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The Accordion in the 19th Century - Gorka Hermosa

The Accordion in the 19th Century - Gorka Hermosa

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Fig. 22: Illustration by Mersenne (1636) 42 .<br />

Fig. 23: Illustration by Blanch<strong>in</strong>i (1685) 43 . Fig. 24: Illustration by Bonani (1722) 44 .<br />

Fig. 25 and 26: Illustrations by La borde 45 (1780) 46 .<br />

- In 1780 <strong>in</strong> Paris, Joseph Marie Amiot <strong>in</strong> his book Memoires concernant l`histoire, les sciences, les arts, les moeurs, les<br />

usages, ec des Ch<strong>in</strong>ois, par les missionnaires de Pek<strong>in</strong>, vol. 6 describes <strong>in</strong> detail a tcheng, provid<strong>in</strong>g <strong>in</strong>formation about<br />

its construction. [197, 388, 398]<br />

42<br />

Fig. taken from: http://www.patmiss<strong>in</strong>.com/history/mersenne.html<br />

43<br />

Fig. taken from: http://www.patmiss<strong>in</strong>.com/history/blanch<strong>in</strong>i.html<br />

44<br />

Fig. taken from: http://www.patmiss<strong>in</strong>.com/history/bonanni.html<br />

45<br />

<strong>The</strong>se pictures were <strong>in</strong>cluded <strong>in</strong> 1780 <strong>in</strong> <strong>the</strong> book Essai de la Musique Ancienne et Modern (Paris, France: Ph.D. Pierres) by Jean<br />

Benjam<strong>in</strong> de Laborde.<br />

46<br />

Fig. taken from: http://www.patmiss<strong>in</strong>.com/history/laborde.html<br />

16

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