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from socially constructed 'subjects' to socially situated 'people' who attempt to explain what<br />

role television plays in their lives (Hammersley & Atkinson,1993: 125).<br />

The reception studies for Suburban Bliss (SB) and Going Up III (GU III) began after the 1994<br />

democratic election in South Africa; the researcher used a flexible methodology - any method<br />

which had the potential for securing relevant data. Focus groups, interviews with production<br />

teams, transcripts, audiotapes, demographic data and a six-month course in conversational Zulu<br />

to improve communication with Zulu groups were all potential resources. In this research an<br />

ethnographic discourse analysis traces the forms of discussion through which accounts of their<br />

reality were constituted by Zulu, Afrikaans and English-speaking women (Hammersley &<br />

Atkinson, 1993: 126). The women's accounts interpreted their culture and identity by discussing<br />

their thoughts and feelings after viewing the situation comedies. Discussion was infused with<br />

their analysis of identity at different levels of society within the boundaries of the particular<br />

culture from which the group emanated. The extent to which laughter was stimulated by the<br />

sitcom in specific incidences was recorded on a laughter table (Appendix I) . Power relationships<br />

in the family of the participants were examined and women's position in South African society<br />

was interpreted according to the values inherent in the terms of the new Constitution in the Bill<br />

of Rights (1996, Section 16, 1 band 1 c) of South Africa. The multicultural group interviews<br />

were not intended to be representative of the entire South African society but as indicators of<br />

how the women perceived their situation since the democratic election of 1994. In the meeting<br />

between the focus groups and the text, another discourse emerged, created by the groups'<br />

differing cultural education and institutional practices. The responses of the groups illustrated<br />

how the micro-processes of viewing a television programme engage with the macro-structures<br />

of South African media and South African society.<br />

Influence of African research on the project<br />

In Zambia, in the early 1960s after independence, in the town ofLuanshya on the Copperbelt<br />

in Northern Rhodesia (Zambia as it is known today) an American anthropologist, Hortense<br />

Powdermaker investigated the effects of media on the local population. Since her study was<br />

exploratory she used a f1exible methodology - any method which had potential for securing<br />

relevant data (Powdermaker. 1962:xv). She stressed it was always necessary to have the consent<br />

2

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