ART of Seeing - Alcove Books

Recommendations

Info

Joel Salcido 96 "My photography depicts a Spain <strong>of</strong> soulful traditions that include fiestas and brave bulls; both visually poetic and elegant. TAURUS. Archival pigment print on rag paper
These images were meant to be painted but instead became photos. May Spain remain forever odd, precarious, and precious." Austin, TX • 512.291.9961 www.joelsalcido.com TORO OBSCURO. Archival pigment print on rag paper 97
Page 1 and 2:
ART of Seeing CREATIVE PHOTOGRAPHY
Page 3 and 4:
107....William B. Folsom 108....Dan
Page 5 and 6:
Don't answer too quickly. Yes, most
Page 7 and 8:
Mill Creek, WA • 425.225.5733 www
Page 9 and 10:
I have met. In their faces and expr
Page 11 and 12:
a self-inspired, one-man FSA-type p
Page 13 and 14:
and model. An emotional bond is for
Page 15 and 16:
Doug Beasley St. Paul, MN • 651.6
Page 17 and 18:
Scott E. Sawyer Flagstaff, AZ • 9
Page 19 and 20:
people have with food—the depth a
Page 21 and 22:
and finding the beauty that lives t
Page 23 and 24:
seen, and by sharing visions from a
Page 25 and 26:
Minneapolis, MN • 612.338.6923 ww
Page 27 and 28:
working on the project Steps to a H
Page 29 and 30:
Park City, UT • 435.649.0002 www.
Page 31 and 32:
equipment. The Holga adds a dream-l
Page 33 and 34:
Seattle, WA • 206.285.4380 www.ba
Page 35 and 36:
Rusty Leffel MAGICAL BUS, BROOKLYN.
Page 37 and 38:
Scott Markewitz Salt Lake City, UT
Page 39 and 40:
Form, light, and composition all de
Page 41 and 42:
icons. These images first appeared
Page 43 and 44:
John Dean KEY HAN, FOUNDER AND CEO,
Page 45 and 46: eauty, and the feeling of all the t
Page 47 and 48: absent, I create what I need for an
Page 49 and 50: that what is behind things often ma
Page 51 and 52: infrared photography, where it can
Page 53 and 54: Paul A. Teolis Toronto, Ontario, Ca
Page 55 and 56: the surprising, and the sensuous. M
Page 57 and 58: Dana Grover ROSES IN THE RAIN San J
Page 59 and 60: elements of surprise and chance tha
Page 61 and 62: Berkeley, CA • 510.528.9977 www.d
Page 63 and 64: film pinhole camera, digitally outp
Page 65 and 66: Philadelphia, PA • 215.236.8840 j
Page 67 and 68: Lafayette, CO • 303.870.1819 www.
Page 69 and 70: My visual interpretations are meant
Page 71 and 72: Lyn Smith SHOT UP RUSTY CAR. Found
Page 73 and 74: West Park, FL • 954.987.9564 www.
Page 75 and 76: Miami Lakes, FL • 305.826.1099 ww
Page 77 and 78: Sara Shoemaker Lind San Francisco,
Page 79 and 80: Don Johnston Lively, Ontario, Canad
Page 81 and 82: travel, and the environment as it a
Page 83 and 84: nature's beauty, and that promote t
Page 85 and 86: to create a sustainable future for
Page 87 and 88: images that let you catch your brea
Page 89 and 90: Through photography, I hope to insp
Page 91 and 92: of my photography. A journey into t
Page 93 and 94: desire to mythologize their culture
Page 95: No supplemental lighting or filters
Page 99 and 100: sharing brief moments in time that
Page 101 and 102: Susanne Weissenberger Half Moon Bay
Page 103 and 104: the mosaic color of an African suns
Page 105 and 106: often brings out a sense of etherea
Page 107 and 108: William B. Folsom McLean, VA • 57
Page 109 and 110: great images. I thought I had died
Page 111 and 112: photographs of textures with scenes
Page 113 and 114: Ken & Lois Wilder Southbury, CT •
Page 115 and 116: clicks, and something of strength,
Page 117 and 118: natural world. They study forms nat
Page 119 and 120: of seeing via one of the oldest art
Page 121 and 122: Gregory Wrenn Smith Bluffton, SC
Page 123 and 124: Spokane Valley, WA • 509.535.3489
Page 125 and 126: colors by hand imbues a mood and in
Page 127 and 128: the elegance of 18th and 19th centu
Page 129 and 130: Melissa Ireland RELIGIOUS NATURE Ce
Page 131 and 132: East Smithfield, PA • 570.596.494
Page 133 and 134: McLean, VA • 703.534.7575 www.dra
Page 135 and 136: Anne Howson WENDY'S MEADOW. Looking
Page 137 and 138: New York, NY • 212.691.9034 www.m
Page 139 and 140: the real world. Discovering and dis
Page 141 and 142: Elisabeth Flynn-Chapman Richmond, V
Page 143 and 144: the camera sees is refined to conve
Page 145 and 146: secretly about in daily life, such
Page 147 and 148:
viewer to experience the subject fr
Page 149 and 150:
Kevin Galvin QUIET NIGHT. The Latin
Page 151 and 152:
images of structural, historic form
Page 153 and 154:
a desirable print to share what I s
Page 155 and 156:
interiors and exteriors, throughout
Page 157 and 158:
Buffalo, NY 716.961.0857 ICE CREAM
Page 159 and 160:
the combination of grace and power
Page 161 and 162:
imagination to corporate, advertisi
Page 163 and 164:
New York, NY • 917.494.1500 Miami
Page 165 and 166:
with stock images from eighty-seven
Page 167 and 168:
a pin, E. coli on a seed, portraits
Page 169 and 170:
all of the elements come into balan
Page 171 and 172:
featuring citizens of Baltimore in
Page 173 and 174:
center of my process, creating imag
Page 175 and 176:
Craig Brown Cleveland, OH • 216.4
Page 177 and 178:
Mike Wasserman Cleveland, OH • 21
Page 179 and 180:
and literally from images revealed
Page 181 and 182:
New York, NY • 212.255.2977 www.d
Page 183 and 184:
New York, NY • 212.929.9067 www.o
Page 185 and 186:
explore and connect themes of time,
Page 187 and 188:
S.O.S., and Earth Balls. I am curre
Page 189 and 190:
exploring varied possibilities of d
Page 191 and 192:
art, architecture, still-life, and
Page 193 and 194:
Richmond, CA • 510.410.7833 www.r
Page 195 and 196:
extremely dangerous. It was twenty-
Page 197 and 198:
evocative and moving images of the
Page 199 and 200:
Boulder, CO • 303.443.8473 acg47@
Page 201 and 202:
Seattle, WA • 206.334.5308 www.ri
Page 203 and 204:
the subtle interaction of color, te
Page 205 and 206:
inherent in the industrial and man-
Page 207 and 208:
Prescott, AZ • 928.445.6800 www.g
Page 209 and 210:
take many variations, or many pictu
Page 211 and 212:
world of film, but the digital worl
Page 213 and 214:
Fred Lee Emmert Santa Ana, CA • 7
Page 215 and 216:
awe, and serenity. Color and textur
Page 217 and 218:
Bernard Friel RED BARN MINNESOTA. W
Page 219 and 220:
Russ Bishop Ventura, CA • 805.647
Page 221 and 222:
the same...always sharp, hungry, an
Page 223 and 224:
Jim Yuskavitch DAWN, KLAMATH MARSH,
Page 225 and 226:
Mother Nature; witnessing all she h
Page 227 and 228:
Vida Ward Portland, OR • 503.231.
Page 229 and 230:
standing witness to the power of th
Page 231 and 232:
the extraordinary in the world arou
Page 233 and 234:
together these singular impulses I
Page 235 and 236:
Margaret Lord MAISON GARDEN, LOUISI
Page 237 and 238:
Houston, TX • 713.271.8250 www.ha
Page 239 and 240:
always and never the same.” Huber
Page 241 and 242:
only present themselves for a mere
Page 243 and 244:
a photographer. With the advent of
Page 245 and 246:
timelessness and beauty. These imag
Page 247 and 248:
odyscape. As nature adorns itself f
Page 249 and 250:
of time. Time is a consequence. It
Page 251 and 252:
Portland, OR • 503.860.3684 www.v
Page 253 and 254:
GALLERIES, CENTERS, and DEALERS Aft
Page 255 and 256:
Monroe Gallery of Photoghy. 112 Don
show all

ART of Seeing - Alcove Books

Create successful ePaper yourself

Delete template?

Save as template?