Stefan Demeter
Stefan Demeter
Stefan Demeter
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<strong>Stefan</strong> <strong>Demeter</strong><br />
Tatarlı: Study, Conservation and Reconstruction<br />
of a Painted Wooden Tomb Chamber in Phrygia<br />
Department for Restoration, Art Technology and Conservation Science<br />
<strong>Stefan</strong> <strong>Demeter</strong>: Tatarlı: Study, Conservation and Reconstruction<br />
of a Painted Wooden Tomb Chamber in Phrygia
eams in the ‚Archäologische Staatssammlung‘, munich<br />
Department for Restoration, Art Technology and Conservation Science<br />
<strong>Stefan</strong> <strong>Demeter</strong>: Tatarlı: Study, Conservation and Reconstruction<br />
of a Painted Wooden Tomb Chamber in Phrygia
● Tatarlι<br />
Department for Restoration, Art Technology and Conservation Science<br />
<strong>Stefan</strong> <strong>Demeter</strong>: Tatarlı: Study, Conservation and Reconstruction<br />
of a Painted Wooden Tomb Chamber in Phrygia
Battle scene and digital reconstruction<br />
Department for Restoration, Art Technology and Conservation Science<br />
<strong>Stefan</strong> <strong>Demeter</strong>: Tatarlı: Study, Conservation and Reconstruction<br />
of a Painted Wooden Tomb Chamber in Phrygia
ed colorant (LM, SEM-EDX)<br />
cross section (CS 1), visible light uv-light<br />
SEM-EDX<br />
elements in the red colorant:<br />
Fe, Pb, Si, Al, Ca, K, S, As (Na, Ti, Zn)<br />
iron lead<br />
Department for Restoration, Art Technology and Conservation Science<br />
<strong>Stefan</strong> <strong>Demeter</strong>: Tatarlı: Study, Conservation and Reconstruction<br />
of a Painted Wooden Tomb Chamber in Phrygia<br />
sampling<br />
result: hematite, lead red,<br />
realgar, calcite, plaster, silica, clay Chr. Gruber, BLfD
summary of the analysis till now<br />
wood: ceder, juniper<br />
dendrochronology: about 480 BC<br />
red colorant: vermillion, lead red, hematite (PLM; Thieme, <strong>Demeter</strong>; TUM)<br />
vermillion, lead red, hematite (SEM-EDX; Gruber; BLfD)<br />
red earth, hematite, madder extract (UV-VIS; Piening; SV)<br />
black colorant: animal charcoal (PLM; Thieme, <strong>Demeter</strong>; TUM)<br />
carbonblack (UV-VIS; Piening; SV)<br />
white colorant: bone white, white earth (PLM; Thieme, <strong>Demeter</strong>; TUM)<br />
white earth, white lead (UV-VIS; Piening; SV)<br />
grey colorant: bone white, animal charcoal (PLM; Thieme, <strong>Demeter</strong>; TUM)<br />
clay, carbonblack, ultramarin (UV-VIS; Piening; SV)<br />
Department for Restoration, Art Technology and Conservation Science<br />
<strong>Stefan</strong> <strong>Demeter</strong>: Tatarlı: Study, Conservation and Reconstruction<br />
of a Painted Wooden Tomb Chamber in Phrygia
Cross-gained side<br />
Department for Restoration, Art Technology and Conservation Science<br />
<strong>Stefan</strong> <strong>Demeter</strong>: Tatarlı: Study, Conservation and Reconstruction<br />
of a Painted Wooden Tomb Chamber in Phrygia<br />
side<br />
backside
Damages caused by funghi<br />
Department for Restoration, Art Technology and Conservation Science<br />
<strong>Stefan</strong> <strong>Demeter</strong>: Tatarlı: Study, Conservation and Reconstruction<br />
of a Painted Wooden Tomb Chamber in Phrygia<br />
Damage caused by funghi;<br />
No treatment<br />
Damage caused by funghi; before treatment after treatment with rabbit skin glue 0,5%<br />
applied by ultrasonic nebulizer
Fibers with nearly no connection to the substrate<br />
Before treatment after treatment; filling gaps by wood<br />
Department for Restoration, Art Technology and Conservation Science<br />
<strong>Stefan</strong> <strong>Demeter</strong>: Tatarlı: Study, Conservation and Reconstruction<br />
of a Painted Wooden Tomb Chamber in Phrygia
Tunnels tight under the surface<br />
Department for Restoration, Art Technology and Conservation Science<br />
<strong>Stefan</strong> <strong>Demeter</strong>: Tatarlı: Study, Conservation and Reconstruction<br />
of a Painted Wooden Tomb Chamber in Phrygia
standards for the filling mass<br />
• applicable by injection<br />
• no shrinking during drying<br />
• no migration of the binding media<br />
• controlled aging<br />
• inert material<br />
• similar hardness as wood<br />
ideal<br />
package<br />
Department for Restoration, Art Technology and Conservation Science<br />
<strong>Stefan</strong> <strong>Demeter</strong>: Tatarlı: Study, Conservation and Reconstruction<br />
of a Painted Wooden Tomb Chamber in Phrygia
filling mass<br />
• Hollow glass bubbles<br />
Scotchlite S22; ø 29µm – 53µm 4 parts<br />
• Hollow glass bubbles<br />
Scotchlite K1; ø 46µm - 200µm 1 part<br />
• Cellulose 1 part<br />
• Acematt HK 125 1 part<br />
• Rabbit skin glue 10%<br />
+ 0,5% pit lime, Ca(OH) 2 , pH 9 17 parts<br />
Department for Restoration, Art Technology and Conservation Science<br />
<strong>Stefan</strong> <strong>Demeter</strong>: Tatarlı: Study, Conservation and Reconstruction<br />
of a Painted Wooden Tomb Chamber in Phrygia
Example for the useage of the filling mass<br />
Before<br />
During<br />
Department for Restoration, Art Technology and Conservation Science<br />
<strong>Stefan</strong> <strong>Demeter</strong>: Tatarlı: Study, Conservation and Reconstruction<br />
of a Painted Wooden Tomb Chamber in Phrygia<br />
After treatment (filling mass was colored<br />
by water colors)
Slides for dendrochronology<br />
Slides taken for dendrochronological use by Peter Ian Kuniholm in 1991/1993;<br />
They have to be reintegrated<br />
Department for Restoration, Art Technology and Conservation Science<br />
<strong>Stefan</strong> <strong>Demeter</strong>: Tatarlı: Study, Conservation and Reconstruction<br />
of a Painted Wooden Tomb Chamber in Phrygia
First reconstruction of the East-wall<br />
Department for Restoration, Art Technology and Conservation Science<br />
<strong>Stefan</strong> <strong>Demeter</strong>: Tatarlı: Study, Conservation and Reconstruction<br />
of a Painted Wooden Tomb Chamber in Phrygia
The project is initiated and managed by:<br />
- Prof. Latife Summerer, Institute for Classical Archaeology,<br />
Ludwig-Maximilian-Universität München<br />
- Dr. Alexander von Kienlin, same Insitute<br />
For the Conservation is responsible:<br />
- Prof. Erwin Emmerling, Department for Restoration, Art Technology and<br />
Conservation Science, Technical University Munich<br />
Lehrstuhl für Restaurierung, Kunsttechnologie und Konservierungswissenschaft<br />
<strong>Stefan</strong> <strong>Demeter</strong>: Tatarlι-Tumulus<br />
eine perserzeitliche bemalte Grabkammer aus Holz<br />
All works are carried out in Collaboration with Turkish and German authorities
Department for Restoration, Art Technology and Conservation Science<br />
<strong>Stefan</strong> <strong>Demeter</strong>: Tatarlı: Study, Conservation and Reconstruction<br />
of a Painted Wooden Tomb Chamber in Phrygia
during the excavation 1970 scematic reconstruction<br />
Department for Restoration, Art Technology and Conservation Science<br />
<strong>Stefan</strong> <strong>Demeter</strong>: Tatarlı: Study, Conservation and Reconstruction<br />
of a Painted Wooden Tomb Chamber in Phrygia
Department for Restoration, Art Technology and Conservation Science<br />
<strong>Stefan</strong> <strong>Demeter</strong>: Tatarlı: Study, Conservation and Reconstruction<br />
of a Painted Wooden Tomb Chamber in Phrygia
glue stabilisation putty<br />
original surface<br />
red white black<br />
Department for Restoration, Art Technology and Conservation Science<br />
<strong>Stefan</strong> <strong>Demeter</strong>: Tatarlı: Study, Conservation and Reconstruction<br />
of a Painted Wooden Tomb Chamber in Phrygia
Department for Restoration, Art Technology and Conservation Science<br />
<strong>Stefan</strong> <strong>Demeter</strong>: Tatarlı: Study, Conservation and Reconstruction<br />
of a Painted Wooden Tomb Chamber in Phrygia
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