The Accordion in the 19th Century - Gorka Hermosa
The Accordion in the 19th Century - Gorka Hermosa
The Accordion in the 19th Century - Gorka Hermosa
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II.1.2- Comments on <strong>the</strong> <strong>in</strong>vention of <strong>the</strong> accordion<br />
<strong>The</strong>re are some clues that <strong>the</strong>re were accordions before Demian’s and evidence<br />
that <strong>in</strong> <strong>the</strong> years follow<strong>in</strong>g Demian’s patent <strong>the</strong>re were accordions which were given<br />
different names, before middle 19 th c. when <strong>the</strong> term accordion (accordéon, acordeón,<br />
Akkordeon, fisarmonica, bayan, sanfona... <strong>in</strong> accordance to <strong>the</strong> language) started to<br />
catch on to denom<strong>in</strong>ate <strong>the</strong> whole family of <strong>in</strong>struments. We will put forward several<br />
observations below that will question <strong>the</strong> assumption that Demian was <strong>the</strong> <strong>in</strong>ventor of<br />
<strong>the</strong> accordion: [210]<br />
• We cannot state that Demian <strong>in</strong>vented <strong>the</strong> accordion to <strong>the</strong> same extent that<br />
we say that Sax <strong>in</strong>vented <strong>the</strong> saxophone or that Wheatstone <strong>in</strong>vented <strong>the</strong><br />
concert<strong>in</strong>a. Demian patented a toy, an <strong>in</strong>complete <strong>in</strong>strument that required<br />
extensive organologic developments to make it suitable to make music. <strong>The</strong><br />
term accordion refers a family of <strong>in</strong>struments enormously varied and made<br />
up of multitude of models or prototypes that have experienced vary<strong>in</strong>g<br />
spread. <strong>The</strong> fact is that each model of accordion has a correspond<strong>in</strong>g<br />
<strong>in</strong>ventor or a person who accomplished an organologic development over <strong>the</strong><br />
previous model.<br />
• <strong>The</strong> first free reed keyboard <strong>in</strong>strument whose bellows was operated with <strong>the</strong><br />
left arm of <strong>the</strong> player was Kirsnik-Kratzenste<strong>in</strong>’s organ <strong>in</strong> 1780, which<br />
resembles <strong>the</strong> current accordion more than <strong>the</strong> accordion by Demian <strong>in</strong> 1829.<br />
[197, 262]<br />
• <strong>The</strong> concert<strong>in</strong>a and <strong>the</strong> harmonium are much closer to <strong>the</strong> current accordion<br />
than Demian’s, regard<strong>in</strong>g <strong>the</strong> conception of melody and polyphony, and<br />
underwent a noteworthy evolution along with <strong>the</strong> 19 th c. music. [3, 200, 202, 240,<br />
276, 306, 355, 363]<br />
• Several sources [10] regard <strong>the</strong> handaeol<strong>in</strong>e as <strong>the</strong> first<br />
accordion. It was patented <strong>in</strong> 1822 78 by Christian Friedrich<br />
Ludwig Buschmann (1805-1864). It was an <strong>in</strong>strument<br />
similar to <strong>the</strong> harmonica, but <strong>the</strong> air was blown <strong>in</strong>to by<br />
means of a bellows.<br />
22<br />
Fig. 41: Handaeol<strong>in</strong>e 79 .<br />
• In 1827 Marie Candide Buffet (1797-1859) <strong>in</strong>vented a model of harmonica<br />
made of metal which he denom<strong>in</strong>ated accordion, an item of <strong>in</strong>formation that<br />
has misled umpteen authors about <strong>the</strong> <strong>in</strong>vention of <strong>the</strong> accordion. [39, 66]<br />
78 Accord<strong>in</strong>g to Mens<strong>in</strong>g [190], <strong>in</strong> 1821.<br />
79 Fig. taken from: Mirek [197] page 6.