CHRISTOPHER ALLEN conductor / pianist - Alpha Artists ...
CHRISTOPHER ALLEN conductor / pianist - Alpha Artists ...
CHRISTOPHER ALLEN conductor / pianist - Alpha Artists ...
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Christopher Allen’s career was launched into national<br />
attention when he received the Bruno Walter Conducting<br />
Award and Memorial Career Grant. This award led to his<br />
professional conducting debut of La bohème with Opera<br />
North. Recently he was selected by Maestro James Conlon to<br />
be a conducting assistant and coach for the Domingo-<br />
Thornton Young Artist Program at Los Angeles Opera for the<br />
2012-2013 season.<br />
This season Mº Allen assisted Maestri James Conlon and<br />
Placido Domingo in the LA Opera production of Don Giovanni<br />
as well as Mº Grant Gershon in Madama Butterfly. Upcoming,<br />
he will be Mº Conlon’s first assistant in The Rape of Lucretia<br />
and Mº Domingo’s first assistant in Lee Holdridge Dolce<br />
Rosa.<br />
During the 2011-12 season, Mº Allen worked as a cover and<br />
assistant <strong>conductor</strong> with the Atlanta Symphony working along<br />
side Music Director, Robert Spano. He is reëngaged for the<br />
2013 season with the Atlanta Symphony to once again to<br />
assist and cover both Donald Runnicles and Robert Spano.<br />
He currently is on the music staff of Cincinnati Opera as<br />
assistant <strong>conductor</strong>, a position he has held for the past two<br />
years and returns to assist in Aida for the 2013 season.<br />
During the summer of 2011 Christopher Allen was an<br />
assistant <strong>conductor</strong> at Cincinnati Opera where he assisted on<br />
John Adams’ A Flowering Tree and Mozart’s Die Zauberflöte<br />
assisting Bernard Labadie and Joana Carneiro. Mº Allen<br />
returned to Cincinnati Opera for the 2012 Season as an<br />
assistant <strong>conductor</strong> on Verdi’s La traviata and Astor Piazolla’s<br />
Maria de Buenos Aires.<br />
Christopher Allen has been a recipient of numerous awards<br />
which have led to debuts in venues such as Carnegie’s Weill<br />
Recital Hall, The Kennedy Center, Yamaha Artist Services,<br />
The Juilliard School and the Tenri Cultural Institute. While a<br />
student at the University of Cincinnati College Conservatory<br />
of music, his production of Benjamin Britten’s Turn of the<br />
Screw was awarded a National Opera Association prize.<br />
As a frequent recitalist, he made his Chicago Mayne Stage<br />
and WFMT debut with baritone, Levi Hernandez. He made his<br />
Matinee Musicale Debut as part of their 99th season with<br />
tenor, Scott Ramsey, which critics described as “ ravishing…a<br />
superb collaboration.”<br />
<strong>CHRISTOPHER</strong> <strong>ALLEN</strong><br />
<strong>conductor</strong> / <strong>pianist</strong><br />
Contact: Nick Netos<br />
<strong>Alpha</strong>-<strong>Artists</strong>.com<br />
Education<br />
In 2008 Christopher Allen received a Bachelors of Music in Piano<br />
Performance from the Manhattan School of Music. He received his<br />
Masters Degree in Orchestral Conducting from the University of<br />
Cincinnati College-Conservatory of Music while concurrently working<br />
on an Artist Diploma in Opera Coaching.<br />
Recent and Upcoming Activity 2012-13<br />
Don Giovanni assistant <strong>conductor</strong> for Mº James Conlon, Los<br />
Angeles Opera<br />
Madama Butterfly assistant <strong>conductor</strong> Mº Grant Gershon, Los<br />
Angeles Opera<br />
The Rape of Lucretia 1 st Assistant to Mº James Conlon, Los<br />
Angeles Opera<br />
Dolce Rosa by Lee Holdridge, 1 st Assistant to Mº Domingo<br />
Atlanta Symphony, Assistant Cover Conductor to Robert Spano<br />
and Donald Runnicles<br />
Cincinnati Opera assistant <strong>conductor</strong> 2013 season<br />
La traviata, conducting debut with Intermountain Opera,<br />
Boseman, MT (fall 2013)<br />
The 2010 Bruno Walter Memorial Foundation awarded $30,000 in grants to support Associate Conductor Chair at The Baltimore Symphony for Ilyich Rivas, the<br />
Assistant Conductor Chair for Donato Cabrera at the San Francisco Symphony and the Assistant Conductor Chair at Opera North for Christopher Allen in it’s<br />
eighth and final year of grants. The purpose of this annual program is to highlight the importance of assistant <strong>conductor</strong> positions as essential mentoring and<br />
learning experiences for emerging <strong>conductor</strong>s. These grants are intended to remind musicians and the general public of the invaluable contribution Maestro Walter<br />
made during his lifetime to opera, symphonic music and the training of young <strong>conductor</strong>s.<br />
<strong>Alpha</strong> <strong>Artists</strong> Management, LLC ■ P.O. Box 2011 ■ Radio City Station ■ New York, NY 10019-2011 ■ 212-397-7921 x13<br />
<strong>Alpha</strong><strong>Artists</strong>@pinnaclearts.com ■ © <strong>Alpha</strong> <strong>Artists</strong> Management LLC All Rights Reserved
Symphonic Repertoire<br />
Beethoven Symphony No. 1 in C major, Op. 21<br />
Symphony No. 2 in D Major, Op. 36<br />
Symphony No. 3 in E flat Major (Eroica) Op. 55<br />
Symphony No. 5 in C Minor, Op. 67<br />
Bizet Symphony in C<br />
Brahms Symphony No. 2 in D major, Op. 73<br />
Symphony No. 3 in F major Op. 90<br />
Tragic Overture Op, 81<br />
Double Concerto in A minor Op. 102<br />
Britten The Building of the House Overture<br />
Young Person’s Guide to the Orchestra<br />
Bruckner Symphony No. 7 in E major<br />
Debussy Prelude to “The Afternoon of a Faun”<br />
Dvořák Symphony No. 8 in G Major, Op. 88<br />
Symphony No. 9 in E minor, Op. 95<br />
Elgar Enigma Variations Op. 36<br />
Haydn Symphony No. 94 in G major<br />
Symphony No. 104 in D major<br />
Humperdinck Overture to Hansel and Gretel<br />
Knussen Symphony in One Movement<br />
Mahler Symphony No. 4 in G major<br />
Songs of a Wayfarer<br />
Mozart Symphony No. 40 in F minor, K.550<br />
Symphony No. 41 in C major, K.551 “Jupiter”<br />
Overture to Magic Flute<br />
Overture to Marriage of Figaro<br />
Overture to Idomeneo<br />
Flute Concerto in G, K. 313<br />
Rossini Overture to Il barbiere di Siviglia<br />
Ruggles Angels<br />
Seeger Andante for Strings<br />
Sibelius Symphony No. 2 in F major, Op. 43<br />
Violin Concert<br />
Stravinsky Rite of Spring (Excerpts)<br />
Tchaikovsky Symphony No. 4 in F minor, Op. 36<br />
Symphony No. 5 in E minor, Op. 64<br />
Symphony No. 6 in B minor, Op. 74<br />
* in preparation<br />
<strong>CHRISTOPHER</strong> <strong>ALLEN</strong><br />
<strong>conductor</strong> / <strong>pianist</strong><br />
Operatic Repertoire<br />
Adams A Flowering Tree<br />
Bizet Carmen<br />
Britten The Rape of Lucretia<br />
Turn of the Screw<br />
Holdridge Dolce Rosa<br />
Menotti The Telephone<br />
Amahl and the Night Visitors<br />
Mozart Idomeneo<br />
Le nozze di Figaro<br />
Die Zauberflöte<br />
Don Giovanni<br />
Piazolla Maria de Buenos Aries<br />
Poulenc Les mamelles de Tirésias<br />
Puccini La bohème<br />
Madama Butterfly<br />
Tosca<br />
Rossini Il barbiere di Siviglia<br />
J. Strauss Die Fledermaus<br />
Verdi La traviata<br />
Aida<br />
Falstaff<br />
References<br />
Joseph Colaneri—Artistic Director, West Australian Opera<br />
Bernard Labadie—Music Director, Les Violon du Roy<br />
Evans Mirageas—Artistic Director, Cincinnati Opera<br />
<strong>Alpha</strong> <strong>Artists</strong> Management, LLC ■ P.O. Box 2011 ■ Radio City Station ■ New York, NY 10019-2011 ■ 212-397-7921 x13<br />
<strong>Alpha</strong><strong>Artists</strong>@pinnaclearts.com ■ © <strong>Alpha</strong> <strong>Artists</strong> Management LLC All Rights Reserved