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some calming words from my closest friends—I chilled down a bit. But the situation was still very volatile. Three weeks later, we were in line outside the Palace Theater. We were ve deep. I had four other guys with me. And I was also carrying a .380 Pocketlite. L.A. is not like <strong>New</strong> York; everybody carries guns. L.A. is the wild fucking West. There’s heat always. It aects the way you move. You got to handle life like that. Any argument can turn into a shootout. So we were at the club and I got my .380 in my front pocket. We
were on high alert because memories of the robbery were still fresh in everyone’s minds. “Yo,” one of my boys said, “dude is standing right behind us.” I turned. Baby D was about forty feet behind us with a girl. The clown had the nerve to send the girl up to us in the line. “He said, ‘Tell Ice I want to talk to him.’ ” I nearly ipped. “What?” I said. “You tell that bitch-ass nigga if he got something to say to me to come up here and talk to me!” It was a stando. He thought I was about to walk back to him.
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ALSO BY ICE-T The Ice Opinion
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from South Central to Hollywood / I
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Peace to all the young street hustl
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Part Two - Nightmare Walking Chapte
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Part Seven - Peace and War Chapter
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PART ONE COLD AS ICE
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1. BECAUSE I FIRST MADE MY NAME as
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deal to have a membership to the Y,
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My father was a dark-skinned brothe
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lack. Everybody figures out there
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fact. I didn’t understand it. My
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necessarily change the ignorant way
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when someone died. Someone— must
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knew anybody from my mother’s sid
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sofa a lot, with balls of yarn and
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housekeeper named Miss Sanoni— sh
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fuck me—my bike was stolen. At rs
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father was asleep, go out on the pr
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over me. “Boy, you talk shit to m
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found myself truly alone. For me it
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young—still in their thirties—o
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eally didn’t seem to be happening
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affection. Everybody in the family
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2. I DIDN’T HAVE A LOT of family,
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from Jersey. And not just any kid
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neighborhood, View Park. And the rs
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Little white girls are intrigued by
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there’s twenty-ve or thirty house
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thing. Even though kids from gangal
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Palms when I started Crenshaw. I fe
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terms—but in school terms, the li
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Bloods and Crips in the halls at th
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precisely in the left back pocket.
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IT DIDN’T TAKE LONG for me to lea
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you know it, you got the blue or re
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ecame the undisputed leader of all
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little guys in the clique, but trus
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around, posturing, threw his set up
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mess of forty-ve-pound plates rattl
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Then—bam—he dipped down and thr
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was green to all kinds of violence.
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loodbath in L.A. Honestly, I don’
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laugh, but it escalated, until we b
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aliated with their set, because I s
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lock took to me. I was a lightweigh
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someone say love to me. My aunt nev
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everybody else, I wanted that feeli
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3. I COULDN’T STAND LIVING with m
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gimme my goddamn check and I’m ou
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only thing I did was pierce my left
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speck. You don’t mean shit. Even
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I hated the taste of booze, I never
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adamantly trying to get you to smok
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literally ignorant. I didn’t unde
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up with the money for food, clothes
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gymnastics team at Crenshaw. I hard
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question yourself. What the fuck di
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snuck in, rolled the rug up, and sn
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So I’m cooling my ass in jail, wh
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went up to the top bunk and managed
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place the MPs would come look for m
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stolen infantry-blue rug had been r
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a thirty-four-foot and two-hundred-
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141s. That was one of the best week
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ullshitted me. So I terminated jump
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I enjoyed all that armaments traini
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combat in Vietnam. Sergeant Donovan
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standing in formation with my squad
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ONE THING THAT HAPPENED during my t
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studying me at those parties. I was
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always kept Mac at arm’s length.
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just a PFC, but when they bust you
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Schoeld Barracks then nd out months
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happens to me—if I get blown the
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and four months ahead of schedule.
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“I SPEAK ON THIS WITH HESITATION
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witness a drive-by where three or f
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set a record in California for the
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“Listen,” Nat said. “This is
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not only had I learned to spin viny
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So we fell to the ground aiming for
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efore folks started calling it hiph
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own distinctive style. I’d taken
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getting way more attention picking
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I’D DONE MY SHARE of petty crime
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essentially homeless, bouncing from
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tightly regimented: up before dawn,
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always tell people there’s no rea
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of money, but my crew would never t
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crisscrossed the whole country pull
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Polo, ashing Rolexes on our wrists.
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your route to the lick. So if we’
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it was the dawn of the “bash” r
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I speak on this with hesitation Eve
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nice profit. Some of the crews got
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security system and before the cops
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department store and cleared out li
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laughing because we’d got away so
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jewelry store with hundreds of thou
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and two chicks. We showed up at tha
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little; I’m taking everything you
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ducked, ran off to the right. He bl
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“Drive, muthafucka, drive!” He
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into the glass case during a bash.
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they get the memo?” THESE DAYS PE
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without getting caught. Criminals t
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about pimpin’. It’s just like a
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where you’ll end up pulling your
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pimp is to be hotter, yer, betterlo
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them shoes! We gonna break them dud
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choose to do that. That’s why pim
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that’s hoin’. The pimp takes th
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girl anywhere to get money from a t
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the way to some club, what would be
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have the girls’ conversation, the
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So as the bashes became more danger
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“Ice, you scared.” “Yeah, nig
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loafers. He was too stupid to wear
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obbery game: If you don’t bring a
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and Western. Good Fred’s was wher
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and I laid down my own vocal. Makin
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from the opening lines, I saw every
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never taken rapping seriously. I wa
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perfect timing; The Radio was becom
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want to track the movement, look at
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eality didn’t really hit home unt
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I said, “Naw, fuck that.” I was
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and the stolen Spitfire. When Sean
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dierence that we’d been homeys si
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7. WHEN I WASN’T RAPPING in The R
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the intersection. Boom, I got fucki
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ten people. When I came to—well,
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life. I didn’t have a house with
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when you’re out in the spot; but
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up and not realize how severe your
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Hospital over in Westwood. Life got
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and I just lay there talking to her
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accomplish and all the things I had
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I didn’t want to use my cane, so
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PART THREE SIX IN THE MORNIN’
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8. ONE SATURDAY NIGHT, about two we
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Jamm’s Army. They had a drum mach
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whole game. PEOPLE OFTEN SAY I crea
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an with it. I said, “Let’s use
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I’m a self-made monster of the ci
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and the music industry gave the who
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spinning the B-Side “6 in the Mor
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Toddy Tee was more of a comedic rap
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cheerleading. But because there wer
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you didn’t claim gang aliation on
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FLASH FORWARD A FEW YEARS to the si
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advantage to put all that gang cont
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in a tight dress with a body that w
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ecord deal in the near future. But
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ealize what forever is. WHEN I FIRS
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Everlast, later to gain fame with H
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those of us in L.A. who knew about
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ack in the day, the average drug de
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making some noise up and down the W
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and Scott “La Rock”—all the b
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them. This is what they did fulltim
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connections. Through Iz I met this
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the “authentic” rappers were al
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The weirdest thing was the way Seym
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ut I know what you’re trying to d
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two drum machines. We recorded it i
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Darlene was up front in my career;
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the promo shots ain’t props.” A
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sound like you were from New York
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socially conscious—called Rhyme S
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Rakim ever said in any of his recor
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the record and say ‘Guys grab a g
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IT WAS GREAT CHEMISTRY. Seymour sup
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transitioned into J. Lo’s manager
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me like I was like a West Coast Chu
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just wrecked Ice’s ride.” All h
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Trigger” in the movie. I said,
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little bass line sample in his Rola
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wipe it clean.” “No,” I said.
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South Central and Compton. Dennis c
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did the title song and the video. W
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didn’t like going up to radio sta
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was always my third, then Chicago,
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part of that transformation is that
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out. Some kid from a nice suburb wi
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here trying to look like me. You kn
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and say, fuck it, now, I’m gonna
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appers were doing it, too—the mus
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fuck, then they’d have a chance.
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I drove to Warner Bros., sat down i
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New York dude in dreads. Mario had
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could. How could I take the role of
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more like the excitement of little
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Everybody in the movie knew what th
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crews who took over entire housing
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same Gee Money jewelry, reading lik
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eing the breakout role of our actin
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of how this scene will t in the nis
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how a real audience would react. Fu
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ig cities like New York, Los Angele
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Schwarzenegger, or Bruce Willis mov
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came to paying me, I gured I could
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the actor working with you is intim
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Fin. I’m supposed to be police—
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it like that. For the rest of the r
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“GODDAMN, WHAT A BROTHER GOTTA DO
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when you’re in the studio, doing
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efore he even thought about signing
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a band’s song a long time—month
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to the radio I learned about Leon R
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shoulder like he was constantly on
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Black Sabbath’s “War Pigs.” I
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perfect sense. It made the rap hard
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played little bars and pizza joints
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out when it happens.” We did our
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—but I like shit that sounds way
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with black and white,” I said.
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had on khakis and looked like gangb
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of Lucifer with horns and a pitchfo
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espect for the art of hip-hop. When
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identity. So the demarcation line b
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But, we’d later see a dierent sid
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were still on that trip. In the mid
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Killer,” I walk over to Ernie. Hi
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the ground, but as I turned, a coup
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We stayed in the dressing room for
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started. We didn’t do fuck-all ex
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We made our rst direct assault. It
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Then I realized that in addition to
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night the Italian radio and TV kept
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punching a guy in the face.” I di
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venue were shaking their heads, say
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The record had been out for a whole
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I knew the band and I were in for s
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singing in the rst person as a char
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this was a good issue to exploit po
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at least two shooting incidents and
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President of the United States hims
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Newton. Was the record meant to be
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they could use, come on, they’d h
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time for me to pretend to be someon
Page 485 and 486: job. I look at it this way: When a
Page 487 and 488: y a Duo or Group for “Back on the
Page 489 and 490: weight. I said to Warner Bros., “
Page 491 and 492: I’M ABOUT TO BUST SOME SHOTS OFF
Page 493 and 494: Pop-pop-pop to the dome. So yes—I
Page 495 and 496: —Time Warner sold Ice down the ri
Page 497 and 498: harder than anyone in the mainstrea
Page 499 and 500: was some stressful, hectic shit. Th
Page 501 and 502: “THE MOST DANGEROUS THING ON EART
Page 503 and 504: Fred was chilling at my house. At t
Page 505 and 506: I FLEW TO NEW YORK to do the show,
Page 507 and 508: covered Sean’s bills. So I said,
Page 509 and 510: By the time of our rst meeting, of
Page 511 and 512: It was at least a month later that
Page 513 and 514: experienced on New York Undercover.
Page 515 and 516: twenties—today, they’re dying t
Page 517 and 518: never crossed me, never lied to me.
Page 519 and 520: doing some Coroner Records business
Page 521 and 522: can break your career open in a new
Page 523 and 524: smoother. By the mid-nineties, afte
Page 525 and 526: hand man. I was known as being one
Page 527 and 528: square by day—straight-up busines
Page 529 and 530: A few minutes passed. Rich hadn’t
Page 531 and 532: think they had it in them to murder
Page 533 and 534: little dude’s gun. It was the sam
Page 535: My mind was rationalizing it, playi
Page 539 and 540: office at Coroner Records. “Yo, I
Page 541 and 542: into snakes and assholes, and you
Page 543 and 544: elationship with Darlene was coming
Page 545 and 546: get mad love from New Yorkers when
Page 547 and 548: seep into my consciousness. But non
Page 549 and 550: write a scene for me and I say, “
Page 551 and 552: an undercover narc—I’m pointbla
Page 553 and 554: with Chris it can get explosive, tw
Page 555 and 556: it works. The writers have written
Page 557 and 558: the vocal booth and do my thing. If
Page 559 and 560: you take a job as a co-star on a TV
Page 561 and 562: Whodini as the headliners, and I wa
Page 563 and 564: that they weren’t the cop I was s
Page 565 and 566: you much to talk to someone who’s
Page 567 and 568: But you get those haters. Especiall
Page 569 and 570: See, the pimp game often translates
Page 571 and 572: you hoin’ know that you hoin’.
Page 573 and 574: you give her all your money. Sorry.
Page 575 and 576: If you understand the essence of th
Page 577 and 578: coming. The boss is smiling the who
Page 579 and 580: PART SIX ICEBERG FAMILY VALUES
Page 581 and 582: 14. MONOGAMY IS THE BOMB. Having on
Page 583 and 584: average dude may get two girls to g
Page 585 and 586: your woman. You just have to make i
Page 587 and 588:
album covers, was in all my videos.
Page 589 and 590:
audience, came right to my defense,
Page 591 and 592:
do rap and rock tours again. That
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Then I ended up going to New York t
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It was more like, “Look, we’re
Page 597 and 598:
wasn’t clear that he understood t
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Ozzy. I said this in an interview,
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man in entertainment, especially a
Page 603 and 604:
Chiclet teeth and, okay, that was s
Page 605 and 606:
like a pimp. And as always, being d
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for a quick hookup and I wasn’t l
Page 609 and 610:
getting the dust out of every nook
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comb your hair, baby, brothers is b
Page 613 and 614:
and I liked a chick on the other si
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that’s what you want. Then fuckin
Page 617 and 618:
was a complete one eighty for my me
Page 619 and 620:
oys for so long, we’d dispense wi
Page 621 and 622:
and me just say, “Yo, it’s not
Page 623 and 624:
tough sometimes in the heat of a re
Page 625 and 626:
No matter how hard I try to work on
Page 627 and 628:
needs, your sex life will always be
Page 629 and 630:
the man making most of the money. T
Page 631 and 632:
little too well, as a matter of fac
Page 633 and 634:
Not to say everything’s roses. Li
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visit us every time he gets a break
Page 637 and 638:
come to tow it, that can mean only
Page 639 and 640:
me in the eye. I let him sit there
Page 641 and 642:
party and my friend”—see, it al
Page 643 and 644:
anyway.” “What’re you talkin
Page 645 and 646:
other celebrity clients. He’d got
Page 647 and 648:
I said. “They want anything else
Page 649 and 650:
of money? And how many of my homeys
Page 651 and 652:
caught. How’d I get away with it?
Page 653 and 654:
moms ended up talking to the other
Page 655 and 656:
lives. Then I put Sean E. Sean on t
Page 657 and 658:
THE YEAR-LONG PROBATION didn’t ma
Page 659 and 660:
he couldn’t graduate with his fri
Page 661 and 662:
he came to me, looking more focused
Page 663 and 664:
so I guess it makes sense I’ve ha
Page 665 and 666:
huge machine they’d ripped o from
Page 667 and 668:
gotta corroborate stories with you.
Page 669 and 670:
up the car, they don’t say, ‘Ho
Page 671 and 672:
up with Tesha. I lived my life and
Page 673 and 674:
Ice, so they hang out, shoot hoops,
Page 675 and 676:
“Okay …” My kids aren’t use
Page 677 and 678:
aren’t together. And I tell ’em
Page 679 and 680:
always felt like I was an outsider.
Page 681 and 682:
always seen it is: Emotions don’t
Page 683 and 684:
don’t believe in, it’s self-pit
Page 685 and 686:
“MY LIFE’S BEEN A GREAT STORY I
Page 687 and 688:
soul.” It lacks content. It lacks
Page 689 and 690:
about hip-hop is practically like t
Page 691 and 692:
It touched a raw nerve. Cats throug
Page 693 and 694:
the skills of the breakdancer, the
Page 695 and 696:
lyricist and promoter—and his las
Page 697 and 698:
certain exalted status and be consi
Page 699 and 700:
can teach it. These cats are not a
Page 701 and 702:
was sitting home and thinking about
Page 703 and 704:
about the art form. It takes the be
Page 705 and 706:
to drop that street language—bitc
Page 707 and 708:
Impressionism, Expressionism, all t
Page 709 and 710:
Moe Dee. And on wax between MC Shan
Page 711 and 712:
Let’s all do this. Let’s all ge
Page 713 and 714:
even bigger empire together. ’PAC
Page 715 and 716:
That was a great moment, and it’s
Page 717 and 718:
straight up: Why don’t you go kno
Page 719 and 720:
hopeless, and dudes were scared the
Page 721 and 722:
things that matter to you. No bulls
Page 723 and 724:
in the aftermath of the riots, they
Page 725 and 726:
—are coming home after long bids.
Page 727 and 728:
connected to the gangsters down the
Page 729 and 730:
Peace to all the gangsters, cause I
Page 731 and 732:
let’s do this. Let’s go to the
Page 733 and 734:
FAST-FORWARD. The truce is dead. Se
Page 735 and 736:
to glamorize the violence. It gives
Page 737 and 738:
to O.G.s and get them to sit down f
Page 739 and 740:
twenty. I’m executive producer, a
Page 741 and 742:
not retaliate.” And every show st
Page 743 and 744:
“MY LIFE IS VIOLENT BUT VIOLENT I
Page 745 and 746:
ass third-person shooter game calle
Page 747 and 748:
success. I know what it’s like in
Page 749 and 750:
straightforward. Once you get into
Page 751 and 752:
sad world M.J. was in at the end of
Page 753 and 754:
een down, been depressed before. I
Page 755 and 756:
If you’re a guy who’s done all
Page 757 and 758:
Crescent City, California. I got fr
Page 759 and 760:
thought is, Man, all I need is ten
Page 761 and 762:
I’LL NEVER FORGET THE DAY—the e
Page 763 and 764:
went on this solo mission to go get
Page 765 and 766:
was just back into that zone where
Page 767 and 768:
I HAD A SITUATION not that long ago
Page 769 and 770:
to ip the switch. It got real ugly,
Page 771 and 772:
with in the life—hustlers, pimps,
Page 773 and 774:
street, they got something to prove
Page 775 and 776:
FUNNY STORY about Quentin Tarantino
Page 777 and 778:
Now I’m the guy who’s spun arou
Page 779 and 780:
their past, their present, and thei
Page 781 and 782:
I was pulling jewelry licks: You ra
Page 783 and 784:
innocent bystanders with camera pho
Page 785 and 786:
the excitement of crossing the line
Page 787 and 788:
understand the consequences. I’ve
Page 789 and 790:
Lindsay, you are an actress! You go
Page 791 and 792:
Crenshaw Boulevard would be spittin
Page 793 and 794:
and catch their attention. One thin
Page 795 and 796:
come up, but can they come back? Th
Page 797 and 798:
to fuck your head up,” I say. “
Page 799 and 800:
DAILY GAME (OF LIFE)
Page 801 and 802:
YOU OWN. (THERE’S NO LUGGAGE RACK
Page 803 and 804:
MAD AT THE RIGHT THINGS. 14. THE KE
Page 805 and 806:
22. IN THE GAME, SPECTATORS, COMMEN
Page 807 and 808:
31. I’VE BEEN YOUR AGE, YOU’VE
Page 809 and 810:
HUSTLERS NEVER PLAY A GAME THEY CAN
Page 811:
THE PROFIT. 49. YOU DON’T NEED A
Page 814 and 815:
Baby pic
Page 816 and 817:
Rhyme Syndicate N.Y. (from left: Ev
Page 818 and 819:
Rhyme Syndicate (at my left, Donald
Page 820 and 821:
On stage with Snoop Dogg at the Apo
Page 822 and 823:
On tour with Lil Ice
Page 824 and 825:
A fan’s tattoo
Page 826 and 827:
Me and Coco at the Masters Players
Page 828 and 829:
Me and my colleagues from Law & Ord
Page 830 and 831:
With Dick Wolf, producer of the Law
Page 832 and 833:
Me, Coco, and Snoop Dogg at the Com
Page 834 and 835:
Me and Don King
Page 836:
Me, Diddy, and Quincy Jones. I won
Page 839 and 840:
Our wedding photo
Page 841 and 842:
On the red carpet with Coco
Page 843 and 844:
“A successful marriage is built o
Page 845 and 846:
Family pic (my grandson, Elijah; my
Page 847 and 848:
Original Gangsta pic
Page 849 and 850:
Keepin’ it player in pink
Page 851:
On the red carpet for VH1’s Hip H
Page 854 and 855:
All photographs are printed courtes
Page 856 and 857:
p/k/a Ice-T and Charles Glenn. © 1
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“G Style,” written by Tracy Mar
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Order: SVU. DOUGLAS CENTURY is the
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