Hobart College Newsletter 2 2012 - Tasmanian Academy
Hobart College Newsletter 2 2012 - Tasmanian Academy
Hobart College Newsletter 2 2012 - Tasmanian Academy
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FooD Fair <strong>2012</strong><br />
This year’s food fair was held just before Easter and, once<br />
again, it went off! Each year seems busier and better<br />
than ever; that could be because, for students at least,<br />
the concept of the Fair doesn’t have time to go stale and<br />
there’s always enthusiasm and a willingness to try just<br />
about anything. John X was a generous and affirming<br />
“special guest” who revved everyone up before the<br />
Lion did his/her thing up the stairs marking the start of<br />
sixty minutes of frenetic selling and eating. Right now, it<br />
looks like the takings are up on previous years and all<br />
profits will find their way to a worthy cause outside of<br />
our <strong>College</strong> community. Congratulations and thanks to<br />
everyone involved.<br />
Jill Chisholm<br />
St PatricKS Day BreaKFaSt<br />
3<br />
art raGe 2011<br />
Well over a decade ago, The Queen Victoria Museum<br />
and Art Gallery, inspired by interstate regional galleries’<br />
highly successful year 11 and 12 showcase exhibitions,<br />
embarked on their local version, Art Rage. While the<br />
<strong>Tasmanian</strong> School of Art have generously hosted the<br />
southern hang of this show for the past few years, <strong>2012</strong><br />
sees the show exhibited for the first time in the acclaimed<br />
Plimsoll Gallery. Showcasing the absolute best of the<br />
Art Production and Art Studio Practice students in this<br />
state, <strong>Hobart</strong> <strong>College</strong> is represented by five candidates.<br />
For two years Ashley Young has astonished his audience<br />
with exquisite renderings of the human form and the<br />
chosen work for this show is his personal apotheosis.<br />
Jade Young produced a photographic documentary of<br />
the relationship between the figure, the goddess and the<br />
permeating vapour of the muse. Annie Swanton ( pictured<br />
left) takes us beyond the notion of the photograph as<br />
evidence of an encounter to a visual re-construction of<br />
what normally is expressed to us in the language of poetry.<br />
Louise Arberle decodes the surfaces of personalities and<br />
their associated persona within our world. Her virtuoso<br />
paintings play with the irony of portrait or cliché. Matilda<br />
Holstein explores digitally the childhood discomfort of<br />
stories and fairytales that ironically confront us rather<br />
than comfort us.<br />
Wayne Brookes