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Hobart College Newsletter 2 2012 - Tasmanian Academy

Hobart College Newsletter 2 2012 - Tasmanian Academy

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FooD Fair <strong>2012</strong><br />

This year’s food fair was held just before Easter and, once<br />

again, it went off! Each year seems busier and better<br />

than ever; that could be because, for students at least,<br />

the concept of the Fair doesn’t have time to go stale and<br />

there’s always enthusiasm and a willingness to try just<br />

about anything. John X was a generous and affirming<br />

“special guest” who revved everyone up before the<br />

Lion did his/her thing up the stairs marking the start of<br />

sixty minutes of frenetic selling and eating. Right now, it<br />

looks like the takings are up on previous years and all<br />

profits will find their way to a worthy cause outside of<br />

our <strong>College</strong> community. Congratulations and thanks to<br />

everyone involved.<br />

Jill Chisholm<br />

St PatricKS Day BreaKFaSt<br />

3<br />

art raGe 2011<br />

Well over a decade ago, The Queen Victoria Museum<br />

and Art Gallery, inspired by interstate regional galleries’<br />

highly successful year 11 and 12 showcase exhibitions,<br />

embarked on their local version, Art Rage. While the<br />

<strong>Tasmanian</strong> School of Art have generously hosted the<br />

southern hang of this show for the past few years, <strong>2012</strong><br />

sees the show exhibited for the first time in the acclaimed<br />

Plimsoll Gallery. Showcasing the absolute best of the<br />

Art Production and Art Studio Practice students in this<br />

state, <strong>Hobart</strong> <strong>College</strong> is represented by five candidates.<br />

For two years Ashley Young has astonished his audience<br />

with exquisite renderings of the human form and the<br />

chosen work for this show is his personal apotheosis.<br />

Jade Young produced a photographic documentary of<br />

the relationship between the figure, the goddess and the<br />

permeating vapour of the muse. Annie Swanton ( pictured<br />

left) takes us beyond the notion of the photograph as<br />

evidence of an encounter to a visual re-construction of<br />

what normally is expressed to us in the language of poetry.<br />

Louise Arberle decodes the surfaces of personalities and<br />

their associated persona within our world. Her virtuoso<br />

paintings play with the irony of portrait or cliché. Matilda<br />

Holstein explores digitally the childhood discomfort of<br />

stories and fairytales that ironically confront us rather<br />

than comfort us.<br />

Wayne Brookes

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