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12 ALTEA GALLERY<br />

ITALIAN ENGRAVING<br />

The Italians were the first to use copper engraving to print maps (the technique evolving from decorative metalwork)<br />

and were responsible for some of the most flamboyant maps. From the early Lafreri-school engravers, through Lucini and<br />

Coronelli to the later work published by Zatta and Cassini, Italy produced maps on which there was as much artistry in<br />

the style of engraving as the content.<br />

Item 14<br />

Item 15<br />

Item 16<br />

14 GASTALDI, Giacomo.<br />

The ‘Upside-Down’ map of Africa<br />

Prima Tavola.<br />

Venice, c.1563. Trapizoid, 275 x (at greatest) 385mm.<br />

Two sheets joined. Fine and crisp impression.<br />

£1,900<br />

The famous ‘upside-down’ map of Africa, engraved with north to the bottom<br />

of the map, decorated with various sea-monsters, galleons and animals. Gastaldi<br />

produced this finely-engraved version after his original woodcut for Ramusio’s<br />

‘Delle navigationi et viaggi’ was destroyed in a fire at the printing house in 1557.<br />

It is likely that the orientation is supposed to represent the view from Europe.<br />

BETZ: 7; NORWICH: 6.<br />

S/N: 12717<br />

The ‘Upside-Down’ map of the Indian Ocean<br />

15 GASTALDI, Giacomo.<br />

Seconda Tavola.<br />

Venice, Giunti, 1606. Trapizoid, 280 x (at greatest) 385mm.<br />

Small repair bottom centrefold.<br />

£1,600<br />

Engraved with north to the bottom of the map, it shows Arabia (with Bahrain)<br />

on the right, India, Ceylon and the Maldives, with the edge of Sumatra top left.<br />

Published in Ramusio’s ‘Delle navigationi et viaggi’.<br />

S/N: 8172<br />

A “Lafreri-School” map of Iberia<br />

16 FORLANI, Paolo.<br />

[Untitled map of Iberia.]<br />

Venice: Ferrando di Bertelli, c.1567. Two sheets joined, total 435 x 545mm.<br />

Evidence of a crack in the printing plate on the lower left edge.<br />

£9,800<br />

An exceptional example of this rare separate-issue map of Iberia, on paper with an<br />

anchor watermark with margins of at least 4cm on all sides.<br />

Forlani was one of the most prominent members of the ‘Lafreri-school’ group of<br />

mapmakers in Italy. Not only did he publish his own maps, his skills as engraver,<br />

particularly for lettering, made other publishers commission him to make maps for<br />

them: maps attributed to him were published by, among others, Camocio, Bertelli<br />

and Zaltieri in Venice, and Duchetti in Rome. This is one of the few to bear his<br />

name: of the 97 maps attributed to him by David Woodward, eighty are unsigned.<br />

WOODWARD: The Maps and Prints of Paolo Forlani; MAPFORUM.COM: Issue 11,<br />

biography, & Forlani’s Works, 68.<br />

S/N: 7437<br />

WWW.ALTEAGALLERY.COM

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