Russian Art & Literature - Bloomsbury Auctions
Russian Art & Literature - Bloomsbury Auctions
Russian Art & Literature - Bloomsbury Auctions
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Lot 129. ROZANOVA, Olga Vladimirovna (1886-1918).<br />
Vzorvel (Explodity). Experimental blue hectograph proof for<br />
Vzorvel by Aleksei Kruchenykh and Velemir Khlebnikov. 178 x<br />
110 mm. St. Peterburg: “Euy,” 1913. Unexamined out of frame.<br />
Condition: small crease to upper left corner.<br />
Kruchenykh was the most radical of <strong>Russian</strong> Futurist poets<br />
and one of the most innovative poets of the twentieth century.<br />
Working directly with his country’s great avant-garde artists, he<br />
redefined the very nature of the printed book. Written in zaum,<br />
Kruchenykh’s invented transrational language, the text of Vzorval<br />
is a combination of lithographed sheets and pages rubber stamped<br />
by the poet himself. The first edition was issued in Spring 1913,<br />
the second the following Fall with some rubber-stamped texts<br />
dropped or replaced by others. This was the first with Rozanova’s<br />
cover; she and Kruchenykh were married in 1912. Due to the<br />
complexity of the book’s composition, it seems unlikely that the<br />
stated edition of 450 copies was ever achieved. Few examples<br />
survive of this text that by itself announced a signal event in the<br />
expansion of poetic and linguistic possibilities of expression.<br />
MoMA 55; Hellyer 25.<br />
$4,000 - $6,000<br />
Lot 130. LEBEDEV.<br />
Lot 129<br />
Iskusstvo v massy [<strong>Art</strong> for the Masses]. Vladmir Vasilevich<br />
(1891-1967), illustrator.<br />
Nos. 7-8 (November-December 1929. (305 x 215 mm). 48 pp.<br />
Lettered white wrappers designed by M. Roslov with a picture<br />
by V. V. Lebedev on the back. Condition: backstrip perished,<br />
signatures loose, covers creased at corners.<br />
One double issue of the art journal published by the Association<br />
of Revolutionary <strong>Art</strong>ists (AKhR), who were dedicated to<br />
“the reflection of daily life in art.” This proletariat organization<br />
denounced the “Formalism” of the <strong>Russian</strong> avant-garde as the result<br />
of “unhealthy thinking.” Still it included its share of Mir Isskustva<br />
[World of <strong>Art</strong>] artists (Kustodiev, Laneere, Petrov-Vodkin) as<br />
well as Modernists (Grigoriev, Maliutin). It held exhibitions,<br />
issued postcards of members’ work and established a publishing<br />
program that included Iskusstvo v massi from 1929 to 1930 in only<br />
20 issues. The organization was disbanded in 1932 and reemerged<br />
as the Union of <strong>Art</strong>ists. The Lebedev picture on the back wrapper<br />
comes from his celebrated collection of ROSTA posters <strong>Russian</strong><br />
Placards, 1917-1922 (1923).<br />
$600 - $800<br />
<strong>Russian</strong> <strong>Art</strong> 79