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head o. But they all had the same response. They got these puppy faces, turned real quiet for moment, then asked me, “Word? Ice, could I be in the movie?” I checked with the hardest cats I knew, my crime partners who were behind those big walls. And even cats locked up in the pen weren’t fazed by the fact I’d be playing an undercover cop. “Dig, Ice,” they said. “If I was out on the street, you think I could be in the movie?” That shocked me, to be honest. None of them were tripping on me playing police. Their reaction was
more like the excitement of little kids who found out one of their buddies won <strong>free</strong> tickets to the Super Bowl. “Nigga, you made it! You get to be in a movie!” All the girls I knew in the ’hood were looking at it a little dierently. They saw it as a major responsibility. “Ice, baby, you better do this. You better take this opportunity, because if you do the movie, you’re going to keep it real. You ain’t like these other motherfuckers who get over and stop talkin’ about shit.” So after that consensus. I
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ALSO BY ICE-T The Ice Opinion
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from South Central to Hollywood / I
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Peace to all the young street hustl
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Part Two - Nightmare Walking Chapte
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Part Seven - Peace and War Chapter
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PART ONE COLD AS ICE
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1. BECAUSE I FIRST MADE MY NAME as
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deal to have a membership to the Y,
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My father was a dark-skinned brothe
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lack. Everybody figures out there
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fact. I didn’t understand it. My
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necessarily change the ignorant way
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when someone died. Someone— must
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knew anybody from my mother’s sid
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sofa a lot, with balls of yarn and
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housekeeper named Miss Sanoni— sh
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fuck me—my bike was stolen. At rs
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father was asleep, go out on the pr
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over me. “Boy, you talk shit to m
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found myself truly alone. For me it
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young—still in their thirties—o
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eally didn’t seem to be happening
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affection. Everybody in the family
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2. I DIDN’T HAVE A LOT of family,
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from Jersey. And not just any kid
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neighborhood, View Park. And the rs
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Little white girls are intrigued by
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there’s twenty-ve or thirty house
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thing. Even though kids from gangal
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Palms when I started Crenshaw. I fe
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terms—but in school terms, the li
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Bloods and Crips in the halls at th
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precisely in the left back pocket.
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IT DIDN’T TAKE LONG for me to lea
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you know it, you got the blue or re
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ecame the undisputed leader of all
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little guys in the clique, but trus
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around, posturing, threw his set up
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mess of forty-ve-pound plates rattl
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Then—bam—he dipped down and thr
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was green to all kinds of violence.
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loodbath in L.A. Honestly, I don’
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laugh, but it escalated, until we b
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aliated with their set, because I s
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lock took to me. I was a lightweigh
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someone say love to me. My aunt nev
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everybody else, I wanted that feeli
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3. I COULDN’T STAND LIVING with m
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gimme my goddamn check and I’m ou
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only thing I did was pierce my left
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speck. You don’t mean shit. Even
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I hated the taste of booze, I never
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adamantly trying to get you to smok
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literally ignorant. I didn’t unde
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up with the money for food, clothes
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gymnastics team at Crenshaw. I hard
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question yourself. What the fuck di
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snuck in, rolled the rug up, and sn
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So I’m cooling my ass in jail, wh
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went up to the top bunk and managed
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place the MPs would come look for m
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stolen infantry-blue rug had been r
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a thirty-four-foot and two-hundred-
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141s. That was one of the best week
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ullshitted me. So I terminated jump
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I enjoyed all that armaments traini
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combat in Vietnam. Sergeant Donovan
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standing in formation with my squad
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ONE THING THAT HAPPENED during my t
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studying me at those parties. I was
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always kept Mac at arm’s length.
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just a PFC, but when they bust you
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Schoeld Barracks then nd out months
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happens to me—if I get blown the
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and four months ahead of schedule.
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“I SPEAK ON THIS WITH HESITATION
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witness a drive-by where three or f
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set a record in California for the
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“Listen,” Nat said. “This is
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not only had I learned to spin viny
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So we fell to the ground aiming for
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efore folks started calling it hiph
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own distinctive style. I’d taken
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getting way more attention picking
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I’D DONE MY SHARE of petty crime
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essentially homeless, bouncing from
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tightly regimented: up before dawn,
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always tell people there’s no rea
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of money, but my crew would never t
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crisscrossed the whole country pull
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Polo, ashing Rolexes on our wrists.
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your route to the lick. So if we’
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it was the dawn of the “bash” r
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I speak on this with hesitation Eve
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nice profit. Some of the crews got
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security system and before the cops
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department store and cleared out li
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laughing because we’d got away so
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jewelry store with hundreds of thou
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and two chicks. We showed up at tha
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little; I’m taking everything you
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ducked, ran off to the right. He bl
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“Drive, muthafucka, drive!” He
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into the glass case during a bash.
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they get the memo?” THESE DAYS PE
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without getting caught. Criminals t
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about pimpin’. It’s just like a
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where you’ll end up pulling your
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pimp is to be hotter, yer, betterlo
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them shoes! We gonna break them dud
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choose to do that. That’s why pim
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that’s hoin’. The pimp takes th
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girl anywhere to get money from a t
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the way to some club, what would be
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have the girls’ conversation, the
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So as the bashes became more danger
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“Ice, you scared.” “Yeah, nig
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loafers. He was too stupid to wear
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obbery game: If you don’t bring a
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and Western. Good Fred’s was wher
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and I laid down my own vocal. Makin
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from the opening lines, I saw every
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never taken rapping seriously. I wa
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perfect timing; The Radio was becom
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want to track the movement, look at
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eality didn’t really hit home unt
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I said, “Naw, fuck that.” I was
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and the stolen Spitfire. When Sean
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dierence that we’d been homeys si
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7. WHEN I WASN’T RAPPING in The R
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the intersection. Boom, I got fucki
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ten people. When I came to—well,
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life. I didn’t have a house with
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when you’re out in the spot; but
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up and not realize how severe your
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Hospital over in Westwood. Life got
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and I just lay there talking to her
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accomplish and all the things I had
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I didn’t want to use my cane, so
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PART THREE SIX IN THE MORNIN’
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8. ONE SATURDAY NIGHT, about two we
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Jamm’s Army. They had a drum mach
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whole game. PEOPLE OFTEN SAY I crea
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an with it. I said, “Let’s use
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I’m a self-made monster of the ci
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and the music industry gave the who
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spinning the B-Side “6 in the Mor
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Toddy Tee was more of a comedic rap
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cheerleading. But because there wer
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you didn’t claim gang aliation on
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FLASH FORWARD A FEW YEARS to the si
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advantage to put all that gang cont
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in a tight dress with a body that w
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ecord deal in the near future. But
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ealize what forever is. WHEN I FIRS
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Everlast, later to gain fame with H
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those of us in L.A. who knew about
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ack in the day, the average drug de
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making some noise up and down the W
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and Scott “La Rock”—all the b
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them. This is what they did fulltim
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connections. Through Iz I met this
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the “authentic” rappers were al
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The weirdest thing was the way Seym
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ut I know what you’re trying to d
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two drum machines. We recorded it i
Page 335 and 336: Darlene was up front in my career;
Page 337 and 338: the promo shots ain’t props.” A
Page 339 and 340: sound like you were from New York
Page 341 and 342: socially conscious—called Rhyme S
Page 343 and 344: Rakim ever said in any of his recor
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Page 347 and 348: IT WAS GREAT CHEMISTRY. Seymour sup
Page 349 and 350: transitioned into J. Lo’s manager
Page 351 and 352: me like I was like a West Coast Chu
Page 353 and 354: just wrecked Ice’s ride.” All h
Page 355 and 356: Trigger” in the movie. I said,
Page 357 and 358: little bass line sample in his Rola
Page 359 and 360: wipe it clean.” “No,” I said.
Page 361 and 362: South Central and Compton. Dennis c
Page 363 and 364: did the title song and the video. W
Page 365 and 366: didn’t like going up to radio sta
Page 367 and 368: was always my third, then Chicago,
Page 369 and 370: part of that transformation is that
Page 371 and 372: out. Some kid from a nice suburb wi
Page 373 and 374: here trying to look like me. You kn
Page 375 and 376: and say, fuck it, now, I’m gonna
Page 377 and 378: appers were doing it, too—the mus
Page 379 and 380: fuck, then they’d have a chance.
Page 381 and 382: I drove to Warner Bros., sat down i
Page 383 and 384: New York dude in dreads. Mario had
Page 385: could. How could I take the role of
Page 389 and 390: Everybody in the movie knew what th
Page 391 and 392: crews who took over entire housing
Page 393 and 394: same Gee Money jewelry, reading lik
Page 395 and 396: eing the breakout role of our actin
Page 397 and 398: of how this scene will t in the nis
Page 399 and 400: how a real audience would react. Fu
Page 401 and 402: ig cities like New York, Los Angele
Page 403 and 404: Schwarzenegger, or Bruce Willis mov
Page 405 and 406: came to paying me, I gured I could
Page 407 and 408: the actor working with you is intim
Page 409 and 410: Fin. I’m supposed to be police—
Page 411 and 412: it like that. For the rest of the r
Page 413 and 414: “GODDAMN, WHAT A BROTHER GOTTA DO
Page 415 and 416: when you’re in the studio, doing
Page 417 and 418: efore he even thought about signing
Page 419 and 420: a band’s song a long time—month
Page 421 and 422: to the radio I learned about Leon R
Page 423 and 424: shoulder like he was constantly on
Page 425 and 426: Black Sabbath’s “War Pigs.” I
Page 427 and 428: perfect sense. It made the rap hard
Page 429 and 430: played little bars and pizza joints
Page 431 and 432: out when it happens.” We did our
Page 433 and 434: —but I like shit that sounds way
Page 435 and 436: with black and white,” I said.
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had on khakis and looked like gangb
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of Lucifer with horns and a pitchfo
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espect for the art of hip-hop. When
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identity. So the demarcation line b
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But, we’d later see a dierent sid
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were still on that trip. In the mid
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Killer,” I walk over to Ernie. Hi
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the ground, but as I turned, a coup
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We stayed in the dressing room for
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started. We didn’t do fuck-all ex
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We made our rst direct assault. It
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Then I realized that in addition to
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night the Italian radio and TV kept
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punching a guy in the face.” I di
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venue were shaking their heads, say
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The record had been out for a whole
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I knew the band and I were in for s
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singing in the rst person as a char
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this was a good issue to exploit po
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at least two shooting incidents and
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President of the United States hims
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Newton. Was the record meant to be
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they could use, come on, they’d h
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time for me to pretend to be someon
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job. I look at it this way: When a
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y a Duo or Group for “Back on the
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weight. I said to Warner Bros., “
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I’M ABOUT TO BUST SOME SHOTS OFF
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Pop-pop-pop to the dome. So yes—I
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—Time Warner sold Ice down the ri
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harder than anyone in the mainstrea
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was some stressful, hectic shit. Th
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“THE MOST DANGEROUS THING ON EART
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Fred was chilling at my house. At t
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I FLEW TO NEW YORK to do the show,
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covered Sean’s bills. So I said,
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By the time of our rst meeting, of
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It was at least a month later that
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experienced on New York Undercover.
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twenties—today, they’re dying t
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never crossed me, never lied to me.
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doing some Coroner Records business
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can break your career open in a new
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smoother. By the mid-nineties, afte
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hand man. I was known as being one
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square by day—straight-up busines
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A few minutes passed. Rich hadn’t
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think they had it in them to murder
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little dude’s gun. It was the sam
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My mind was rationalizing it, playi
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were on high alert because memories
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office at Coroner Records. “Yo, I
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into snakes and assholes, and you
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elationship with Darlene was coming
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get mad love from New Yorkers when
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seep into my consciousness. But non
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write a scene for me and I say, “
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an undercover narc—I’m pointbla
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with Chris it can get explosive, tw
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it works. The writers have written
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the vocal booth and do my thing. If
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you take a job as a co-star on a TV
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Whodini as the headliners, and I wa
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that they weren’t the cop I was s
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you much to talk to someone who’s
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But you get those haters. Especiall
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See, the pimp game often translates
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you hoin’ know that you hoin’.
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you give her all your money. Sorry.
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If you understand the essence of th
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coming. The boss is smiling the who
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PART SIX ICEBERG FAMILY VALUES
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14. MONOGAMY IS THE BOMB. Having on
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average dude may get two girls to g
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your woman. You just have to make i
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album covers, was in all my videos.
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audience, came right to my defense,
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do rap and rock tours again. That
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Then I ended up going to New York t
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It was more like, “Look, we’re
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wasn’t clear that he understood t
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Ozzy. I said this in an interview,
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man in entertainment, especially a
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Chiclet teeth and, okay, that was s
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like a pimp. And as always, being d
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for a quick hookup and I wasn’t l
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getting the dust out of every nook
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comb your hair, baby, brothers is b
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and I liked a chick on the other si
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that’s what you want. Then fuckin
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was a complete one eighty for my me
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oys for so long, we’d dispense wi
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and me just say, “Yo, it’s not
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tough sometimes in the heat of a re
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No matter how hard I try to work on
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needs, your sex life will always be
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the man making most of the money. T
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little too well, as a matter of fac
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Not to say everything’s roses. Li
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visit us every time he gets a break
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come to tow it, that can mean only
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me in the eye. I let him sit there
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party and my friend”—see, it al
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anyway.” “What’re you talkin
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other celebrity clients. He’d got
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I said. “They want anything else
Page 649 and 650:
of money? And how many of my homeys
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caught. How’d I get away with it?
Page 653 and 654:
moms ended up talking to the other
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lives. Then I put Sean E. Sean on t
Page 657 and 658:
THE YEAR-LONG PROBATION didn’t ma
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he couldn’t graduate with his fri
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he came to me, looking more focused
Page 663 and 664:
so I guess it makes sense I’ve ha
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huge machine they’d ripped o from
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gotta corroborate stories with you.
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up the car, they don’t say, ‘Ho
Page 671 and 672:
up with Tesha. I lived my life and
Page 673 and 674:
Ice, so they hang out, shoot hoops,
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“Okay …” My kids aren’t use
Page 677 and 678:
aren’t together. And I tell ’em
Page 679 and 680:
always felt like I was an outsider.
Page 681 and 682:
always seen it is: Emotions don’t
Page 683 and 684:
don’t believe in, it’s self-pit
Page 685 and 686:
“MY LIFE’S BEEN A GREAT STORY I
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soul.” It lacks content. It lacks
Page 689 and 690:
about hip-hop is practically like t
Page 691 and 692:
It touched a raw nerve. Cats throug
Page 693 and 694:
the skills of the breakdancer, the
Page 695 and 696:
lyricist and promoter—and his las
Page 697 and 698:
certain exalted status and be consi
Page 699 and 700:
can teach it. These cats are not a
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was sitting home and thinking about
Page 703 and 704:
about the art form. It takes the be
Page 705 and 706:
to drop that street language—bitc
Page 707 and 708:
Impressionism, Expressionism, all t
Page 709 and 710:
Moe Dee. And on wax between MC Shan
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Let’s all do this. Let’s all ge
Page 713 and 714:
even bigger empire together. ’PAC
Page 715 and 716:
That was a great moment, and it’s
Page 717 and 718:
straight up: Why don’t you go kno
Page 719 and 720:
hopeless, and dudes were scared the
Page 721 and 722:
things that matter to you. No bulls
Page 723 and 724:
in the aftermath of the riots, they
Page 725 and 726:
—are coming home after long bids.
Page 727 and 728:
connected to the gangsters down the
Page 729 and 730:
Peace to all the gangsters, cause I
Page 731 and 732:
let’s do this. Let’s go to the
Page 733 and 734:
FAST-FORWARD. The truce is dead. Se
Page 735 and 736:
to glamorize the violence. It gives
Page 737 and 738:
to O.G.s and get them to sit down f
Page 739 and 740:
twenty. I’m executive producer, a
Page 741 and 742:
not retaliate.” And every show st
Page 743 and 744:
“MY LIFE IS VIOLENT BUT VIOLENT I
Page 745 and 746:
ass third-person shooter game calle
Page 747 and 748:
success. I know what it’s like in
Page 749 and 750:
straightforward. Once you get into
Page 751 and 752:
sad world M.J. was in at the end of
Page 753 and 754:
een down, been depressed before. I
Page 755 and 756:
If you’re a guy who’s done all
Page 757 and 758:
Crescent City, California. I got fr
Page 759 and 760:
thought is, Man, all I need is ten
Page 761 and 762:
I’LL NEVER FORGET THE DAY—the e
Page 763 and 764:
went on this solo mission to go get
Page 765 and 766:
was just back into that zone where
Page 767 and 768:
I HAD A SITUATION not that long ago
Page 769 and 770:
to ip the switch. It got real ugly,
Page 771 and 772:
with in the life—hustlers, pimps,
Page 773 and 774:
street, they got something to prove
Page 775 and 776:
FUNNY STORY about Quentin Tarantino
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Now I’m the guy who’s spun arou
Page 779 and 780:
their past, their present, and thei
Page 781 and 782:
I was pulling jewelry licks: You ra
Page 783 and 784:
innocent bystanders with camera pho
Page 785 and 786:
the excitement of crossing the line
Page 787 and 788:
understand the consequences. I’ve
Page 789 and 790:
Lindsay, you are an actress! You go
Page 791 and 792:
Crenshaw Boulevard would be spittin
Page 793 and 794:
and catch their attention. One thin
Page 795 and 796:
come up, but can they come back? Th
Page 797 and 798:
to fuck your head up,” I say. “
Page 799 and 800:
DAILY GAME (OF LIFE)
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YOU OWN. (THERE’S NO LUGGAGE RACK
Page 803 and 804:
MAD AT THE RIGHT THINGS. 14. THE KE
Page 805 and 806:
22. IN THE GAME, SPECTATORS, COMMEN
Page 807 and 808:
31. I’VE BEEN YOUR AGE, YOU’VE
Page 809 and 810:
HUSTLERS NEVER PLAY A GAME THEY CAN
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THE PROFIT. 49. YOU DON’T NEED A
Page 814 and 815:
Baby pic
Page 816 and 817:
Rhyme Syndicate N.Y. (from left: Ev
Page 818 and 819:
Rhyme Syndicate (at my left, Donald
Page 820 and 821:
On stage with Snoop Dogg at the Apo
Page 822 and 823:
On tour with Lil Ice
Page 824 and 825:
A fan’s tattoo
Page 826 and 827:
Me and Coco at the Masters Players
Page 828 and 829:
Me and my colleagues from Law & Ord
Page 830 and 831:
With Dick Wolf, producer of the Law
Page 832 and 833:
Me, Coco, and Snoop Dogg at the Com
Page 834 and 835:
Me and Don King
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Me, Diddy, and Quincy Jones. I won
Page 839 and 840:
Our wedding photo
Page 841 and 842:
On the red carpet with Coco
Page 843 and 844:
“A successful marriage is built o
Page 845 and 846:
Family pic (my grandson, Elijah; my
Page 847 and 848:
Original Gangsta pic
Page 849 and 850:
Keepin’ it player in pink
Page 851:
On the red carpet for VH1’s Hip H
Page 854 and 855:
All photographs are printed courtes
Page 856 and 857:
p/k/a Ice-T and Charles Glenn. © 1
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“G Style,” written by Tracy Mar
Page 860:
Order: SVU. DOUGLAS CENTURY is the
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