Five stone of butter<br />
Alum<br />
Barley, rye and wheat<br />
Twenty seven stone of coloured wool<br />
Fifteen stone of white wool<br />
Sacks of barley<br />
Seven pairs of wool combs<br />
One kneading trough with tubs<br />
IN THE SHOP AND LOOMHOUSE<br />
Twenty one rolls of cloth<br />
One shear board<br />
Four pairs of walker shears<br />
Eight handles<br />
Two pairs of irons<br />
One shear board covering<br />
Two pairs of walker shears<br />
Five stone of wool<br />
One loom, and spinning wheel and all other things belonging<br />
IN THE LEADHOUSE, LAITHE (BARN) AND BACK YARD<br />
One lead for dyeing cloth<br />
Four tubs<br />
Certain hay and green grass<br />
Two tenter heads<br />
Tenter rope<br />
A cock and two hens<br />
Two cows<br />
One horse<br />
One hackney saddle<br />
One pack saddle<br />
Two swine<br />
Certain barley unthreshed<br />
Wood and coals<br />
Twenty five sawn boards<br />
42
THE INVENTORY OF JOHN PAWSON<br />
Use the information in the inventory to help discover about the lifestyle of John Pawson.<br />
How did he earn a living?<br />
Where did he work?<br />
Where did he eat?<br />
Where did he sleep?<br />
How did he heat his house?<br />
How did he light the house?<br />
What animals did he keep and why?<br />
How did he travel from town to town?<br />
What did he own that was valuable?<br />
Which of these were similar to the life of Henry VIII?<br />
What were the biggest differences between the lifestyles of Henry VIII and John Pawson?<br />
43
GOING TO SCHOOL IN TUDOR TIMES:<br />
TEACHER’S NOTES<br />
Most children in Tudor times had no opportunity to go to school and never learnt to read or<br />
write. However, private tutors often taught princes and princesses such as Henry and Elizabeth<br />
and those children of wealthy parents.They not only learnt reading, writing and arithmetic but<br />
often also foreign languages, both ancient Greek and Latin and modern languages. Other<br />
experts might be found to teach them music, dancing, riding and sports.<br />
Claudius Hollybrand emigrated to London from France and opened a private school to teach<br />
boys how to read and write. He specialised in teaching children how to speak and read French<br />
and produced his own text books to help children enjoy the subject. He wrote dialogues, or<br />
little plays about events in everyday life. These were printed in French on one side, with an<br />
English translation on the opposite page.Today these give us a wonderful insight into the life<br />
and times of a Tudor child.<br />
School of 1592<br />
44
NAME:<br />
List the things you do from waking up to getting ready for school.<br />
1. Now read Claudius Hollyband’s account then fill in the chart below.<br />
What do you do that is the same as Francis?<br />
What do you do that is different?<br />
GOING TO SCHOOL<br />
45
GOING TO SCHOOL IN TUDOR TIMES<br />
1. Getting up in the Morning<br />
Francis, the schoolboy Margaret, the maid<br />
Margaret<br />
Ho Francis rise, and get you to school: you should be beaten, for it is past seven : make your self ready<br />
quickly, say your prayers, then you shall have your breakfast.<br />
Francis<br />
Margaret, give me my hosen: dispatch I pray you : where is my doublet? Bring my garters, and my shoes:<br />
give me that shoeing horn.<br />
Margaret<br />
Take first a clean white shirte, for yours is foul.<br />
Make haste then, for I do tarry too long.<br />
Francis<br />
Margaret<br />
It is moist yet, tarry a little that I may dry it by the fire.<br />
Francis<br />
I cannot tarry so long : go your way, I will none of it.<br />
Margaret<br />
Your mother will chide me if you go to school without your clean shirt.<br />
Francis<br />
Where have you laid my girdle and my inkhorn? Where is my jerkin of Spanish leather?...Where be my<br />
socks of linen...Where is my cap...my mittens...My slippers, my handkerchief, my point, my satchel, my<br />
penknife and my books? Where is all my gear? I have nothing ready: I will tell my father: I will cause<br />
you to be beaten: Peter, bring me some water to wash my hands and my face. I will have no river<br />
water for it is troubled: give me Well, or Fountain water: take the ewer, and pour upon my hands:<br />
pour high.<br />
Margaret<br />
Can you not wash in the basin? Shall you have always a servant at your tail? You are too wanton.<br />
Francis<br />
Wilt thou that I wash my mouth and my face, where I have washed my hands, as they do in many<br />
houses in England? Give me a towel: maiden, now give me my breakfast, for I am ready : make haste.<br />
Word List<br />
hosen: very long socks<br />
doublet: jacket<br />
garters: band to hold up hosen<br />
shoeing horn: tool to help putting on a shoe<br />
girdle: belt<br />
jerkin: jacket without sleeves<br />
point: writing tool<br />
ewer: jug<br />
wanton: badly behaved, careless<br />
46
GOING TO SCHOOL IN TUDOR TIMES<br />
2. In School<br />
The Schoolmaster The Tell-Tale (Nicholas)<br />
The Black Sheep (John Nothingworth)<br />
Nicholas<br />
Master, John Nothingworth hath sworn by God, played by the way, sold his point, changed his book,<br />
stolen a knife, lied twice, lost his cap.<br />
Master<br />
Is it true? Come hither companion, untruss you: untie you: put your hosen down.<br />
John Nothingworth<br />
Nicholas doth mock me, plucketh me by the hair, by the ears: hath stroken me with his fist upon the<br />
head: hath stroken me: hath made me bleed.<br />
Master<br />
You shall be beaten both for company, for you have deserved it well.<br />
(Enter Francis the late riser)<br />
Master<br />
From whence come you good scholar? Is it time to rise, and to come to school at nine?<br />
Where have you been?<br />
Francis<br />
Master, I come from home: my father hath him recommended unto you, and sendeth unto you his<br />
ring for a token, to the end that you beat me not.<br />
Master<br />
That will serve you nothing, for you love not to rise in the morning.<br />
Francis<br />
Master, I met him by the way which did leap, did slide upon the ice: which did cast snow: which<br />
fought with his fist, and balls of snow: which did scorge his top: which played for points, pins, cherry<br />
stones, counters, dice, cards.<br />
Master<br />
Enter in gallant, I will teach you a game which you know not.<br />
Francis<br />
Master, pardon me for this time, and I will do so no more, it shall be the first, and the last Henry Page<br />
shall be my surety.<br />
Master<br />
Well, I will pardon you for this time, but if you do so any more, you shall not be quit for the price: I<br />
will pay you for both together.<br />
(Some of the boys have been taking advantage of the distraction)<br />
Nicholas<br />
William hath spitted on my paper: torn my book: broken my girdle: trod my hat under his feet: marred<br />
my copy: spoken English.<br />
Master<br />
Ah little fellow, you prattle, babble, crackle, play the vice. Give me my rod: stretch your hand...<br />
Word List<br />
untruss: undo (clothing)<br />
plucketh: pulled<br />
stroken: hit<br />
gallant: brave person<br />
(They settle down to work)<br />
surety: guarantee, bond<br />
marred: spoilt<br />
prattle: talk foolishly<br />
play the vice: behave badly<br />
47
2. Read the playlet on going to school, then fill in the chart below.<br />
Ways in which children in our class have misbehaved:<br />
Ways in which we could be punished:<br />
Ways in which Tudor children have misbehaved:<br />
Ways in which they might have been punished:<br />
48
QUEEN ELIZABETH I<br />
Source of information: a portrait<br />
• Look carefully at the portrait and then use the frame to help you sort out the clues.<br />
49<br />
© Marquess of Tavistock,Woburn Abbey
FACE<br />
QUEEN ELIZABETH I: Portrait Note Frame<br />
BODY LANGUAGE<br />
CLOTHES<br />
FURNITURE<br />
OBJECTS<br />
OTHER INFORMATION<br />
List at least two questions you would like answered if you could have met the Queen:<br />
50
When I first saw her picture I felt<br />
QUEEN ELIZABETH I<br />
Her face and how she looks gives me these ideas about her<br />
The way she is sitting tells me that she was<br />
Her clothes suggest to me that she was<br />
The things in the room are clues that tell us that<br />
I think the pictures behind her tell us a story about<br />
I think the picture was painted because<br />
51
EXTENSION ACTIVITY B<br />
Mystery Picture<br />
Look carefully at the picture below. List the things you can see.<br />
By Permission of the British Library G2372 (1)PG81<br />
I have looked in detail at the picture and I think it shows<br />
The clues that make me think this are<br />
The Book of Faulconrie or Hawking by George Turbeville (1575)<br />
52
NAME:<br />
EVIDENCE:<br />
THE SPANISH ARMADA<br />
What happened to the soldiers, sailors and ships after the Spanish Armada?<br />
Read your extract carefully. It was written over 400 years ago and at the time was top secret<br />
information. Use the frame below to help you sort out key facts from the extract.<br />
NAMES OF ANY PEOPLE INFORMATION ABOUT FOOD<br />
AND DRINK<br />
NAMES OF ANY COUNTRIES<br />
NAMES OF ANY SHIPS<br />
INFORMATION ABOUT THE<br />
PRISONERS<br />
OTHER INFORMATION<br />
53
WHAT HAPPENED TO THE SPANISH<br />
SOLDIERS, SAILORS AND SHIPS AFTER<br />
THE SPANISH ARMADA?<br />
I found the information interesting for several reasons. I discovered that<br />
I also learnt<br />
The most interesting thing I found out was<br />
54
THE SPANISH ARMADA:<br />
SOURCE EXTRACTS<br />
A. What happened to the Spanish Armada?<br />
(extract taken from the book The Voyage of Sir Francis Drake)<br />
The Lord Admiral pursued the Spaniards till they were past Edinburgh Firth, and then<br />
meeting with bad weather, gave over the chase.<br />
The Spanish fleet was driven by tempests beyond the Orkney Islands.The mariners, not<br />
accustomed to such hardships, nor able to govern such unwieldy vessels in stormy weather,<br />
suffered their ships to drive either to the Western Isle of Scotland, or on the coast of Ireland,<br />
where multitudes, both of mariners and soldiers, as appeared by their bodies cast ashore, were<br />
miserably shipwrecked. So that what with the destruction made by the two elements of fire<br />
and water, not one half of the boasted invincible Armada returned to Spain.<br />
The Duke of Medina Sidonia was beating up and down the seas of Scotland and Ireland<br />
some part of August, and all the month of September, miserably lost and shattered by<br />
tempestuous weather, insomuch that he was forced to leave behind him seventeen good ships<br />
that were now disabled, after he had lost fifteen ships in the English Channel.That in the<br />
whole, there perished, or were taken, thirty two of the Spanish galeaces, on board of which<br />
were above 13,500 soldiers and mariners.That the prisoners of all sorts, in Britain, Ireland,<br />
and Zealand, were 2 or 3000.That of the above mentioned 13,500, there were 5394 who<br />
were cast away on the coast of Ireland, and either put to the sword or hanged, to prevent their<br />
joining the Irish rebels; for which purpose, there actually landed 600 Spaniards in the north<br />
part of Ireland, who being attacked and defeated by about 150 English, those who escaped<br />
the sword, surrendered prisoners, and many of them were brought over to England, and<br />
committed to Bridewell in London.<br />
B. What happened to the soldiers and sailors on the Spanish ships?<br />
(Report to Queen Elizabeth concerning the Spanish Fleet off Ireland)<br />
On Tuesday, there wrecked, in the sound of the Bleskeys, a ship called Our Lady of Rosary, of<br />
one-thousand tons. In this ship was drowned the Prince of Ascule, one Don Pedro, Don<br />
Diego, and Don Francisco, with seven other gentlemen that accompanied the Prince.There<br />
was drowned in her also Michael Oquendo, a principal seaman, chief governor of the ship;<br />
Ville Franca, captain of the same ship; Matuta, captain of the infantry of that ship; Captain<br />
Suares, a Portuguese; Garrionerie, Ropecho de la Vega, Montenese, and Francisco Castilian,<br />
captains; one John Ryse, an Irish captain, Francis Roch, an Irishman, and about five hundred<br />
persons, whereof one hundred were gentlemen, and only one John Anthonio de Monona, a<br />
Genoese, being the pilot’s son of that ship, saved.<br />
55<br />
✃
C. WHAT HAPPENED TO THE SOLDIERS AND SAILORS ON THE<br />
SPANISH SHIPS?<br />
(Report to Queen Elizabeth concerning the Spanish Fleet off Ireland)<br />
The same Tuesday, there were lost, upon the coast of Thomond, two great ships, out of which<br />
there were drowned about seven hundred persons, and taken prisoners about one hundred<br />
and fifty.<br />
About that Tuesday also, as appeareth by a letter written to Stephen White, of Limerick, twelfth<br />
of this September, there was cast, upon the sands of Ballicrahihy, a ship of nine hundred tons;<br />
thirteen of the gentlemen of that ship, as he writeth, are taken; and so writeth, that he heard<br />
the rest of that ship, being above four hundred, have fought, for their defence, being much<br />
distressed, to intrench themselves.<br />
He writeth, also, of another ship which was cast away at the isle of Clare in Irrise, and that<br />
seventy eight of the men of that ship are drowned and slain.<br />
D. WHAT HAPPENED TO THE SOLDIERS AND SAILORS ON THE<br />
SPANISH SHIPS?<br />
(Report to Queen Elizabeth concerning the Spanish Fleet off Ireland)<br />
He writeth also, that there was, about the same time, another great ship cast away in Tirawley,<br />
and that there are three noblemen, a bishop and a friar, and sixty nine other men taken by<br />
William Bourk, and all the residue of that ship are slain and drowned; insomuch, as he writeth,<br />
that one Meleghlen Mac Cabb, killed eighty of them with his Galloglass axe. Wednesday the<br />
eleventh of this September, seven of those ships, that then remained within the Shannon,<br />
departed out of that road with an easterly wind, and, before their going forth, they set on fire<br />
one other very great ship of their company, which was one thousand tons at least.<br />
The admiral, called John Martin de Ricalde, came into the sound of Bleskeys, with one other<br />
great ship, about the six day of this September. The ship had been shot through fourteen or<br />
fifteen times, her main-mast so beaten with shot, as she durst not bear her full sail, and now not<br />
sixty mariners left in her, and many of them so sick, that they lie down, and the residue so weak,<br />
that they were not able to do any good service; and there are daily cast over the board, out of<br />
that ship, five or six of the company.<br />
56<br />
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E. EVIDENCE TAKEN FROM A PRISONER CAPTURED IN IRELAND<br />
IN 1588<br />
John Anthonio de Monona, an Italian, son to Francisco de Monona, pilot of the ship, called<br />
Santa Marie de la Rose, of a thousand tons, cast away in the sound of Bleskey, September 2,<br />
1588.<br />
Examined, the eleventh of September, he remembereth, that two ships were sunk upon the<br />
coast of Scotland, by reason of shots received from the English ships; the one called Saint<br />
Matthew, of five hundred tons, wherein were drowned four hundred and fifty men; the other<br />
ship, a Biscayan of Saint Sebastians, of four hundred tons, wherein were drowned three hundred<br />
and fifty men; and the ship wherein he was called Saint Mary Rose, of one thousand tons,<br />
wherein, of five hundred, there escaped but himself.<br />
He saith, that the fleet was in great want of fresh water; and being examined, what ordnance,<br />
wines, or other matters of moment were in the ship here cast away, saith, there were fifty great<br />
brass pieces, all cannons for the field, twenty five pieces of brass and cast iron belonging to the<br />
ship; there are also in her fifty tons of sack. In silver, there are in her fifty thousand ducats; in<br />
gold, as much more, rich apparel and plate, and cups of gold.<br />
F. EVIDENCE TAKEN FROM A PRISONER WHO SAILED ON THE<br />
SHIP THE ADMIRAL<br />
The Examination of Emanual Fremosa, a Portuguese, September 12, 1588<br />
He saith, that, about four days after the English fleet left them, the whole fleet remaining being<br />
towards one hundred and twenty came to an island off the north part of Scotland. He saith they<br />
came forth the worse furnished that they expected to be relieved of those things more amply<br />
by the Duke of Parma; he saith, that out of this ship there died four or five every day, of hunger<br />
and thirst, and yet this ship was one that was best furnished for victuals.<br />
After this, for ten days, the whole fleet remaining held together, holding their course the best<br />
they could towards Spain.<br />
He saith, that at the same time, which is now about twenty days or more past, they were severed<br />
by a great storm, which held from four of the clock in the afternoon of one day, to ten of the<br />
clock in the morning the next day; what is become of the rest of the navy he cannot tell.<br />
He saith, there be eighty soldiers, and twenty of the mariners in the Admiral, very sick, and do<br />
lie down and die daily; and the rest, he saith be all very weak, and the captain very sad and weak;<br />
he saith, the Admiral hath in her fifty four brass cannons, and bout four-score quintals of<br />
powder.<br />
There are in the Admiral left but twenty five pipes of wine, and very little bread and no water,<br />
but what they brought out of Spain, which stinketh marvellously, and their flesh meat they<br />
cannot eat, their drought is so great.<br />
57<br />
✃
G. EVIDENCE TAKEN FROM A PRISONER WHO SAILED ON THE<br />
SPANISH SHIP THE ST JOHN<br />
(The Examination of Pierre Carre, a Fleming)<br />
He saith, that in the ship that he came hither in, called St John, a galleon of nine hundred tons,<br />
besides John Martin de Ricalde, there are five captains, Don John de Lune, Don Gomes de<br />
Galanezar, Don Pedro de Madri, Don Felice, and there is also an Italian Marquess of Piedmont,<br />
called the Marquess of Faruara.<br />
He saith also, that the admiral, after such time as the fight was at Calais, came not out of his<br />
bed, until this day sen’night in the morning that they ran upon the shore. He saith, his admiral<br />
is of Biscay, and of sixty-two years of age, and a man of service. He saith, that there were in this<br />
navy of the old soldiers of Naples, under the conduct of Don Alonso de Sono, and of the old<br />
soldiers of Sicily, under the conduct of Don Diego de Piementelli, whose ship was lost<br />
near Calais.<br />
H. SECRET REPORT TO QUEEN ELIZABETH<br />
On the fourteenth of September, it is certified to the Lord Deputy of Ireland, from the Earl of<br />
Tyrone, being at his castle of Dongannon, that, upon intelligence brought to him of the landing<br />
of certain Spaniards in the north of Ireland, he sent two English captains with their bands<br />
towards them, to the number of one hundred and fifty; who found them at a town, called Illagh,<br />
and there, discovering their number to be above six hundred, did that night camp within a<br />
musket-shot of them, and, about midnight, did skirmish with them for the space of two hours,<br />
in which skirmish the Spanish lieutenant and twenty more of the Spaniards were slain, besides<br />
many that were hurt.<br />
The next day following they did offer skirmish gain to the Spaniards, whereupon they all<br />
yielded, and so, as prisoners, were carried to Dungannon to the Earl, who meant to send them<br />
to the Lord Deputy, being judged to be men of good value.<br />
I. SHIPS AND MEN SUNK, DROWNED, KILLED, AND TAKEN UPON<br />
THE COAST OF IRELAND, IN THE MONTH OF SEPTEMBER, 1588<br />
In Tyrconnel In Loughfoyle 1 ship 1100 Men of that ship and<br />
others that escaped<br />
In Connaught<br />
In Munster<br />
In Sligo Haven<br />
In Tirawley<br />
In Clare Island<br />
In Finglass<br />
In Oflarty<br />
In Irrise<br />
In Galway Bay<br />
In the Shannon<br />
In Traylie<br />
In Dingle<br />
In Desmond<br />
In the Shannon<br />
TOTAL<br />
3 great ships<br />
1 ship<br />
1 ship<br />
1 ship<br />
1 ship<br />
2 ships<br />
1 ship<br />
2 ships<br />
1 ship<br />
1 ship<br />
1 ship<br />
1 ship burnt<br />
17 ships<br />
1500<br />
400<br />
300<br />
400<br />
200<br />
70<br />
600<br />
24<br />
500<br />
300<br />
5394 men<br />
{the men fled into<br />
other vessels<br />
{the men embarked in<br />
another ship<br />
58<br />
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✃