1 Yolanda Iglesias Curriculum Vitae February, 2013 - Toronto
1 Yolanda Iglesias Curriculum Vitae February, 2013 - Toronto
1 Yolanda Iglesias Curriculum Vitae February, 2013 - Toronto
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<strong>Yolanda</strong> <strong>Iglesias</strong><br />
<strong>Curriculum</strong> <strong>Vitae</strong><br />
<strong>February</strong>, <strong>2013</strong><br />
______________________________________________________________________________________<br />
Assistant Professor Office: Victoria College<br />
University of <strong>Toronto</strong> 91 Charles Street West<br />
Department of Spanish and Portuguese <strong>Toronto</strong>, ON M5S 1K7. CANADA<br />
& e-mail: y.iglesias@utoronto.ca<br />
Centre for Medieval Studies Tel: (416) 813-4088<br />
Fax: (416) 813-4084<br />
EDUCATION<br />
______________________________________________________________________________<br />
• 2007: Ph.D. in Spanish Literature. Department of Modern Foreign Languages and<br />
Literatures. Boston University.<br />
Ph.D. Thesis: The parody of sentimental romance in La Celestina. Advisor: Prof. Irene<br />
Zaderenko.<br />
• 2000: M.A. in Spanish Literature. Department of Modern Foreign Languages and<br />
Literatures. University of Western Ontario.<br />
MA Thesis: The Scientific Realism of Pérez Galdós: An analysis based on modern<br />
psychology. Advisor: Prof. Marjorie Ratcliffe.<br />
• 1999: B.A. Honors in Spanish Literature. Department of Modern Foreign Languages<br />
and Literatures. University of Western Ontario.<br />
• 1997: B.A. in Psychology. Department of Psychology. University of Western Ontario.<br />
MAJOR RESEARCH FIELDS<br />
___________________________________________________________________________________<br />
• Spanish Medieval Literature, with emphasis on courtly love, sentimental romance, and La Celestina.<br />
• Spanish Renaissance Literature, with emphasis on celestinesque genre.<br />
• Spanish XIX Century Literature, with emphasis on Benito Pérez Galdós.<br />
• Literature and Social History (Medieval and Renaissance time).<br />
• Theory of Parody.<br />
• Theory of Adaptation.<br />
1
WORK EXPERIENCE<br />
_____________________________________________________________________________________<br />
• 2011-present Assistant Professor. Department of Spanish and Portuguese &Centre for Medieval<br />
Studies. University of <strong>Toronto</strong>.<br />
• 2007-2011: Assistant Professor. Dept. of Spanish and Portuguese. University of <strong>Toronto</strong><br />
• 2006 - 2007: Research Associate. Dept. of Spanish and Portuguese. University of <strong>Toronto</strong><br />
• 2000 – 2006: Teaching Fellow. Dept. of Modern Foreign Languages and Literatures. Boston<br />
University.<br />
• 1999 – 2000: Teaching Assistant. Dept. of Modern Foreign Languages and Literatures. Western<br />
Ontario.<br />
• 1997 – 1999: Instructor. Dept. of Modern Foreign Languages and Literatures. U. of Western<br />
Ontario.<br />
HONORS, AWARDS AND GRANTS<br />
______________________________________________________________________________________<br />
• 2012-2014: CRIF (<strong>Curriculum</strong> Renewal Initiative Fund). Main investigator: Laura Colantoni. Coinvestigators:<br />
Susan Antebi, Cristina Cuervo, <strong>Yolanda</strong> <strong>Iglesias</strong>, Ana Perez-Leroux, and<br />
Rosa Sarabia. Project Title: “Language Variation and its Cultural Representations Across<br />
the Spanish <strong>Curriculum</strong>”.<br />
• 2012: Travel Grant. Victoria College, at University of <strong>Toronto</strong>.<br />
• 2010: Travel Grant. Victoria College, at University of <strong>Toronto</strong>.<br />
• 2009: National Endowment for the Humanities (NEH). Selected to attend the five weeks summer<br />
seminar titled “Celestina and the Threshold of Modernity” at the University of Virginia in<br />
Charlottesville and directed by E. Michael Gerli, Commonwealth Professor of Hispanic<br />
Studies.<br />
• 2009: Travel Grant. Victoria College, at University of <strong>Toronto</strong>.<br />
• 2008: Senate Research Grant. Victoria College, at the University of <strong>Toronto</strong>.<br />
• 2006: The Helen G. Allen Humanities Award of The Humanities Foundation. Boston University.<br />
• 2005: Certificate of Appreciation from College of Arts and Sciences. Boston University.<br />
• 2002: Member of the Phi Sigma Iota honor society.<br />
• 2000-2006: Teaching Fellowship, Boston University.<br />
• 2000: Graduate Tuition Scholarship, University of Western Ontario.<br />
2
• 1999: Gold Medal for outstanding performance in the Honors B.A. in Spanish Literature, Western<br />
Ontario.<br />
• 1999: Dean’s Honor List, University of Western Ontario.<br />
PUBLICATIONS<br />
__________________________________________________________________________________<br />
Books:<br />
• Book: Una nueva mirada a la parodia de la novela sentimental en La Celestina. Madrid:<br />
Iberoamericana-Vervuert. (febrero de 2009). (Title in English: Another Look at the Parody of<br />
Sentimental Romance in La Celestina).<br />
Reviews of this book<br />
o Álvarez-Moreno, Raúl. Corónica 40 (2012): 334-338.<br />
o Sherman Severin, Dorothy. Speculum 87 (2012): 565-567<br />
o Saravia, José María. Iberoamericana 37 (2010): 214-216<br />
o Rudolf Kerscher. Hispanorama 126 (2009): 78-79<br />
• Book: El realismo científico en la obra de Benito Pérez Galdós. Un análisis en función de los<br />
criterios de la psicología moderna. Buenos Aires, Argentina: Elaleph.com, 2006. (Title in English:<br />
The Scientific Realism of Pérez Galdós: An Analysis Based on Modern Psychology).<br />
Articles in Refereed Journals:<br />
• “Los grandes ausentes en la adaptación cinematográfica de La Celestina de Gerardo Vera: El<br />
humor, la parodia y el público.” Lemir 17 (<strong>2013</strong>): 9-22<br />
• “La prostitución en La Celestina: estudio histórico-literario”. (Special Issue of La Celestina). Ed.<br />
Enrique Fernández Rivera and Antonio Cortijo Ocaña. E-Humanista. 19 (2011): 193-208. (Title in<br />
English: “Prostitution in La Celestina: An Historical and Literary Analysis”)<br />
• “Rompiendo las cadenas: el libre albedrío en los personajes de La Celestina”. Celestinesca. 34<br />
Book reviews:<br />
(2010): 57-73 (Title in English: “Breaking Chains: Free Will in the Characters of La Celestina”)<br />
• Geraldine Coates. Treacherous foundations betrayal and collective identity in early Spanish epic,<br />
chronicle, and drama. Tamesis: Woodbridge, Suffolk Uk. 2009. 237 pp. Revista Canadiense de<br />
Estudios Hispánicos. Vol. 34.2: 392-93, 2010<br />
• Manuel da Costa Fontes. The Art of Subversion in Inquisitorial Spain. Rojas and Delicado. Purdue<br />
University Press: West Lafayette, Indiana. 2005. 346 pp. Revista Canadiense de Estudios<br />
Hispánicos. Vol. 31.3: 518, 2008<br />
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WORK IN PROGRESS<br />
_____________________________________________________________________________________<br />
Articles<br />
• “Implicaciones sociales y judiciales de los cinco tipos de muertes en La Celestina: un estudio<br />
histórico literario” (Title in english: “Social and Legal Meaning of the Five Different Type of<br />
Deaths in La Celestina: An Historical and Literary Survey”)<br />
• El matrimonio en La Celestina y el género celestinesco” (Title in English: Matrimony in La<br />
Celestina and in the Celestinesque Genre”)<br />
• “La prostitución en el género celestinesco: desarrollo literario e histórico. (Title in English:<br />
“Prostitution in the Celestines que genre: An Historical and Literary Survey”)<br />
• “La sociedad medieval y renacentista a través de la literatura y la historia” (Medieval and<br />
Renaissance Society through Literature and History)<br />
• “Los personajes de La Celestina y del género celestinesco fuera de la ley” (Title in English “The<br />
Outlaw Characters in La Celestina and the Celestinesque Genre”)<br />
TEACHING EXPERIENCE<br />
____________________________________________________________________________<br />
University of <strong>Toronto</strong><br />
Graduate Level:<br />
• SPA 2060 H1: Graduate Seminar. Literature and Society of Castile in the Late Middle Ages and<br />
Early Renaissance (Spring 2012).<br />
• SPA 2050 H1: Graduate Seminar. Adaptations of La Celestina (Spring 2011)<br />
• SPA 2018 H1: Graduate Seminar. The Sentimental novel, La Celestina and Celestinesque genre<br />
(Spring 2010)<br />
Undergraduate Level:<br />
Language:<br />
• SPA 320 Y1 Course coordinator. Advanced Spanish (Fall and Spring 2010-2011; 2011-2012; 2012<br />
Fall (teaching and coordinating)-<strong>2013</strong> Spring (coordination).<br />
• SPA 320 Y1 Advanced Spanish (Fall and Spring 2007-2008; 2008-2009; 2009-2010)<br />
Literature:<br />
• SMC 406 H1: Medieval Seminar II: (Death and Society in the Middle Ages)<br />
• SMC 360 H1: Vernacular Literature of the Middle Ages (Fall 2012).<br />
• SPA 490 H1: Independent Studies in Spanish. Title: Cinematographic and Theatrical<br />
Representations of La Celestina (Summer 2008)<br />
4
• SPA 454 H1 Cervantes and Golden Age Narrative (Fall 2007; Spring 2009; Spring 2010; Spring<br />
2011; Fall 2011; Fall 2012)<br />
• SPA 450 H1 Studies in Medieval Iberian Literature (Spring 2008; Fall 2008, Fall 2009; Fall 2010)<br />
• SPA 352 H1 Writing and Culture in Early Modern Spain (Fall 2007)<br />
• SPA 258 H1 Introduction to Hispanic Literary Studies (Fall 2008)<br />
Boston University<br />
• LS 111 (First semester Spanish): Fall 2000; Spring 2001; Fall 2001.<br />
• LS 112 (Second semester Spanish): Spring 2002.<br />
• LS 211 (Third semester Spanish): Fall 2002; Fall 2003; Spring 2005; Fall 2005.<br />
• LS 212 (Fourth semester Spanish): Spring 2003; Spring 2004; Fall 2004; Spring 2005.<br />
• LS 303 Composition and Conversation in Spanish I: Spring 2006<br />
University of Western Ontario<br />
• First semester Spanish: Fall 1997; Spring 1998.<br />
• Second semester Spanish: Fall 1998; Spring 1999.<br />
• Third semester Spanish: Fall 1999.<br />
• Fourth semester Spanish: Spring 2000.<br />
DEPARTMENT AND UNIVERSITY SERVICES<br />
____________________________________________________________________________________<br />
• Research Committee (Chair) (2012-<strong>2013</strong>)<br />
• Language Sequence Committee (2010-2011) (2011-2012) (2012-<strong>2013</strong>)<br />
• Awards Committee (2009-2010)<br />
• Fall Campus Day ( previously U of T Day / Discovery Day) (Fall 2008, 2009, 2010, 2011)<br />
• Arts and Science March Break Open House (Spring 2008, 2009, 2010)<br />
PRESENTATIONS IN CONFERENCES AND SEMINARS<br />
____________________________________________________________________________________<br />
• May 2012: “La adaptación cinematográfica de La Celestina: viejos problemas y nuevas<br />
soluciones.” (Title in English: “The representation of La Celestina: Old Problems and New<br />
Proposals”). Congress of Canadian Association of Hispanist. Wilfrid Laurier University and<br />
University of Waterloo (Waterloo, Ontario)<br />
5
• March, 2012: “La adaptación al cine de La Celestina de Gerardo Vera: fidelidad al texto vs esencia<br />
literaria” Invited lecture at University of Western Ontario.<br />
• <strong>February</strong>, 2011: “Introducción a don Juan Manuel y a El conde Lucanor dentro de la literatura<br />
didáctica medieval”. Invited lecture at Maryland University.<br />
• May 2010: “Prostitution in La Celestina: An Historical and Literary Analysis”. Congress of<br />
Canadian Association of Hispanist. Concordia University (Montreal)<br />
• August 2009. “Breaking Chains: Free Will in the Characters of La Celestina” during the seminar<br />
“Celestina and the Threshold of Modernity” at the University of Virginia in Charlottesville and<br />
directed by E. Michael Gerli.<br />
• May 2009: Presentation of my book titled: Another Look at the Parody of Sentimental Romance<br />
in La Celestina. Congress of Canadian Association of Hispanist. Carleton University (Ottawa).<br />
• April 2005: “The parody of the Sentimental Romance in La Celestina”. Kentucky Foreign<br />
Language Conference. University of Kentucky Lexington.<br />
• October 2001: “El debate entre Buero Vallejo y Alfonso Sastre: una interpretación nietzscheana”.<br />
Invited lecture at University of Western Ontario.<br />
ORGANIZATION OF CONFERENCES<br />
______________________________________________________________________________________<br />
• May 2010: “Conference in honor of Alan Deyermond”. Congress of Canadian Association of<br />
Hispanist. Montreal, Concordia University. Co-organizer with Rosa Garrido and Marjorie Ratcliffe.<br />
6