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<strong>“The</strong> <strong>work</strong> <strong>of</strong> <strong>Charlotte</strong> <strong>Selver</strong> <strong>and</strong> <strong>Charles</strong> <strong>Brooks</strong> <strong>is</strong> <strong>the</strong> <strong>inner</strong><br />

experience <strong>of</strong> entire being, <strong>the</strong> pure flow <strong>of</strong> sensory awareness when<br />

<strong>the</strong> mind through calmness ceases to <strong>work</strong>—deeper than mindmade<br />

awareness.”<br />

— Shunryu Suzuki Roshi, Zen Master <strong>and</strong> author <strong>of</strong> Zen Mind,<br />

Beg<strong>inner</strong>’s Mind<br />

“I consider <strong>the</strong> principles on which th<strong>is</strong> <strong>work</strong> <strong>is</strong> based <strong>of</strong> greatest<br />

significance for <strong>the</strong> full unfolding <strong>of</strong> <strong>the</strong> personality.”<br />

— Erich Fromm, author <strong>of</strong> The Art <strong>of</strong> Loving <strong>and</strong> Escape From Freedom<br />

“Th<strong>is</strong> book <strong>is</strong> uniquely valuable in giving access to <strong>the</strong> <strong>work</strong> <strong>of</strong> one<br />

<strong>of</strong> <strong>the</strong> great, yet little known geniuses <strong>of</strong> <strong>the</strong> twentieth century:<br />

<strong>Charlotte</strong> <strong>Selver</strong>. <strong>Selver</strong> pioneered a growing movement whose goal<br />

<strong>is</strong> to return an increasingly mad world literally to its senses.”<br />

— Don Hanlon Johnson, Author <strong>of</strong> Body, Spirit <strong>and</strong> Democracy <strong>and</strong><br />

Everyday Hopes, Utopian Dreams<br />

“Th<strong>is</strong> remarkable book <strong>is</strong> <strong>the</strong> most definitive account <strong>of</strong> <strong>the</strong> lifelong<br />

<strong>work</strong> <strong>of</strong> <strong>Charlotte</strong> <strong>Selver</strong>. It speaks articulately <strong>of</strong> that which <strong>is</strong><br />

hard to put into words. It <strong>is</strong> both interesting <strong>and</strong> pr<strong>of</strong>ound.”<br />

— Edward L. Deci, pr<strong>of</strong>essor <strong>of</strong> Psychology, University <strong>of</strong><br />

Rochester, <strong>and</strong> author <strong>of</strong> Why We Do What We Do: Underst<strong>and</strong>ing<br />

Self-Motivation<br />

“<strong>Charlotte</strong> <strong>Selver</strong> conveys <strong>the</strong> actual sensation <strong>of</strong> some <strong>of</strong> <strong>the</strong> things<br />

I try to express in mere words—above all <strong>the</strong> organic relationship <strong>of</strong><br />

man with <strong>the</strong> whole world <strong>of</strong> nature.”<br />

— Alan Watts, author <strong>of</strong> The W<strong>is</strong>dom <strong>of</strong> Insecurity


FOREWORD<br />

by Norman F<strong>is</strong>cher<br />

There’s an old 1970s photograph <strong>of</strong> <strong>Charlotte</strong> <strong>and</strong> <strong>Charles</strong> that hangs<br />

in my house. Sepia-toned, it shows <strong>the</strong>m in close view, <strong>Charlotte</strong><br />

in front, her gaze downward, absorbed in looking at something<br />

beyond <strong>the</strong> frame, <strong>and</strong> <strong>Charles</strong> behind, h<strong>and</strong>some in h<strong>is</strong> rugged,<br />

angular New Engl<strong>and</strong> way, looking straight into <strong>the</strong> camera. They<br />

are fairly young in <strong>the</strong> photo. <strong>Charles</strong>’ hair <strong>is</strong> light <strong>and</strong> wind-blown;<br />

<strong>Charlotte</strong>’s a rich brown, pulled tightly around her face. They are<br />

both dressed simply, in <strong>the</strong> earth-toned colors <strong>the</strong>y <strong>of</strong>ten wore, <strong>and</strong><br />

<strong>the</strong>ir house was decorated also in earth-toned colors from floor to<br />

ceiling, so that when you went to v<strong>is</strong>it everything around <strong>the</strong>m <strong>and</strong><br />

on <strong>the</strong>m was <strong>the</strong> color <strong>of</strong> s<strong>and</strong>, earth, dried grasses, like <strong>the</strong> hilltop<br />

on which <strong>the</strong>y lived, overlooking <strong>the</strong> sea.<br />

To be part <strong>of</strong> <strong>the</strong> earth, to love it, to experience it, not as an object<br />

outside <strong>the</strong> self, but as <strong>the</strong> essence <strong>of</strong> what <strong>the</strong> self <strong>is</strong>, connected,<br />

intimate, vibrant, <strong>and</strong> alive, overflowing with life <strong>and</strong> with <strong>the</strong><br />

essential kindness that <strong>is</strong> life’s salient character<strong>is</strong>tic—to teach,<br />

explore, <strong>and</strong> demonstrate that in living: th<strong>is</strong> was <strong>Charlotte</strong> <strong>and</strong><br />

<strong>Charles</strong>’ <strong>work</strong> over <strong>the</strong> many years <strong>of</strong> <strong>the</strong>ir marriage <strong>and</strong> association<br />

in <strong>the</strong> Sensory Awareness movement.<br />

My wife Kathie <strong>and</strong> I <strong>and</strong> our twin sons Aron <strong>and</strong> Noah knew<br />

<strong>Charlotte</strong> <strong>and</strong> <strong>Charles</strong> well, v<strong>is</strong>ited <strong>the</strong>m <strong>of</strong>ten, <strong>and</strong> studied with<br />

<strong>the</strong>m from time to time over <strong>the</strong> years. They were, I suppose, surrogate<br />

parents for us, though <strong>the</strong>y were anything but parental. In<br />

fact, <strong>the</strong>y were a little wild, always bursting with enthusiasm over<br />

ix


RECLAIMING VITALITY AND PRESENCE<br />

some new food or place or experience <strong>the</strong>y had just d<strong>is</strong>covered. D<strong>inner</strong><br />

at <strong>the</strong>ir house was an adventure, full <strong>of</strong> bright, sometimes gently<br />

contentious conversation (<strong>Charlotte</strong> <strong>and</strong> <strong>Charles</strong> <strong>of</strong>ten d<strong>is</strong>agreed,<br />

<strong>and</strong> when <strong>the</strong>y did wit <strong>and</strong> sparks would fly), <strong>and</strong> always surpr<strong>is</strong>ing<br />

food. <strong>Charles</strong> was <strong>the</strong> cook, <strong>and</strong> he had h<strong>is</strong> own ways <strong>of</strong> doing things,<br />

which were always very particular.<br />

There was a similar wildness in <strong>the</strong>ir Sensory Awareness classes,<br />

which <strong>the</strong>y <strong>of</strong>ten gave toge<strong>the</strong>r, <strong>and</strong> sometimes separately. Always<br />

new experiences (“experiments, not exerc<strong>is</strong>es,” <strong>Charlotte</strong> would<br />

always, sometimes testily, point out); always an aston<strong>is</strong>hing (th<strong>is</strong><br />

was a word that <strong>Charlotte</strong> used frequently) insight or appreciation<br />

for some usually overlooked aspect <strong>of</strong> sensory perception. <strong>Charlotte</strong><br />

<strong>and</strong> <strong>Charles</strong> loved life <strong>and</strong> were constantly amazed by its possibilities.<br />

Th<strong>is</strong> was what <strong>the</strong>y explored in <strong>the</strong>ir classes, which were improv<strong>is</strong>ational,<br />

quiet, but intense. Th<strong>is</strong> was what <strong>the</strong>y called “<strong>the</strong> <strong>work</strong>,” <strong>and</strong><br />

<strong>the</strong>y engaged it in class after class, <strong>work</strong>shop after <strong>work</strong>shop, all over<br />

<strong>the</strong> world, for many years. After <strong>Charles</strong>’ death in 1991 <strong>Charlotte</strong><br />

continued for eleven more years, teaching full time until her last<br />

year, 2003, when she died at <strong>the</strong> age <strong>of</strong> 102, an aston<strong>is</strong>hing run <strong>of</strong><br />

more than seventy-five years <strong>of</strong> teaching, exploring, <strong>and</strong> living.<br />

As a Zen student, I was especially moved by <strong>the</strong> <strong>work</strong>, <strong>and</strong> I<br />

experienced it in <strong>the</strong> context <strong>of</strong> my Zen practice. (Indeed, <strong>the</strong> Sensory<br />

Awareness <strong>work</strong> has a long connection with Zen, at first through<br />

Alan Watts <strong>and</strong> Zen Master Shunryu Suzuki, <strong>and</strong> for many years<br />

through an association with <strong>the</strong> successive abbots <strong>of</strong> San Franc<strong>is</strong>co<br />

Zen Center, myself included.) Like Zen, Sensory Awareness focuses<br />

on perception, in <strong>the</strong> recognition that it <strong>is</strong> only through <strong>the</strong> full<br />

experiencing <strong>of</strong> our organic life that we can grasp <strong>the</strong> deepest <strong>and</strong><br />

most important human truths. The Buddh<strong>is</strong>t Mindfulness Sutra,<br />

which <strong>is</strong> foundational not only to Zen practice, but to virtually all<br />

x


FOREWORD<br />

forms <strong>of</strong> Buddh<strong>is</strong>m, speaks <strong>of</strong> four “foundations” <strong>of</strong> mindfulness:<br />

<strong>the</strong> body, <strong>the</strong> feelings, <strong>the</strong> thoughts, <strong>and</strong> <strong>the</strong> deep patterns <strong>of</strong> reality.<br />

It teaches that Buddh<strong>is</strong>t contemplation begins with subtle <strong>and</strong><br />

thorough awareness <strong>of</strong> <strong>the</strong> body, <strong>of</strong> <strong>the</strong> breath, <strong>and</strong> <strong>of</strong> perceptions.<br />

On th<strong>is</strong> bas<strong>is</strong> <strong>the</strong> practitioner can find access to deep human truths,<br />

<strong>and</strong> compassion <strong>and</strong> peace will ar<strong>is</strong>e. Though <strong>Charlotte</strong> <strong>and</strong> <strong>Charles</strong><br />

were no friends <strong>of</strong> conventional religion (<strong>the</strong>y considered religion,<br />

<strong>and</strong> <strong>the</strong> sort <strong>of</strong> polite social life that grew out <strong>of</strong> it, essentially repressive)<br />

<strong>the</strong>y felt kinship with Zen. Their classes <strong>of</strong>ten began with periods<br />

<strong>of</strong> silent sitting, <strong>and</strong> for years <strong>the</strong>y were regulars at <strong>the</strong> Sunday<br />

morning Dharma lectures at Green Gulch Farm Zen Center, where<br />

we lived. Each time I attended a Sensory Awareness class or <strong>work</strong>shop,<br />

I came away with a sense <strong>of</strong> wonder at <strong>the</strong> simple fact <strong>of</strong> being<br />

alive. <strong>Charlotte</strong> <strong>and</strong> <strong>Charles</strong>, as far as I could tell, went fur<strong>the</strong>r than<br />

anyone ever had, in exploring <strong>and</strong> exp<strong>and</strong>ing <strong>the</strong> Buddh<strong>is</strong>t teachings<br />

<strong>of</strong> mindfulness.<br />

An important feature <strong>of</strong> <strong>the</strong> Sensory Awareness classes was <strong>the</strong><br />

“sharing” that took place after <strong>the</strong> group, in silence, guided only by<br />

<strong>Charlotte</strong>’s or <strong>Charles</strong>’ verbal instructions, had completed a series <strong>of</strong><br />

“experiments” that might last anywhere from twenty to fifty minutes.<br />

We’d sit down on <strong>the</strong> straw mats <strong>Charlotte</strong> <strong>and</strong> <strong>Charles</strong> always<br />

brought wherever <strong>the</strong>y went (<strong>the</strong> same straw mats that covered <strong>the</strong><br />

floors in <strong>the</strong>ir home) <strong>and</strong> report what we had experienced. <strong>Charlotte</strong><br />

or <strong>Charles</strong> would respond to what we’d said, exp<strong>and</strong>ing, sometimes<br />

correcting, pointing out subtle aspects <strong>and</strong> implications that could<br />

<strong>of</strong>ten be quite startling. We learned so much about ourselves, <strong>and</strong><br />

what <strong>and</strong> how we were. There was always an intimate <strong>and</strong> quiet feeling<br />

in <strong>the</strong>se sharing sessions. Both <strong>Charlotte</strong> <strong>and</strong> <strong>Charles</strong> had an<br />

extremely subtle <strong>and</strong> prec<strong>is</strong>e way <strong>of</strong> expressing <strong>the</strong>mselves in <strong>the</strong>se<br />

exchanges, especially <strong>Charlotte</strong>, whose native German locutions <strong>of</strong>ten<br />

xi


RECLAIMING VITALITY AND PRESENCE<br />

made <strong>the</strong>mselves felt in her <strong>of</strong>ten quite unusual use <strong>of</strong> Engl<strong>is</strong>h. It <strong>is</strong><br />

odd that although <strong>the</strong> <strong>work</strong> itself <strong>is</strong> almost entirely nonverbal it<br />

admits <strong>of</strong> such clarity <strong>and</strong> pr<strong>of</strong>undity <strong>of</strong> verbal expression.<br />

The study <strong>and</strong> practice that <strong>Charlotte</strong> <strong>and</strong> <strong>Charles</strong> loved so much<br />

still live on in various parts <strong>of</strong> <strong>the</strong> world through students <strong>of</strong> <strong>the</strong>irs<br />

whom <strong>Charlotte</strong> approved to be leaders <strong>of</strong> th<strong>is</strong> wonderful <strong>work</strong>. It<br />

lives on too in <strong>the</strong> pages ahead. Although reading th<strong>is</strong> book <strong>is</strong> not <strong>the</strong><br />

same as experiencing <strong>the</strong> <strong>work</strong> directly, I think you will find that<br />

appreciating <strong>Charles</strong>’ <strong>and</strong> <strong>Charlotte</strong>’s words will be a valuable experience<br />

in its own right. These were two remarkable people, who led<br />

remarkable lives. With <strong>the</strong> book you have in your h<strong>and</strong>s you can<br />

hear <strong>the</strong>m speak—<strong>and</strong> possibly with <strong>the</strong>ir help red<strong>is</strong>cover how<br />

remarkable life actually <strong>is</strong>.<br />

xii


EDITORS’ INTRODUCTION<br />

Th<strong>is</strong> book <strong>is</strong> an attempt to weave toge<strong>the</strong>r in one volume <strong>the</strong> voices<br />

<strong>of</strong> <strong>Charlotte</strong> <strong>Selver</strong> <strong>and</strong> <strong>Charles</strong> <strong>Brooks</strong>, two unique <strong>and</strong> inspiring<br />

teachers who collaborated for some thirty years in co-leading classes<br />

<strong>and</strong> <strong>work</strong>shops in <strong>the</strong> deceptively simple yet pr<strong>of</strong>ound study known<br />

as Sensory Awareness. Just as <strong>the</strong>y frequently alternated in <strong>the</strong> leadership<br />

<strong>of</strong> class sessions, so too in th<strong>is</strong> book <strong>the</strong>y will take turns leading<br />

you in exploring <strong>the</strong> living nature <strong>of</strong> reality through actual<br />

here-<strong>and</strong>-now experiencing. That <strong>is</strong> to say <strong>the</strong>y will be leading you<br />

in <strong>the</strong> invaluable study <strong>of</strong> sensing, a capacity we are all born with, yet<br />

which most <strong>of</strong> us find too <strong>of</strong>ten dimin<strong>is</strong>hed in our daily lives.<br />

Among <strong>the</strong> most influential <strong>and</strong> colorful pioneers in <strong>the</strong> Human<br />

Potential Movement <strong>Charlotte</strong> <strong>and</strong> <strong>Charles</strong> led classes <strong>and</strong> <strong>work</strong>shops<br />

toge<strong>the</strong>r throughout <strong>the</strong> United States, Canada, Mexico, <strong>and</strong><br />

Europe in growth centers, universities, churches, dance studios, Zen<br />

P CHARLOTTE SELVER AND CHARLES BROOKS<br />

xiii


RECLAIMING VITALITY AND PRESENCE<br />

monasteries, hotel ro<strong>of</strong>tops, <strong>and</strong> even a small New Engl<strong>and</strong> schoolhouse.<br />

The unique type <strong>of</strong> somatic reeducation <strong>the</strong>y <strong>of</strong>fered has been<br />

an important force in <strong>the</strong> development <strong>of</strong> <strong>the</strong> Human Potential<br />

Movement, Human<strong>is</strong>tic Psychology, <strong>and</strong> various types <strong>of</strong> now popular<br />

mind/body d<strong>is</strong>ciplines. It has also deeply touched <strong>and</strong> changed<br />

<strong>the</strong> lives <strong>of</strong> hundreds <strong>of</strong> students over <strong>the</strong> years, among <strong>the</strong>m Ruth<br />

Den<strong>is</strong>on, Fritz Perls, Alan Watts, <strong>and</strong> Erich Fromm, to name a few.<br />

<strong>Charlotte</strong> was modest in always crediting <strong>the</strong> origins <strong>of</strong> th<strong>is</strong><br />

approach to Elsa Gindler <strong>and</strong> Heinrich Jacoby,* with whom she had<br />

studied in Germany during <strong>the</strong> 1920s <strong>and</strong> 1930s, giving <strong>the</strong> greatest<br />

acknowledgment to Gindler as her primary teacher. Gindler had<br />

been a teacher <strong>of</strong> Harmon<strong>is</strong>che Gymnastik who gradually developed<br />

her own special in-depth approach to body/mind integration. Jacoby<br />

was an innovative educator <strong>and</strong> musician who <strong>of</strong>ten collaborated in<br />

teaching with Gindler. Both were interested in helping people develop<br />

truer au<strong>the</strong>nticity <strong>and</strong> unfold <strong>the</strong>ir fuller potentials. In 1938 <strong>Charlotte</strong><br />

emigrated to <strong>the</strong> United States to escape <strong>the</strong> Naz<strong>is</strong>, eventually<br />

<strong>of</strong>fering her own classes in th<strong>is</strong> study in New York. As her classes<br />

gradually became better known she called her approach “Sensory<br />

Awareness,” a name she was never completely sat<strong>is</strong>fied with, feeling<br />

it was a bit too simpl<strong>is</strong>tic <strong>and</strong> limiting. “It <strong>is</strong> more than only <strong>the</strong><br />

senses,” she would say.<br />

Shortly before she died in 2003 at <strong>the</strong> age <strong>of</strong> 102, almost totally<br />

deaf <strong>and</strong> blind <strong>and</strong> unable to walk more than a few steps, <strong>Charlotte</strong><br />

was still passionately hard at <strong>work</strong> doing what she had done with<br />

relentless dedication for more than seventy-five years: continuing<br />

to help people reawaken to what it <strong>is</strong> to be more fully alive <strong>and</strong><br />

human. For her th<strong>is</strong> was far more than just teaching; it was a seri-<br />

*For more about Elsa Gindler <strong>and</strong> Heinrich Jacoby, see Appendix B.<br />

xiv


EDITORS’ INTRODUCTION<br />

ous calling. She felt a great responsibility in helping her students<br />

red<strong>is</strong>cover <strong>and</strong> nurture <strong>the</strong> innate renewing powers <strong>of</strong> life within<br />

<strong>the</strong>m. Th<strong>is</strong> <strong>work</strong> was her life, <strong>and</strong> indeed during her last few years<br />

it seemed to sustain her life.<br />

<strong>Charlotte</strong> began co-leading her classes with <strong>Charles</strong> <strong>Brooks</strong> in<br />

1963. <strong>Charles</strong>, a longtime student whom she had married that year,<br />

was an accompl<strong>is</strong>hed cabinet maker, a gifted writer, <strong>and</strong> <strong>the</strong> Harvard<br />

educated son <strong>of</strong> American biographer <strong>and</strong> literary critic Van Wyck<br />

<strong>Brooks</strong>. During <strong>the</strong>ir early years <strong>of</strong> teaching toge<strong>the</strong>r <strong>the</strong>y struggled<br />

with <strong>the</strong> difficult challenge <strong>of</strong> just how to put into words th<strong>is</strong> essentially<br />

nonverbal study. After collaborating on a couple <strong>of</strong> articles<br />

toge<strong>the</strong>r it was decided that <strong>Charles</strong>, who was far more comfortable<br />

with writing than <strong>Charlotte</strong>, would attempt to write a book about<br />

Sensory Awareness, a book that would serve as a good introduction<br />

<strong>and</strong> overview <strong>of</strong> “<strong>the</strong> <strong>work</strong>.”<br />

In 1974 after many years <strong>of</strong> diligent effort <strong>and</strong> collaboration<br />

<strong>Charles</strong>’ book Sensory Awareness: The Red<strong>is</strong>covery <strong>of</strong> Experiencing was<br />

publ<strong>is</strong>hed. The book was well received by critics <strong>and</strong> since <strong>the</strong>n it<br />

has been republ<strong>is</strong>hed three times in Engl<strong>is</strong>h <strong>and</strong> in addition has been<br />

translated into German, Japanese, Dutch, <strong>and</strong> Span<strong>is</strong>h. Because th<strong>is</strong><br />

book has <strong>work</strong>ed so well in helping readers gain a wider sense <strong>of</strong> <strong>the</strong><br />

scope <strong>of</strong> “<strong>the</strong> <strong>work</strong>,” much <strong>of</strong> it <strong>is</strong> included in th<strong>is</strong> volume to serve<br />

as a frame<strong>work</strong> into which <strong>Charlotte</strong>’s words are interwoven. The<br />

original art<strong>work</strong>, which so beautifully complemented <strong>Charles</strong>’ writing,<br />

could not be used for th<strong>is</strong> book with <strong>the</strong> exception <strong>of</strong> just a few<br />

photographs. We took <strong>the</strong> utmost care to use images that will again<br />

illuminate <strong>the</strong> text. For th<strong>is</strong>, we chose new photographs, mostly<br />

from locations where <strong>Charlotte</strong> <strong>and</strong> <strong>Charles</strong> taught, from <strong>the</strong> Black<br />

Forest in sou<strong>the</strong>rn Germany, from Santa Barbara, California, <strong>and</strong><br />

from Monhegan Isl<strong>and</strong> <strong>of</strong>f <strong>the</strong> coast <strong>of</strong> Maine.<br />

xv


RECLAIMING VITALITY AND PRESENCE<br />

The material from <strong>Charlotte</strong> <strong>is</strong> based on tapes <strong>and</strong> transcripts<br />

from her <strong>work</strong>shops. Over <strong>the</strong> years, articles drawn from <strong>the</strong>se materials<br />

were publ<strong>is</strong>hed in various Sensory Awareness Foundation publications.*<br />

<strong>Charlotte</strong>, whose first language was German, had a unique<br />

way <strong>of</strong> expressing herself, adding ano<strong>the</strong>r dimension <strong>of</strong> immediacy<br />

to her <strong>work</strong>shops. In th<strong>is</strong> book, we want to let <strong>Charlotte</strong> speak in her<br />

own words as much as possible. However, because reading a book <strong>is</strong><br />

not like experiencing <strong>Charlotte</strong> in person, we cautiously edited some<br />

<strong>of</strong> <strong>the</strong> text when it seemed necessary. In th<strong>is</strong> book, <strong>Charlotte</strong>’s words<br />

are italicized, to d<strong>is</strong>tingu<strong>is</strong>h between <strong>the</strong> voices <strong>of</strong> <strong>Charlotte</strong> <strong>and</strong><br />

<strong>Charles</strong>.<br />

Our intention has been to <strong>of</strong>fer <strong>the</strong> reader <strong>the</strong> best <strong>of</strong> both worlds:<br />

<strong>Charlotte</strong> <strong>and</strong> <strong>Charles</strong> combined toge<strong>the</strong>r in <strong>of</strong>fering an updated,<br />

enhanced, <strong>and</strong> fuller guidebook for newcomers, beginning students,<br />

<strong>and</strong> “veteran” students alike.<br />

Although <strong>Charlotte</strong> <strong>and</strong> <strong>Charles</strong> have both passed on (<strong>Charles</strong><br />

died in 1991) <strong>the</strong> study known as Sensory Awareness lives. In 1986<br />

with <strong>the</strong>ir help <strong>the</strong> Sensory Awareness Leaders Guild was formed<br />

as a pr<strong>of</strong>essional association for <strong>the</strong> mutual support <strong>and</strong> development<br />

<strong>of</strong> those persons <strong>Charlotte</strong> had approved to be leaders. Today<br />

<strong>the</strong>re are leaders <strong>of</strong> th<strong>is</strong> study scattered in Europe, <strong>the</strong> United States,<br />

Canada, <strong>and</strong> Mexico. Many years earlier <strong>the</strong> Sensory Awareness<br />

Foundation was formed to help educate <strong>the</strong> public about Sensory<br />

Awareness through publications, newsletters, <strong>and</strong> periodic conferences.<br />

Today both organizations <strong>work</strong> toge<strong>the</strong>r to help keep th<strong>is</strong><br />

legacy alive <strong>and</strong> developing.<br />

The editors are most grateful for <strong>the</strong> support <strong>of</strong> many people who<br />

have helped get th<strong>is</strong> book into your h<strong>and</strong>s. We w<strong>is</strong>h to give partic-<br />

*See Appendix C.<br />

xvi


EDITORS’ INTRODUCTION<br />

ular thanks to John Schick, Bill Littlewood, Lee Klinger Lesser,<br />

Cathy Edgett, <strong>the</strong> Board <strong>of</strong> <strong>the</strong> Sensory Awareness Foundation, <strong>and</strong><br />

<strong>the</strong> Institute <strong>of</strong> General Semantics.<br />

Th<strong>is</strong> <strong>is</strong> a book not so much to read as it <strong>is</strong> to savor. It <strong>is</strong> best<br />

approached as you might a fine meal, a walk through a garden, a<br />

collection <strong>of</strong> poetry, an intimate meeting with a beloved friend. We<br />

hope you can allow yourself <strong>the</strong> patience <strong>and</strong> fresh readiness to taste<br />

<strong>and</strong> sniff <strong>and</strong> feel your way through each page.<br />

—Richard Lowe <strong>and</strong> Stefan Laeng-Gilliatt<br />

xvii


O1 3<br />

Sensory Awareness <strong>and</strong><br />

Our Attitude Toward Life<br />

In our <strong>work</strong> <strong>of</strong> Sensory Awareness, we experiment with all <strong>the</strong> simple activities<br />

<strong>of</strong> daily life, all <strong>the</strong> things which we have been doing since we were born,<br />

or which we have learned in our earliest infancy, such as walking, st<strong>and</strong>ing,<br />

sitting, lying, moving, resting, seeing, speaking, l<strong>is</strong>tening, et cetera. As<br />

Elsa Gindler* said, “Life <strong>is</strong> <strong>the</strong> Playground for our <strong>work</strong>.”<br />

Our daily life gives us opportunity enough for d<strong>is</strong>covery: in combing our hair,<br />

washing <strong>the</strong> d<strong>is</strong>hes, in speaking to somebody, <strong>and</strong> so on. In such “unimportant”<br />

areas <strong>of</strong> life we can experience <strong>the</strong> same attitudes we have in “important”<br />

areas, where we are <strong>of</strong>ten too absorbed to feel clearly what <strong>is</strong> happening.<br />

Although practicing Sensory Awareness <strong>of</strong>ten has <strong>the</strong>rapeutic effects, it would<br />

be a m<strong>is</strong>underst<strong>and</strong>ing to think <strong>of</strong> our <strong>work</strong> as <strong>the</strong>rapy. Our purpose <strong>is</strong> not to<br />

make living healthier, but to make it more conscious; not to make it happier,<br />

but to let it come more into accord with our nature. The more we arrive at<br />

our original nature, <strong>the</strong> more we d<strong>is</strong>cover that healthier <strong>and</strong> happier living<br />

<strong>and</strong> relating comes about by itself.<br />

We begin to d<strong>is</strong>cover that experiences within <strong>the</strong> organ<strong>is</strong>m are parallel<br />

to experiences in life. Th<strong>is</strong> can be difficult. Often we may find ourselves full<br />

<strong>of</strong> fear, not wanting to allow changes. Through experimenting, we may come<br />

face-to-face with <strong>the</strong> reasons for previously unexplained problems in our<br />

*For more about Elsa Gindler, see Appendix B.<br />

1


RECLAIMING VITALITY AND PRESENCE<br />

lives. But with growing ability to permit what becomes necessary, our elasticity<br />

grows, <strong>and</strong> so does our security.<br />

We cannot know how much energy we have as long as we keep interfering<br />

with our own activities. We cannot know our real abilities until we have<br />

freed ourselves to such an extent that <strong>the</strong>y can unfold more fully. As Elsa<br />

Gindler used to say, “If we had <strong>the</strong> strength at our d<strong>is</strong>posal that we<br />

use in hindering ourselves, we would be as strong as lions.”<br />

What creates our freedom, or our lack <strong>of</strong> freedom, <strong>is</strong> our attitude toward<br />

whatever we meet: <strong>the</strong> way we are living our daily lives; <strong>the</strong> way we are<br />

with our families <strong>and</strong> friends; <strong>the</strong> way we do our <strong>work</strong>; <strong>the</strong> way we read <strong>the</strong><br />

newspaper; in short, <strong>the</strong> way we are in th<strong>is</strong> world. When it <strong>is</strong> understood that<br />

we are including <strong>the</strong> broader questions <strong>of</strong> our attitude-toward-life, th<strong>is</strong><br />

will help us much more than just <strong>work</strong>ing on what we call “<strong>the</strong> body.”<br />

So, in <strong>the</strong> very simple experiments <strong>of</strong> a Sensory Awareness session, we can<br />

make some small steps to come to ourselves <strong>and</strong> to awaken some <strong>of</strong> <strong>the</strong> possibilities<br />

which are dormant inside us. For instance, we may <strong>work</strong> to become so quiet<br />

that life can begin to wh<strong>is</strong>per to us again, so that we are not just seeing <strong>the</strong><br />

big, blunt things, but can be touched <strong>and</strong> nurtured by <strong>the</strong> beauty <strong>of</strong> what<br />

may be small <strong>and</strong> quiet.<br />

But not only beauty becomes conscious: <strong>the</strong>re <strong>is</strong> also an opening <strong>of</strong> our heart<br />

to those difficulties in life which dem<strong>and</strong> our presence <strong>and</strong> maybe our help.<br />

Too <strong>of</strong>ten, we don’t see <strong>and</strong> we don’t feel what <strong>is</strong> happening around us. Too<br />

<strong>of</strong>ten, we are only interested in ourselves, our family, <strong>and</strong> maybe our very close<br />

friends. To become sensitive enough <strong>and</strong> free enough to become active as a member<br />

<strong>of</strong> our community, country, <strong>and</strong> world—th<strong>is</strong> <strong>is</strong> also part <strong>of</strong> awakening.<br />

For me, Elsa Gindler was a great example <strong>of</strong> th<strong>is</strong> through her deep involvement<br />

in what was happening in <strong>the</strong> world. During <strong>the</strong> Hitler time, although<br />

she was invited to live in Switzerl<strong>and</strong>, where she could have been secure, she<br />

stayed in Berlin giving help to whoever needed it. Her life was in danger<br />

from res<strong>is</strong>ting Hitler, <strong>and</strong> from <strong>the</strong> constant bombings, but she did not leave.<br />

2


SENSORY AWARENESS AND OUR ATTITUDE TOWARD LIFE<br />

Th<strong>is</strong> attitude <strong>of</strong> responsibility <strong>is</strong> part <strong>of</strong> becoming aware, so that we would<br />

not be part <strong>of</strong> <strong>the</strong> Me generation, but ra<strong>the</strong>r <strong>of</strong> <strong>the</strong> We generation, embracing<br />

everyone <strong>and</strong> everything on th<strong>is</strong> planet. Do you not feel that everyone has<br />

an equal right to live a life, unconditioned, free from pressure <strong>and</strong> rejection,<br />

free from starvation <strong>and</strong> harassment? Becoming more <strong>and</strong> more able to be<br />

<strong>the</strong>re in situations, whe<strong>the</strong>r easy or difficult; to be more <strong>the</strong>re with our mind,<br />

with our hearts, with our sensitivities, with our strengths—th<strong>is</strong> <strong>is</strong> very, very<br />

important.<br />

3


We have been thoroughly deprived <strong>of</strong> trusting <strong>the</strong> <strong>inner</strong> w<strong>is</strong>dom<br />

which each person has in him- or herself.<br />

There lies a great unused richness in us,<br />

which we gradually have to dig out <strong>and</strong> develop.<br />

When you get to it, you will be aston<strong>is</strong>hed<br />

by what comes into <strong>the</strong> open<br />

which you didn’t know was <strong>the</strong>re.<br />

—<strong>Charlotte</strong> <strong>Selver</strong><br />

4


O2 3<br />

Being in <strong>the</strong> World<br />

After heavy rains last week, we planted seeds in our garden. They are<br />

sprouting already. I know from past exploration how deep <strong>and</strong> intimately<br />

<strong>the</strong> little roots are pushing <strong>the</strong>ir way, with <strong>the</strong> amazing vigor<br />

<strong>of</strong> infancy, down through <strong>the</strong> dense particles <strong>of</strong> soil; <strong>and</strong> as I look<br />

I can almost see <strong>the</strong> stems <strong>and</strong> leaflets unfolding in <strong>the</strong> same air<br />

that I feel bathing me inside <strong>and</strong> out, under <strong>the</strong> same sun that beats<br />

on my skin.<br />

5


RECLAIMING VITALITY AND PRESENCE<br />

Does not all individual life, as with <strong>the</strong>se seeds, begin in mo<strong>is</strong>ture—ei<strong>the</strong>r<br />

in <strong>the</strong> sea or, as here, in <strong>the</strong> damp earth, or on <strong>the</strong> yolk<br />

<strong>of</strong> an egg, or in <strong>the</strong> fluids <strong>of</strong> <strong>the</strong> womb? In <strong>the</strong> womb, when <strong>the</strong><br />

united cells multiply to <strong>the</strong> point where something that one could<br />

call consciousness infuses <strong>the</strong>m, <strong>the</strong> whole development <strong>of</strong> <strong>the</strong> new<br />

organ<strong>is</strong>m continues to take place in that total, inv<strong>is</strong>ible immediacy<br />

<strong>of</strong> <strong>the</strong> environment which <strong>is</strong> <strong>the</strong> nature <strong>of</strong> fluid, which leaves<br />

no crack unentered, no surface unembraced.<br />

Until birth we had no experience <strong>of</strong> d<strong>is</strong>tance: <strong>of</strong> <strong>the</strong> possibility <strong>of</strong><br />

falling, <strong>of</strong> <strong>the</strong> sound <strong>of</strong> something not adjacent to us, <strong>of</strong> warmth<br />

ei<strong>the</strong>r coming to us or going from us. No wonder that on entering<br />

<strong>the</strong> world outside we clutched at <strong>the</strong> breast, with its s<strong>of</strong>t t<strong>is</strong>sues<br />

like our own, <strong>and</strong> brea<strong>the</strong>d <strong>the</strong> strange air more easily when held<br />

<strong>and</strong> enveloped in mo<strong>the</strong>r’s arms.<br />

In th<strong>is</strong> new world, it was for <strong>the</strong> first time possible—indeed,<br />

necessary—to be alone: mo<strong>the</strong>r might be here or absent. Gradually,<br />

newfound doors began opening. Sounds came <strong>and</strong> went, which<br />

little by little could be related to phenomena outside ourselves;<br />

smells likew<strong>is</strong>e; what we touched, <strong>and</strong> what touched us, was always<br />

changing. Finally <strong>the</strong> growing kaleidoscope before our eyes began<br />

separating into enduring, recognizable forms, nearer or far<strong>the</strong>r, with<br />

each <strong>of</strong> which we could have a different connection.<br />

Though <strong>the</strong> nerve ends in our skin were in immediate contact<br />

only with <strong>the</strong> air, or with <strong>the</strong> delicious water <strong>of</strong> our bath, or here<br />

<strong>and</strong> <strong>the</strong>re with clothing, crib, <strong>and</strong> playthings, or now <strong>and</strong> <strong>the</strong>n with<br />

mo<strong>the</strong>r, still we were not out <strong>of</strong> touch with <strong>the</strong> world in <strong>the</strong> d<strong>is</strong>tance.<br />

We could hear mo<strong>the</strong>r’s voice from afar <strong>and</strong> see her when we<br />

could not touch her, <strong>and</strong> we smiled in recognition <strong>and</strong> pleasure.<br />

Indeed, we had a voice too, which could go out to o<strong>the</strong>rs <strong>and</strong><br />

arouse perceptible reactions in <strong>the</strong>m. We had h<strong>and</strong>s <strong>and</strong> feet with<br />

6


BEING IN THE WORLD<br />

P GRADUALLY, NEWFOUND DOORS BEGAN OPENING<br />

which we could reach out to grasp or kick objects in space. As our<br />

enlarging consciousness embraced a larger <strong>and</strong> more differentiated<br />

world, both near <strong>and</strong> far, in <strong>the</strong> embrace itself was contact, though<br />

<strong>of</strong> varying kinds. The shape or color which we could not reach was<br />

yet in our eye, <strong>the</strong> voice was in our ear, <strong>the</strong> smell in our nostrils.<br />

And now came a new contact <strong>and</strong> immediacy as we gained experience<br />

<strong>and</strong> began storing <strong>the</strong> past to give larger meaning to <strong>the</strong><br />

present. When we saw <strong>and</strong> smelled mo<strong>the</strong>r <strong>and</strong> heard her voice,<br />

memory was <strong>the</strong>re, <strong>and</strong> our stomach began to contract in hunger<br />

for her milk <strong>and</strong> our skin to yearn for her touch. And <strong>the</strong> future<br />

entered. When we were already hungry, as mo<strong>the</strong>r appeared, <strong>the</strong><br />

comfort which had not yet reached us brought our smile <strong>of</strong> anticipation,<br />

as a kitten purrs before <strong>the</strong> milk <strong>is</strong> poured.<br />

Time <strong>and</strong> space, which had no ex<strong>is</strong>tence in <strong>the</strong> womb, appear gradually<br />

to <strong>the</strong> growing child <strong>and</strong> to <strong>the</strong> adult as being everywhere <strong>and</strong><br />

part <strong>of</strong> everything, so as to define all objects <strong>of</strong> perception. Yet <strong>the</strong>y<br />

7

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