Camera Obscura, Camera Lucida

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Contents Acknowledgements 7 Preface 9 Rosalind Krauss Introduction 13 Malcolm Turvey The Logic of an Illusion 35 Notes on the Genealogy of Intellectual Cinema Mikhail Iampolski Narcissistic Machines and Erotic Prostheses 51 Allen S. Weiss Loïe Fuller and the Art of Motion 75 Body, Light, Electricity and the Origins of Cinema Tom Gunning Visitings of Awful Promise 91 The Cinema Seen from Etna Stuart Liebman Transfiguring the Urban Gray 109 László Moholy-Nagy’s Film Scenario ‘Dynamic of the Metropolis’ Edward Dimendberg Eisenstein’s Philosophy of Film 127 Noël Carroll
6 Camera Obscura, Camera Lucida Knight’s Moves 147 Peter Wollen Hitchcock and Narrative Suspense 163 Theory and Practice Richard Allen From the Air 183 A Genealogy of Antonioni’s Modernism Noa Steimatsky Dr. Strangelove 215 or: the Apparatus of Nuclear Warfare William G. Simon Collection and Recollection 231 On Film Itineraries and Museum Walks Guiliana Bruno Afterward: A Matter of Time 261 Analog Versus Digital, the Perennial Question of Shifting Technology and Its Implications for an Experimental Filmmaker’s Odyssey Babette Mangolte Select Bibliography 275 List of Contributors 283 Index 286
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Page 4 and 5: Camera Obscura, Camera Lucida: Essa
Page 8: Acknowledgements A number of indivi
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Page 14 and 15: Introduction Malcolm Turvey Annette
Page 16 and 17: Introduction 15 due to that critici
Page 18 and 19: Introduction 17 Meanwhile, building
Page 20 and 21: Introduction 19 Through this paradi
Page 22 and 23: Introduction 21 on everyday reality
Page 24 and 25: Introduction 23 ality’ could once
Page 26 and 27: Introduction 25 generative, product
Page 28 and 29: Introduction 27 sions between theor
Page 30 and 31: Introduction 29 (KI 26). The functi
Page 32 and 33: Introduction 31 early twentieth cen
Page 34 and 35: WH ‘The Wings of Hypothesis: On M
Page 36 and 37: The Logic of an Illusion Notes on t
Page 38 and 39: The Logic of an Illusion 37 Accordi
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on the ramparts of the bourg. Her e
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tional state, the specific fluctuat
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Loïe Fuller and the Art of Motion
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every moment; or rather there is no
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Collection and Recollection On Film
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of this space. In the spirit of the
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Collection and Recollection 235 mon
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Collection and Recollection 237 mal
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Collection and Recollection 239 Fil
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Collection and Recollection 241 The
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Collection and Recollection 243 Alo
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Collection and Recollection 245 Arc
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tion, which both takes the place of
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Collection and Recollection 249 and
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Collection and Recollection 251 cur
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Collection and Recollection 253 cei
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Collection and Recollection 255 Sch
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Collection and Recollection 257 21.
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Collection and Recollection 259 55.
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Afterward: A Matter of Time Analog
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Afterward: A Matter of Time 263 Man
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Afterward: A Matter of Time 265 is
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Afterward: A Matter of Time 267 Cer
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Afterward: A Matter of Time 269 tha
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image, and the treatment of the two
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Afterward: A Matter of Time 273 7.
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Select Bibliography Books, as Edito
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Select Bibliography 277 ‘Bodies i
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Select Bibliography 279 ‘Lives of
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‘The Estates General of the Docum
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List of Contributors Richard Allen
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List of Contributors 285 University
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Brakhage, Stan 13, 20, 25, 27-28, 3
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Godard, Jean-Luc 149, 154-155, 159
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Mangolte, Babette 157 Manhatta (192
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Rousseau, Jean-Jacques 96 Ruiz, Rau
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Film Culture in Transition General
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