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Portfolio - Samuel H. Cohen

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{<br />

samuel h. cohen }<br />

graphic design :: web design :: digital art


{<br />

project<br />

Website Redesign<br />

client<br />

location and technique<br />

scer.org<br />

mock-ups.<br />

comments<br />

think It worked out pretty well.<br />

Southern Connecticut Enterprise Region<br />

The design originated in Photoshop and Image Ready,<br />

where the stills were assembled and the site was sliced.<br />

Finally, the design made its way into Dreamweaver, where<br />

it was filled with content. What you see here are earlier<br />

This was a corporate redesign... straight and simple. SCER<br />

needed a new look for their site. They wanted “fresh”<br />

and “alive”, yet “clean” and “sophisticated” too. And of<br />

course, they wanted to experiment with blogging (who<br />

doesn’t?), so that helped guide the design a bit. All in all, I<br />

}


{<br />

project<br />

Calendar and Event Management<br />

client<br />

WVOF, Fairfield University<br />

Fairfield, Connecticut<br />

platform and technology<br />

iPhone, Web-based Application<br />

comments<br />

HTML, CSS, Lassoscript, Javascript, and AJAX techniques<br />

Fairfield University’s radio station, WVOF, wanted a way<br />

for their DJs and staff to always know the schedule and be<br />

able to keep track of their upcoming events. They also, of<br />

course, wanted a reason to buy everyone an iPhone. And<br />

so this app was born! It has grown to manage all of the<br />

internal goings-on of the radio station.<br />

}


{<br />

project<br />

Informational Brochure<br />

client<br />

RBI<br />

Westfield, Massachusetts<br />

size and technique<br />

QuarkXpress.<br />

comments<br />

8½ inches wide by 11 inches high<br />

This was a data-driven project. The layout was designed in<br />

RBI wanted a ton of information in such a small area. So, I<br />

devised this two-page brochure in a manner that allowed<br />

for RBI to highlight and display their products without<br />

losing any of the excitement that is water heating. (wink)<br />

}


{<br />

project<br />

Compilation CD Cover Art<br />

client<br />

Existence Records<br />

Berkeley, California<br />

size and technique<br />

comments<br />

this project.<br />

4¾ inches wide by 4¾ inches high<br />

Items were photographed digitally and brought into<br />

Photoshop where they were arranged and manipulated to<br />

create the effects that you see here. Collage composition<br />

and typography were both constructed in Photoshop.<br />

Existence Records asked me to create the cover art for<br />

their annual “Suicide Compilation.” It was an amazing<br />

opportunity, as this piece was distributed on a global<br />

scale. And... I met quite a few interesting characters during<br />

}


{<br />

project<br />

Munex Case Study<br />

client<br />

Ferrand Consulting Group<br />

Stamford, Connecticut<br />

size and technique<br />

comments<br />

SENDREM<br />

8½ inches wide by 11 inches high<br />

Stock photography and place-holder copy was compiled in<br />

InDesign to create this brochure.<br />

Ferrand needed a template design for their Munex<br />

software case studies. The requirements for this design<br />

were simplicity, readability, and expandability. I devised<br />

this design to accommodate their growing needs.<br />

}<br />

Qui blan vulputem quatums<br />

andrerat dolorper ip enis eraeseq<br />

uissectet ad ea feumsandrem et,<br />

velismo dolorper ip.<br />

C A S E S T U DY: G e n e r i C o r p I n c .<br />

SAN SENDREM<br />

Vel il dipis nonsed molorem alisissequam zzriurero odolortin volore<br />

molore eugait velit lum ad tinciliquisi tat autpat, ver adigna feugiam<br />

ip elesequis alit nos autat numsan elent prat dipsuscinim exer sim<br />

niat. Sum zzrillan hendrem erilluptat lamconsectem niam do commy C A S E S T U DY: G e n e r i C o r p I n c .<br />

numsand ionsequis adit vel et ver alit, core delenisl ulluptat. Duis digna<br />

feu facilla feu feuguer ciduipi smolorem nos non exerit in eummolore<br />

velit ver susto exer si et volor ing et adipsusto dui tin endre dion ver<br />

summodiam nummy niamconsed estio etue tio odolortis nim dolor<br />

auguero et ullumsan eniat ut aliquis cillan ullutatio dolenim digna faciduis<br />

nulla facilit lore feugiam commod te modit nibh et nostrud delit ilit SAN SENDREM<br />

dolorerci exer irit lore duis er ad eum. Ut alis nim dolummodip ex enit Vel il dipis nonsed molorem alisissequam zzriurero odolortin volore<br />

nonsectetum ad dolesectet, conulla feuisit.<br />

molore eugait velit lum ad tinciliquisi tat autpat, ver adigna feugiam ip<br />

LOREM IPSUM<br />

Wiscilissit num erosto elit, commy nisim vulla conulla orting erilla<br />

commy nosto eratis dolent ut ip enis acincilla feugue dunt praeseq<br />

uamet, quamcon sequat. Ut alis nim dolummodip ex enit nonsectetum LOREM IPSUM<br />

NUMMY<br />

elesequis alit nos autat numsan elent prat dipsuscinim exer sim niat. Sum<br />

zzrillan hendrem erilluptat lamconsectem niam do commy numsand<br />

ionsequis adit vel et ver alit, core delenisl ulluptat.<br />

ad dolesectet, conulla feuisit, venibh el ipisit lam ip eniam dolestrud ent Wiscilissit num erosto elit, commy nisim vulla conulla orting erilla<br />

dionulput adit prat lore tin hent ing esed min estionsectem do eros commy nosto eratis dolent ut ip enis acincilla feugue dunt praeseq<br />

adignit aute magna feum venisis autet at iuscilit praessecte enim er am. uamet, quamcon sequat. Ut alis nim dolummodip ex enit nonsectetum<br />

ad dolesectet, conulla feuisit, venibh el ipisit lam ip eniam dolestrud ent<br />

Proin aliquam. Aliquam viverra dignissim orci. Integer ac mi. Ut urna.<br />

dionulput adit prat lore tin hent ing esed min estionsectem do eros<br />

Nullam a urna. Phasellus luctus purus eget mi venenatis malesuada.<br />

PURUS EGET MI<br />

adignit aute magna feum venisis autet at iuscilit praessecte enim er am.<br />

Etiam ullamcorper auctor diam. Pellentesque velit sem, pellentesque sed,<br />

ultrices eget, mollis eget, odio. ß Donec Hebatum placerat. fura am Nunc sullabem nec risus. Nulla PROIN ALIQUAM<br />

facilisi. Nulla eget nisi non eros dapibus publiissa dignissim. au deres!<br />

Aliquam viverra dignissim orci. Integer ac mi. Ut urna. Nullam a urna.<br />

ß Anulusum te, nondac int.<br />

Phasellus luctus purus eget mi venenatis malesuada. Etiam ullamcorper<br />

ß Olum occi condi sulus egeri<br />

auctor diam. Pellentesque velit sem, pellentesque sed, ultrices eget, mollis<br />

factabem.<br />

eget, odio. Donec placerat. Nunc nec risus. Nulla facilisi. Nulla eget nisi<br />

ß Nihi, omnostrum inatum<br />

non eros dapibus dignissim. Vel il dipis nonsed molorem alisissequam<br />

pliusatum pultodiisquo pulicaes zzriurero odolortin volore molore eugait velit lum ad tinciliquisi tat<br />

maiorae clem omnostrum.<br />

autpat, ver adigna feugiam ip elesequis alit nos autat numsan elent prat<br />

ß Culto et pariostis bonverio<br />

dipsuscinim exer sim niat. Sum zzrillan hendrem erilluptat lamconsectem<br />

Casdam ina, us is, quo incus. niam do commy numsand ionsequis adit vel et ver alit, core delenisl<br />

Qui blan vulputem quatums<br />

andrerat dolorper ip enis eraeseq<br />

uissectet ad ea feumsandrem et,<br />

velismo dolorper ip.<br />

C A S E S T U DY: G e n e r i C o r p I n c .<br />

ulluptat.<br />

PURUS EGET MI VENENATIS MALESUADA<br />

Aliquam viverra dignissim orci. Integer ac mi. Ut urna. Nullam a urna.<br />

Phasellus luctus purus eget mi venenatis malesuada. Nulla facilisi. Nulla<br />

eget nisi non eros dapibus dignissim.<br />

NUNC NEC RISUS<br />

Aliquam viverra dignissim orci. Integer ac mi. Ut urna. Nullam a urna.<br />

Phasellus luctus purus eget mi venenatis malesuada. Etiam ullamcorper<br />

auctor diam. Pellentesque velit sem, pellentesque sed, ultrices eget,<br />

mollis eget, odio. Donec placerat. Nunc nec risus. Nulla facilisi. Nulla<br />

eget nisi non eros dapibus dignissim. Ut alis nim dolummodip ex enit<br />

nonsectetum ad dolesectet, conulla feuisit, venibh el ipisit lam ip eniam<br />

dolestrud ent dionulput adit prat lore.


{<br />

project<br />

client<br />

Bill Hughes<br />

Westfield, Massachusetts<br />

location and technique<br />

hughesstudio.com<br />

comments<br />

Promotional and <strong>Portfolio</strong> Website<br />

Simple, clean, and elegant. Bill’s site reflects his<br />

photography. The Composition was created in Photoshop.<br />

Dreamweaver assembled the html.<br />

The HughesStudio.com site was a designers dream come<br />

true. Bill’s photography is beautiful and simply a joy to<br />

work with. I had the chance to get to know Bill’s style and<br />

create a site that complimented it perfectly. The site was<br />

also featured in Shutterbug Magazine (4/o3)<br />

}


{<br />

project<br />

client<br />

Ethan Time, Hypnotist<br />

Amherst, Massachusetts<br />

location and technique<br />

ethantime.com<br />

comments<br />

I was building him a website.<br />

Promotional and Informative Website<br />

Photography, layering, and typography in its purest form<br />

collide to make the EthanTime.com site. The original<br />

composition was conceived in Photoshop and then<br />

assembled in ImageReady and Dreamweaver.<br />

The EthanTime.com site was an exciting project to work on,<br />

and Ethan is a talented hypnotist. He pulled out a pocket<br />

watch, snapped his fingers, and the next thing that I knew,<br />

}


{<br />

project<br />

client<br />

technique<br />

for HTML.<br />

comments<br />

Vacation Property Website<br />

Okemo Resorts<br />

Ludlow, Vermont<br />

Photoshop was responsible for the initial design. Then off<br />

to ImageReady for slicing. And finally into Dreamweaver<br />

During the summer months Vermont’s Okemo Ski Resort<br />

turns its sights on the summer crowd. Golfing, swimming,<br />

and fishing are just a few of the activities that Okemo has<br />

to offer its summer property owners. Okemo asked for<br />

something elegant, sophisticated, and luxurious. They<br />

wanted the design to match the qualities of their clients.<br />

}


{<br />

project<br />

client<br />

Personal<br />

size and technique<br />

applied thickly.<br />

comments<br />

xmas death, volume III CD Cover Art<br />

4¾ inches wide by 4¾ inches high<br />

Pure and simply, this is Photoshop magic. Images<br />

were scanned, digitally photographed, and manipulated<br />

in Photoshop. Layer masking and effects were<br />

The xmas death tradition is a concept CD that rears its head<br />

every few years or so. During the holiday season, I lock my<br />

self in my office to avoid the chaos... and this is the result.}


{<br />

project<br />

client<br />

technique<br />

for HTML.<br />

comments<br />

Informative Website Redesign<br />

Retail Optimization, Inc.<br />

New Haven, Connecticut<br />

Photoshop was responsible for the initial design. Then off<br />

to ImageReady for slicing. And finally into Dreamweaver<br />

Retail Optimization, Inc., has a very cool and very unique<br />

product. They make software that optimizes retail shelf<br />

spacing. Of course, the technology is hugely complex. The<br />

strategy here was to streamline their product into a design<br />

where their information is compressed and digestible, yet<br />

smooth and comfortable as well.<br />

}


{<br />

project<br />

<strong>Portfolio</strong> Website<br />

client<br />

Sara Jordenö<br />

location and technique<br />

jordeno.com<br />

it was filled with content.<br />

comments<br />

Educator, Filmmaker, New Media Artist, Writer<br />

The framework for this site was designed in Illustrator.<br />

The design then migrated to Photoshop and Image Ready,<br />

where the stills were assembled and the site was sliced.<br />

Finally, the design made its way into Dreamweaver, where<br />

Because of Sara’s unique style and the tendency of her<br />

work to span multiple continents within one project,<br />

this portfolio site presented somewhat of a navigational<br />

challenge. I am always up for a challenge, however. The<br />

results are a tabbed interface and a location map that links<br />

each place traveled within the project.<br />

}


{<br />

project<br />

Video Game Box Cover<br />

client<br />

AntiGame<br />

New Haven, Connecticut<br />

size and technique<br />

content.<br />

comments<br />

5 inches wide by 7¼ inches high<br />

The composite for this design was constructed primarily<br />

with Photoshop. Typographic elements and photography<br />

were heavily “dirtied-up” to compliment the game’s<br />

AntiGame prides themselves on the ability to create a<br />

gaming experience that is unlike anything else out there.<br />

This game, “Horror,” plays itself out in true horror movie<br />

style, with the exception that the players determine the<br />

character’s fate. AntiGame needed visuals for this project<br />

that screamed (quite literally), “Like classic horror movies?<br />

You’ll love this game!” Thus, the cover for “Horror” was<br />

born... or did it rise from the dead?<br />

}


{<br />

project<br />

client<br />

Hartford, Connecticut<br />

size and technique<br />

720 x 300 pixels<br />

composition.<br />

comments<br />

Animated Advertisement Click-Point<br />

Bradley International Airport<br />

Photoshop was responsible for the mock-up design. Then<br />

I brought the pieces into Flash for the final animation and<br />

Bradley was offering brand new flight packages and<br />

needed a couple of eye-catching animations to display on<br />

their homepage. Of course, Flash was the answer! The final<br />

animations were smooth, slick, and successful.<br />

}


{<br />

project<br />

Valentine Poster<br />

client<br />

Personal<br />

size and technique<br />

comments<br />

}<br />

23 inches wide by 17¾ inches high<br />

Scans were brought into Photoshop where they were<br />

manipulated and arranged.<br />

Yep... this one was for a girl. And while she has long since<br />

disappeared from my life, this piece remains as a reminder<br />

of friendship, love, and art. It’s all good.


{<br />

samuel h. cohen<br />

graphic design :: web design :: digital art<br />

203.633.4131 :: mail@samuelhcohen.com<br />

}

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