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CARPET WEAVERS AND WEAVING IN THE ... - Cornell University

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objects want goods with “traditions,” with “histories” (Stephen 1991, Nash 1993,<br />

Graburn 1999). Authenticity “has to do not only with genuineness and the reliability<br />

of face value, but with the interpretation of genuineness and our desire for it” (Spooner<br />

1986, 200). Those who talk of authenticity are “attempting to demonstrate, to<br />

themselves if no one else, a superior knowledge and power of discrimination”<br />

(Graburn 1999, 352). Thus, these goods can be purchased for use value, but also (in<br />

the case of high-quality items) for future resale – “the promise that oriental carpets,<br />

though bought for use, are a ‘good investment’” (Kopytoff 1986, 75).<br />

Intermediaries transmit “the important information about the status of the<br />

artifact as commodity or treasure” (Graburn 1999, 349). In the export market, “trade<br />

diasporas” facilitate world trade by negotiating differing value and exchange systems<br />

across cultures (Kopytoff 1986, 88). In the domestic or import market these<br />

facilitators are often community members or the artisans themselves, though the<br />

government is also involved. Nash cites Geshekter (1978) in saying that tourism<br />

works within the international capitalist system in order to sell a country-as-product<br />

(1993, 13). Conservation of objects (crafts, or, in Orbasli’s research, buildings or<br />

historic neighborhoods in Bergama, Turkey) does not conserve culture – “it is<br />

improvements to their immediate needs and ‘quality of life’ that will be a measure of<br />

development” (Orbasli 1994, 4).<br />

In summary, while incorporation into the world market has broadened the<br />

consumer base for craft items, it can also alter the design and significance of these<br />

items, changing production for the community to production for export. Production<br />

for export often caters to an external conception of authenticity, privileging foreign<br />

aesthetics over local forms and traditions. Items can also be bought as investments,<br />

though this is true mainly of high quality items with an elite clientele. Information<br />

14

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