Balm of Gilead - Get a Free Blog Here

forwards left: or 8: window seat, far from window: or all seats on
smoking carriage. One would serve as well as all. The journey at
night. The journey in variable daylight. The eyes of people are drawn
towards light.
There would be an audience for this film. The Electric Guitar Feedback and
Drone soundtrack could accompany it, or the two events could be performed
separately, thus maximising income from ticket receipts. The same audience
would attend both events.
7.
Anti-neutral clothing: different shoes, one-legged trousers, one-
armed shirts; extended - half-beard, make-up (different coloured
eyes, lips, random splurges). The aim should not be to beautify. (cf.
Giacomo Balla, Il Vestito Antineutrale (Anti-Neutral Clothes)).
Drawings by tracing and combining representations of fragments of
machinery
Picabia again.
I meet Genesis P-Orridge (and others, including Cosey Fanni Tutti) at a studio in Brighton.
We engage in some artwork together. I am in Brighton to take part in an event that is being
staged in a former COUM Transmissions studio. I don’t know if this is the reason for my
meeting with Genesis, or if our meeting is a coincidence. The meeting is friendly at first, but
as our artwork progresses, Genesis tries to persuade me to use a dark watery liquid in the
work. The liquid has pieces of submerged wood in it. I refuse to use the liquid, wary of
Genesis’ sinister intent. We explore the magical power of incantations - the Lord’s Prayer
amongst them (I recognise this with gratitude).
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