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TEN YEARS - DISA

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I StafflrMtar MD». 1 K)®a U DODGD 4 ED©©<br />

standpoint), what impressed me about his interest in history was the practical,<br />

everyday orientation which allowed him to talk about century old events as<br />

if they had happened yesterday, and happened to him. As a driver for a big<br />

company, he travelled around the country a lot. It helped him, in all matters<br />

associated with the concept of hospitality, to know where his nearest relative<br />

could be found. His search was a branch of 'people's history', a subject that<br />

is no longer short of advocates and programmes. In this field, as in others,<br />

I think Staffrider can aim to play a supportive, universalising role. It can be<br />

one of the places in which information about activities and projects can be<br />

found, and a vehicle for sharing the subject with general readers (who will<br />

sometimes turn out to be pursuing historical enquiries of their own).<br />

The life experiences of organised South African workers have from time<br />

to time held a special place in the pages of the magazine (often under revealingly<br />

trite banners such as 'Staffworker' — the outcome of attempts to integrate<br />

working class material within a predominantly populist milieu). Now<br />

institutional forms such as 'cultural locals' within the organised working class<br />

have laid the foundations of a distinct and unique literature. The challenge<br />

to Staffrider, I would think, is to discover (in collaboration with the cultural<br />

activists of the working class) the format which would enable the magazine<br />

to play its part in integrating this development within the new national culture<br />

as a whole. This raises some intriguing questions, not least because 'working<br />

class literature' is already distinctly 'national' in terms of the immensely creative<br />

way in which it has 'remade' traditional forms such as the praise poem.<br />

Instead of addressing these questions, I am going to circle them by means of<br />

an anecdote which will allow me to bring this exercise in selective memory<br />

to a close.<br />

I once helped out on a worker newspaper, and one of my assignments was<br />

to interview some people who had participated in a strike. It soon became clear<br />

that one person in the group, an old man, would do most of the talking. I had<br />

prepared a list of questions designed to lay bare the dynamic of this affair and<br />

relate it to the typology of such conflicts, of which I was then an eager if somewhat<br />

inexperienced student. To the first of these questions the old man embarked<br />

on a long reply which began by outlining the circumstances under which<br />

he had been hired by the firm. I listened, not very well. The tape recorder<br />

whispered quietly on the table between us. Whenever he paused I inserted<br />

another question, trying to find one which seemed likely to switch him on to<br />

the right track. After this had gone on for a bit he stopped and looked at me<br />

in a way which made it difficult to think of any questions at all. Then he started<br />

again. It struck me that the sentences he used, and certain favoured expres-

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