29.04.2013 Views

21st CENTURY

21st CENTURY

21st CENTURY

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

of the Platonic solids. If universal cause-effect action is representable<br />

as multiply connected circular action, all action<br />

in visual space is fundamentally underlaid by this form of<br />

physical least action .Hence, the self-boundedness of visual<br />

space, as shown by the Platonic solids, must be a constructive<br />

"property" of universal least action of this form. Hence,<br />

the golden section of least action, a construction itself derivable<br />

from nothing but this form of least action, is a sufficient<br />

demonstration of the necessary characteristic of the<br />

self-boundedness of visual space.<br />

The most famous immediate application of this result, by<br />

both Pacioli and Leonardo as collaborators, was their definition<br />

of the form of life: All living processes are distinguished<br />

from ordinary nonliving ones, in respect to morphology<br />

of growth and function, in the respect that that<br />

form is ordered as an harmonic series consistent with the<br />

harmonic series defined by the golden section.<br />

Today, we qualify that discovery. Between the limits of<br />

the very, very large (astrophysics), and of the very, very<br />

small (microphysics), any process which is harmonically<br />

ordered in congruence with the golden section is either a<br />

living process, or is a special class of work done by a living<br />

process. Kepler, who based his founding of a comprehensive<br />

mathematical physics chiefly upon the combined work<br />

Figure 5<br />

LIVING PRC CESSES, PENTAGONAL SYMMETRY,<br />

M D THE GOLDEN SECTION<br />

Living processes, c lant and animal, are characterized by pentagonal<br />

symmetry, while inorganic matter (like the snowflake<br />

shownj is characte ized by hexagonal symmetry (a). As Leonardo<br />

and Pacioli d >monstrated, living processes grow according<br />

to the golden s action ratio. That is, a line will have golden<br />

section proportion when it is divided into two parts such that<br />

the ratio of the firs to the second part is equal to the ratio of<br />

the second part to i um of the two parts.<br />

The pentagon is closely related to the golden section, and<br />

one example ofthii is shown in (b). Beginning with an isoce/es<br />

triangle whose two iqual sides are each 1, and whose two equal<br />

angles are 36°, the longer side will be the golden mean, approximately<br />

1.618, i value designated by the Creek letter phi,<br />

. Identical triang es can be added to form a pentagon, as<br />

shown. Thus a pen agon with sides equal to 1 will have diagonals<br />

equal to the go den mean. The 36" angle is generated when<br />

a circle is divided ir to 10 sections by inscribing a decagon.<br />

of Cusa and P icioli-Leonardo, was the first to prove that the<br />

universe as i whole is governed by the same harmonic<br />

ordering. Soi ie leading scientists among the writer's collaborators<br />

art proving that a Gauss-Riemann correction for<br />

Keplerian law s of astrophysics also rules on the scale of<br />

organization }f atoms and smaller scales of physics. With<br />

that qualifica ion, Pacioli's, Leonardo's, and Kepler's geometrical<br />

(leas -action) definition of living processes is conclusively<br />

dem >nstrated today to be fully as accurate as Pacioli<br />

represented t his to be at the beginning of the 16th century.<br />

Thus, all of the movements and related functions of the<br />

human physi )logy are harmonically ordered least-actionbased<br />

moverr ents of this sort.<br />

This standp oint governed several aspects of the work of<br />

Leonardo. In matomy, he explored the golden section harmonics<br />

of th« physiology of persons, horses, birds, and so<br />

on. In pioneering the principles of design of machinery,<br />

and the desij n and use of weapons, the same principles<br />

predominate I. He revolutionized the science of perspective<br />

by emph; sis upon anomalies of visual space associated<br />

with the perif fiery of vision, rather than an Albertian, linear<br />

vanishing-po nt. This we note in viewing the originals of<br />

such master \ /orks of Raphael as the famous murals in the<br />

papal apartrri' ;nts and the "Transfiguration" in the Vatican.<br />

<strong>21st</strong> CEN "URY November-December 1988 35

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!