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Middle and Late Bronze Age Metal Tools from the Aegean, Eastern ...

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(including Ionian sculptors) toiled at Pasargadae, later at Persepolis, <strong>and</strong> throughout <strong>the</strong><br />

entire Achaemenid Empire. 836<br />

Although <strong>the</strong>re are differences in <strong>the</strong> conditions that enabled <strong>the</strong> movement of<br />

craftspersons, <strong>the</strong> previously discussed cases occur when artisans belonged to state-level<br />

societies (regardless of whe<strong>the</strong>r that type of social structure existed in <strong>the</strong> area where <strong>the</strong><br />

work was carried out). In decentralized societies, artisans may have freelanced <strong>and</strong><br />

837<br />

traveled because of necessity. Such itinerancy seems detectable with production of<br />

<strong>Aegean</strong> lithics as far back as <strong>the</strong> Neolithic <strong>and</strong> EBA—periods that obviously lacked a<br />

state-level social structure. 838 Specifically, Perlès argues that <strong>the</strong> chipped stone<br />

assemblages <strong>from</strong> Neolithic Greece suggest “itinerant knappers going <strong>from</strong> village to<br />

village with <strong>the</strong>ir pre-formed or partially flaked cores.” 839 Likewise, if a highly structured<br />

social system collapsed, craftspersons may have been forced to adapt to new economic<br />

conditions. Under this scenario, craft persons, who were formerly dependent upon now-<br />

defunct palaces, may have turned peripatetic while seeking viable work. Several cases of<br />

craftsmanship in <strong>the</strong> late 13 th <strong>and</strong> 12 th centuries apply this logic. 840 In <strong>the</strong> wake <strong>the</strong><br />

<strong>Aegean</strong> collapse, post-palatial Mycenaean smiths, according to Iacovou, moved to<br />

Cyprus <strong>and</strong> continued to practice <strong>the</strong>ir trade on <strong>the</strong> isl<strong>and</strong>. 841<br />

The findings on <strong>the</strong> Cape<br />

Gelidonya ship are also understood to reflect <strong>the</strong> economic stress of <strong>the</strong> late 13 th century.<br />

The bronze materials on <strong>the</strong> vessel perhaps belonged to a mercantile bronze smith who<br />

836<br />

Nyl<strong>and</strong>er 1970; Zaccagnini 1983, 264.<br />

837<br />

This scenario is suggested by Zaccagnini (1983, 259) to explain <strong>the</strong> lines in Odyssey 17.382-386, which<br />

describe how carpenters among o<strong>the</strong>r specialists are welcomed when <strong>the</strong>y come <strong>from</strong> abroad.<br />

838<br />

Perlès 1992, 136-137; Carter 2008.<br />

839<br />

Perlès 1992, 137.<br />

840<br />

Hitchcock (2005, 693) hypo<strong>the</strong>sizes that <strong>the</strong> socio-economic situation at this time resulted in <strong>the</strong><br />

movement of <strong>Aegean</strong> craftsmen to <strong>the</strong> eastern Mediterranean, yet some of her conclusions may be<br />

questioned.<br />

841<br />

Iacovou 2006, 327-328.<br />

355

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