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The Cathach 2011 - Volume II (PDF) - Sligo Libraries

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contrary, have never been more marginal and their enterprise more quixotic and ridiculous);<br />

and, finally, the eclipse of literary forms that once helped writers to survive,<br />

such as the short story.<br />

All the above and more (this list is far from exhaustive) have changed the work<br />

experience of writers: however, I also know everything is cyclical: these circumstances<br />

and the conditions they have produced can’t last forever. <strong>The</strong> trick, therefore, is to<br />

survive until things change back, in which case my best option, I believe, is to follow<br />

the strategy for successful living proposed by Camus in <strong>The</strong> Myth of Sisyphus. I must<br />

endure cheerfully. In other words, I just have to outlive the fuckers.<br />

Postscript<br />

Over more than twenty-five years, I’ve written many reviews but the kind of critical<br />

scrutiny I’ve applied to other people’s books I’ve never applied before to my own.<br />

It’s been strange. I’ve had to reread books and disinter literary practices I haven’t<br />

handled for decades; I’ve had to think about the way I’ve written and, in particular,<br />

whether my self-effacement strategy is still efficacious while simultaneously<br />

producing a book of interviews about suicide for <strong>The</strong> Suicide Book, a project that<br />

demanded extreme self-effacement. Now this essay is written and I’m at the end of<br />

this process of self-scrutiny, I’ve concluded that I’ve probably gone as far as I can with<br />

self-effacement and, in future, if I do manage to publish, I’ll probably write in the<br />

third person without the buffer of an invented author between the reader and myself.<br />

This was what I did in A Good Day For a Dog, my last published novel. It’s a lot<br />

simpler, I found.<br />

- Carlo Gébler<br />

1 <strong>The</strong>se were Elaine’s Non-show, given its first performance at the Assembly Rooms, Belfast, 18th November 2003,<br />

as part of Vote! Vote! Vote!, and Silhouette, first performed at the Tricycle <strong>The</strong>atre, London, on 24th November<br />

2006, as part of How Long Is Never? Darfour – A Response.<br />

2 <strong>The</strong> Suicide Book currently languishes in limbo because of concerns about libel and breaches of the privacy laws<br />

and this is why it is absent from the bibliography.<br />

55

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