Men's monologues The Notebook © 2004 by Wendy Kesselman ...
Men's monologues The Notebook © 2004 by Wendy Kesselman ...
Men's monologues The Notebook © 2004 by Wendy Kesselman ...
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Men’s <strong>monologues</strong><br />
<strong>The</strong> <strong>Notebook</strong><br />
<strong>©</strong> <strong>2004</strong> <strong>by</strong> <strong>Wendy</strong> <strong>Kesselman</strong><br />
WARREN:<br />
I have a secret. A terrible secret. No one knows. No one in the world.<br />
Except my parents. <strong>The</strong>y have to. <strong>The</strong>y live with me. But my secret…I<br />
like to read. What am I saying… “like.” Get up every morning, go to bed<br />
every night, breathe, dream, tremble, live to read!...I mean, I’ll read<br />
anything—cereal boxes, graffiti…But books! That first moment with a<br />
brand-‐new untouched book. Running my hand over the sleek shining<br />
cover. Opening it in the silence of my room. That first page. Those first<br />
words. And you know what’s even better than a new book? An old one.<br />
<strong>The</strong> worn leather cover, the soft secret smell! What hands have<br />
touched these pages, devoured these words in some faraway room<br />
long ago? War and Peace. My favorite! Exactly one thousand, four<br />
hundred and forty-‐four pages long. Why does it have to end? I bought it<br />
from this amazing man at a secondhand bookstore on the Lower East<br />
Side. And in it I found the one person I’d waited for my whole life, the<br />
person I’d die for, my favorite, my only heroine—the radiant, the<br />
divine…Natasha! But I can’t go into that now.
Lob<strong>by</strong> Hero<br />
<strong>©</strong> 2002 <strong>by</strong> Kenneth Lonergan<br />
JEFF<br />
[to female cop]<br />
Hey, can I ask you something, Officer?...<br />
Remember how a long time ago, like when we were kids, the police<br />
uniforms used to be all dark blue? And then around the 1980s I guess,<br />
they switched them to dark blue pants and a light blue shirt? And then<br />
recently they switched ‘em back to dark blue pants and a dark blue<br />
shirt again? What I always wondered was, Did they throw out all the old<br />
dark blue pants when they did that or did they just throw out all the<br />
light blue shirts and then get dark blue shirts that matched the old dark<br />
blue pants, so they wouldn’t have to buy all new pants? Because that<br />
would be quite a savings.<br />
If you think about it, you could be wearing pants rights now that were<br />
being worn <strong>by</strong> some lady cop in 1975, if you think about it. Except I<br />
guess the women police officers didn’t wear pants back in 1975. I don’t<br />
mean they didn’t wear pants, like they were walkin’ around in their<br />
underwear. I just mean they were still wearin’ skirts back then, weren’t<br />
they? I know I’m blathering, I’m just completely in love with you, can I<br />
just say that?
Charlie & <strong>The</strong> Chocolate Factory<br />
written <strong>by</strong> Roald Dahl<br />
Slugworth: I congratulate you, little boy. Well done. You found the fifth Golden<br />
Ticket. May I introduce myself. Arthur Slugworth, President of Slugworth<br />
Chocolates, Incorporated. Now listen carefully because I'm going to make you<br />
very rich indeed. Mr. Wonka is at this moment working on a fantastic invention:<br />
the Everlasting Gobstopper. If he succeeds, he'll ruin me. So all I want you to do is<br />
to get hold of just one Everlasting Gobstopper and bring it to me so that I can find<br />
the secret formula. Your reward will be ten thousand of these. (he flips through a<br />
stack of money) Think it over, will you. A new house for your family, and good<br />
food and comfort for the rest of their lives. And don't forget the name: Everlasting<br />
Gobstopper.
You're A Good Man, Charlie Brown<br />
written <strong>by</strong> Clark Gesner, based on the characters of "Peanuts" <strong>by</strong> Charles M.<br />
Schulz<br />
Snoopy: (on top of doghouse, speaking over music) Here's the World One I flying<br />
ace high over France in his Sopwith Camel, searching for the infamous Red Baron!<br />
I must bring him down! Suddenly, anti-‐aircraft fire, 'archie' we used to called it,<br />
begins to burst beneath my plane. <strong>The</strong> Red Baron has spotted me. Nyahh, Nyahh,<br />
Nyahh! You can't hit me! (aside) Actually, tough flying aces never say 'Nyahh,<br />
Nyahh, Nyahh'. I just, ah...Drat this fog! It's bad enough having to fight the Red<br />
Baron without having to fly in weather like this! All right, Red Baron! Where are<br />
you? You can't hide forever! Ah, the sun has broken through...I can see the woods<br />
of Montsec below...and what's that? It's a Fokker triplane! Ha! I've got you this<br />
time, Red Baron (SFX: machine gun fire) Aaugh! He's diving down out of the sun!<br />
He's tricked me again! I've got to run! Come on Sopwith Camel, let's go! Go,<br />
Camel, go! I can't shake him! He's riddling my plane with bullets! (SFX: machine<br />
gun fire) Curse you, Red Baron! Curse you and your kind! Curse the evil that<br />
causes all this unhappiness! (SFX: plane engine sputtering towards<br />
silence) Here's the World War I flying ace back at the aerodrome in France, he is<br />
exhausted and yet he does not sleep, for one thought continues to burn in his<br />
mind...Someday, someday I'll get you, Red Baron!
You're A Good Man, Charlie Brown<br />
written <strong>by</strong> Clark Gesner, based on the characters of "Peanuts" <strong>by</strong> Charles M.<br />
Schulz<br />
Schroeder: I'm sorry to have to say it to your face, Lucy, but it's true. You're a very<br />
crab<strong>by</strong> person. I know your crabbiness has probably become so natural to you<br />
now that you're not even aware when you're being crab<strong>by</strong>, but it's true just the<br />
same. You're a very crab<strong>by</strong> person and you're crab<strong>by</strong> to just about everyone you<br />
meet. Now I hope you don't mind my saying this, Lucy, and I hope you're take it in<br />
the spirit that it's meant. I think we should be very open to any opportunity to<br />
learn more about ourselves. I think Socrates was very right when he said that one<br />
of the first rules for anyone in life is 'Know Thyself'. Well, I guess I've said about<br />
enough. I hope I haven't offended you or anything. (awkward exit)
Back to the Future<br />
written <strong>by</strong> Robert Zemeckis & Bob Gale<br />
Doc Brown: Let me show you how it works. First, you turn the time circuits on.<br />
This readout tells you where you're going, this one tells you where you are, this<br />
one tells you where you were. You input the destination time on this keypad. Say,<br />
you wanna see the signing of the declaration of independence, or witness the<br />
birth or Christ. Here's a red-‐letter date in the history of science, November 5,<br />
1955. Yes, of course, November 5, 1955...That was the day I invented time travel.<br />
I remember it vividly. I was standing on the edge of my toilet hanging a clock, the<br />
porcelain was wet, I slipped, hit my head on the edge of the sink. And when I<br />
came to I had a revelation, a VISION, a picture in my head, a picture of this. This is<br />
what makes time travel possible. <strong>The</strong> flux capacitor...It's taken me almost thirty<br />
years and my entire family fortune to realize the vision of that day, my god has it<br />
been that long. Things have certainly changed around here. I remember when this<br />
was all farmland as far as the eye could see. Old man Peabody, owned all of this.<br />
He had this crazy idea about breeding pine trees. (gets weird faraway look in his<br />
eyes and shakes it away)
Pirates of the Carribean: <strong>The</strong> Curse of the Black Pearl<br />
written <strong>by</strong> Ted Elliott & Terry Rossio, screen story <strong>by</strong> Ted Elliott, Terry Rossio,<br />
Stuart Beattie, and Jay Wolpert<br />
Jack Sparrow: <strong>The</strong> only rules that really matter are these: what a man can do and<br />
what a man can't do. For instance, you can accept the fact that your father was a<br />
pirate and a good man or you can't. But pirate is in your blood, boy, so you'll have<br />
to square with that someday. And me, for example, I can let you drown, but I<br />
can't bring this ship into Tortuga all <strong>by</strong> me onesies, savvy? So, can you sail under<br />
the command of a pirate, or can you not?
To Kill A Mockingbird<br />
written <strong>by</strong> Horton Foote, from the novel <strong>by</strong> Harper Lee<br />
Atticus Finch: Gentlemen, I shall be brief, but I would like to use my remaining<br />
time with you to remind you that the case of Mayella Ewell vs. Tom Robinson is<br />
not a difficult one. To begin with, this case should have never come to trial. <strong>The</strong><br />
state of Alabama has not produced one iota of medical evidence that shows that<br />
the crime Tom Robinson is charged with ever took place. This case is as simple as<br />
black and white. It requires no minute sifting of complicated facts, but it does<br />
require you to be sure beyond all reasonable doubt as to the guilt of the<br />
defendant.<br />
Miss Ewell did something that in our society is unspeakable: she is white, and she<br />
tempted a Negro. <strong>The</strong> defendant is not guilty, but someone in this courtroom is. I<br />
have nothing but pity in my heart for the chief witness for the state, but my pity<br />
does not extend so far as to her putting a man's life at stake. She knew full well<br />
the enormity of her offense, but because her desires were stronger than the code<br />
she was breaking, she persisted. <strong>The</strong> state of Alabama has relied solely upon the<br />
testimony of two witnesses who's evidence has not only been called into serious<br />
question, but has been flatly contradicted <strong>by</strong> the defendant.<br />
I need not remind you of their appearance and conduct on the stand. <strong>The</strong>y have<br />
presented themselves in the cynical confidence that their testimony would not be<br />
doubted. <strong>The</strong>y were confident that you, the jury, would go along with the evil<br />
assumption that all Negro's lie, and are immoral. Mr. Robinson is accused of rape,<br />
when it was she who made the advances on him. He put his word against two<br />
white people's, and now he is on trial for no apparent reason-‐ except that he is<br />
black.<br />
Thomas Jefferson once said that all men are created equal, a phrase that the<br />
government is fond of hurling at us. <strong>The</strong>re is a tendency in this year of grace,<br />
1935, for certain people to use that phrase out of context, to satisfy all conditions.<br />
We know that all men are not created equal in the sense that some people would<br />
have us believe. Some people are smarter than others, some people have more<br />
opportunity because they are born with it, some men have more money than<br />
others, and some people are more gifted than others.<br />
But there is one way in this country in which all men are created equal. An<br />
institution that makes a pauper the equal of a Rockefeller, the ignorant man the<br />
equal of any president, and the stupid man the equal of Einstein. That institution<br />
is the court. But a court is only as sound as its jury, and the jury is only as sound as<br />
the men who make it up.
I am confident that you gentlemen will review without passion the evidence you<br />
have heard, come to a decision, and restore the defendant to his family. In the<br />
name of God, do your duty. In the name of God, gentlemen, believe Tom<br />
Robinson.