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CHRISTOPHER ALLEN conductor / pianist - Alpha Artists ...

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Christopher Allen’s career was launched into national<br />

attention when he received the Bruno Walter Conducting<br />

Award and Memorial Career Grant. This award led to his<br />

professional conducting debut of La bohème with Opera<br />

North. Recently he was selected by Maestro James Conlon to<br />

be a conducting assistant and coach for the Domingo-<br />

Thornton Young Artist Program at Los Angeles Opera for the<br />

2012-2013 season.<br />

This season Mº Allen assisted Maestri James Conlon and<br />

Placido Domingo in the LA Opera production of Don Giovanni<br />

as well as Mº Grant Gershon in Madama Butterfly. Upcoming,<br />

he will be Mº Conlon’s first assistant in The Rape of Lucretia<br />

and Mº Domingo’s first assistant in Lee Holdridge Dolce<br />

Rosa.<br />

During the 2011-12 season, Mº Allen worked as a cover and<br />

assistant <strong>conductor</strong> with the Atlanta Symphony working along<br />

side Music Director, Robert Spano. He is reëngaged for the<br />

2013 season with the Atlanta Symphony to once again to<br />

assist and cover both Donald Runnicles and Robert Spano.<br />

He currently is on the music staff of Cincinnati Opera as<br />

assistant <strong>conductor</strong>, a position he has held for the past two<br />

years and returns to assist in Aida for the 2013 season.<br />

During the summer of 2011 Christopher Allen was an<br />

assistant <strong>conductor</strong> at Cincinnati Opera where he assisted on<br />

John Adams’ A Flowering Tree and Mozart’s Die Zauberflöte<br />

assisting Bernard Labadie and Joana Carneiro. Mº Allen<br />

returned to Cincinnati Opera for the 2012 Season as an<br />

assistant <strong>conductor</strong> on Verdi’s La traviata and Astor Piazolla’s<br />

Maria de Buenos Aires.<br />

Christopher Allen has been a recipient of numerous awards<br />

which have led to debuts in venues such as Carnegie’s Weill<br />

Recital Hall, The Kennedy Center, Yamaha Artist Services,<br />

The Juilliard School and the Tenri Cultural Institute. While a<br />

student at the University of Cincinnati College Conservatory<br />

of music, his production of Benjamin Britten’s Turn of the<br />

Screw was awarded a National Opera Association prize.<br />

As a frequent recitalist, he made his Chicago Mayne Stage<br />

and WFMT debut with baritone, Levi Hernandez. He made his<br />

Matinee Musicale Debut as part of their 99th season with<br />

tenor, Scott Ramsey, which critics described as “ ravishing…a<br />

superb collaboration.”<br />

<strong>CHRISTOPHER</strong> <strong>ALLEN</strong><br />

<strong>conductor</strong> / <strong>pianist</strong><br />

Contact: Nick Netos<br />

<strong>Alpha</strong>-<strong>Artists</strong>.com<br />

Education<br />

In 2008 Christopher Allen received a Bachelors of Music in Piano<br />

Performance from the Manhattan School of Music. He received his<br />

Masters Degree in Orchestral Conducting from the University of<br />

Cincinnati College-Conservatory of Music while concurrently working<br />

on an Artist Diploma in Opera Coaching.<br />

Recent and Upcoming Activity 2012-13<br />

Don Giovanni assistant <strong>conductor</strong> for Mº James Conlon, Los<br />

Angeles Opera<br />

Madama Butterfly assistant <strong>conductor</strong> Mº Grant Gershon, Los<br />

Angeles Opera<br />

The Rape of Lucretia 1 st Assistant to Mº James Conlon, Los<br />

Angeles Opera<br />

Dolce Rosa by Lee Holdridge, 1 st Assistant to Mº Domingo<br />

Atlanta Symphony, Assistant Cover Conductor to Robert Spano<br />

and Donald Runnicles<br />

Cincinnati Opera assistant <strong>conductor</strong> 2013 season<br />

La traviata, conducting debut with Intermountain Opera,<br />

Boseman, MT (fall 2013)<br />

The 2010 Bruno Walter Memorial Foundation awarded $30,000 in grants to support Associate Conductor Chair at The Baltimore Symphony for Ilyich Rivas, the<br />

Assistant Conductor Chair for Donato Cabrera at the San Francisco Symphony and the Assistant Conductor Chair at Opera North for Christopher Allen in it’s<br />

eighth and final year of grants. The purpose of this annual program is to highlight the importance of assistant <strong>conductor</strong> positions as essential mentoring and<br />

learning experiences for emerging <strong>conductor</strong>s. These grants are intended to remind musicians and the general public of the invaluable contribution Maestro Walter<br />

made during his lifetime to opera, symphonic music and the training of young <strong>conductor</strong>s.<br />

<strong>Alpha</strong> <strong>Artists</strong> Management, LLC ■ P.O. Box 2011 ■ Radio City Station ■ New York, NY 10019-2011 ■ 212-397-7921 x13<br />

<strong>Alpha</strong><strong>Artists</strong>@pinnaclearts.com ■ © <strong>Alpha</strong> <strong>Artists</strong> Management LLC All Rights Reserved


Symphonic Repertoire<br />

Beethoven Symphony No. 1 in C major, Op. 21<br />

Symphony No. 2 in D Major, Op. 36<br />

Symphony No. 3 in E flat Major (Eroica) Op. 55<br />

Symphony No. 5 in C Minor, Op. 67<br />

Bizet Symphony in C<br />

Brahms Symphony No. 2 in D major, Op. 73<br />

Symphony No. 3 in F major Op. 90<br />

Tragic Overture Op, 81<br />

Double Concerto in A minor Op. 102<br />

Britten The Building of the House Overture<br />

Young Person’s Guide to the Orchestra<br />

Bruckner Symphony No. 7 in E major<br />

Debussy Prelude to “The Afternoon of a Faun”<br />

Dvořák Symphony No. 8 in G Major, Op. 88<br />

Symphony No. 9 in E minor, Op. 95<br />

Elgar Enigma Variations Op. 36<br />

Haydn Symphony No. 94 in G major<br />

Symphony No. 104 in D major<br />

Humperdinck Overture to Hansel and Gretel<br />

Knussen Symphony in One Movement<br />

Mahler Symphony No. 4 in G major<br />

Songs of a Wayfarer<br />

Mozart Symphony No. 40 in F minor, K.550<br />

Symphony No. 41 in C major, K.551 “Jupiter”<br />

Overture to Magic Flute<br />

Overture to Marriage of Figaro<br />

Overture to Idomeneo<br />

Flute Concerto in G, K. 313<br />

Rossini Overture to Il barbiere di Siviglia<br />

Ruggles Angels<br />

Seeger Andante for Strings<br />

Sibelius Symphony No. 2 in F major, Op. 43<br />

Violin Concert<br />

Stravinsky Rite of Spring (Excerpts)<br />

Tchaikovsky Symphony No. 4 in F minor, Op. 36<br />

Symphony No. 5 in E minor, Op. 64<br />

Symphony No. 6 in B minor, Op. 74<br />

* in preparation<br />

<strong>CHRISTOPHER</strong> <strong>ALLEN</strong><br />

<strong>conductor</strong> / <strong>pianist</strong><br />

Operatic Repertoire<br />

Adams A Flowering Tree<br />

Bizet Carmen<br />

Britten The Rape of Lucretia<br />

Turn of the Screw<br />

Holdridge Dolce Rosa<br />

Menotti The Telephone<br />

Amahl and the Night Visitors<br />

Mozart Idomeneo<br />

Le nozze di Figaro<br />

Die Zauberflöte<br />

Don Giovanni<br />

Piazolla Maria de Buenos Aries<br />

Poulenc Les mamelles de Tirésias<br />

Puccini La bohème<br />

Madama Butterfly<br />

Tosca<br />

Rossini Il barbiere di Siviglia<br />

J. Strauss Die Fledermaus<br />

Verdi La traviata<br />

Aida<br />

Falstaff<br />

References<br />

Joseph Colaneri—Artistic Director, West Australian Opera<br />

Bernard Labadie—Music Director, Les Violon du Roy<br />

Evans Mirageas—Artistic Director, Cincinnati Opera<br />

<strong>Alpha</strong> <strong>Artists</strong> Management, LLC ■ P.O. Box 2011 ■ Radio City Station ■ New York, NY 10019-2011 ■ 212-397-7921 x13<br />

<strong>Alpha</strong><strong>Artists</strong>@pinnaclearts.com ■ © <strong>Alpha</strong> <strong>Artists</strong> Management LLC All Rights Reserved

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