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Woodworker West Magazine - Fine Woodworking by Blase Mathern Jr

Woodworker West Magazine - Fine Woodworking by Blase Mathern Jr

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Promoting Craftsmanship in <strong>Woodworking</strong> in the <strong>West</strong> since 1988<br />

$2.95<br />

01<br />

January-February, 2013<br />

<strong>Woodworker</strong><br />

0 74470-82440 4<br />

WEST<br />

• Arizona Exhibitions & Symposium • Texas Furniture Show<br />

• Wyoming’s Cody High Style • Wood & Weaving in S.L.O.<br />

• Mesa Contemporary Crafts • Bay Area <strong>Woodworker</strong>s<br />

• Answering Readers’ Questions with David Marks<br />

• WoodCentral.com Turned Ornament Contest<br />

• A Furniture Maker’s Tool Kit, Part 4 <strong>by</strong> Gary Rogowski<br />

• Profile: Brad Pitt/Frank Pollaro & <strong>Blase</strong> <strong>Mathern</strong>, <strong>Jr</strong>.<br />

News • Events • Exhibits • Clubs • Classes & More<br />

Jan 2013 NEW.indd 1 12/14/12 10:34 AM


5 PM<br />

<strong>Woodworker</strong><br />

on the Cover<br />

west<br />

DePArtMentS<br />

7 News & Happenings<br />

8 <strong>Woodworking</strong> Observations<br />

10 WoodCentral.com<br />

17 Opportunities & Happenings<br />

28 On Exhibit<br />

36 Organizational News<br />

38 From David Marks Studio<br />

40 Turning Topics<br />

42 Tools & Techniques<br />

45 Education<br />

54 Craftsman Profile<br />

56 Calendar & Event Index<br />

56 Advertiser Index<br />

57 Subscription Form<br />

58 The Market Place<br />

62 Shavings & Sawdust<br />

<strong>Blase</strong> <strong>Mathern</strong>, <strong>Jr</strong>.<br />

<strong>Blase</strong> <strong>Mathern</strong>, <strong>Jr</strong>. of Wellington, CO is called The Wood<br />

Maestro, because he creates extraordinary furniture. His<br />

latest piece is the Walnut Halo Dining Table (29" h, 72"<br />

w, 48" d), in which the etched glass top is supported <strong>by</strong><br />

the sculpted legs and the keystones of the arched ribs.<br />

Read about <strong>Blase</strong> in a Profile on Pages 54-55.<br />

January 11-12, 2013<br />

Phoenix, AZ<br />

January 25-26, 2013<br />

San Diego, CA<br />

February 8-9, 2013<br />

Portland, OR<br />

February 22-23, 2013<br />

Seattle, WA<br />

For details, call 1-800-327-2520<br />

or visit www.lie-nielsen.com<br />

January-February, 2013<br />

Vol. 26, No. 1<br />

In This Issue. . .<br />

Arizona Exhibitions & Turning Symposium 7<br />

Texas Furniture Makers Show 14<br />

Wyoming’s Cody High Style 22<br />

Wood & Weaving at S.L.O. Art Museum 28<br />

Mesa Contemporary Craft Show 32<br />

S.F. Bay Area <strong>Woodworker</strong>s 36<br />

From David Marks Studio 38<br />

Answering Readers’ Questions<br />

Turning Topics 40<br />

WoodCentral.com Turned Ornament Contest<br />

Tools & Techniques 42<br />

A Furniture Maker’s Tool Kit, Part 4<br />

<strong>by</strong> Gary Rogowski<br />

Craftsman Profile 53<br />

Brad Pitt & Frank Pollaro Collection<br />

<strong>Blase</strong> <strong>Mathern</strong>, <strong>Jr</strong>., Furnituremaker<br />

Sawdust & Shavings 62<br />

Wood Replica of Giants Stadium<br />

Perversion in the Woods<br />

One-Stop Hardware & Liquor Store<br />

Rare Shop Found & Crime Blotter Update<br />

HAND TOOL EVENTS ®<br />

• Test our full line of hand tools<br />

• Learn woodworking techniques<br />

• Enter our door prize drawing<br />

January-February, 2013 <strong>Woodworker</strong> <strong>West</strong> Page 5<br />

Jan 2013 NEW.indd 5 12/14/12 10:34 AM


Profile: <strong>Blase</strong> <strong>Mathern</strong>, <strong>Jr</strong>.<br />

Encircles Entry Door<br />

Walnut, Sycamore<br />

(80" h, 36" w, 2 1 /4" d)<br />

Compound Grace<br />

Walnut, Bird’s-eye Maple<br />

(31" h, 40" dia)<br />

<strong>Blase</strong> <strong>Mathern</strong> <strong>Jr</strong>. of Wellington, CO is called The Wood Maestro, because he<br />

transforms wood into stunning artistic creations. Here is <strong>Blase</strong>’s story, in his<br />

own words:<br />

I have always had an innate desire to create with my hands. Growing<br />

up in North Dakota, my family instilled in me the values of hard work<br />

and practicality. At a very young age, I began drawing, carving soap,<br />

and making jewelry. My aptitude for woodworking began with my<br />

father in our garage. As I developed my skills, I found that the hand<br />

tools and machinery spoke to me. These early lessons—that beauty<br />

and usefulness are two sides of the same coin—still guide me.<br />

In high school, I excelled in art, and my ceramic work traveled in the<br />

governor’s art show for a year. Upon graduation, I started working<br />

construction and really enjoyed interior finish carpentry, learning to<br />

make and install trim and ballasters. After working for several years<br />

around my home state, I moved to Colorado Springs, CO to take<br />

advantage of the homebuilding boom of the 1980s.<br />

When I found residential construction becoming monotonous, I moved<br />

on to custom corporate work with the Wigand Corporation, as an<br />

architectural woodworker. From the older craftsmen, I learned the<br />

fine art of woodworking and expanded my expertise. In a few years,<br />

I worked my way up to be the “lead man” on such high-end projects<br />

as a domed rotunda library for Bill Gates, a circular reception desk<br />

for the San Francisco Museum of Modern Art, a horseshoe-shaped<br />

conference table that was featured in Design Solutions <strong>Magazine</strong>, and an<br />

elliptical-spiral staircase for the President of Victoria’s Secret. My 12<br />

years at Wigand fueled a passion to design and create, leading to the<br />

desire to pursue my own work.<br />

Today, I work alone and approach each project with the attitude of<br />

an artist. My signature woodworking traits are contrasting woods,<br />

curved legs, “old school” joinery, and intriguing design detail<br />

elements. Visualization is like my sixth sense. I let my mind’s eye<br />

direct each project, as the design evolves in order to maximize form<br />

and function. I don’t think in straight lines, but rather in curves, which<br />

is strongly reflected in my work.<br />

<strong>Blase</strong> <strong>Mathern</strong> vacuum-bagging a veneered piece.<br />

Page 54 <strong>Woodworker</strong> <strong>West</strong> January-February, 2013<br />

Jan 2013 NEW.indd 54 12/14/12 10:35 AM


3<br />

My first piece as a studio artist was Encircles (left), a solid stave-core<br />

entry door cloaked with Quartered-Sycamore discs on panels of Walnut.<br />

I then undertook a series of tables, my first being Compound Grace (lower<br />

left). The top is covered with Walnut Burl, and the hexagon base was<br />

constructed using compound joinery and veneered with Figured Walnut.<br />

To expand my product line, I undertook cabinetry. Rather than a typical<br />

box, I created a cylinder in Chamber Rose (right), with book matched<br />

Brazilian Rosewood edged in Tiger Maple. The door on the cabinet<br />

front is almost undetectable as the veneer application melts into the<br />

curvilinear shape. Its sister piece, Quilted Chamber, won awards in<br />

several exhibitions, including San Diego’s Design in Wood and Estes<br />

Park’s Lines Into Shapes. Thinking that I needed something with<br />

drawers, I created Satin Cirque (lower right), a barrel-shaped cabinet.<br />

The drawer detail was featured on the cover of the book <strong>Fine</strong> Wood<br />

Artists Volume Two, as well as being a Design in Wood award winner.<br />

The elliptical-shaped Angel writing desk (below) is covered in bookmatched<br />

Walnut swirl veneer, which depicts an angel in the wood’s<br />

grain. The 1 1 /4" thick solid Walnut apron consists of four sections,<br />

bandsawn from solid stock. The drawer, when closed, is camouflaged<br />

in the Tiger Maple front, detectable only <strong>by</strong> a hand-carved Walnut<br />

handle. The desk is accompanied <strong>by</strong> a Walnut chair—using veneer from<br />

the same flitch as the desk top—with a leather seat. This piece won<br />

Exhibitor’s Choice at the 2010 <strong>West</strong>ern Design Conference.<br />

My most recent piece is The Halo Table and Chairs, on the cover. Crafted<br />

from solid Walnut, the outside apron and interior ribs are arched, so that<br />

the glass top rests on the sculpted legs at each corner, on the keystone<br />

of five ribs through the mid section, and on the keystones of the arched<br />

apron. Each rib changes radius and becomes less curved as it climbs up<br />

to the keystone of the apron.<br />

I sell my work through Warrior’s Work and Ben <strong>West</strong> Gallery in Hill<br />

City, SD, as well as such Internet websites as Custommade.com, Etsy, and<br />

<strong>Fine</strong>WoodArtists.com. I have also invested great effort to create my own<br />

web presence with my website, blasemathernjr.com. I invite you to visit<br />

and see more of my work.<br />

The Angel<br />

Walnut, Tiger Maple<br />

(29" h, 49 1 /2" w, 23" d)<br />

Chamber Rose<br />

Brazilian Rosewood,<br />

Tiger Maple, Ebony<br />

(80" h, 36" w, 2 1 /4" d)<br />

Satin Cirque<br />

African Satinwood,<br />

Walnut<br />

(40" h, 31" w, 21" d)<br />

January-February, 2013 <strong>Woodworker</strong> <strong>West</strong> Page 55<br />

Jan 2013 NEW.indd 55 12/14/12 10:35 AM

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