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Branding in the Digital Age - Edmar Bulla

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David C. Edelman<br />

(david_edelman@<br />

mck<strong>in</strong>sey.com) is a coleader of McK<strong>in</strong>sey<br />

& Company’s Global <strong>Digital</strong> Market<strong>in</strong>g<br />

Strategy practice.<br />

<strong>Brand<strong>in</strong>g</strong> <strong>in</strong> <strong>the</strong> <strong>Digital</strong> <strong>Age</strong>•••SPOTLIGHT<br />

ON SOCIAL<br />

MEDIA<br />

AND THE NEW<br />

RULES<br />

OF BRANDING<br />

ultimately <strong>in</strong>spire purchase. But <strong>the</strong> metaphor<br />

fails to capture <strong>the</strong> shift<strong>in</strong>g nature of consumer<br />

engagement.<br />

In <strong>the</strong> June 2009 issue of McK<strong>in</strong>sey Quarterly,<br />

my colleague David Court and three coauthors<br />

<strong>in</strong>troduced a more nuanced view of how consumers<br />

engage with brands: <strong>the</strong> “consumer decision<br />

journey” (CDJ). They developed <strong>the</strong>ir<br />

model from a study of <strong>the</strong> purchase decisions<br />

of nearly 20,000 consumers across five <strong>in</strong>dustries—automobiles,<br />

sk<strong>in</strong> care, <strong>in</strong>surance, consumer<br />

electronics, and mobile telecom—and<br />

three cont<strong>in</strong>ents. Their research revealed that<br />

far from systematically narrow<strong>in</strong>g <strong>the</strong>ir<br />

choices, today’s consumers take a much more<br />

iterative and less reductive journey of four<br />

stages: consider, evaluate, buy, and enjoy, advocate,<br />

bond.<br />

Consider. The journey beg<strong>in</strong>s with <strong>the</strong> consumer’s<br />

top-of-m<strong>in</strong>d consideration set: products<br />

or brands assembled from exposure to ads<br />

or store displays, an encounter at a friend’s<br />

house, or o<strong>the</strong>r stimuli. In <strong>the</strong> funnel model,<br />

<strong>the</strong> consider stage conta<strong>in</strong>s <strong>the</strong> largest number<br />

of brands; but today’s consumers, assaulted by<br />

media and awash <strong>in</strong> choices, often reduce <strong>the</strong><br />

number of products <strong>the</strong>y consider at <strong>the</strong> outset.<br />

Evaluate. The <strong>in</strong>itial consideration set frequently<br />

expands as consumers seek <strong>in</strong>put from<br />

peers, reviewers, retailers, and <strong>the</strong> brand and<br />

its competitors. Typically, <strong>the</strong>y’ll add new<br />

brands to <strong>the</strong> set and discard some of <strong>the</strong> orig<strong>in</strong>als<br />

as <strong>the</strong>y learn more and <strong>the</strong>ir selection criteria<br />

shift. Their outreach to marketers and<br />

o<strong>the</strong>r sources of <strong>in</strong>formation is much more<br />

likely to shape <strong>the</strong>ir ensu<strong>in</strong>g choices than marketers’<br />

push to persuade <strong>the</strong>m.<br />

Buy. Increas<strong>in</strong>gly, consumers put off a purchase<br />

decision until <strong>the</strong>y’re actually <strong>in</strong> a<br />

store—and, as we’ll see, <strong>the</strong>y may be easily dissuaded<br />

at that po<strong>in</strong>t. Thus po<strong>in</strong>t of purchase—<br />

which exploits placement, packag<strong>in</strong>g, availability,<br />

pric<strong>in</strong>g, and sales <strong>in</strong>teractions—is an<br />

ever more powerful touch po<strong>in</strong>t.<br />

Enjoy, advocate, bond. After purchase, a<br />

deeper connection beg<strong>in</strong>s as <strong>the</strong> consumer <strong>in</strong>teracts<br />

with <strong>the</strong> product and with new onl<strong>in</strong>e<br />

touch po<strong>in</strong>ts. More than 60% of consumers of<br />

facial sk<strong>in</strong> care products, my McK<strong>in</strong>sey colleagues<br />

found, conduct onl<strong>in</strong>e research about<br />

<strong>the</strong> products after purchase—a touch po<strong>in</strong>t entirely<br />

miss<strong>in</strong>g from <strong>the</strong> funnel. When consumers<br />

are pleased with a purchase, <strong>the</strong>y’ll advocate<br />

for it by word of mouth, creat<strong>in</strong>g fodder<br />

for <strong>the</strong> evaluations of o<strong>the</strong>rs and <strong>in</strong>vigorat<strong>in</strong>g<br />

a brand’s potential. Of course, if a consumer is<br />

disappo<strong>in</strong>ted by <strong>the</strong> brand, she may sever ties<br />

with it—or worse. But if <strong>the</strong> bond becomes<br />

strong enough, she’ll enter an enjoy-advocatebuy<br />

loop that skips <strong>the</strong> consider and evaluate<br />

stages entirely.<br />

The Journey <strong>in</strong> Practice<br />

Although <strong>the</strong> basic premise of <strong>the</strong> consumer<br />

decision journey may not seem radical, its implications<br />

for market<strong>in</strong>g are profound. Two <strong>in</strong><br />

particular stand out.<br />

First, <strong>in</strong>stead of focus<strong>in</strong>g on how to allocate<br />

spend<strong>in</strong>g across media—television, radio,<br />

onl<strong>in</strong>e, and so forth—marketers should<br />

target stages <strong>in</strong> <strong>the</strong> decision journey. The research<br />

my colleagues and I have done shows<br />

a mismatch between most market<strong>in</strong>g allocations<br />

and <strong>the</strong> touch po<strong>in</strong>ts at which consumers<br />

are best <strong>in</strong>fluenced. Our analysis of dozens<br />

of market<strong>in</strong>g budgets reveals that 70% to<br />

90% of spend goes to advertis<strong>in</strong>g and retail<br />

promotions that hit consumers at <strong>the</strong> consider<br />

and buy stages. Yet consumers are often<br />

<strong>in</strong>fluenced more dur<strong>in</strong>g <strong>the</strong> evaluate and<br />

enjoy-advocate-bond stages. In many categories<br />

<strong>the</strong> s<strong>in</strong>gle most powerful impetus to buy<br />

is someone else’s advocacy. Yet many marketers<br />

focus on media spend (pr<strong>in</strong>cipally advertis<strong>in</strong>g)<br />

ra<strong>the</strong>r than on driv<strong>in</strong>g advocacy. The<br />

coolest banner ads, best search buys, and hottest<br />

viral videos may w<strong>in</strong> consideration for a<br />

brand, but if <strong>the</strong> product gets weak reviews—<br />

or, worse, isn’t even discussed onl<strong>in</strong>e—it’s unlikely<br />

to survive <strong>the</strong> w<strong>in</strong>now<strong>in</strong>g process.<br />

The second implication is that marketers’<br />

budgets are constructed to meet <strong>the</strong> needs of a<br />

strategy that is outdated. When <strong>the</strong> funnel<br />

metaphor reigned, communication was oneway,<br />

and every <strong>in</strong>teraction with consumers had<br />

a variable media cost that typically outweighed<br />

creative’s fixed costs. Management focused on<br />

“work<strong>in</strong>g media spend”—<strong>the</strong> portion of a market<strong>in</strong>g<br />

budget devoted to what are today<br />

known as paid media.<br />

This no longer makes sense. Now marketers<br />

must also consider owned media (that is, <strong>the</strong><br />

channels a brand controls, such as websites)<br />

and earned media (customer-created channels,<br />

such as communities of brand enthusiasts).<br />

And an <strong>in</strong>creas<strong>in</strong>g portion of <strong>the</strong> budget must<br />

go to “nonwork<strong>in</strong>g” spend—<strong>the</strong> people and<br />

technology required to create and manage<br />

harvard bus<strong>in</strong>ess review • december 2010 page 3

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