ART of Seeing - Alcove Books

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ALCOVE BOOKS 930 Dwight Way, #7 Berkeley, CA 94710 www.alcovebooks.net info@alcovebooks.net 510.644.3534 ART of Seeing - 2008 Creative Photography Edited by Tom Palmer and Aileen Kim. ISBN 978-0-9721890-5-X Information is from sources deemed reliable. Publisher assumes no liability for loss caused by errors, omissions, or any other cause. All rights reserved. ©2008 Alcove Books. Printed in Hong Kong. Cover images: PREGNANT GRACE Stuart Westmorland HILLS Joseph Holmes OLD TRUCK Drake Sorey PEZ AUDIENCE Nick Nacca QUIET NIGHT Kevin Galvin MACKINAC ISLAND Tom Jelen 4....THE ART OF SEEING 6....Stuart Westmorland 8....Linda Bartlett 10....Jeff Carter 12....Paul B. Goode 14....Lucille Khornak 15....Doug Beasley 16....Jamie Rector 17....Scott E Sawyer 18....Mark Francis Gamba 20....Barbara White 22....John F. Hill 24....Sara Jorde 26....Gerry McIntyre 28....Mark Maziarz 30....Matt Lit 32....Thomas M. Barwick 34....Robert Hall 35....Rusty Leffel 36....John Welsh 37....Scott Markewitz 38....Janet Century 40....Peter Miller 42....Laura Dwight 43....John Dean 44....Ric Moore 46....Woods Wheatcroft 48....Bill Sumner 50....Gary Wilson 52....Bill Pielsticker 53....Paul A. Teolis 54....Thomas Wiewandt 56....David E. Durbak 57....Dana Grover 58....John Snyder 60....Harold Davis 62....Frank Rapp 64....Jack Ramsdale 66....Peter B. Steele 68....Niobe Burden 70....Clark James Mishler 71....Lyn Smith 72....Kevin Barry 74....Greg DeBre 76....Debra Maddox 77....Sara Shoemaker Lind 78....Treve Johnson 79....Don Johnston 80....Kathleen Norris Cook 82....Gary Crabbe 84....Joseph Holmes 86....Tom Kirkendall 88....Scott McGee 90....Mari Minegishi 92....Nevada Wier 94....Bernard Wolf 96....Joel Salcido 98....Paul Swen 100....Janet Horton 101....Susanne Weissenberger 102....Steven Barger 104....Deborah Whitney Prince 106....Shoshannah White
107....William B. Folsom 108....Dan Neuberger 110....Doug Landreth 112....Chip Hedgcock 113....Ken & Lois Wilder 114....Tom Kumpf 116....Kim Kauffman 118....Larry Hamill 120....Douglas J. Hoffman 121....Greg Smith 122....Brandon Cole 124....Cary Cleaver 126....Clive Champion 128....David Lubarsky 129....Melissa Ireland 130....Wilton S. Tifft 132....Drake Sorey 134....Mary Heller 135....Anne Howson 136....Mark Schafer 138....Donna R. Strathy 140....Frank DiMarco 141....Elis. Flynn-Chapman 142....Mike McMullen 144....Marc Longwood 146....Mike Kear 148....Susan G. Hammond 149....Kevin Galvin 150....Richard J. Levy 152....Sheridan Vincent 154....Brad Feinknopf 156....John Peters 158....Mike Fizer 160....Park Street 162....Michael Spain-Smith 164....Ken Ross 166....Paul Pierlott 168....Eric Smith 170....Bill McAllen 172....Nick Nacca 174....Jeff Downie 175....Craig Brown 176....David Hagen 177....Mike Wasserman 178....Jackson Hill 180....Denton Rbt. Tillman 182....Olof Wahlund 184....John Still 186....Donna Callighan 188....David Underwood 190....Max Hilaire 192....Don Carlson 194....Peter Treiber 196....David Lee Thompson 198....Arthur Levy 200....Ric Peterson 202....Thaine Manske 204....Phillip Spears 206....George H.H. Huey 208....Gabe Palmer 210....Craig Stocks 212....Thomas R. Fletcher 213....Fred Lee Emmert 214....John Gregory 216....Tom Jelen 217....Bernard Friel 218....Carl R. Battreall 219....Russ Bishop 220....Sid Hoeltzell 222....Paul Wiles 223....Jim Yuskavitch 224....Yiorgos Konstantinidis 226....Stephen G. Weaver 227....Vida Ward 228....Frederick Charles 230....Lewis Kemper 232....Kevin Laubacher 234....John De Mello 235....Margaret Lord 236....Michael Hart 238....Jeffrey R Klug 240....Noel Greene 242....Bart Harris 244....Michael Snively 246....Michael E. Haritan 248....Alastair Orpen Finlay 250....Vickie Lancaster 252....David Halpern 253....GALLERIES, CENTERS, and DEALERS
Page 1: ART of Seeing CREATIVE PHOTOGRAPHY
Page 5 and 6: Don't answer too quickly. Yes, most
Page 7 and 8: Mill Creek, WA • 425.225.5733 www
Page 9 and 10: I have met. In their faces and expr
Page 11 and 12: a self-inspired, one-man FSA-type p
Page 13 and 14: and model. An emotional bond is for
Page 15 and 16: Doug Beasley St. Paul, MN • 651.6
Page 17 and 18: Scott E. Sawyer Flagstaff, AZ • 9
Page 19 and 20: people have with food—the depth a
Page 21 and 22: and finding the beauty that lives t
Page 23 and 24: seen, and by sharing visions from a
Page 25 and 26: Minneapolis, MN • 612.338.6923 ww
Page 27 and 28: working on the project Steps to a H
Page 29 and 30: Park City, UT • 435.649.0002 www.
Page 31 and 32: equipment. The Holga adds a dream-l
Page 33 and 34: Seattle, WA • 206.285.4380 www.ba
Page 35 and 36: Rusty Leffel MAGICAL BUS, BROOKLYN.
Page 37 and 38: Scott Markewitz Salt Lake City, UT
Page 39 and 40: Form, light, and composition all de
Page 41 and 42: icons. These images first appeared
Page 43 and 44: John Dean KEY HAN, FOUNDER AND CEO,
Page 45 and 46: eauty, and the feeling of all the t
Page 47 and 48: absent, I create what I need for an
Page 49 and 50: that what is behind things often ma
Page 51 and 52: infrared photography, where it can
Page 53 and 54:
Paul A. Teolis Toronto, Ontario, Ca
Page 55 and 56:
the surprising, and the sensuous. M
Page 57 and 58:
Dana Grover ROSES IN THE RAIN San J
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elements of surprise and chance tha
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Berkeley, CA • 510.528.9977 www.d
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film pinhole camera, digitally outp
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Philadelphia, PA • 215.236.8840 j
Page 67 and 68:
Lafayette, CO • 303.870.1819 www.
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My visual interpretations are meant
Page 71 and 72:
Lyn Smith SHOT UP RUSTY CAR. Found
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West Park, FL • 954.987.9564 www.
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Miami Lakes, FL • 305.826.1099 ww
Page 77 and 78:
Sara Shoemaker Lind San Francisco,
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Don Johnston Lively, Ontario, Canad
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travel, and the environment as it a
Page 83 and 84:
nature's beauty, and that promote t
Page 85 and 86:
to create a sustainable future for
Page 87 and 88:
images that let you catch your brea
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Through photography, I hope to insp
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of my photography. A journey into t
Page 93 and 94:
desire to mythologize their culture
Page 95 and 96:
No supplemental lighting or filters
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These images were meant to be paint
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sharing brief moments in time that
Page 101 and 102:
Susanne Weissenberger Half Moon Bay
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the mosaic color of an African suns
Page 105 and 106:
often brings out a sense of etherea
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William B. Folsom McLean, VA • 57
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great images. I thought I had died
Page 111 and 112:
photographs of textures with scenes
Page 113 and 114:
Ken & Lois Wilder Southbury, CT •
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clicks, and something of strength,
Page 117 and 118:
natural world. They study forms nat
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of seeing via one of the oldest art
Page 121 and 122:
Gregory Wrenn Smith Bluffton, SC
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Spokane Valley, WA • 509.535.3489
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colors by hand imbues a mood and in
Page 127 and 128:
the elegance of 18th and 19th centu
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Melissa Ireland RELIGIOUS NATURE Ce
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East Smithfield, PA • 570.596.494
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McLean, VA • 703.534.7575 www.dra
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Anne Howson WENDY'S MEADOW. Looking
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New York, NY • 212.691.9034 www.m
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the real world. Discovering and dis
Page 141 and 142:
Elisabeth Flynn-Chapman Richmond, V
Page 143 and 144:
the camera sees is refined to conve
Page 145 and 146:
secretly about in daily life, such
Page 147 and 148:
viewer to experience the subject fr
Page 149 and 150:
Kevin Galvin QUIET NIGHT. The Latin
Page 151 and 152:
images of structural, historic form
Page 153 and 154:
a desirable print to share what I s
Page 155 and 156:
interiors and exteriors, throughout
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Buffalo, NY 716.961.0857 ICE CREAM
Page 159 and 160:
the combination of grace and power
Page 161 and 162:
imagination to corporate, advertisi
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New York, NY • 917.494.1500 Miami
Page 165 and 166:
with stock images from eighty-seven
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a pin, E. coli on a seed, portraits
Page 169 and 170:
all of the elements come into balan
Page 171 and 172:
featuring citizens of Baltimore in
Page 173 and 174:
center of my process, creating imag
Page 175 and 176:
Craig Brown Cleveland, OH • 216.4
Page 177 and 178:
Mike Wasserman Cleveland, OH • 21
Page 179 and 180:
and literally from images revealed
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New York, NY • 212.255.2977 www.d
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New York, NY • 212.929.9067 www.o
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explore and connect themes of time,
Page 187 and 188:
S.O.S., and Earth Balls. I am curre
Page 189 and 190:
exploring varied possibilities of d
Page 191 and 192:
art, architecture, still-life, and
Page 193 and 194:
Richmond, CA • 510.410.7833 www.r
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extremely dangerous. It was twenty-
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evocative and moving images of the
Page 199 and 200:
Boulder, CO • 303.443.8473 acg47@
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Seattle, WA • 206.334.5308 www.ri
Page 203 and 204:
the subtle interaction of color, te
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inherent in the industrial and man-
Page 207 and 208:
Prescott, AZ • 928.445.6800 www.g
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take many variations, or many pictu
Page 211 and 212:
world of film, but the digital worl
Page 213 and 214:
Fred Lee Emmert Santa Ana, CA • 7
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awe, and serenity. Color and textur
Page 217 and 218:
Bernard Friel RED BARN MINNESOTA. W
Page 219 and 220:
Russ Bishop Ventura, CA • 805.647
Page 221 and 222:
the same...always sharp, hungry, an
Page 223 and 224:
Jim Yuskavitch DAWN, KLAMATH MARSH,
Page 225 and 226:
Mother Nature; witnessing all she h
Page 227 and 228:
Vida Ward Portland, OR • 503.231.
Page 229 and 230:
standing witness to the power of th
Page 231 and 232:
the extraordinary in the world arou
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together these singular impulses I
Page 235 and 236:
Margaret Lord MAISON GARDEN, LOUISI
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Houston, TX • 713.271.8250 www.ha
Page 239 and 240:
always and never the same.” Huber
Page 241 and 242:
only present themselves for a mere
Page 243 and 244:
a photographer. With the advent of
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timelessness and beauty. These imag
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odyscape. As nature adorns itself f
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of time. Time is a consequence. It
Page 251 and 252:
Portland, OR • 503.860.3684 www.v
Page 253 and 254:
GALLERIES, CENTERS, and DEALERS Aft
Page 255 and 256:
Monroe Gallery of Photoghy. 112 Don
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ART of Seeing - Alcove Books

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