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Russian Art & Literature - Bloomsbury Auctions

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Lot 129. ROZANOVA, Olga Vladimirovna (1886-1918).<br />

Vzorvel (Explodity). Experimental blue hectograph proof for<br />

Vzorvel by Aleksei Kruchenykh and Velemir Khlebnikov. 178 x<br />

110 mm. St. Peterburg: “Euy,” 1913. Unexamined out of frame.<br />

Condition: small crease to upper left corner.<br />

Kruchenykh was the most radical of <strong>Russian</strong> Futurist poets<br />

and one of the most innovative poets of the twentieth century.<br />

Working directly with his country’s great avant-garde artists, he<br />

redefined the very nature of the printed book. Written in zaum,<br />

Kruchenykh’s invented transrational language, the text of Vzorval<br />

is a combination of lithographed sheets and pages rubber stamped<br />

by the poet himself. The first edition was issued in Spring 1913,<br />

the second the following Fall with some rubber-stamped texts<br />

dropped or replaced by others. This was the first with Rozanova’s<br />

cover; she and Kruchenykh were married in 1912. Due to the<br />

complexity of the book’s composition, it seems unlikely that the<br />

stated edition of 450 copies was ever achieved. Few examples<br />

survive of this text that by itself announced a signal event in the<br />

expansion of poetic and linguistic possibilities of expression.<br />

MoMA 55; Hellyer 25.<br />

$4,000 - $6,000<br />

Lot 130. LEBEDEV.<br />

Lot 129<br />

Iskusstvo v massy [<strong>Art</strong> for the Masses]. Vladmir Vasilevich<br />

(1891-1967), illustrator.<br />

Nos. 7-8 (November-December 1929. (305 x 215 mm). 48 pp.<br />

Lettered white wrappers designed by M. Roslov with a picture<br />

by V. V. Lebedev on the back. Condition: backstrip perished,<br />

signatures loose, covers creased at corners.<br />

One double issue of the art journal published by the Association<br />

of Revolutionary <strong>Art</strong>ists (AKhR), who were dedicated to<br />

“the reflection of daily life in art.” This proletariat organization<br />

denounced the “Formalism” of the <strong>Russian</strong> avant-garde as the result<br />

of “unhealthy thinking.” Still it included its share of Mir Isskustva<br />

[World of <strong>Art</strong>] artists (Kustodiev, Laneere, Petrov-Vodkin) as<br />

well as Modernists (Grigoriev, Maliutin). It held exhibitions,<br />

issued postcards of members’ work and established a publishing<br />

program that included Iskusstvo v massi from 1929 to 1930 in only<br />

20 issues. The organization was disbanded in 1932 and reemerged<br />

as the Union of <strong>Art</strong>ists. The Lebedev picture on the back wrapper<br />

comes from his celebrated collection of ROSTA posters <strong>Russian</strong><br />

Placards, 1917-1922 (1923).<br />

$600 - $800<br />

<strong>Russian</strong> <strong>Art</strong> 79

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