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8:30 am<br />

CHAMBER MUSIC STUDIO<br />

(NEXT TO ROLSTON RECITAL HALL)<br />

9:45 am<br />

ROLSTON RECITAL HALL<br />

9:45 am<br />

MARGARET GREENHAM THEATRE<br />

Early morning reading session led by Christopher Weait, bassoon<br />

Fernand Gillet/Hugo Fox Competition<br />

Gaelle Habert (Angers, France); Cecile Hardouin (Paris, France); Alejandro Viera<br />

(Colorado, USA); Dean Woody (Virginia, USA); Bryan Young (Maryland, USA)<br />

Order of appearance to be determined<br />

Michael Massey, piano; Daniel Lau will accompany Bryan Young<br />

Carl Maria von Weber (1786–1826)<br />

Andante e Rondo Ungarese, Op. 35<br />

Jaques Hétu (b. 1938)<br />

Elégie<br />

Phillip Friedrich Boddecker (1607–1683)<br />

Sonata sopra La Monica<br />

Leslie Bassett (b. 1926)<br />

Metamorphoses<br />

A VERY SPECIAL THANKS TO THIS YEAR’S COMPETITION CHAIR<br />

Douglas Spaniol<br />

TO OUR COMPETITION JURY<br />

Stefano Canuti (Italy); Stephen Maxym (USA); Andrea Merenzon (Argentina);<br />

Christopher Millard (Canada); Ludovic Tissus (France)<br />

AND TO OUR PRELIMINARY JURY MEMBERS<br />

Michel Bettez (Canada); Nancy Goeres (USA); Masahito Tanaka (Japan);<br />

Kim Walker (USA); Christopher Weait (USA)<br />

Luxembourg <strong>Double</strong> <strong>Reed</strong> Quartet<br />

Tom Brink, oboe; Jean-Paul Hansen, oboe; Robert Stoos, oboe;<br />

Robert Lohr, bassoon<br />

Michael Praetorius (1571–1621)<br />

Ballet (arr. J.P. Hansen)<br />

Tielmann Susato (16th century)<br />

Parade des bouffons (arr. J.P. Hansen)<br />

Claude Gervaise (16th century)<br />

Gaillarde de la guerre (arr. J.P Hansen)<br />

Claude Gervaise (16th century)<br />

Pavane de la guerre (arr. J.P. Hansen)<br />

Johann Christoph Petz (1664–1716)<br />

Suite in A minor<br />

Ouverture: Lento/Vivace • Allemande • Gavotte • Aria • Bouree • Gigue<br />

Johann N. Wenth (1745–1801)<br />

Quartetto concertante<br />

Allegro ma non troppo • Adagio • Menuetto and Trio • Andantino con variazioni<br />

Jean Weber (b. 1963)<br />

“Fantasie” for <strong>Double</strong>reed Quartet<br />

Written especially for IDRS Banff 2002<br />

9 <strong>friday</strong> <strong>AUGUST</strong><br />

25


26<br />

9:45 am<br />

MAX BELL AUDITORIUM<br />

11:00 am<br />

MAX BELL AUDITORIUM<br />

11:30 am<br />

MARGARET GREENHAM THEATRE<br />

1:15 pm<br />

MAX BELL AUDITORIUM<br />

3:00 pm<br />

MARGARET GREENHAM THEATRE<br />

3:00 pm<br />

ROLSTON RECITAL HALL<br />

William Dawson, MD; Margaret Ruf,PT<br />

Lecture/demonstration – Pain in the Performer: A Mini-Course in Self-Help<br />

Part I. Topics include posture and positioning for practice and performance;<br />

back-pain – its causes, symptoms and treatment; overuse of wrist and<br />

finger muscles – their causes, effect on playing and treatment.<br />

Mark Eubanks<br />

Lecture/ demonstration: Bassoon <strong>Reed</strong>-Making<br />

Topics will include the “seven deadly sins of bassoon reed-making, “reed<br />

tuning using harmonics and select test fingerings and elements of bassoon<br />

tuning and voicing.<br />

The Lyrique Quintette<br />

Ronda Mains,flute;Theresa Delaplain, oboe; Nophachai Cholthitchanta, clarinet;<br />

Richard Ramey, bassoon; Tim Thompson, French horn<br />

Johannes Brahms (1833–1897)<br />

Serenade, Op. 11<br />

Menuetto<br />

Antonín Dvorák (1841–1904)<br />

Quartet in E flat Major, Op. 51 (transcribed by Mark A. Popkin)<br />

Allegro ma non troppo • Dumka (Elégie): Andante con moto • Romanze: Andante con moto<br />

• Finale: Allegro assai<br />

Nicholas Daniel, oboe<br />

with the Banff IDRS Festival Orchestra conducted by Gary Kulesha<br />

Benjamin Britten (1913–1976)<br />

Temporal Variations (arr. Colin Mathews)<br />

Theme • Oration • March • Exercises • Commination • Choral • Waltz • Polka • Resolution<br />

Sir Richard Rodney Bennett (b. 1936)<br />

Seven Country Dances (from Playford’s Dancing Master) (2000)<br />

A New Dance • Lady Day • The Ladies’ Misfortune • Enfield Common • The Czar of Muscovy<br />

• The Mulberry Garden • Nobody’s Jigs<br />

Jeffrey Lyman, bassoon; Janet Scott Hoyt, piano; Eva Fontanez,flute;Rod<br />

Squance, percussion; Thomas Cosbey, violin; Sharon Wei, viola; Olena Kilchyk,<br />

cello; Greg Kristianson, bass; Anna Najoom, clarinet; Scott Good,trombone<br />

David Gompper (b. 1954)<br />

Kuta Muela (Old Stick) for bassoon, ensemble, electronics and video (2001)*<br />

Philippe Hersant (b. 1948)<br />

Huit piéces for bassoon and instrument ensemble (1995)<br />

* The commission of Kuta Muela was made possible by the Institute for<br />

Studies in the Arts, The Katherine K. Herberger College of Fine Arts,<br />

Arizona State University.<br />

Lawrence Cherney, oboe, English horn, bass oboe<br />

Kristi Allik (b.1952)<br />

Shadow of the Wolf<br />

Brian Cherney (b. 1942)<br />

Epitaph<br />

9 <strong>friday</strong> <strong>AUGUST</strong>


3:00 pm<br />

MAX BELL AUDITORIUM<br />

4:45 pm<br />

MARGARET GREENHAM THEATRE<br />

4:15 pm<br />

MAX BELL AUDITORIUM<br />

4:45 pm<br />

ROLSTON RECITAL HALL<br />

Paul Steenhuisen* (b. 1965)<br />

Recipes for the Common Man<br />

Barry Truax (b. 1947)<br />

Inside<br />

*World Premiere, commissioned through the Canada Council for the Arts<br />

Falls Printing Company<br />

Lecture/demonstration<br />

Ed Craig from the Falls Printing Company, along with editors Ron Klimko<br />

and Dan Stolper will give a brief history of the <strong>International</strong> <strong>Double</strong> <strong>Reed</strong><br />

<strong>Society</strong> and its’ association with Falls Printing. Ed will give a demonstration<br />

on how The <strong>Double</strong> <strong>Reed</strong> is produced and what you can do to help that<br />

process. If you are a regular or future contributor to this publication you<br />

will not want to miss this presentation!<br />

New London Chamber Ensemble<br />

Lisa Nelson,flute;Melanie Ragge, oboe; Neyire Ashworth, clarinet; Stephen<br />

Stirling, horn with Mark Gaydon, bassoon; John MacCormick, percussion;<br />

Michael Massey, conductor<br />

William Walton (1902–1983)<br />

Movements from Façade (1921) arr. Edward Watson, 2001<br />

Malcolm Forsyth (b. 1936)<br />

Quintette for Winds (1986)<br />

Impetuous • Hauntingly free • Subdued; strict rhythm • Light and flittingly<br />

Jim Parker (dates unknown)<br />

Mississippi Five (movements 1,3,5)<br />

King Oliver Steps Out • The River Queen • Les Animaux<br />

John Miller, bassoon; Janet Scott Hoyt, piano<br />

The focus of this session will be on the seldom discussed Concertino per<br />

Fagotto, by Michael Haydn.<br />

Neil Tatman, oboe; Kristina Reiko Cooper, cello; Paul Perry, piano and harpsichord<br />

Dan Coleman (b. 1972)<br />

Sonata Lamentosa for oboe, cello, and piano (2002)<br />

World Premiere<br />

Georg Philipp Telemann (1681–1767)<br />

Partita 5 in E minor, from Six Partitas for Violin<br />

Andante • Aria 1. Vivace • Aria 4. Siciliana • Aria 3. Vivace<br />

PAUSE<br />

9 <strong>friday</strong> <strong>AUGUST</strong><br />

The Gardenia Trio<br />

Marlen Vavrikova, oboe; Kimberly Dawn Persia, bassoon with Roger Admiral, piano<br />

Nick Scherzinger (b. 1968)<br />

Dark Wind, Dark Rain (2002)<br />

World Premiere<br />

Gernot Wolfgang (b. 1957)<br />

Trilogy for oboe, bassoon and piano (2000)<br />

Part 2 Another Life • Part 3 Looking East<br />

27


28<br />

8:00 pm<br />

ERIC HARVIE THEATRE<br />

Jacques Tys, oboe; Mariko Kaneda, piano<br />

Wolfgang Amadeus Mozart (1756–1791)<br />

Sonata in A Major KV 526 (1787)<br />

Molto Allegro • Andante • Presto<br />

Pavel Haas (1899–1944)<br />

Suite for oboe and piano (1939)<br />

Furioso • Con Fuoco • Moderato<br />

Klement Slavicky<br />

Suite for oboe and piano (1960)<br />

Pastorale Scherzo • Triste • Bacchanale Rustico<br />

INTERMISSION<br />

Announcement of the Fernand Gillet/Hugo Fox Competition results<br />

Andrea Merenzon, bassoon; Paquito D’Rivera, clarinet; Carl Rath, bassoon;<br />

Peter Allen, piano; Stefan Ice, marimba; Rod Squance, percussion<br />

Latin American Promenade – Tangos, Choros, Salsa …<br />

Vinicio Meza (Costa Rica)<br />

Motivos – for two bassoons and marimba<br />

Vals • Balada • Tango • Salsa<br />

Astor Piazzolla (Argentina)<br />

Primavera portena<br />

Astor Piazzolla (Argentina)<br />

Fuga y misterio<br />

Julian Plaza (Argentina)<br />

Nocturna (arr. Lito Valle)<br />

Horacio “Pintin” Castellanos (Argentina)<br />

La punalada (arr. Lito Valle)<br />

Mariano Mores (Argentina)<br />

Taquito Militar (arr. LitoValle)<br />

Horacio Salgan (Argentina)<br />

A Fuego lento (arr. Lito Valle)<br />

Ernesto Lecuona (Cuba)<br />

La Comparsa (arr. Tony Tano)<br />

Pixinguinha/ Benedito Lacerda (Brazil)<br />

Proesas de Solon (arr. Antonio Bruno)<br />

E. Nazareth (Brazil)<br />

Apanhei-te meu Cavaquinho (arr. Antonio Bruno)<br />

Pixinguinha (Brazil)<br />

1X0<br />

Z. Abreu (Brazil)<br />

Tico Tico no fuba (arr. M. Ines Guimaraes)<br />

9 <strong>friday</strong> <strong>AUGUST</strong>

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