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THE WAVES (1931) - World eBook Library

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young men in shirt-sleeves on ladders trimming roses. A man on a<br />

horse canters over the field. His horse plunges as we pass. And<br />

the rider turns to look at us. We roar again through blackness.<br />

And I lie back; I give myself up to rapture; I think that at the<br />

end of the tunnel I enter a lamp-lit room with chairs, into one of<br />

which I sink, much admired, my dress billowing round me. But<br />

behold, looking up, I meet the eyes of a sour woman, who suspects<br />

me of rapture. My body shuts in her face, impertinently, like a<br />

parasol. I open my body, I shut my body at my will. Life is<br />

beginning. I now break into my hoard of life.'<br />

'It is the first day of the summer holidays,' said Rhoda. 'And<br />

now, as the train passes by these red rocks, by this blue sea, the<br />

term, done with, forms itself into one shape behind me. I see its<br />

colour. June was white. I see the fields white with daisies, and<br />

white with dresses; and tennis courts marked with white. Then<br />

there was wind and violent thunder. There was a star riding<br />

through clouds one night, and I said to the star, "Consume me."<br />

That was at midsummer, after the garden party and my humiliation at<br />

the garden party. Wind and storm coloured July. Also, in the<br />

middle, cadaverous, awful, lay the grey puddle in the courtyard,<br />

when, holding an envelope in my hand, I carried a message. I came<br />

to the puddle. I could not cross it. Identity failed me. We are<br />

nothing, I said, and fell. I was blown like a feather, I was<br />

wafted down tunnels. Then very gingerly, I pushed my foot across.<br />

I laid my hand against a brick wall. I returned very painfully,<br />

drawing myself back into my body over the grey, cadaverous space of<br />

the puddle. This is life then to which I am committed.<br />

'So I detach the summer term. With intermittent shocks, sudden as<br />

the springs of a tiger, life emerges heaving its dark crest from<br />

the sea. It is to this we are attached; it is to this we are<br />

bound, as bodies to wild horses. And yet we have invented devices<br />

for filling up the crevices and disguising these fissures. Here is<br />

the ticket collector. Here are two men; three women; there is a<br />

cat in a basket; myself with my elbow on the window-sill--this is<br />

here and now. We draw on, we make off, through whispering fields<br />

of golden corn. Women in the fields are surprised to be left<br />

behind there, hoeing. The train now stamps heavily, breathes<br />

stertorously, as it climbs up and up. At last we are on the top of<br />

the moor. Only a few wild sheep live here; a few shaggy ponies;<br />

yet we are provided with every comfort; with tables to hold our<br />

newspapers, with rings to hold our tumblers. We come carrying<br />

these appliances with us over the top of the moor. Now we are on<br />

the summit. Silence will close behind us. If I look back over<br />

that bald head, I can see silence already closing and the shadows

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