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The Accordion in the 19th Century - Gorka Hermosa

The Accordion in the 19th Century - Gorka Hermosa

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II.1.2- Comments on <strong>the</strong> <strong>in</strong>vention of <strong>the</strong> accordion<br />

<strong>The</strong>re are some clues that <strong>the</strong>re were accordions before Demian’s and evidence<br />

that <strong>in</strong> <strong>the</strong> years follow<strong>in</strong>g Demian’s patent <strong>the</strong>re were accordions which were given<br />

different names, before middle 19 th c. when <strong>the</strong> term accordion (accordéon, acordeón,<br />

Akkordeon, fisarmonica, bayan, sanfona... <strong>in</strong> accordance to <strong>the</strong> language) started to<br />

catch on to denom<strong>in</strong>ate <strong>the</strong> whole family of <strong>in</strong>struments. We will put forward several<br />

observations below that will question <strong>the</strong> assumption that Demian was <strong>the</strong> <strong>in</strong>ventor of<br />

<strong>the</strong> accordion: [210]<br />

• We cannot state that Demian <strong>in</strong>vented <strong>the</strong> accordion to <strong>the</strong> same extent that<br />

we say that Sax <strong>in</strong>vented <strong>the</strong> saxophone or that Wheatstone <strong>in</strong>vented <strong>the</strong><br />

concert<strong>in</strong>a. Demian patented a toy, an <strong>in</strong>complete <strong>in</strong>strument that required<br />

extensive organologic developments to make it suitable to make music. <strong>The</strong><br />

term accordion refers a family of <strong>in</strong>struments enormously varied and made<br />

up of multitude of models or prototypes that have experienced vary<strong>in</strong>g<br />

spread. <strong>The</strong> fact is that each model of accordion has a correspond<strong>in</strong>g<br />

<strong>in</strong>ventor or a person who accomplished an organologic development over <strong>the</strong><br />

previous model.<br />

• <strong>The</strong> first free reed keyboard <strong>in</strong>strument whose bellows was operated with <strong>the</strong><br />

left arm of <strong>the</strong> player was Kirsnik-Kratzenste<strong>in</strong>’s organ <strong>in</strong> 1780, which<br />

resembles <strong>the</strong> current accordion more than <strong>the</strong> accordion by Demian <strong>in</strong> 1829.<br />

[197, 262]<br />

• <strong>The</strong> concert<strong>in</strong>a and <strong>the</strong> harmonium are much closer to <strong>the</strong> current accordion<br />

than Demian’s, regard<strong>in</strong>g <strong>the</strong> conception of melody and polyphony, and<br />

underwent a noteworthy evolution along with <strong>the</strong> 19 th c. music. [3, 200, 202, 240,<br />

276, 306, 355, 363]<br />

• Several sources [10] regard <strong>the</strong> handaeol<strong>in</strong>e as <strong>the</strong> first<br />

accordion. It was patented <strong>in</strong> 1822 78 by Christian Friedrich<br />

Ludwig Buschmann (1805-1864). It was an <strong>in</strong>strument<br />

similar to <strong>the</strong> harmonica, but <strong>the</strong> air was blown <strong>in</strong>to by<br />

means of a bellows.<br />

22<br />

Fig. 41: Handaeol<strong>in</strong>e 79 .<br />

• In 1827 Marie Candide Buffet (1797-1859) <strong>in</strong>vented a model of harmonica<br />

made of metal which he denom<strong>in</strong>ated accordion, an item of <strong>in</strong>formation that<br />

has misled umpteen authors about <strong>the</strong> <strong>in</strong>vention of <strong>the</strong> accordion. [39, 66]<br />

78 Accord<strong>in</strong>g to Mens<strong>in</strong>g [190], <strong>in</strong> 1821.<br />

79 Fig. taken from: Mirek [197] page 6.

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