THE WAVES (1931) - World eBook Library
THE WAVES (1931) - World eBook Library
THE WAVES (1931) - World eBook Library
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young men in shirt-sleeves on ladders trimming roses. A man on a<br />
horse canters over the field. His horse plunges as we pass. And<br />
the rider turns to look at us. We roar again through blackness.<br />
And I lie back; I give myself up to rapture; I think that at the<br />
end of the tunnel I enter a lamp-lit room with chairs, into one of<br />
which I sink, much admired, my dress billowing round me. But<br />
behold, looking up, I meet the eyes of a sour woman, who suspects<br />
me of rapture. My body shuts in her face, impertinently, like a<br />
parasol. I open my body, I shut my body at my will. Life is<br />
beginning. I now break into my hoard of life.'<br />
'It is the first day of the summer holidays,' said Rhoda. 'And<br />
now, as the train passes by these red rocks, by this blue sea, the<br />
term, done with, forms itself into one shape behind me. I see its<br />
colour. June was white. I see the fields white with daisies, and<br />
white with dresses; and tennis courts marked with white. Then<br />
there was wind and violent thunder. There was a star riding<br />
through clouds one night, and I said to the star, "Consume me."<br />
That was at midsummer, after the garden party and my humiliation at<br />
the garden party. Wind and storm coloured July. Also, in the<br />
middle, cadaverous, awful, lay the grey puddle in the courtyard,<br />
when, holding an envelope in my hand, I carried a message. I came<br />
to the puddle. I could not cross it. Identity failed me. We are<br />
nothing, I said, and fell. I was blown like a feather, I was<br />
wafted down tunnels. Then very gingerly, I pushed my foot across.<br />
I laid my hand against a brick wall. I returned very painfully,<br />
drawing myself back into my body over the grey, cadaverous space of<br />
the puddle. This is life then to which I am committed.<br />
'So I detach the summer term. With intermittent shocks, sudden as<br />
the springs of a tiger, life emerges heaving its dark crest from<br />
the sea. It is to this we are attached; it is to this we are<br />
bound, as bodies to wild horses. And yet we have invented devices<br />
for filling up the crevices and disguising these fissures. Here is<br />
the ticket collector. Here are two men; three women; there is a<br />
cat in a basket; myself with my elbow on the window-sill--this is<br />
here and now. We draw on, we make off, through whispering fields<br />
of golden corn. Women in the fields are surprised to be left<br />
behind there, hoeing. The train now stamps heavily, breathes<br />
stertorously, as it climbs up and up. At last we are on the top of<br />
the moor. Only a few wild sheep live here; a few shaggy ponies;<br />
yet we are provided with every comfort; with tables to hold our<br />
newspapers, with rings to hold our tumblers. We come carrying<br />
these appliances with us over the top of the moor. Now we are on<br />
the summit. Silence will close behind us. If I look back over<br />
that bald head, I can see silence already closing and the shadows