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Children of Adoption - People Fas Harvard

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CHRISTIAN ETHICS has been a major<br />

concern in the criticism <strong>of</strong> Measure for Measure, yet Christian monachal<br />

institutions have rarely been considered an essential element in<br />

the play.2 Despite the fact that the friar disguise was rare in Elizabethan<br />

drama and was generally attacked as silly, few critics have<br />

speculated about why Shakespeare should have changed the merchant<br />

disguise used by the incognito kings who may have been his<br />

sources for Vincentio's device.' Likewise, some have seen Isabella's<br />

novitiate as signifying only a desire for chastity, even though the chaste<br />

women who are her counterparts in the sources are not nuns: Shakespeare's<br />

use <strong>of</strong> the orders in the play has even been considered antimonachal<br />

ati ire.^<br />

Shakespeare's attitude toward the orders cannot have been independent<br />

<strong>of</strong> his own religious beliefs, but his religion is a vexed question.<br />

His father John may have been a recusant Catholic, and some<br />

have argued that, for at least a portion <strong>of</strong> his life, Shakespeare himself<br />

was Cath~lic.~ (The birth <strong>of</strong> his son Hamnet fewer than nine months<br />

after his public marriage to Anne Hathaway, for example, has been<br />

used to argue for an earlier, clandestine marriage, presumably performed<br />

by a Catholic priest.)' Moreover, there were two sixteenthcentury<br />

nuns named Shakespeare in the Benedictine convent at Wroxall,<br />

just north <strong>of</strong> Stratford: Joan Shakespeare, who was sub-prioress at<br />

the time <strong>of</strong> the Dissolution and who lived until 1576 (the year William<br />

Shakespeare was twelve); and Isabella Shakespeare, who was prioress<br />

in the early years <strong>of</strong> the cent~ry.~ (The latter may be among the sources<br />

for the name <strong>of</strong> Measure for Measure's Isabella, although there are<br />

other possibilities.)<br />

If Shakespeare was raised a Catholic, he would have been especially<br />

sensitive to the confrontation between Catholicism and Protestantism.<br />

In our play, quasi-Brother Vincentio's proposal to quasi-Sister Isabella<br />

echoes that confrontation: the Reformation had ended clerical celibacy,<br />

and Luther himself married a nun. I cannot presume to argue<br />

definitively one way or another the question <strong>of</strong> Shakespeare's religion,

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