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<strong>La</strong> <strong>Manresa</strong><br />

<strong>ignaciana</strong><br />

El legado de<br />

san Ignacio de Loyola<br />

del siglo XVI al XXI


<strong>La</strong> <strong>Manresa</strong><br />

<strong>ignaciana</strong><br />

Llegenda<br />

Iglesia, capilla, ermita, etc.<br />

Museo<br />

Monumento de interés<br />

Espacio natural<br />

Visita exterior<br />

Sólo visita guiada *<br />

* Información a la Oficina de<br />

Turismo de <strong>Manresa</strong> (pág. 24)<br />

Se puede fotografiar el interior<br />

Contacto<br />

Accesible para minusválidos<br />

Acceso con transporte público<br />

Entrada de pago<br />

Horarios<br />

Visitas concertadas*


Índice<br />

<strong>La</strong> monumentalidad de la<br />

fachada de la Cueva, en la<br />

entrada sur de <strong>Manresa</strong>, es el<br />

telón de presentación de la<br />

influencia de los jesuitas en<br />

la ciudad. Además, la presencia<br />

de obras de autores contemporáneos<br />

demuestra que<br />

san Ignacio fue, y continúa<br />

siendo, fuente de inspiración.<br />

<strong>La</strong> <strong>Manresa</strong> <strong>ignaciana</strong> Pàg. 3<br />

<strong>La</strong> <strong>Manresa</strong> que acogió a Ignacio de Loyola en el siglo XVI Pàg. 6<br />

El legado de san Ignacio en <strong>Manresa</strong> Pàg. 14<br />

Mapa de situación Pàg. 22<br />

Información turística Pàg. 24<br />

<strong>Manresa</strong> quiere dar a conocer<br />

la presencia de san Ignacio<br />

de Loyola en la ciudad y<br />

mostrar como el posterior establecimiento<br />

de la Compañía<br />

de Jesús, seguidora de<br />

san Ignacio, influyó y sigue<br />

influyendo tanto en la arquitectura<br />

y el paisaje urbano<br />

como en la vida espiritual,<br />

social y también económica<br />

de la ciudad.<br />

Ignacio de Loyola vivió<br />

en <strong>Manresa</strong> durante once<br />

meses, desde marzo de<br />

1522 hasta febrero de 1523,<br />

pero las experiencias vividas<br />

en la ciudad le ayudaron a<br />

consolidar la transformación<br />

espiritual iniciada en Loyola,<br />

cuando decidió abandonar la<br />

vida militar para dedicarse a<br />

la meditación y a la vida<br />

contemplativa. Según relata<br />

en su autobiografía, Ignacio<br />

tuvo experiencias místicas y<br />

raptos espirituales en <strong>Manresa</strong>,<br />

que fueron clave en la<br />

redacción de su obra más<br />

influyente: los Ejercicios<br />

Espirituales.<br />

<strong>La</strong> ciudad del siglo XVI<br />

proporcionó una acogida<br />

cálida y familiar al peregrino,<br />

que llegaba de una<br />

estancia en Montserrat.<br />

Varias familias manresanas<br />

lo acogieron y lo auxiliaron<br />

en las ocasiones en las que<br />

el santo enfermó. San Igna-<br />

3


4<br />

Detall de l’escultura d’alabastre<br />

de Joan Grau a l’interior de la Cova.<br />

cio encontró numerosos<br />

espacios donde llevar a cabo<br />

la práctica religiosa y otros<br />

para gozar de la soledad y el<br />

retiro en la naturaleza, que le<br />

permitieron llegar a la paz<br />

espiritual que buscaba.<br />

Actualmente, se recuerda<br />

la figura del santo tanto<br />

a través el patrimonio arquitectónico,<br />

como a través de<br />

las manifestaciones culturales<br />

de artistas contemporáneos<br />

que se han inspirado<br />

en ella. Respecto al patrimonio,<br />

cabe diferenciar entre<br />

aquél que fue construido en<br />

recuerdo del peregrino y<br />

aquél que formaba parte de<br />

la <strong>Manresa</strong> medieval que<br />

cautivó a san Ignacio.<br />

Además, la celebración<br />

de las fiestas de<br />

San Ignacio en el mes de<br />

julio, en la calle de Sobrerroca,<br />

es una muestra de<br />

cómo la ciudad mantiene<br />

vivo el recuerdo del peregrino.<br />

Durante estas fiestas, de<br />

carácter popular, se organizan<br />

diferentes actos que conmemoran<br />

la estancia de<br />

Ignacio en la ciudad y dinamizan<br />

la actividad comercial<br />

del núcleo antiguo.<br />

Otro aspecto que<br />

expone la relevancia de san<br />

Ignacio para <strong>Manresa</strong>, es la<br />

nomenclatura de algunos<br />

de sus elementos urbanísticos.<br />

Una calle, una plaza, un<br />

torrente y un colegio llevan<br />

su nombre, hecho que<br />

demuestra la voluntad de<br />

perpetuar su memoria.<br />

A su vez, la importancia<br />

de san Ignacio ha<br />

hecho que <strong>Manresa</strong> dé<br />

nombre a varias publicaciones<br />

religiosas (Cardener y<br />

<strong>Manresa</strong>) y a más de cincuenta<br />

casas de espiritualidad<br />

de todo el mundo. <strong>La</strong><br />

figura de San Ignacio da proyección<br />

internacional a <strong>Manresa</strong>.<br />

<strong>La</strong> guía que tiene<br />

en sus manos pone de manifiesto<br />

cómo la figura de san<br />

Ignacio aún hoy en día continúa<br />

muy vinculada a la ciudad.<br />

En primer lugar, aparece<br />

la <strong>Manresa</strong> gótica que conoció<br />

el peregrino durante su<br />

estancia y en segundo lugar,<br />

se presenta cómo se ha<br />

materializado su influencia<br />

desde la época del barroco<br />

hasta la <strong>Manresa</strong> del siglo<br />

XXI.<br />

Esta guía pretende<br />

ser un instrumento para descubrir<br />

los espacios donde<br />

vivió, las iglesias, las capillas,


las ermitas y las cruces<br />

donde se detuvo a orar y los<br />

espacios de recogimiento y<br />

de reflexión. Además, se<br />

muestran las obras que<br />

transformaron la ciudad después<br />

del paso del peregrino<br />

y cómo la influencia de la<br />

comunidad jesuita contribuyó<br />

a crear la <strong>Manresa</strong> que<br />

conocemos hoy. <strong>La</strong> <strong>Manresa</strong><br />

que se alza monumental<br />

sobre el rio Cardener, con<br />

unos espacios excepcionales<br />

y únicos donde se puede<br />

recordar la presencia de san<br />

Ignacio.<br />

<strong>La</strong> información que<br />

contiene esta guía permite<br />

visitar libremente los espacios,<br />

ya sea de manera<br />

separada o creando rutas o<br />

itinerarios que combinen los<br />

lugares más significativos.<br />

Ésta es una guía<br />

no es solo una descripción<br />

de la ruta <strong>ignaciana</strong> de <strong>Manresa</strong><br />

sino un paseo por el<br />

apasionante camino de descubrimiento<br />

que representa.<br />

«Espacos excepcionales<br />

y únicos<br />

donde se puede<br />

recordar la presencia<br />

de san Ignacio»<br />

«<strong>La</strong> figura de San Ignacio da proyección<br />

internacional a la ciudad»<br />

5


6<br />

The <strong>Manresa</strong> that welcomed Saint<br />

Igantius de Loyola in the 16 th century<br />

Un dels espais de veneració<br />

d'Ignasi, la creu del Tort.<br />

The <strong>Manresa</strong> that welcomed<br />

Saint Ignatius de Loyola in<br />

the 16th century<br />

Ignatius Loyola, son of a<br />

noble family, was born in the<br />

small Basque town of Azpeitia<br />

in 1491. After being injured<br />

in the battle in defence<br />

of the city of Pamplona in<br />

1521, the noble gentleman<br />

decided to abandon this<br />

way of life and to journey to<br />

Holy <strong>La</strong>nd in search of the<br />

spirituality. He walked<br />

towards Catalan lands in<br />

order to embark from the<br />

port of Barcelona. However,<br />

before setting sail, he stopped<br />

in the Sanctuary of<br />

Montserrat, where he received<br />

the first spiritual accompaniment<br />

that postponed his<br />

pilgrimage to Jerusalem.<br />

<strong>Manresa</strong> was the nearest<br />

town to Montserrat from<br />

where he could continue his<br />

spiritual accompaniment.<br />

Nevertheless, Saint Ignatius<br />

remained captivated by this<br />

town and the moment of<br />

splendour that it was experiencing:<br />

at the beginning of<br />

the 14th century, the growth<br />

of the population and of the<br />

number of guilds allowed<br />

<strong>Manresa</strong> to increase the productivity<br />

and to develop its<br />

commerce. As a result, <strong>Manresa</strong><br />

was being recovered of<br />

the 15th century demographic<br />

and economic crisis.<br />

During his stay in <strong>Manresa</strong>,<br />

Saint Ignatius came<br />

across the amiability of its<br />

inhabitants, its outskirts<br />

natural environment and the<br />

narrow alleys inside its walls.<br />

An urban complex born<br />

during the medieval splendour<br />

epoch, formed by dark,<br />

irregular and badly aired<br />

alleys but full of popular<br />

expressions and religious<br />

beliefs, represented by vaulted<br />

niches, crosses and small<br />

chapels disseminated by the<br />

town; besides of the churches<br />

and the basilica of <strong>La</strong><br />

Seu.<br />

In many of these places<br />

Saint Ignatius used to pray<br />

and in some of them he<br />

experienced mysteries and<br />

revelations, as the transcriptions<br />

of that time witnesses<br />

explain. In fact, the Saint<br />

wrote in his autobiography<br />

that it was by the Cardener<br />

riverside where he got the<br />

divine revelation, known as<br />

the Outstanding Illumination<br />

of the Cardener, which inspired<br />

him to write the Spiritual<br />

Exercises. This fact, as it will


e seen further on, has inspired<br />

many contemporary<br />

artists that have wanted to<br />

experience the search of the<br />

essence of the spiritual life.<br />

Saint Ignatius used to live<br />

like a poor pilgrim, admitted<br />

in hospitals or private residences,<br />

eating just a little<br />

and practicing the fast. He<br />

had neglected its aspect to<br />

such an extent that he was<br />

popularly known in <strong>Manresa</strong><br />

as the sack man, because he<br />

wore a tunic of very simple<br />

cloth. He used to take care of<br />

the sick and to feed to the<br />

poor, in addition to pilgrimaging<br />

in around the town.<br />

These habits, along with the<br />

mystical episodes that he<br />

experienced, caused him a<br />

deep spiritual transformation<br />

that inspired his Spiritual<br />

Exercises.<br />

At present, you can still<br />

visit great part of the places<br />

where Saint Ignatius<br />

stayed; considered as cultural<br />

heritage of <strong>Manresa</strong><br />

town due to their symbolism<br />

and antiquity. In some cases,<br />

these buildings have been<br />

changing as the Society of<br />

Jesus, religious order foun-<br />

«A medieval urban complex born<br />

during a splendorous epoch»<br />

ded by Saint Ignatius, went<br />

acquiring recognition, as is<br />

the case of the Sanctuary of<br />

the Cave. However, other places<br />

have not been preserved.<br />

Some of them were knocked<br />

down during the Spanish civil<br />

war (1936-1939) and others<br />

like the Saint Lucia’s hospital<br />

or the Convent’s church of<br />

Pares Predicadors (Dominican<br />

Friars) have been transformed<br />

through the years.<br />

7


8<br />

Detall de la torre de Sobrerroca.<br />

The <strong>Manresa</strong> that wecomed Saint<br />

Igantius Loyola in the 16 th centry<br />

1 Cross and Chapel<br />

of Our <strong>La</strong>dy of<br />

Guidance<br />

The Cross and the Chapel of<br />

Our <strong>La</strong>dy of Guidance were situated<br />

next to the Pont Vell<br />

(Old Bridge), just next to the<br />

track that leads to Montserrat.<br />

The devotees used to pray to<br />

Our <strong>La</strong>dy of Guidance before<br />

starting their journey, because<br />

she is the Virgin patroness of<br />

the messengers. It is believed<br />

that at his arrival to this chapel,<br />

Saint Ignatius had an apparition<br />

of the Virgin, who encouraged<br />

him to continue the<br />

penitence. During his stay in<br />

<strong>Manresa</strong>, the cross was a place<br />

of his devotion<br />

2 The Pont Vell (Old<br />

Bridge)<br />

This is a medieval bridge from<br />

the 12th or 13th centuries that<br />

crosses the Cardener River in<br />

The chapel of the Guia was dismantled<br />

in 1856 and transferred some<br />

meters away, due to the construction<br />

of the railroad from Barcelona<br />

to Saragossa.<br />

its entrance to the city. It was<br />

through this bridge that Saint<br />

Ignatius arrived to <strong>Manresa</strong>.<br />

During the Spanish civil war,<br />

part from the bridge was knocked<br />

down and it was not reconstructed<br />

until the 1960’s.<br />

3 Saint Lucia’s Hospital<br />

The Saint Lucia’s Hospital<br />

was known as the hospital of<br />

the poor or inferius. It was<br />

the first place where Saint Ignatius<br />

stayed, when he arrived<br />

from Montserrat. The<br />

Saint was fed among the poor<br />

and helped the hospital<br />

mistress to take care of the<br />

sick people, because he was<br />

In the lower part of a pillar from the<br />

Pont Vell (Old Bridge), some engraved<br />

crosses can be seen. According<br />

to the local lore, Saint Ignatius was<br />

the author of these crosses.


putting into practice the vows<br />

of poverty and help to one’s<br />

neighbour (basis of the Jesuit<br />

order).<br />

A local lore tells that Saint<br />

Ignatius, while singing the<br />

evening prayer in the hospital’s<br />

chapel, suffered a spiritual<br />

abduction that left him<br />

motionless on the ground, for<br />

eight days and eight nights. It<br />

seems that it was during this<br />

time when he received the<br />

guidelines for creating the<br />

Society of Jesus.<br />

The Saint Lucia’s Hospital was demolished<br />

during the Spanish civil<br />

war and at present only the Rapte<br />

Chapel recalls this miracle. It conserves<br />

the old Gothic entry and a<br />

sculpture of Saint Ignatius lying,<br />

which was already being venerated<br />

before the Spanish civil war.<br />

4 Carrer i torre de<br />

Sobrerroca<br />

This medieval Street was the<br />

place where many noble and<br />

well-to-do families used to live.<br />

The venerable Miquel<br />

Canyelles lent Saint Ignatius<br />

the ground floor of the 25th<br />

Sobrerroca Street, during<br />

April 1522.<br />

In a corner of the Sobrerroca<br />

Street stands one of<br />

the two towers that used to<br />

flank the old entrance to the<br />

medieval town. This was one<br />

of the eight entrances of the<br />

medieval wall and it was<br />

used as a checkpoint and for<br />

permitting the entrance and<br />

exit from the town.<br />

5<br />

Amigant House<br />

The Amigant were a well-todo<br />

family from which there<br />

exist documents since the<br />

15th century. This family<br />

used to take in ill people and<br />

to look after them in another<br />

house, called “hospitalet” (little<br />

hospital). When Saint Ignatius<br />

got ill, he was twice received<br />

by the Amigant; since<br />

the matriarch of the family<br />

Àngela Seguí, used to attend<br />

the spiritual exercises Saint<br />

Ignatius led.<br />

In 1703 the “hospitalet” became a<br />

Chapel and the place for worship<br />

was rehabilitated, and it started be<br />

called Chapel of Saint Ignatius ill.<br />

Inside the Chapel there is an oil<br />

paint painting showing the Amigant<br />

family caring for the Saint.<br />

Torre de Sobrerroca<br />

The tower has a square base and was<br />

built between the 13th and 14th centuries.<br />

It has recently been restored<br />

and it can be acceded (arranging a<br />

guided visit).<br />

6 Convent of Pares<br />

Predicadors (Dominican<br />

Friars)<br />

This convent was located in the<br />

current Sant Domenec Square,<br />

in the town centre. Saint Ignatius<br />

was received by the Dominican<br />

friars and stayed with<br />

them during some days.<br />

The convent disappeared in 1936,<br />

during the Spanish civil war. The old<br />

buttresses and other parts of the<br />

cloister can still be seen in the current<br />

Conservatori Theater.<br />

9


10<br />

The Misteriosa Llum<br />

The <strong>Manresa</strong> lore tells that on 21st February<br />

1.345 a beam of light coming<br />

from Montserrat illuminated the church<br />

of El Carme. This miraculous event served<br />

to put an end to the lawsuit between<br />

the Bishop of Vic and the town of<br />

<strong>Manresa</strong>, due to the construction of the<br />

Sèquia channel.This channel, which was<br />

intended to alleviate the hard drought<br />

that <strong>Manresa</strong> was suffering at that time,<br />

should trespass some of the Bishop’s<br />

lands. However he was so opposed that<br />

he even excommunicated the town.<br />

After the apparition of the mysterious<br />

light, the bishop permitted the works to<br />

continue and the channel final brought<br />

water to the town. Nowadays, this legendary<br />

episode is celebrated every year,<br />

during the closest weekend to the 21st<br />

February, with a great popular festival<br />

and a medieval fair called Fira de l'Aixada<br />

(Hoe fair).<br />

7 Church of<br />

El Carme<br />

During the 14th century, the<br />

Carmelite fathers built a<br />

church on the highest hill of<br />

the town: the Puig Mercadal.<br />

This Gothic church called el<br />

Carme was one of the favourite<br />

places of Saint Ignatius.<br />

8<br />

Saint Mark’s<br />

Chapel<br />

Saint Ignatius used to pray<br />

into this small 15th century<br />

chapel and there he had a<br />

spiritual vision, according to<br />

some witnesses. The chapel,<br />

which belonged to the tanners’<br />

guild, has a shield of<br />

<strong>Manresa</strong> carved in the upper<br />

part.<br />

The church of El Carme was destroyed<br />

during the Spanish civil war and<br />

subsequently reconstructed in a Neogothic<br />

style, preserve some fragment<br />

of the neoclassical cloister<br />

that substituted that of Gothic style<br />

(in the current Puigmercadal Square).<br />

During the demolitions was discovered,<br />

under the returns of the cover,<br />

pieces of ceramics decorated<br />

with green and manganese. This<br />

find is the various and most extensive<br />

assembly of this type of medieval<br />

ceramics that has been found in Catalonia,<br />

and is conserved in the Regional<br />

Museum of <strong>Manresa</strong>.<br />

9<br />

<strong>La</strong> Coveta<br />

The bed of the river Cardener<br />

is characterized for having<br />

natural rock caverns excavated<br />

by the wind force and the<br />

rain, which were used as<br />

shelters for hermits during<br />

the 16th century. Moreover,<br />

in one of these caverns Saint<br />

Ignatius took shelter in order<br />

to pray and it was there where<br />

he began to write the Spiritual<br />

Exercises.<br />

At the end of the 16th century this<br />

space began to be venerated and<br />

started to have a constant growth.<br />

During more than four centuries this<br />

natural space was transformed and<br />

it became a monumental assembly<br />

of Baroque and modernist ornaments.<br />

(More information on page<br />

20)


10<br />

Basilica of Santa<br />

Maria de la Seu<br />

The Gothic Basilica of Santa<br />

Maria de la Seu, built on the<br />

top of the Puig Cardener, is<br />

the most important church of<br />

the town. It conserves some<br />

parts of the former Romanesque<br />

church, like parts of the<br />

old entry and the cloister. Berenguer<br />

de Montagut, which<br />

directed the construction of<br />

the Basilica also directed the<br />

The <strong>Manresa</strong> that wecomed<br />

Saint Igantius Loyola in the 16 th centry<br />

construction of the Santa Maria<br />

del Mar, in Barcelona.<br />

Works began in 1328 and<br />

concluded in 1488, 34 years<br />

before Saint Ignatius arrival.<br />

The tower and the west facade<br />

were built after that.The basilica<br />

has a single plant of 30<br />

meters (94.8 feet) height and<br />

18 metres (59.06 feet) wide.<br />

So, it is the second widest cathedral<br />

of Europe after the cathedral<br />

of Girona and one of<br />

the best examples of this artistic<br />

period. Santa Maria de la<br />

Seu was built thanks to the<br />

contributions of the guilds, the<br />

faithful, the Town Council and<br />

also the economic effort of the<br />

inhabitants of <strong>Manresa</strong>. The<br />

basilica of <strong>La</strong> Seu became an<br />

example of the <strong>Manresa</strong> golden<br />

epoch: an economic prosperity<br />

epoch that turned the<br />

town into one of the most important<br />

of Catalonia.<br />

Basilica of Sta. Maria de la Seu<br />

Hours: from Monday to Friday<br />

from 9:30am to 13:30pm and from<br />

16pm to 19:45pm<br />

Weekends and bank holidays from<br />

9:30am to 14pm and from 17pm to<br />

20pm<br />

(+34) 93 872 15 12<br />

under request<br />

<strong>La</strong> Seu Museum: Sundays from<br />

10am to 14pm (other days booking<br />

in advance) Not accessible with wheelchair.<br />

In the interior, the lateral chapels<br />

were decorated with rich Gothic altarpieces.<br />

At present, the four altarpieces<br />

found in its interior form the<br />

most extensive collection of Gothic<br />

altarpieces conserved in an only<br />

church of Catalonia. These are the altarpiece<br />

of the Holy Spirit (by Pere<br />

Serra in 1394), the altarpiece of<br />

Saint Mark (by Arnau Bassa in the<br />

mid 14th century), the altarpiece of<br />

Saint Nicholas and Saint Michael (by<br />

Jaume Cabrera in the 15th century)<br />

and the altarpiece of the Holy Trinity<br />

(by Antoni Marquès).<br />

11


12<br />

11<br />

Saint Clare’s<br />

Convent<br />

Saint Ignatius used to stop<br />

by this medieval convent, occupied<br />

by a community of<br />

Saint Clare’s nuns, when he<br />

was going to Viladordis. According<br />

to the local lore Saint<br />

Ignatius used to sit at the<br />

Romanesque entrance and<br />

listen to the nuns songs while<br />

he was leading to Viladordis.<br />

During the 17th century, cloistered<br />

Dominican nuns used to run this<br />

convent and at the beginning of the<br />

20th century, the local architect Alexandre<br />

Soler i March designed a<br />

new structure at the west facade, in<br />

Balç Street<br />

The Balç Street is a good<br />

example of the medieval urban<br />

complex, formed by<br />

dark, irregular, narrow and<br />

badly aired alleys, which fo-<br />

llowed the land orography.<br />

The Balç Street is a unique<br />

space, composed by a structure<br />

of arcade galleries,<br />

which connect with different<br />

houses. In its interior old entries,<br />

wine cellars, a well and<br />

some constructions put on<br />

the top can still be found. All<br />

these elements form a dark<br />

and enclosed alley surrounded<br />

by a true medieval atmosphere.<br />

The Tort’s cross<br />

and the Tort’s<br />

countryhouse<br />

The Tort’s cross (Leaning’s<br />

cross) is situated next to the<br />

countryhouse that has the same<br />

name, close to the Royal road<br />

that led to Barcelona<br />

through the village of El Pont de<br />

Vilomara.The 14th 13<br />

century cross<br />

was a point of devotion for St.<br />

Ignatius and a place where he<br />

had some sacred revelations,<br />

according to some witnesses.<br />

a Modernist style. When Saint Ignatius left <strong>Manresa</strong>, he<br />

12<br />

abandoned his “escudella” (a bowl<br />

made out of olive-tree wood) in this<br />

countryhouse. The family that lived at<br />

the Tort’s house preserved the bowl<br />

until the summer of 2008, when they<br />

donate it to the Jesuits of the Cave.<br />

At present, the Balç Street is under<br />

construction, because it will be an<br />

Interpretation Centre of the medieval<br />

town.<br />

14 The Culla cross<br />

Saint Ignatius stopped to<br />

pray at this cross, which<br />

stands next to <strong>La</strong> Culla farm,<br />

formerly surrounded by cropland.<br />

At present, the farm is the seat of<br />

the Supervisory Council for the Protected<br />

Designation of Origin “Pla de<br />

Bages”; and it is also used as a learning<br />

field for environmental values.<br />

15<br />

<strong>La</strong> Salut’s Sanctuary<br />

of Viladordis<br />

The Santa Maria de la Salut’s<br />

sanctuary was one of the churches<br />

outside the walls most visited<br />

by Saint Ignatius. Built in


the 10th century, this church<br />

turned a thousand-year-old in<br />

1983 and some years after, its<br />

bell tower was restored. Some<br />

excavations were carried out in<br />

the 70’s and several burials of<br />

medieval epoch were found<br />

out in front of the church. The<br />

earliest of those burials was<br />

from the 9th century. Some<br />

sarcophagi can be seen at the<br />

sanctuary’s garden.<br />

Saint Ignatius used to pray knelt<br />

down on the Sanctuary’s threshold<br />

stone, which is nowadays preserved<br />

inside the church and has an inscription<br />

that reminds it.<br />

16 Les Marcetes<br />

countryhouse<br />

This medieval countryhouse is<br />

500 meters (546.8 yd.) far<br />

from <strong>La</strong> Salut’s Sanctuary..The<br />

owners of Les Marcetes were<br />

the attendants of the sanctuary<br />

and, according to the lore,<br />

they used to give charity to<br />

Saint Ignatius. He thanked<br />

them with a piece of his belt<br />

(a cord of hemp), which was<br />

turned into a relic inside a silver<br />

sculpture. It disappeared<br />

during the Civil War.<br />

The <strong>Manresa</strong> that wecomed<br />

Saint Igantius Loyola in the 16 th centry<br />

Viladordis<br />

During the 16th century, Viladordis<br />

was an independent village formed by<br />

several detached countryhouses and a<br />

Romanesque church surrounded by<br />

cropland and woodland. Nowadays, as<br />

it did at Saint Ignatius’ time, one of<br />

the branches of the Sèquia Channel<br />

still flows through Viladordis.<br />

<strong>La</strong> Salut’s Sanctuary<br />

From 8am to 20pm<br />

A new rectory house was built next to<br />

the church in 1878. That new threefloor<br />

house covered the facade of the<br />

earlier rectory.<br />

17 Saint Paul’s Chapel<br />

Situated out of <strong>Manresa</strong><br />

walls and close to the Cardener<br />

River, Saint Paul’s chapel<br />

was a Cistercian Prior linked<br />

to the Poblet Monastery. The<br />

Prior was the one in charge<br />

of Saint Lucia’s Hospital and<br />

he established a bond with<br />

Saint Ignatius.<br />

In 1700, the Poblet abbot sold this<br />

chapel to the Jesuits of <strong>Manresa</strong>,<br />

who rebuilt and restored it.<br />

Paisatge de l’entorn rural de Viladordis.<br />

13


14<br />

Saint Ignatius’ legacy in <strong>Manresa</strong><br />

<strong>La</strong> creu en record de Beuys mostra<br />

l’impacte de sant Ignasi en els artistes<br />

contemporanis.<br />

Once he left <strong>Manresa</strong>, in February<br />

1523, Saint Ignatius<br />

went towards Rome, passed<br />

by Venice, Cyprus, and he finally<br />

arrived at Jerusalem,<br />

where he remained little time.<br />

Next, he returned to Barcelona,<br />

to start studying the Ministry.<br />

He continued his studies<br />

in Alcalá de Henares,<br />

where the Inquisition, in<br />

1526, imprisoned him. Afterward,<br />

he continued studying<br />

in Salamanca and lastly, in<br />

Paris, after suffering another<br />

prosecution in Spain. He was<br />

ordained priest and transferred<br />

to Rome in 1537 and in<br />

1540 the foundation of his<br />

new religious order, the Society<br />

of Jesus, was approved.<br />

The bases of this new<br />

order were written by Saint<br />

Ignatius and, at first, they<br />

were preaching, living in<br />

poverty and doing charity<br />

deeds. Subsequently, teaching<br />

was also added up as<br />

one of the fundamental tasks<br />

of the Society of Jesus.<br />

Saint Ignatius Loyola passed<br />

away in 1556; he was<br />

beatified in 1609 and only<br />

thirteen years after, he was<br />

canonized. This process reveals<br />

the continuous increase<br />

of the faithful and followers,<br />

which began the pilgrimage<br />

to the places in which Saint<br />

Ignatius had been inspired.<br />

So, a lot of pilgrims came to<br />

the town of <strong>Manresa</strong>.<br />

This proliferation of the<br />

faithful, along with the Town<br />

Council’s will of establishing<br />

Jesuits in <strong>Manresa</strong> and founding<br />

a school, turned into the<br />

creation of a Jesuit community<br />

in the town. The <strong>Manresa</strong><br />

people honoured and mythicized<br />

his memories and<br />

popular devotion to Saint<br />

Ignatius was increased. The<br />

facts and mysteries that<br />

surrounded him were recalled<br />

and enlarged by new ones,<br />

such as the miracle of the<br />

Well of the Hen.<br />

The establishment of the<br />

Society of Jesus in <strong>Manresa</strong><br />

marked significantly the<br />

development of the town.<br />

Some buildings were progressively<br />

built which dignified<br />

the natural cave where Saint<br />

Ignatius began to write the<br />

Spiritual Exercises.<br />

Those buildings were delicately<br />

decorated, according to<br />

the artistic styles of every<br />

moment. However, this process<br />

kept subject to the<br />

expulsions and misfortunes<br />

that the Society of Jesus suf-


fered, due to religious and<br />

political reasons. As a result,<br />

works were carried out at a<br />

low pace.<br />

This new architectural<br />

assembly, known as the<br />

Cave, in addition to the<br />

existent basilica of la Seu<br />

and the Pont Vell (Old Bridge)<br />

beautified the monumental<br />

facade of the town<br />

entrance. This facade has<br />

become a symbol of the<br />

21st century <strong>Manresa</strong>.<br />

Apart from these major<br />

changes, <strong>Manresa</strong> also faced<br />

an urban development with a<br />

peak on the construction of<br />

various Baroque stately houses.<br />

The well-to-do families,<br />

many of whom had grown rich<br />

with the silk industry that was<br />

exported to Europe and America,<br />

financially supported<br />

these mansion houses. The<br />

influence of Saint Ignatius in<br />

<strong>Manresa</strong> grew so important<br />

that even at present, 21st<br />

century artists still get inspired<br />

by him and some of them<br />

have created several works to<br />

recall the Saint.<br />

All such works, not only<br />

the modern ones but also<br />

the Baroque ones, are illustrated<br />

in the second part of<br />

this guide. So, we invite you<br />

to discover all the spaces<br />

that have maintained Saint<br />

Ignatius’ 16th century legacy<br />

until our days.<br />

Detall de la façana barroca<br />

de la Cova.<br />

Vitralls del 1909 del taller de H. J. Maumeijean<br />

de Barcelona.<br />

15


16<br />

Saint Ignatius’ legacy in <strong>Manresa</strong><br />

18 Montserrat<br />

Montserrat is a unique mountain<br />

in the world not only due<br />

to its geological forms, but also<br />

due to the rich architectural,<br />

sculptural and cultural heritage<br />

that possess. The<br />

Benedictine monastery, which<br />

has been standing on the top<br />

of the mountain from almost<br />

a millennium, witnessed Saint<br />

Ignatius Loyola arrival on the<br />

24th March 1522. It was there<br />

where the Saint exchanged<br />

his clothes with a poor man<br />

and abandoned his sword,<br />

symbolizing the abandonment<br />

of his former military life.<br />

For that reason, Montserrat<br />

recalls Saint Ignatius with a<br />

sculpture located in the atrium<br />

of the basilica. Next to this<br />

sculpture, made by Rafael<br />

Solanic in 1956, there is an<br />

inscription which recalls the<br />

evening that the Saint spent in<br />

front of the Montserrat Mother<br />

of God. A round black marble<br />

slab, situated near the sculpture,<br />

marks the place where<br />

the altar of the ancient Romanesque<br />

church was located.<br />

One of the lateral chapels<br />

of the basilica is also dedicated<br />

to Saint Ignatius Loyola.<br />

It was built in 1893 by Francesc<br />

Rogent and a Neoroma-<br />

nesque triptych composes it.<br />

Besides, exhibited in a showcase,<br />

you can find a facsimile<br />

of the sword that Saint<br />

Ignatius left in the sanctuary.<br />

19<br />

The <strong>Manresa</strong> Town<br />

Hall and Plaça<br />

Major Square<br />

The current Plaça Major was<br />

built in the 18th century. It<br />

was previously formed by<br />

two small squares: the Ciutat<br />

square and the Especiers<br />

square; both separated by a<br />

block of houses. Taking advantage<br />

of the demolitions of<br />

1713, due to the War of the<br />

Spanish Succession, the<br />

square was expanded to satisfy<br />

the popular tradition of<br />

celebrating festivals in the<br />

street. The current <strong>Manresa</strong><br />

Town Hall was also made at<br />

that time, by Joan Garrido. It<br />

has a similar structure to a<br />

great Baroque stately house,<br />

with some Gothic influence<br />

at the arched entrance.


20<br />

The sanctuary of Montserrat<br />

At the sanctuary of Montserrat,<br />

you can visit the Benedictine basilica<br />

and listen to the choir of<br />

the Escolania during the liturgy. It<br />

is also possible to visit the Montserrat<br />

Museum, which contains<br />

important archaeological and<br />

painting collections (Egyptian objects,<br />

Baroque pieces, Modernist<br />

designs…) as well as the new audiovisual<br />

room "Montserrat portes<br />

endins", which shows life in<br />

the interior of the monastery.<br />

<strong>La</strong>w Courts<br />

The <strong>La</strong>w Courts were built on<br />

the formerly House of Commons<br />

seat (the old Town<br />

Montserrat Museum<br />

working days and bank holidays<br />

from 10 am to 17:45 pm and from July to September<br />

the 15th from 10 am to 19 pm<br />

Audiovisual Room «Montserrat Portes<br />

Endins»<br />

working days and bank holidays from<br />

9am to 18pm and from July to September the<br />

15th from 9am to 19:45pm<br />

Per a més informació:<br />

(+34) 93 877 77 01<br />

http://www.montserratvisita.com<br />

informacio@larsa-montserrat.com<br />

Hall). The construction began<br />

on the second half of the<br />

17th century with the idea of<br />

replacing the ancient Town<br />

Hall, but finally it became the<br />

<strong>La</strong>w Courts seat and a jail.<br />

It is believed that the late<br />

Renaissance style and Baroque<br />

facade were inspired on<br />

the Generalitat de Catalunya<br />

Palace, due to the disposition<br />

of the windows and the<br />

central niche. The Town coat<br />

of arms of the entry arch was<br />

made in 1671 by the sculptor<br />

Joan Grau.<br />

21<br />

The well of the<br />

hen<br />

According to a local lore, the<br />

well of Sobrerroca Street experienced<br />

a miraculous episode<br />

in 1602. A mistreated<br />

fourteen-year-old girl was keeping<br />

her stepmother’s hen<br />

while the animal suddenly<br />

ran away and felt into this<br />

well. The hen drowned and<br />

the girl was so frightened of<br />

her stepmother’s reaction<br />

that began to pray to Saint<br />

Ignatius. Finally, the hen came<br />

out of the well alive.<br />

During the 18th century<br />

there was built an adjacent<br />

chapel, which has an altarpiece<br />

that shows this episode.<br />

In addition, believers<br />

continued recalling the miracle<br />

for many years and drinking<br />

the holy water from the<br />

well.<br />

17


18<br />

22 Old Saint<br />

Ignatius’ School<br />

The old Saint Ignatius’ School<br />

was founded on 1625 thanks<br />

to private donations and also<br />

Museu Comarcal de <strong>Manresa</strong><br />

Fridays and Saturdays from 10am<br />

to 2pm and 5 to 8pm. Sundays and<br />

public holidays from 10am to 2pm.<br />

Other days under request. Closed: January<br />

1st, Good Friday, May 1st, December<br />

25th and 26th<br />

?????????.<br />

(+34) 93 874 11 55<br />

museu@ajmanresa.org<br />

http://www.museudemanresa.cat<br />

The museum exhibition rooms contain<br />

a very important selection of Baroque<br />

altarpieces painted during the 17th<br />

and the 18th century. Those altarpieces<br />

were designed after the Council of<br />

Trent (1545-1563), which requested<br />

every parish church to renew the liturgical<br />

elements, according to the new<br />

criteria.<br />

This provoked an altarpiece demand<br />

raise and subsequently, an increase<br />

on the number of workshops and the<br />

foundation of the <strong>Manresa</strong> Baroque<br />

Workshop. Among the most important<br />

names, there were the Grau, Sunyer<br />

and Padró families.<br />

to Town Council, which transferred<br />

Saint Lucia’s Hospital<br />

to the Jesuits. So, this building<br />

then became the second<br />

School run by Jesuits in<br />

Catalonia, just after the Betlem<br />

School in Barcelona.<br />

The school was enlarged<br />

in 1750 and was renewed in<br />

19th century, with a central<br />

squared patio with a cloister,<br />

connects to every wing of the<br />

building. The Society of Jesus<br />

directed the school until<br />

1892. Since then, the Town<br />

Hall has been in charge of it.<br />

In 1901 the building became<br />

the School of Arts and<br />

Crafts seat and along the 20th<br />

century, the building has been<br />

used as military barracks,<br />

laboratory and library.<br />

The Historical Archive and<br />

the Museu Comarcal de<br />

<strong>Manresa</strong> were installed the in<br />

the first and second floors, in<br />

1941. <strong>La</strong>ter, in 2002, the<br />

ground floor became the seat<br />

of the <strong>Manresa</strong> Tourist Office.<br />

23<br />

Baroque stately<br />

houses<br />

<strong>Manresa</strong> conserves several<br />

Baroque stately houses built<br />

by the well-to-do families during<br />

the 18th century.Their owners<br />

used to be people, which<br />

had become filthy rich thanks<br />

to the manufactures and the<br />

incomes of the land renting.<br />

These stately houses can be<br />

easily identified by their large<br />

entrances for the cavalries,<br />

their great central patio with a<br />

staircase leading to the first<br />

floor and to the other two floors,<br />

as well as their symmetrically<br />

distributed windows and<br />

balconies in the poorly decorated<br />

facade. However their interiors<br />

usually were finely decorated<br />

with moldings and<br />

Baroque paintings.<br />

24<br />

The Beuys cross<br />

The German artist Joseph<br />

Beuys is an example of the<br />

inspiring capacity of Saint Ignatius<br />

legacy. Joseph Beuys visited<br />

the Cave in 1966 and<br />

Saint Ignatius became a model<br />

for his creations. As a result,<br />

once in Düsseldorf, he<br />

performed the action <strong>Manresa</strong>,<br />

which symbolized his


The Baroque stately houses<br />

Ca l’Asols: This stately house was built in<br />

1789 and restored in 2007. It still presents<br />

the ornaments of the main façade.<br />

Ca l’Oller: It is situated at the Plana de<br />

l’Om Square and it has a central patio<br />

covered with a dome with a lattice,<br />

which were also restored in 2007.<br />

Casa Suanya: This mansion house was<br />

constructed in 1774 and recently restored.<br />

It has an enlarged first floor.<br />

Casa Torres Argullol: In the inscription<br />

over its main balcony it can be read<br />

that it was built in 1773. Its interior<br />

was decorated with mural painting during<br />

the 20th century.<br />

Casa dels escultors Grau: This stately<br />

house was probably the Grau family<br />

home, as well as their important Baroque<br />

sculpture workshop. Nowadays it<br />

is the seat of the Plana de l’Om exhibition<br />

room an auditorium, promoted<br />

by the Caixa de <strong>Manresa</strong> Foundation.<br />

mystical contact with Saint Ignatius<br />

after having visited<br />

<strong>Manresa</strong>.As a reminder of this<br />

action, the Caixa <strong>Manresa</strong><br />

Foundation promoted the exhibition<br />

<strong>Manresa</strong> Hbf in 1994.<br />

This exhibition was complemented<br />

by the official placement<br />

of the Beuys Cross, made<br />

25<br />

by the Danish artists H.<br />

Christiansen and B. Norgäard.<br />

Saint Ignatius’ legacy in <strong>Manresa</strong><br />

Light well<br />

The Chilean artist Fernando<br />

Prats continued the artistic experience<br />

initiated by Beuys<br />

with the project From the Cardener<br />

to the Antarctica (2001-<br />

2004). Prats sought to transport<br />

the essence the<br />

spirituality from the Cardener<br />

River (where Saint Ignatius experienced<br />

the Outstanding<br />

Illumination) to the Antarctica.<br />

Thus, he wrapped the interior<br />

of the Cave with paper and tape<br />

to capture the scent of the<br />

Saint. Subsequently, he transported<br />

the wrapping to the Antarctica<br />

and he buried it under<br />

the ice. At the same time, a<br />

15-meter (49.21 feet) deep<br />

well was excavated on at a<br />

bank of the Cardener River.<br />

The well represented the will to<br />

arrive at the origin of every inspiration.<br />

As a memorial of that<br />

performance, there is a spiral<br />

shaped monument with an<br />

Fotografia de Rocco Ricci<br />

inscription 26 of 117 celebrity names<br />

of different times. All these<br />

celebrities have gone<br />

through mystical experiences<br />

at some point of their life.<br />

<strong>La</strong> Cova<br />

The architectural assembly of<br />

the Cave is a unique example<br />

of the combination of Jesuitical<br />

architecture and Catalan<br />

Baroque art. Complementing<br />

this artistic high value, the assembly<br />

has a great symbolic<br />

load for the Jesuits, since the<br />

Cave is the place of conception<br />

of their founder ideas.<br />

This place was venerated<br />

and considered a sacred<br />

space for the Saint’s devotes,<br />

since the 16th century. Earlier,<br />

a cross and a doorway<br />

were placed in the cave and<br />

afterwards, in 1603, a small<br />

chapel was built. Little by little,<br />

the number of visitors<br />

was enlarging and during<br />

more than four centuries they<br />

went dignifying the space,<br />

constructing new buildings.<br />

The Exercises House is the<br />

place where pilgrims from all<br />

over the world stay. They rest<br />

there, meditate and practice<br />

the Spiritual Exercises. Besides,<br />

it is the permanent<br />

19


20<br />

<strong>La</strong> Cova de sant Ignasi<br />

Tuesday to Saturday from 10am to<br />

13pm Evenings from March to October<br />

from 16pm to 19pm and from November<br />

to February from 15pm to 18pm. Sundays<br />

and precept from 10am to midday.<br />

<strong>La</strong> coveta (The Cave)<br />

The cave is the most important space for Jesuits.<br />

It is decorated with 17th and 18th century works.<br />

In the centre there is an altarpiece with an alabaster<br />

relief, made by Joan Grau, which shows Saint<br />

Ignatius writing the Spiritual Exercises in <strong>Manresa</strong>.<br />

This finely decoration is accompanied by eight alabaster<br />

medallion, made by Josep Sunyer in 1720,<br />

which show episodes of Saint Ignatius’ life.<br />

Baroque facade of the Exercises House<br />

This facade shows a clear example of Baroque<br />

style’s sense of the theatre. It was conceived as a<br />

wrapper of an empty space, in which subsequently<br />

they were built the church and the Cave’s Hall. It is<br />

structured in three levels: a simple basement, a<br />

central body jointed with ionic pillars, framed windows<br />

and a semi roof with zoomorphic and vegetable<br />

figures, plus an upper body with elliptic portholes<br />

and angels playing. Built during the 17th<br />

century, it is uncertain that its authors were Joan<br />

Grau and Francesc Grau, or else Josep Sunyer.<br />

Under request<br />

(+34) 93 875 15 79<br />

covaee@covamenresa.cat<br />

www.covamanresa.cat<br />

Exercises house


Avantcova (Cave’s Hall)<br />

Until the 18th century this was a space dedicated to the worship, but the construction<br />

of the church consigned it to be the access to the Cave.The painter and<br />

Jesuit Martín Coronas, who managed the modernist style, with a certain eclecticism<br />

and horror vacui, since every single piece of the floor, walls or ceiling is decorated,<br />

ornamented it between 1915 and 1922. This ornamentation has a<br />

communicative purpose because it is the space that prepares the visitor to enter<br />

the most spiritual place of the building.This idea is also given by the iconography<br />

of the walls: The stained-glass large windows, the mosaics arranged like windows<br />

and the six medallions situated between each large window, which explain life<br />

episodes of Saint Ignatius. In addition, there are mosaics on the floor, which show<br />

the Saint’s coat of arms and the weapons he used to carry when he was a soldier.<br />

Saint Ignatius’ legacy in <strong>Manresa</strong><br />

Interior<br />

The church, which was built between<br />

1750 and 1763, is the final component<br />

of the sanctuary and the conclusion of<br />

an old desire of transforming the cave<br />

into an internationally known sanctuary.<br />

The church has a single plant and lateral<br />

chapels connected by an upper platform<br />

with a lattice. It was not decorated until<br />

mid 19th century, due to the expulsions<br />

that the Jesuits suffered.<br />

At the lateral chapels there are carved<br />

sculptures of saints, which belonged to<br />

the Society of Jesus. The image of the<br />

Immaculate Conception Madonna dominates<br />

the high altar, while the Most Holy<br />

Trinity is situated on top of her, and statues<br />

of Saint Ignatius and Saint Francis<br />

Xavier can be found at each side.<br />

Church facade<br />

This facade is an outstanding example of Jesuit<br />

architecture and Catalan Baroque. Its<br />

sculptures suggest movement that and the<br />

decoration is arranged like in a Baroque altarpiece.<br />

At the central part, there is niche<br />

framed by Corinthian columns, which contains<br />

a sculpture of Saint Ignatius holding a<br />

quill and the Spiritual Exercises book. The<br />

oval rose window situated over the Saint<br />

symbolizes represents the divine illumination.<br />

21


22<br />

<br />

D<br />

CARRER D’URGELL<br />

C<br />

6<br />

CARRER VILANOVA<br />

CARRER ÀNGEL GUIMERÀ<br />

CARRER BORN<br />

E<br />

PLANA<br />

DE L’OM<br />

CARRER TALAMANCA<br />

SANT JOAN BAPTISTE DE LA SALLE<br />

MURALLA DEL CARME<br />

CARRER NOU<br />

B<br />

CARRER ALFONS XII<br />

PASSEIG DEL RIU<br />

SANT MIQUEL<br />

CARRER DE LES PIQUES<br />

CARRER BOTÍ<br />

ST. PERE<br />

NA BASTARDES<br />

PONT DE LA REFORMA<br />

CARRETERA DE VIC<br />

CARRER INFANTS<br />

SABATERIA<br />

BDA. CARME<br />

BDA. JUEUS<br />

PLAÇA<br />

MAJOR<br />

CARRER V ALLFONOLLOSA<br />

BAIXADA<br />

DE LA SEU<br />

XIPRER<br />

PLAÇA<br />

CARME<br />

CARRER PUIGTERRÀ DE D<br />

DAMA<br />

CARRER SERAROLS<br />

BISBE CARRER SANTA LLÚCIA<br />

CARRER LLUSSÀ<br />

CARRER SANT SALVADOR<br />

CARRER<br />

SOBRERROCA<br />

SANT ANDREU<br />

PASSEIG DEL RIU<br />

Ruta<br />

gnasiana<br />

<strong>Manresa</strong> Tourist Office Car Park Taxi Train station Hospital<br />

7<br />

5<br />

19<br />

10<br />

20<br />

12<br />

4<br />

21<br />

A<br />

BAIXADA<br />

DELS DRETS<br />

VIA ST. IGNASI<br />

A<br />

PLAÇA<br />

HOSPITAL<br />

3<br />

PLAÇA<br />

ST. IGNASI<br />

CARRER HOSPITAL<br />

CARRER ESCODINES<br />

CARRER SANT MARC<br />

22<br />

CARRER SANT BARTOMEU<br />

CAMÍ DE LA COVA<br />

8<br />

2<br />

VIDAL BARRAQUER<br />

CARRER<br />

DE LA COVA<br />

1<br />

VIA DE ST. IGNA<br />

CARRETERA DE MANRESA A B<br />

24<br />

26


SI<br />

9<br />

ARCELONA<br />

PARC DE ST. IGNASI<br />

PISCINES MUNICIPALS<br />

PTGE. COVA<br />

CARRER CAPUTXINS<br />

CARRER NOU DE SANTA CLARA<br />

17<br />

15 <br />

16<br />

<br />

1<br />

2<br />

3<br />

4<br />

5<br />

6<br />

7<br />

8<br />

9<br />

10<br />

11<br />

12<br />

13<br />

13<br />

Map<br />

Cross and Chapel of the<br />

Guia Mother of God’s<br />

Pont Vell (Old Bridge)<br />

Saint Lucia’s Hospital and<br />

Rapte chapel<br />

Sobrerroca Street<br />

Amigant House<br />

Convent of Els Pares<br />

Predicadors<br />

Church of El Carme<br />

Saint Mark’s Chapel<br />

<strong>La</strong> Coveta (The Cave)<br />

Basilica of la Seu<br />

Saint Clare’s Convent<br />

Balç Street<br />

Tort’s cross and Tort’s<br />

countryhouse<br />

Helpful phone numbers<br />

Renfe (+34) 902 240 202<br />

Ferrocarrils Catalans (+34) 93 877 06 06<br />

Bus Station (+34) 902 02 60 28<br />

Ràdio Taxi <strong>Manresa</strong> (+34) 93 874 40 00<br />

Del Carme Youth Hostel (+34) 93 875 03 96<br />

Museu Comarcal de <strong>Manresa</strong> (+34) 93 874 11 55<br />

Museu de la Tècnica de Man. (+34) 93 877 22 31<br />

Basílica de la Seu (+34) 93 872 15 12<br />

Santuari de la Cova (+34) 93 875 15 79<br />

Ajuntament de <strong>Manresa</strong> (+34) 93 878 23 01<br />

25<br />

11<br />

14 The Culla’s cross<br />

15 <strong>La</strong> Salut’s sanctuary and Viladordis<br />

16 Les Marcetes countryhouse<br />

17 Saint Paul’s Chapel<br />

18 Montserrat<br />

19 Plaça Major Square and<br />

<strong>Manresa</strong> City Council<br />

20 <strong>La</strong>w Courts<br />

21 The well of the hen<br />

22 Saint Ignatius’ Old School<br />

23 Baroque stately houses<br />

A Ca l’Asols B Ca l’Oller C Casa Suanya<br />

D Casa Torres Argullol E Casa dels escultors Grau<br />

24 Beuys cross<br />

25 Light well<br />

26 The Cave assembly<br />

Hospital de Sant Joan de Déu<br />

14<br />

23


www.manresaturisme.cat<br />

Cova<br />

Sant Ignasi<br />

Manreas Tourist Office<br />

Office hours<br />

Monday to Friday from 9am to 14pm<br />

Saturdays from 10am to 14pm and from<br />

17pm to 20pm. Sundays and bank holidays<br />

from 10am to 14pm. From 1st July to<br />

15th September: It is also open form Tuesday<br />

to Friday from 17pm to 20pm<br />

(+34) 93 878 40 90<br />

Guided visits<br />

A part from the signalized paths, which can<br />

be followed without any guide, the <strong>Manresa</strong><br />

Tourist Office also offers to visitors a wide<br />

range of guided tours, which should be booked<br />

in a from Monday to Sunday under request.<br />

At present, the following visits can be done:<br />

- Discover the <strong>Manresa</strong> of Saint Ignatius at<br />

the 21st century<br />

- Medieval <strong>Manresa</strong><br />

- The Baroque Splendour<br />

- The Modernist <strong>Manresa</strong><br />

- Discovering <strong>Manresa</strong><br />

- The Monumental <strong>Manresa</strong><br />

- Tour at your wish<br />

Adreça<br />

<strong>Manresa</strong> Tourist Office<br />

Via de Sant Ignasi, 40, baixos<br />

08241 <strong>Manresa</strong><br />

For further information visit:<br />

www.manresaturisme.cat<br />

Disseny gràfic i producció: Asterisc Comunicació Gràfica (www.asterisc.cat)

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