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Table 1.1. Order of Folquet’s Songs in Manuscript G
Manuscript
Number
Folio Incipit (in manuscript) Pillet-Carstens
Number
77 Manuscript described by Aubrey, “Study” and Zufferey, Recherches linguistiques .
78 Aubrey, “Study,” 6-7.
19
Genre Music
1 1r Per dieu amors 155, 16 canso yes
2 1v Amors merce 155, 1 canso yes
3 2r Sal cor plagues 155, 18 canso yes
4 2v Tan mabellis 155, 22 canso yes
5 3r Sitot me sui 155, 21 canso yes
6 3v Mout i fez 155, 14 canso yes
7 4r Aa quant gen venz 155, 3 canso yes
8 4v Ben an mort 155, 5 canso yes
9 5r In cantan maven 155, 8 canso yes
10 5v Tant mou de corteza razo 155, 23 canso yes
11 6v Ja nos cuich hom 155, 11 canso yes
12 7r Us volers 155, 27 canso yes
13 7v Chantan volgra 155, 6 canso staves
14 8v Greu feira 155, 10 canso yes
Manuscript R, copied near Toulouse in the late thirteenth or early fourteenth century, 77
transmits all but one of Folquet’s securely attributed songs but provides melodies for only ten of
them. It includes 27 vidas and razos, 947 lyric poems of which 160 have musical notation, 146
individual stanzas, and 69 non-lyric works. 78 The manuscript is somewhat disorganized. It
begins with a table of contents, followed by a section of vidas and razos, including Folquet’s
vida and razos for “Oimais no.i conosc” and “Tan mou.” The subsequent lyric poems generally