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42 43 44 42. Regina, 2002 43. Kate McQueen, 1995 44. domestic scene, Remscheid, 1991 45. Silver 92, 2012, C-print, Dibond, glass, wood 46. Elephant Man, 2002 47. Conor, sun burst, 2002 48. Conor, Studio, 2002 49. Conor, Schlachtensee, 2010 50. Conor IV, 2006 51. Tukan, 2010 52. Richard Hamilton, 2005 53. Ricardo Villalobos, 2013 54. Adam, 1991 46 47 49 45 51 48 50 52 53 54
Room 8 13 12 11 10 9 8 7 6 1. Lighter, jam, 2012 2. Lighter 92, 2012 3. Lighter, yellow/green I, 2008 4. Lighter, blue up XI, 2013 5. Lighter, black V, 2009 6. Lighter, black concave III, 2009 7. Lighter 76, 2008 8. Lighter, white convex I, 2009 9. Lighter, rust/red, 2012 10. Lighter, red convex II, 2013 11. Lighter, black/red I, 2011 12. Lighter 93, 2012 13. Lighter 95, 2013 all: C-print, acrylic glass, wood 5 4 1 2 3
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This PDF is part of the catalogue o
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Together with the Freischwimmer ima
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are not constitutive to the percept
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thought that classify and interpret
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Susanne’s lowered gaze (in Susann
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Tillmans prefers to talk of, 29 nee
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is not simply that of parts to a wh
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to be constantly alert here. In con
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of visual events that allow us to s
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spores, 2012; Iguazu, 2010
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Nightfall (b), 2010; wake, 2001; Ec
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Vista Telescope, ESO, 2012; lovers,
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Eierstapel, 2009; Venus transit, dr
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Tag/Nacht, 2009; Deer Hirsch, 1995
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Room 2 paper drop (Roma), 2006; Fuc
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Fuck Men, 1992
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Feuilleton for Die Zeit, 31 May 200
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NICE HERE. but ever been to KYRGYST
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Thirty & Forty Party (Pia), 2008; T
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Suzanne & Lutz, white dress, army s
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Turnhose (Sandalen), 1992
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Lux, 2009
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InterRail, 1987
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Allons z’enfants I, 1987; ohne Ti
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new LA still life, 2001; Hallenbad,
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Kieler Straße (self), 1988; August
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Selbstportrait 130487, 1987
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Freischwimmer 220, 2012; like prayi
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like praying (faded fax), 2005
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Freischwimmer 155, 2010
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Soldiers - The Nineties, installati
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Soldiers - The Nineties, installati
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Faltenwurf (twisted), 2000; after p
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after party (c), 2002
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growth, 2006; Headlight (b), 2012;
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Truth Study Center (Düsseldorf), 2
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Silver 99, 2012 (detail)
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Market I, 2012; Truth Study Center
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Truth Study Center (Düsseldorf), 2
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The Bell, 2002
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Nonkosi Khumalo, 2008; Gaga sitting
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Anders, 2004; Richard James, 2001;
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Regina, 2002; Kate McQueen, 1995; d
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Kate McQueen, 1995 (detail)
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Elephant Man, 2002; Conor, sun burs
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Room 8 Lighter 95, 2013; Alex, 1997
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Lighter, jam, 2012; Lighter 92, 201
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Lighter, yellow/green I, 2008 (deta
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Lighter, blue up XI, 2013 (detail)
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Lighter 76, 2008 (detail)
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Lighter, rust/red, 2012; Lighter, r
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Lighter 93, 2012; Lighter 95, 2013
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Room 9 Faltenwurf (submerged) II, 2
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outside Snax Club, 2001; outside Pl
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Lutz & Alex looking at crotch, 1991
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AA Breakfast, 1995; rat, disappeari
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JAL, 1997
Page 116 and 117: Alex & Lutz holding each other, 199
Page 118 and 119: Teufelsee, right, 2004 (detail); ma
Page 120 and 121: Sportflecken, 1996; Corinne on Glou
Page 125 and 126: Room 11 paper drop (red), 2006; Cha
Page 127 and 128: Chair (part 1), 2001; Chair (part 2
Page 129 and 130: Concorde grid, 1997 (detail)
Page 131 and 132: Room 12 Buenos Aires, 2010; blacks,
Page 133 and 134: William of Orange, 2007; Chair (par
Page 135 and 136: installation view room 13
Page 137 and 138: Alex in her room, 1993; Silver 87,
Page 139 and 140: Quarry NOVO, 2001; Butt II, 2002; L
Page 141 and 142: Anders (Brighton Arcimboldo), 2005;
Page 143 and 144: Everlast, 2009; to know when to sto
Page 145 and 146: Wilhelm Leibl painting, 2002 (detai
Page 147 and 148: Sonnenweg, 2004 (detail); stripped,
Page 149 and 150: Hafenstrasse / Fettecke, 1987
Page 151 and 152: Edinburgh builders, d, 1987
Page 153 and 154: Avenue of the Americas, 1987
Page 155: Room 14 Lights (Body), 2002
Page 160 and 161: Room 2 Silvio (U-Bahn), 1992 paper
Page 162 and 163: 16 21 27 17 18 19 20 22 23 24 25 26
Page 164 and 165: Room 4 Freischwimmer 93, 2004, C-pr
Page 168 and 169: 1 2 Room 9 3 4 5 6 7 1. haircut, 20
Page 170 and 171: Room 10 14 th Street, 1994/1995, Vi
Page 172 and 173: Room 14 Hafenstrasse / Fettecke, 19
Page 174 and 175: Andy on Baker Street, 1993, C-print
Page 176 and 177: Strümpfe, 2002, C-print, 30.5 × 4
Page 178 and 179: Karl sleeping I, 2011, C-print, 40.
Page 180 and 181: Andrea Rosen Gallery, New York (199
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