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HORN (Subject Code: 13)<br />
This syllabus is valid from 2013 until further notice.<br />
In Grades 1–3, this syllabus may be offered on a mini-horn in Bb or F.<br />
The accompanied pieces are published in F editions unless otherwise indicated. For those pieces not<br />
published in F, candidates may use manuscript transpositions of their parts if necessary.<br />
Some List C pieces are published with transposition suggestions but in the exam they should be played<br />
in the written keys only.<br />
<strong>Horn</strong> <strong>GRADE</strong> 1<br />
THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:<br />
LIST A<br />
1 Beethoven Theme from Ninth Symphony. Winners Galore, arr. Lawrance (Brass Wind: & brass edition; F piano<br />
accomp. published separately)<br />
2 Arthur Campbell Chorale. No. 3 from <strong>Horn</strong> Solos, Book 1, arr. Campbell (Faber)<br />
3 Tom Davoren Romanza Shining Brass, Book 1 (ABRSM: & / ? ¸<br />
brass edition; F piano accomp. published<br />
˝<br />
4 Philip Sparke A Knight’s Tale ˛ separately)<br />
5 Haydn German Dance. Time Pieces for <strong>Horn</strong>, Vol. 1, arr. Harris and Skirrow (ABRSM: F/E b edition)<br />
6 Henry VIII Pastime with Good Company ¸<br />
˝ 10 Easy Tunes for <strong>Horn</strong>, arr. Humphries (Fentone F 486-401)<br />
7 Susato La Mourisque<br />
˛<br />
8 Trad. English Song of the Western Men ¸<br />
˝ Boosey Brass Method, <strong>Horn</strong> in F, Repertoire Book B (Boosey & Hawkes)<br />
9 Trad. Japanese Koinobori<br />
˛<br />
LIST B<br />
1 Bartók No. 3 from For Children, Vol. 1. Time Pieces for <strong>Horn</strong>, Vol. 1, arr. Harris and Skirrow (ABRSM: F/E b edn)<br />
2 Lizzie Davis Mordred’s Castle: No. 2 from <strong>Horn</strong>ets Nest (Brass Wind)<br />
3 Tom Davoren Waltz for E.<br />
Shining Brass, Book 1 (ABRSM: & / ? ¸<br />
˝<br />
brass edition; F piano accomp. published separately)<br />
4 David A. Stowell Strollin’ ˛<br />
5 Peter Graham Moscow or Paris: No. 1 or No. 2 from Cityscapes for <strong>Horn</strong> in F (Gramercy Music)<br />
6 Christopher Gunning Echoes or Sad Café. No. 4 or No. 7 from The Really Easy <strong>Horn</strong> Book, arr. Gunning and<br />
Pearson (Faber)<br />
7 Ian Lowes Nightfall. Boosey Brass Method, <strong>Horn</strong> in F, Repertoire Book B (Boosey & Hawkes)<br />
8 Rendall and Thomas Birdie Song. Winners Galore, arr. Lawrance (Brass Wind: & brass edition; F piano accomp.<br />
published separately)<br />
9 Pam Wedgwood Hot Chilli or Cheeky Cherry: from Really Easy Jazzin’ About for French <strong>Horn</strong> (Faber)<br />
LIST C<br />
1 Lizzie Davis Tiny Minuet: from Polished Brass (Brass Wind: & brass edition)<br />
2 Jock McKenzie Pop or Sizhu: No. 1 or No. 2 from Dance to the Beat of the World (Con Moto: & brass edition)<br />
3 Peter Meechan One, Two, Three!<br />
Shining Brass, Book 1 (ABRSM: & / ? ¸<br />
˝<br />
brass edition)<br />
4 Philip Sparke Puppet’s Dance ˛<br />
5 John Miller Hungarian Hoe-down or Supersonic Samurai: No. 3 or No. 14 from Simple Studies for Beginner<br />
Brass (Faber: & brass edition)<br />
6 Mark Nightingale A Small Step or Fiesta Siesta: No. 1 or No. 2 from Easy Jazzy ’Tudes (Warwick Music: & brass edn)<br />
7 Philip Sparke Modal Melody or Marching Home: No. 3 or No. 7 from Skilful Studies for <strong>Horn</strong> (Anglo Music<br />
AMP 099-401)<br />
AURAL TESTS FOR THE <strong>GRADE</strong>*: see pp. 86 and 87<br />
SCALES AND ARPEGGIOS*: from memory, to be played both slurred and tongued in the following keys:<br />
C major; A minor (one octave, starting an octave above lowest tonic)<br />
Scales: in the above keys (minor in natural or harmonic or melodic form at candidate’s choice)<br />
Arpeggios: the common chords of the above keys for the range indicated<br />
SIGHT-READING*: a short piece in simple time within the keys, notes and overall range of the scale<br />
requirements set for this grade. Some accidentals, dotted and tied notes may be included. See also p. 7.<br />
9
<strong>Horn</strong> <strong>GRADE</strong> 2<br />
THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:<br />
LIST A<br />
1 Arbeau Pavane (from Orchésographie). No. 11 from <strong>Horn</strong> Solos, Book 1, arr. Campbell (Faber)<br />
2 Brahms St Anthony Chorale (from Variations on a Theme by Haydn, Op. 56a). Time Pieces for <strong>Horn</strong>, Vol. 1, arr.<br />
Harris and Skirrow (ABRSM: F/E b edition)<br />
3 Mozart Aria (from The Marriage of Figaro) ¸ Winners Galore, arr. Lawrance (Brass Wind: & brass edition; F piano<br />
˝<br />
4 Trad. Welsh Calon Lân<br />
˛ accomp. published separately)<br />
5 Philip Sparke My Lady’s Pavan Shining Brass, Book 1 (ABRSM: & / ? ¸<br />
brass edition; F piano accomp. published<br />
˝<br />
6 David A. Stowell A Walk in the Rain ˛ separately)<br />
7 Trad. Welsh David of the White Rock. No. 3 from Going Solo – <strong>Horn</strong>, arr. Bissill and Campbell (Faber)<br />
8 Trad. Welsh Men of Harlech. Winner Scores All, arr. Lawrance (Brass Wind: & brass edition; F piano accomp.<br />
published separately)<br />
9 Peter Warlock Basse-Dance. Boosey Brass Method, <strong>Horn</strong> in F, Repertoire Book B (Boosey & Hawkes)<br />
LIST B<br />
1 Lizzie Davis Dark Rider: No. 4 from <strong>Horn</strong>ets Nest (Brass Wind)<br />
2 Tom Davoren Hangin’ with Monti Shining Brass, Book 1 (ABRSM: &/ ? ¸<br />
brass edition; F piano accomp. published<br />
˝<br />
3 Philip Sparke Tennessee Rag ˛ separately)<br />
4 Peter Graham Seville or Kyoto: No. 3 or No. 4 from Cityscapes for <strong>Horn</strong> in F (Gramercy Music)<br />
5 Chris Norton A Dab Hand. Boosey Brass Method, <strong>Horn</strong> in F, Repertoire Book B (Boosey & Hawkes)<br />
6 Trad. Spiritual Nobody Knows. No. 1 from Going Solo – <strong>Horn</strong>, arr. Bissill and Campbell (Faber)<br />
7 Walton Song at Dusk (from Duets for Children). Time Pieces for <strong>Horn</strong>, Vol. 1, arr. Harris and Skirrow (ABRSM:<br />
F/E b edition)<br />
8 Pam Wedgwood Easy Tiger or Keep Truckin’: from Really Easy Jazzin’ About for French <strong>Horn</strong> (Faber)<br />
9 John Williams Somewhere in My Memory (from Home Alone). Winner Scores All, arr. Lawrance (Brass Wind: &<br />
brass edition; F piano accomp. published separately)<br />
LIST C<br />
1 Lizzie Davis Tarantella: from Polished Brass (Brass Wind: & brass edition)<br />
2 Jock McKenzie Calypso or Czardas: No. 11 or No. 20 from Dance to the Beat of the World (Con Moto: & brass<br />
edition)<br />
3 Peter Meechan Haunted House<br />
Shining Brass, Book 1 (ABRSM: & / ? ¸<br />
˝<br />
brass edition)<br />
4 David A. Stowell High Street ˛<br />
5 John Miller Sabre Dance or Scottish Warrior: No. 16 or No. 21 from Simple Studies for Beginner Brass (Faber: &<br />
brass edition)<br />
6 Mark Nightingale Ready, Aim, Fire! or The Nuthatch: No. 4 or No. 6 from Easy Jazzy ’Tudes (Warwick Music: &<br />
brass edition)<br />
7 Philip Sparke The Big Apple or Tom’s Tune: No. 11 or No. 13 from Skilful Studies for <strong>Horn</strong> (Anglo Music AMP<br />
099-401)<br />
AURAL TESTS FOR THE <strong>GRADE</strong>*: see pp. 86 and 87<br />
SCALES AND ARPEGGIOS*: from memory, to be played both slurred and tongued in the following keys:<br />
10<br />
Bb, C majors; B, D minors (one octave, starting an octave above lowest tonic)<br />
Scales: in the above keys (minors in natural or harmonic or melodic form at candidate’s choice)<br />
Arpeggios: the common chords of the above keys for the range indicated<br />
SIGHT-READING*: a short piece in simple time within the keys, notes and overall range of the scale<br />
requirements set up to and including this grade. Some accidentals, dotted and tied notes may be included.<br />
See also p. 7.<br />
* Published by ABRSM (Scale requirements, Specimen Sight-Reading Tests, Specimen Aural Tests)
<strong>Horn</strong> <strong>GRADE</strong> 3<br />
THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:<br />
LIST A<br />
1 Tom Davoren Rondo Olympia Shining Brass, Book 1 (ABRSM: & / ? ¸<br />
brass edition; F piano accomp. published<br />
˝<br />
2 Lucy Pankhurst Sicilienne ˛ separately)<br />
3 Handel See, the Conqu’ring Hero Comes (from Judas Maccabaeus) ¸ Time Pieces for <strong>Horn</strong>, Vol. 1, arr. Harris<br />
˝<br />
4 Schumann Soldiers’ March (from Album for the Young, Op. 68) ˛ and Skirrow (ABRSM: F/E b edition)<br />
5 Mendelssohn O for the Wings of a Dove. 10 Easy Tunes for <strong>Horn</strong>, arr. Humphries (Fentone F 486-401)<br />
6 Tchaikovsky Humoresque in C. No. 9 from Going Solo – <strong>Horn</strong>, arr. Bissill and Campbell (Faber)<br />
7 Tchaikovsky Reverie. Winner Scores All, arr. Lawrance (Brass Wind: & brass edition; F piano accomp. published<br />
separately)<br />
8 Trad. English Greensleeves. No. 8 from ¸ Skilful Solos for F or E b <strong>Horn</strong>, arr. Sparke (Anglo Music AMP 192-<br />
˝<br />
9 Vivaldi Spring. No. 4 from ˛ 400: F/E b edition)<br />
LIST B<br />
1 Bernstein America (from West Side Story). Winner Scores All, arr. Lawrance (Brass Wind: & brass edition; F piano<br />
accomp. published separately)<br />
2 Richard Bissill Waltz to Take Away. No. 5 from Going Solo – <strong>Horn</strong>, arr. Bissill and Campbell (Faber)<br />
3 Lizzie Davis En Cor: No. 7 from <strong>Horn</strong>ets Nest (Brass Wind)<br />
4 John Frith Broken Dreams Shining Brass, Book 1 (ABRSM: & / ? ¸<br />
brass edition; F piano accomp. published<br />
˝<br />
5 Peter Meechan Purple Shade ˛ separately)<br />
6 Peter Graham New York (grace note optional) or Vienna: No. 5 or No. 6 from Cityscapes for <strong>Horn</strong> in F (Gramercy<br />
Music)<br />
7 Paul Harris Hunt the <strong>Horn</strong>. Time Pieces for <strong>Horn</strong>, Vol. 1, arr. Harris and Skirrow (ABRSM: F/E b edition)<br />
8 Sidney Ramin Music to Watch Girls By ¸<br />
˝ Jazzed Up Too for F <strong>Horn</strong>, arr. Ramskill (Brass Wind)<br />
9 Rodgers and Hart Blue Moon ˛<br />
LIST C<br />
1 Concone Study No. 1 or No. 3. Concone Studies for <strong>Horn</strong> in F, arr. Ashworth (Emerson E299a)<br />
2 Lizzie Davis <strong>Horn</strong> of Wonder: from Polished Brass (Brass Wind: & brass edition)<br />
3 Timothy Jackson How’s Tricks?<br />
Shining Brass, Book 1 (ABRSM: & / ? ¸<br />
˝<br />
brass edition)<br />
4 Peter Meechan Summer Sound ˛<br />
5 Jock McKenzie Halling: No. 28 from Dance to the Beat of the World (Con Moto: & brass edition)<br />
6 Mark Nightingale Ermie’s Blues: No. 10 from Easy Jazzy ’Tudes (Warwick Music: & brass edition)<br />
7 Philip Sparke Rondino or Classical Theme: No. 22 or No. 24 from Skilful Studies for <strong>Horn</strong> (Anglo Music AMP<br />
099-401)<br />
AURAL TESTS FOR THE <strong>GRADE</strong>*: see pp. 86 and 88<br />
SCALES AND ARPEGGIOS*: from memory, to be played both slurred and tongued in the following keys:<br />
C, E minors (one octave, starting an octave above lowest tonic)<br />
G, A majors; G minor (a twelfth, starting below stave)<br />
Scales: in the above keys (minors in harmonic or melodic form at candidate’s choice)<br />
Chromatic Scale: starting on C (one octave)<br />
Arpeggios: the common chords of the above keys for the ranges indicated<br />
SIGHT-READING*: a short piece in simple time within the keys, notes and overall range of the scale<br />
requirements set up to and including this grade. See also p. 7.<br />
11
<strong>Horn</strong> <strong>GRADE</strong> 4<br />
THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:<br />
LIST A<br />
1 Bizet Theme from L’Arlésienne. No. 11 from Going Solo – <strong>Horn</strong>, arr. Bissill and Campbell (Faber)<br />
2 Tom Davoren Beaufort Allegro Shining Brass, Book 2 (ABRSM: & / ? ¸<br />
brass edition; F piano accomp. published<br />
˝<br />
3 John Frith Jiggedy Jig ˛ separately)<br />
4 Grieg Solveig’s Song (from Peer Gynt). Great Winners, arr. Lawrance (Brass Wind: & brass edition; F piano<br />
accomp. published separately)<br />
5 Humperdinck Evening Prayer (from Hänsel und Gretel). Time Pieces for <strong>Horn</strong>, Vol. 2, arr. Harris and Skirrow<br />
(ABRSM: F/E b edition)<br />
6 Mendelssohn Nocturne (from A Midsummer Night’s Dream). No. 17 from ¸ <strong>Horn</strong> Solos, Book 1, arr. Campbell<br />
˝<br />
7 Weber Huntsmen’s Chorus (from Der Freischütz). No. 19 from ˛ (Faber)<br />
8 Mozart Adagio. No. 15 from ¸ Skilful Solos for F or E b <strong>Horn</strong>, arr. Sparke<br />
˝<br />
9 Schubert Marche militaire (grace notes optional). No. 16 from ˛ (Anglo Music AMP 192-400: F/E b edition)<br />
LIST B<br />
1 Richard Bissill Hymn of the High Plains. No. 7 from Going Solo – <strong>Horn</strong>, arr. Bissill and Campbell (Faber)<br />
2 Jean-Michel Damase Berceuse, Op. 19 (Leduc AL 20897)<br />
3 Lizzie Davis Taco Taco! or Zarabanda: No. 6 or No. 8 from <strong>Horn</strong>ets Nest (Brass Wind)<br />
4 Ron Goodwin 633 Squadron. Great Winners, arr. Lawrance (Brass Wind: & brass edition; F piano accomp.<br />
published separately)<br />
5 Peter Graham Buenos Aires: No. 7 from Cityscapes for <strong>Horn</strong> in F (Gramercy Music)<br />
6 Ronald Hanmer Arioso or Finale: 3rd or 4th movt from Suite for <strong>Horn</strong> (Emerson E31: F/E b edition)<br />
7 Peter Meechan Way Down South Shining Brass, Book 2 (ABRSM: & / ? ¸<br />
brass edition; F piano accomp. published<br />
˝<br />
8 David A. Stowell Open Plains ˛ separately)<br />
9 Robert Ramskill In the Fast Lane. Jazzed Up Too for F <strong>Horn</strong>, arr. Ramskill (Brass Wind)<br />
LIST C<br />
1 Concone Study No. 5. Concone Studies for <strong>Horn</strong> in F, arr. Ashworth (Emerson E299a)<br />
2 Lizzie Davis Wipe Out: from Polished Brass (Brass Wind: & brass edition)<br />
3 Tom Davoren Quiet Moment<br />
Shining Brass, Book 2 (ABRSM: & / ? ¸<br />
˝<br />
brass edition)<br />
4 Timothy Jackson Circulation ˛<br />
5 Jock McKenzie Tarantella: from Music Makes the World Go Around (Con Moto: & brass edition)<br />
6 John Miller The Upward Slur or Articulation: No. 2 or No. 4 from Progressive Brass Studies (Faber: & brass<br />
edition)<br />
7 Philip Sparke Penny Parade or One-part Invention: No. 34 or No. 36 from Skilful Studies for <strong>Horn</strong> (Anglo<br />
Music AMP 099-401)<br />
AURAL TESTS FOR THE <strong>GRADE</strong>*: see pp. 86 and 88<br />
SCALES AND ARPEGGIOS*: from memory, to be played both slurred and tongued in the following keys:<br />
Bb major; A, B minors (a twelfth)<br />
E, F majors; F minor (two octaves)<br />
Scales: in the above keys (minors in harmonic or melodic form at candidate’s choice)<br />
Chromatic Scale: starting on A (a twelfth)<br />
Arpeggios: the common chords of the above keys for the ranges indicated<br />
Dominant Seventh: in the key of C (one octave)<br />
SIGHT-READING*: a short piece in simple or compound time within the keys, notes and overall range of<br />
the scale requirements set up to and including this grade. See also p. 7.<br />
* Published by ABRSM (Scale requirements, Specimen Sight-Reading Tests, Specimen Aural Tests)<br />
12
<strong>Horn</strong> <strong>GRADE</strong> 5<br />
THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:<br />
LIST A<br />
1 Beethoven Scherzo and Trio (from Septet, Op. 20) ¸ Time Pieces for <strong>Horn</strong>, Vol. 2, arr. Harris and Skirrow<br />
˝<br />
2 Saint-Saëns Romance, Op. 36<br />
˛ (ABRSM: F/E b edition)<br />
3 Cherubini Sonata No. 1. Cherubini 2 Sonatas (Concert Etudes) (G. Schirmer GS33559)<br />
4 Debussy En bateau. No. 11 from ¸<br />
˝ <strong>Horn</strong> Solos, Book 2, arr. Campbell (Faber)<br />
5 Handel Mirth admit me of thy crew. No. 12 from ˛<br />
6 John Frith Canzona Shining Brass, Book 2 (ABRSM: & / ? ¸<br />
brass edition; F piano accomp. published<br />
˝<br />
7 David A. Stowell Jam Bouree ˛ separately)<br />
8 Ippolitov-Ivanov Cortège (from Caucasian Sketches). Undercover Hits for <strong>Horn</strong> in F, arr. Gout (Brass Wind)<br />
9 Paradies Sicilienne, arr. Denwood (Emerson E474: F/E b edition)<br />
LIST B<br />
1 Bernstein Psalm 23 (from Chichester Psalms). Time Pieces for <strong>Horn</strong>, Vol. 2, arr. Harris and Skirrow (ABRSM:<br />
F/E b edition)<br />
2 Richard Bissill Calling All Cars (handstopping optional). <strong>Horn</strong>scape for <strong>Horn</strong> in F, arr. Bissill (Brass Wind)<br />
3 Tom Davoren Lindy Hop! Shining Brass, Book 2 (ABRSM: & / ? ¸<br />
brass edition; F piano accomp.<br />
˝<br />
4 Lucy Pankhurst Gone, Not Forgotten ˛ published separately)<br />
5 W. Lloyd Webber Summer Pastures (Stainer & Bell H377)<br />
6 Jim Parker Mapp and Lucia. The Music of Jim Parker for <strong>Horn</strong> in F (Brass Wind)<br />
7 Philip Sparke March of the Toy Soldiers or Song of Farewell: No. 3 or No. 7 from Super Solos for F or E b <strong>Horn</strong><br />
(Anglo Music AMP 265-400: F/E b edition)<br />
8 John Williams Raiders March (from Raiders of the Lost Ark). Great Winners, arr. Lawrance (Brass Wind: & brass<br />
edition; F piano accomp. published separately)<br />
9 Guy Woolfenden War Dance or Moonlight Rumba: from <strong>Horn</strong> Dances (Brass Wind)<br />
LIST C<br />
1 Concone Study No. 11 or No. 18. Concone Studies for <strong>Horn</strong> in F, arr. Ashworth (Emerson E299a)<br />
2 Lizzie Davis <strong>Horn</strong>pipe: from Polished Brass (Brass Wind: & brass edition)<br />
3 Kopprasch Study No. 8 or No. 10: from 60 Selected Studies for French <strong>Horn</strong>, Book 1 (Carl Fischer or Hofmeister<br />
FH6014)<br />
4 Jock McKenzie Fling: from Music Makes the World Go Around (Con Moto: & brass edition)<br />
5 Peter Meechan Air<br />
Shining Brass, Book 2 (ABRSM: & / ? ¸<br />
˝<br />
brass edition)<br />
6 David A. Stowell Flennon Study (either version) ˛<br />
7 John Miller Prairie Song or March: No. 5 or No. 6 from Progressive Brass Studies (Faber: & brass edition)<br />
AURAL TESTS FOR THE <strong>GRADE</strong>*: see pp. 86 and 89<br />
SCALES AND ARPEGGIOS*: from memory, to be played both slurred and tongued in the following keys:<br />
B b major (a twelfth)<br />
D, Eb, G majors; D, E, F # minors (two octaves)<br />
Scales: in the above keys (minors in harmonic or melodic form at candidate’s choice)<br />
Chromatic Scale: starting on F (two octaves)<br />
Arpeggios: the common chords of the above keys for the ranges indicated<br />
Dominant Seventh: in the key of C (two octaves)<br />
SIGHT-READING*: see p. 7.<br />
13
<strong>Horn</strong> <strong>GRADE</strong> 6<br />
PREREQUISITE FOR ENTRY: Grade 5 (or above) in Theory of Music, Practical Musicianship or any solo<br />
Jazz subject.<br />
THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:<br />
LIST A<br />
1 Richard Bissill My Lady Fair<br />
¸<br />
2 John Frith Allegro Appassionato ˝ Principal <strong>Horn</strong> (ABRSM)<br />
3 Timothy Jackson The Old Lancashire <strong>Horn</strong>pipe ˛<br />
4 Haydn Adagio: 2nd movt from <strong>Horn</strong> Concerto No. 2 in D (Boosey & Hawkes: F/D edition)<br />
5 J. B. Loeillet Allegro (observing repeat): 2nd movt from Sonata for <strong>Horn</strong>, arr. Civil (Broadbent & Dunn 10220)<br />
6 Mozart Allegro or Rondo–Allegro: 1st or 2nd movt from <strong>Horn</strong> Concerto No. 1 in D, K. 412/514 (Bärenreiter<br />
BA 5314-90: F/D edition)<br />
7 Mozart Andante: 2nd movt from <strong>Horn</strong> Concerto No. 2 in Eb, K. 417 (Bärenreiter BA 5311-90: F/E b edition)<br />
8 R. Strauss Andante for <strong>Horn</strong>, Op. posth. (Boosey & Hawkes)<br />
9 R. Strauss Andante: 2nd movt from <strong>Horn</strong> Concerto No. 1 in Eb, Op. 11 (Universal UE 34725)<br />
LIST B<br />
1 Richard Bissill Ghost Rider. <strong>Horn</strong>scape for <strong>Horn</strong> in F, arr. Bissill (Brass Wind)<br />
2 Bozza En Irlande (Leduc AL 20930)<br />
3 Dunhill Presto non troppo: No. 6 from Cornucopia, Op. 95 (Boosey & Hawkes)<br />
4 John Frith Time Passing ¸<br />
˝ Principal <strong>Horn</strong> (ABRSM)<br />
5 Timothy Jackson Loch Lomond ˛<br />
6 Hindemith Ruhig bewegt: 2nd movt from <strong>Horn</strong> Sonata (1939) (Schott ED 3642)<br />
7 Richard Kershaw Night Ride (Broadbent & Dunn 13101)<br />
8 Jim Parker The House of Eliott. The Music of Jim Parker for <strong>Horn</strong> in F (Brass Wind)<br />
9 Guy Woolfenden Spanish Dance: from <strong>Horn</strong> Dances (Brass Wind)<br />
LIST C<br />
1 J. S. Bach Bourrée I and II: 5th and 6th movts from Suite No. 3. J. S. Bach 6 Suites for <strong>Horn</strong> Solo, arr. Orval<br />
(Editions Marc Reift EMR 256)<br />
2 Richard Bissill On Your Uppers ¸<br />
˝ Principal <strong>Horn</strong> (ABRSM)<br />
3 John Frith Tarantella ˛<br />
4 Concone Study No. 17 or No. 25. Concone Studies for <strong>Horn</strong> in F, arr. Ashworth (Emerson E299a)<br />
5 Kopprasch Study No. 13 or No. 21: from 60 Selected Studies for French <strong>Horn</strong>, Book 1 (Carl Fischer or Hofmeister<br />
FH6014)<br />
6 Gunther Schuller Allegro vivace: No. 4 from Studies for Unaccompanied <strong>Horn</strong> (OUP)<br />
7 Lowell E. Shaw No. 1: from Just Desserts – Frippery Style (The <strong>Horn</strong>ists’ Nest)<br />
AURAL TESTS FOR THE <strong>GRADE</strong>*: see pp. 86 and 89<br />
SCALES AND ARPEGGIOS*: from memory, to be played both slurred and tongued in the following keys:<br />
14<br />
C, Db, F # , Ab majors; C # , E b, G, A minors (two octaves)<br />
Scales: in the above keys (minors in both harmonic and melodic forms)<br />
Chromatic Scales: starting on E, F, F # and G (two octaves)<br />
Arpeggios: the common chords of the above keys for the range indicated<br />
Dominant Seventh: in the key of D (two octaves)<br />
Diminished Seventh: starting on G (two octaves)<br />
SIGHT-READING*: see p. 7.<br />
TRANSPOSITION: candidates will be asked to transpose down a tone a short piece approximately<br />
equivalent to a Grade 4 sight-reading test.<br />
* Published by ABRSM (Scale requirements, Specimen Sight-Reading Tests, Specimen Aural Tests)
<strong>Horn</strong> <strong>GRADE</strong> 7<br />
PREREQUISITE FOR ENTRY: Grade 5 (or above) in Theory of Music, Practical Musicianship or any solo<br />
Jazz subject.<br />
THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:<br />
LIST A<br />
1 Beethoven Allegro moderato: 1st movt from <strong>Horn</strong> Sonata in F, Op. 17 (Boosey & Hawkes or Henle HN 498)<br />
2 Richard Bissill The Drawing Room. <strong>Horn</strong>scape for <strong>Horn</strong> in F, arr. Bissill (Brass Wind)<br />
3 Glazunov Rêverie, Op. 24 (Belaieff BEL 343)<br />
4 Gliere Intermezzo, Op. 35 No. 11. Gliere Four Pieces for <strong>Horn</strong> and Piano, Op. 35 (Hans Pizka)<br />
5 Mozart Allegro or Allegro: 1st or 3rd movt from <strong>Horn</strong> Concerto No. 3 in Eb, K. 447 (Bärenreiter BA 5312-90:<br />
F/E b edition)<br />
6 Mozart Rondo–Allegro vivace: 3rd movt from <strong>Horn</strong> Concerto No. 4 in Eb, K. 495 (Bärenreiter BA 5313-90:<br />
F/E b edition)<br />
7 Reinecke Notturno, Op. 112 (Schott COR 9)<br />
8 F. Strauss 3rd movt (starting at Fig. K): from <strong>Horn</strong> Concerto in C minor, Op. 8 (G. Schirmer GS33556)<br />
9 F. Strauss Nocturno, Op. 7 (Universal UE 1368)<br />
LIST B<br />
1 M. Arnold Andantino grazioso: 2nd movt from <strong>Horn</strong> Concerto No. 2, Op. 58 (Paterson PAT62001: F/E b edition)<br />
2 Arnold Cooke Rondo in Bb (Schott ED 10231)<br />
3 Jean-Michel Damase Pavane variée (Lemoine)<br />
4 John Frith Jousting. Principal <strong>Horn</strong> (ABRSM)<br />
5 Armando Ghidoni Poésie et Gaîté (observing cadenza) (Leduc AL 29207)<br />
6 Christopher Gibbs Meditation (Phylloscopus PP479)<br />
7 Jan Koetsier Romanza, Op. 59 No. 2 (Editions Marc Reift EMR 240)<br />
8 Prokofiev Morning Dance (from Romeo and Juliet). <strong>Horn</strong>scape for <strong>Horn</strong> in F, arr. Bissill (Brass Wind)<br />
9 Guy Woolfenden Sword Dance: from <strong>Horn</strong> Dances (Brass Wind)<br />
LIST C<br />
1 J. S. Bach Gigue: 7th movt from Suite No. 2. J. S. Bach 6 Suites for <strong>Horn</strong> Solo, arr. Orval (Editions Marc Reift<br />
EMR 256)<br />
2 John Frith Olympic Spirit. Principal <strong>Horn</strong> (ABRSM)<br />
3 B. Hummel Intermezzo: 2nd movt from Suite for Solo <strong>Horn</strong> in F, Op. 64 (Zimmermann ZM21270)<br />
4 Kopprasch Study No. 16 or No. 33: from 60 Selected Studies for French <strong>Horn</strong>, Book 1 (Carl Fischer or Hofmeister<br />
FH6014)<br />
5 de Pré No. 2: from 20 Études pour le cor grave (Billaudot GB2127)<br />
6 Gunther Schuller Allegro moderato: No. 2 from Studies for Unaccompanied <strong>Horn</strong> (OUP)<br />
7 Lowell E. Shaw No. 4 or No. 6: from Just Desserts – Frippery Style (The <strong>Horn</strong>ists’ Nest)<br />
AURAL TESTS FOR THE <strong>GRADE</strong>*: see pp. 86 and 90<br />
SCALES AND ARPEGGIOS*: from memory, to be played slurred, legato-tongued and staccato in the following<br />
keys:<br />
All keys, major and minor (two octaves; A and Bb majors and minors both lower and upper two octaves)<br />
Scales: in the above keys (minors in both harmonic and melodic forms)<br />
Chromatic Scales: starting on any note (two octaves)<br />
Arpeggios: the common chords of the above keys for the range indicated<br />
Dominant Sevenths: in the keys of B, C, Db and D (two octaves)<br />
Diminished Sevenths: starting on C and A b (two octaves)<br />
SIGHT-READING*: see p. 7.<br />
TRANSPOSITION: candidates will be asked to transpose down a tone a short piece approximately<br />
equivalent to a Grade 5 sight-reading test.<br />
15
<strong>Horn</strong> <strong>GRADE</strong> 8<br />
PREREQUISITE FOR ENTRY: Grade 5 (or above) in Theory of Music, Practical Musicianship or any solo<br />
Jazz subject.<br />
THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:<br />
LIST A<br />
1 J. S. Bach Quoniam tu solus sanctus (from Mass in B minor) (solo line for <strong>Horn</strong> in D). Absolutely <strong>Horn</strong>, arr.<br />
Bissill (Brass Wind)<br />
2 Beethoven Poco adagio, quasi andante and Rondo–Allegretto moderato: 2nd and 3rd movts from <strong>Horn</strong><br />
Sonata in F, Op. 17 (Boosey & Hawkes or Henle HN 498)<br />
3 Donizetti Concerto for <strong>Horn</strong> (complete), arr. Leloir (Billaudot GB1907)<br />
4 John Frith The Pearl. Principal <strong>Horn</strong> (ABRSM)<br />
5 Gliere Andante: 2nd movt from <strong>Horn</strong> Concerto, Op. 91 (Hans Pizka or Sikorski–Boosey & Hawkes)<br />
6 Hutschenruijter Romanze, Op. 12 (Compusic XCOM305: E b edition)<br />
7 Mozart Allegro or Rondo–Allegro: 1st or 3rd movt from <strong>Horn</strong> Concerto No. 2 in Eb, K. 417 (Bärenreiter BA<br />
5311-90: F/E b edition)<br />
8 Saint-Saëns Morceau de Concert, Op. 94 (cutting Figs 3–4 and 10–11) (Durand)<br />
9 Steup Allegro brillante: 1st movt from Sonata No. 11 in E b (Compusic XCOM309: E b edition)<br />
10 R. Strauss Allegro or Rondo–Allegro: 1st or 3rd movt from <strong>Horn</strong> Concerto No. 1 in Eb, Op. 11 (Universal UE<br />
34725)<br />
LIST B<br />
1 Alan Abbott Alla Caccia (Weinberger)<br />
2 Richard Bissill By Jupiter! Principal <strong>Horn</strong> (ABRSM)<br />
3 York Bowen Moderato espressivo: 1st movt from <strong>Horn</strong> Sonata in Eb, Op. 101 (Emerson E165)<br />
4 Bozza En forêt, Op. 40 (Leduc AL 19955)<br />
5 Büsser Cantecor, Op. 77 (Leduc AL 23101)<br />
6 John Frith Vivo: 3rd movt from <strong>Horn</strong> Sonata (Emerson E538)<br />
7 Hindemith Lebhaft: 3rd movt from <strong>Horn</strong> Sonata (1939) (Schott ED 3642)<br />
8 Jan Koetsier Scherzo Brillante, Op. 96 (Editions Marc Reift EMR 267)<br />
9 Trygve Madsen Allegro: 1st movt from <strong>Horn</strong> Sonata, Op. 24 (Musikk-Huset)<br />
10 Gilbert Vinter Hunter’s Moon (Boosey & Hawkes)<br />
LIST C<br />
1 Jeffrey Agrell Romp for solo horn (special effects optional) (Editions Marc Reift EMR 2040)<br />
2 J. S. Bach Gigue: 7th movt from Suite No. 3. J. S. Bach 6 Suites for <strong>Horn</strong> Solo, arr. Orval (Editions Marc Reift<br />
EMR 256)<br />
3 Derek Bourgeois Presto: No. 8 from Fantasy Pieces for <strong>Horn</strong> (Brass Wind)<br />
4 B. Hummel Finale (flutter-tonguing optional): 4th movt from Suite for Solo <strong>Horn</strong> in F, Op. 64 (Zimmermann<br />
ZM21270)<br />
5 Kopprasch Study No. 14: from 60 Selected Studies for French <strong>Horn</strong>, Book 1 (Carl Fischer or Hofmeister FH6014)<br />
6 Bernhard Krol Laudatio for solo horn (Simrock EE 2962)<br />
7 de Pré No. 13: from 20 Études pour le cor grave (Billaudot GB2127)<br />
8 Lowell E. Shaw No. 12: from Just Desserts – Frippery Style (The <strong>Horn</strong>ists’ Nest)<br />
AURAL TESTS FOR THE <strong>GRADE</strong>*: see pp. 86 and 91<br />
* Published by ABRSM (Scale requirements, Specimen Sight-Reading Tests, Specimen Aural Tests)<br />
16
<strong>Horn</strong> <strong>GRADE</strong> 8<br />
SCALES AND ARPEGGIOS*: from memory, to be played slurred, legato-tongued and staccato in the following<br />
keys:<br />
A, B b, B majors; A, Bb, B minors (three octaves)<br />
All other keys, major and minor (two octaves)<br />
Scales: in the above keys (minors in both harmonic and melodic forms)<br />
Chromatic Scales: starting on any note (two octaves)<br />
Whole-Tone Scales: starting on B and C (two octaves), as example given on p. 85<br />
Arpeggios: the common chords of the above keys for the ranges indicated<br />
Dominant Sevenths: in all keys (two octaves)<br />
Diminished Sevenths: starting on G, A b and A (two octaves)<br />
SIGHT-READING*: see p. 7.<br />
TRANSPOSITION: candidates will be asked to transpose down a tone a short piece approximately<br />
equivalent to a Grade 6 sight-reading test.<br />
17