Balm of Gilead - Get a Free Blog Here
Balm of Gilead - Get a Free Blog Here
Balm of Gilead - Get a Free Blog Here
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FREE ART FREE PEOPLE<br />
Since the beginning <strong>of</strong> the 20 th century, art has become increasingly vacuous.<br />
Generally speaking, artists have refrained from engagement with meaning, or<br />
have sought to ascribe meaning to the infantile, the absurd, and the fantastic. This<br />
retreat from meaning is evident in all artistic activity, but seems most prevalent in<br />
the field <strong>of</strong> the plastic arts and their inane derivatives.<br />
I looked directly at the setting sun through a blue lens. I looked away<br />
from the sun and closed my eyes. I saw a creature <strong>of</strong> light, like a vast<br />
insect, formed <strong>of</strong> seven suns moving westwards. The creature floated<br />
eastwards, dissolving in stages. The creature's disappearance allowed<br />
the stars to appear in bright daylight, as if I looked upon a night sky. I<br />
opened my eyes. The sun had set.<br />
There is some virtue in the beauty <strong>of</strong> vision. The description above outlines a<br />
physical experience. This physical experience is translated into visionary terms. A<br />
mundane vision. Fancy language. A retreat from authenticity.<br />
The communities <strong>of</strong> art and music are debased by their concern with<br />
glamour. This concern with glamour is a product <strong>of</strong><br />
commercialisation. The communities <strong>of</strong> artists and musicians are<br />
debased by their overriding concern with money.<br />
The relationship between art and commerce has long been a factor in the<br />
production <strong>of</strong> art. How many artists would produce work if there were no<br />
prospect <strong>of</strong> selling it? The relationship between art and commerce has<br />
strengthened in direct proportion to the retreat from meaning.<br />
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