05.06.2013 Views

Gala Night Program.p65 - Silliman University

Gala Night Program.p65 - Silliman University

Gala Night Program.p65 - Silliman University

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

G A U D E A M U S<br />

<strong>Gala</strong> <strong>Night</strong><br />

THE 50 th ANNIVERSARY FELLOWSHIP NIGHT<br />

20 MAY 2011, FRIDAY, 4 P.M.,<br />

CLAIRE ISABEL McGILL LUCE AUDITORIUM<br />

SILLIMAN UNIVERSITY, DUMAGUETE CITY


the national writers workshop is sponsored by<br />

silliman university and the national commission for culture and the arts


Gaudeamus<br />

THE 50 thANNIVERSARY<br />

FELLOWSHIP NIGHT


From the<br />

DIRECTOR<br />

EMERITUS<br />

Dr. Edith L. Tiempo<br />

National Artist for Literature


BY MIRO FRANCES CAPILI<br />

We tried to write.<br />

We had positioned<br />

ourselves where our bodies<br />

would be able to cleave the wind,<br />

hoping perhaps to intercept what<br />

occult lore its salty tongues would<br />

carry; to entrap the utterances of the<br />

afternoon in free verse, realist fiction,<br />

villanelles, sci-fi, prose poetry. What<br />

precluded the wall, of course, was the<br />

pure verve of sea, that bladder of the<br />

warm earth, an unruly and irreducible<br />

reminder of timelessness. Everything<br />

else, among them the wispy periphery<br />

of sky, seemed simply to be what had<br />

happened to occur around at the time<br />

of creation.<br />

From time to time one of our poets would<br />

offer to read aloud what she had written, only to<br />

realize that the sibilance around us silenced both<br />

sound and subterrain of her imagery. The wideness<br />

of the sea, she began, and the sea was wider still.<br />

Waves making love, she tried, and it became<br />

impossible to ignore the sultry impassioning of<br />

water folding into water.<br />

We had tried, as fools do who trust in the<br />

glib promises of syntax and metaphors and line<br />

cuts, to discipline the dance; the lissomeness of the<br />

water, into written entry. But no theory instructs<br />

the mastery of seas. Memory cannot temper a<br />

rolling patch of sky. A rogue splinter of peach dusk<br />

explodes with too much ebullience to hold the grace<br />

of a poem. An afternoon offers its own syntactic<br />

patterns and resonances.<br />

And how do you dilute a sea, the near<br />

painful clarity of day, a summer of literature and<br />

noise, to ease into a story?<br />

I imagine it would take the same pains<br />

required to grow old and confuse home with<br />

memory, as the wise are able to do who’ve culled<br />

HOW TO<br />

WALK ON A<br />

SEAWALL<br />

their lives carefully. Keep in constant vigilance.<br />

Take long walks. Accept that falling spectator to<br />

the inaccessible rituals of waves, at times, comes at<br />

the expense of wordlessness. Grow a habit. Kick it<br />

after the second hour. Arrive at an awareness that<br />

a seawall in Dumaguete city has more in common<br />

than you think with the lamppost at the corner of<br />

the next street—it is a time, a place, an atmosphere,<br />

a parable, a tumor; a sweet kind of terror,<br />

something to despair over. Set store by William<br />

Stafford when he says, “For the person who follows<br />

with trust and forgiveness what occurs to him, the<br />

world remains always ready and deep, an<br />

inexhaustible environment, with the combined<br />

vividness of an actuality and flexibility of a dream.”<br />

You are surprised. How difficult it is to still<br />

the imperative of bodily experience, of wanderlust,<br />

of energy and movement, as you develop with age<br />

a skill for ordinary life. How rare now those images<br />

of brute, fervid illumination. You quit trying to<br />

make small talk in line for your passport<br />

application. The laundry waits in the hamper by<br />

the door. You find a quicker way to remove the<br />

dribbles of pumpkin soup from last night’s dress.


You find yourself most displaced in yourself. You<br />

wake up, wanting to follow the sounds of the<br />

morning.<br />

So you slip quietly out of the soul for some<br />

fresh air. Take a walk. Find a curious other<br />

Elsewhere, other Elsewhen, lying in the gutter, or<br />

warm in the outstretched hand of a beggar, or<br />

stowed away among old tickets in the compartment<br />

of a bus bound for a place whose name you can<br />

pronounce but can’t remember. Pick it up. You<br />

decide that this, what you have just found, could<br />

derail you. It could be a useless divergence you’re<br />

afraid to admit you have all the time for. You’re<br />

afraid it will rain for a million years within you,<br />

forming new seas; sail you away to a purer shore.<br />

Could usher you back into the discrete homicides<br />

of squat, ordinary life.<br />

But let’s say you’ve run into a profound<br />

enough moment of tenderness—your first<br />

awareness of how great of this world the Negros<br />

Sea seems to annex, for instance, when you reach a<br />

certain hilly point of Siquijor. You get wind of this<br />

possibility while top-loading a jeepney, and a year<br />

later you are still suspicious of where the ride had<br />

ended. You spend weekends at beaches within the<br />

proximity of Metro Manila, wondering why no one<br />

else notices that the “white” sand the ads were so<br />

proud of more closely resembles gravel, or that the<br />

milky waters have forgotten how they had<br />

themselves once seemed to dream up the color<br />

cerulean. You arrive home and greet your mother<br />

ma’ayong hapon (your family hails from Batangas).<br />

Obedient to a warning you once heard about<br />

vampires in Siquijor leading human lives by day,<br />

you avert your gaze from men wearing reflective<br />

shades on the way to school. And you have been<br />

breathless so often from the dressings of strange<br />

plants sprouting from the lawns of random<br />

neighbors, from the grain crackling all over the<br />

corners of old silent films, from the word decadence<br />

and how it sounds like the butter melting in the<br />

cleavage of your morning pan de sal. You become<br />

difficult to please.<br />

Your wife, your lover, a classmate, will at<br />

some point harbor suspicion from your attachment<br />

to precious little instances of life. They will doubt<br />

the triumphs you find in a can of soup, a better<br />

edition of The Shipping News; of lying on a seawall,<br />

observing a lamppost. That they will declare your<br />

sanity upended and recommend a good<br />

psychiatrist is a possibility. Live with it.<br />

Stuff the new wonder in a place whose<br />

sound and silence only you understand. Often your<br />

thumb will seek it out and attempt to stroke it,<br />

reacquainting itself with the rough corners and<br />

willowy indents in reverent little gestures. Let it.<br />

A tacit smile, in turn, will find a way to seek out<br />

your face when this happens. Let it grow.<br />

Now begin the walk back to where you<br />

remember your old house was. Lose your way. Find<br />

it eventually, in a place between the tagline of a<br />

slimming tea ad you once read while taking a piss<br />

during a stopover, and the second name of the man<br />

who sold you your first harmonica. Try to act<br />

surprised when you find yourself unable to walk<br />

right back in.<br />

First published in UNO Magazine, March 2011. Miro<br />

Capili was part of the 49th National Writers Workshop.


<strong>Program</strong>me<br />

G A U D E A M U S<br />

<strong>Gala</strong> <strong>Night</strong><br />

THE 50 thANNIVERSARY<br />

FELLOWSHIP NIGHT<br />

Over ver verture ver ture<br />

Danilo Francisco M. Reyes and Niccolo Vitug<br />

on the piano<br />

Opening Opening Video<br />

Video<br />

Opening Opening Number<br />

Number<br />

<strong>Silliman</strong> <strong>University</strong> Kahayag Dance Troupe<br />

Ronnie Mirabuena<br />

Artistic Director<br />

Rec Recognition Rec Recognition<br />

ognition of of the the Fell Fellows Fell ws of of the the 50 50 th W WWorkshop<br />

W orkshop<br />

The fellows will also be given their certificates<br />

Wel Wel Welcome Wel ome Remarks<br />

Remarks<br />

Dr. Evelyn F. Mascuñana<br />

Chair, Department of English and Literature<br />

Coordinator, National Writers Workshop<br />

Award ard for for the the United United Bo Bo Board Bo ard for for Christian Christian Higher Higher Higher Educa Educa Education Educa tion in in Asia<br />

Asia<br />

Accepting for UBCHEA<br />

Dr. Christopher Ablan<br />

UBCHEA Liaison Officer, <strong>Silliman</strong> <strong>University</strong><br />

Award ard for for The The The <strong>University</strong> <strong>University</strong> of of of Io Iowa Io<br />

Accepting for the <strong>University</strong> of Iowa<br />

Prof. Robin Hemley<br />

Non-Fiction <strong>Program</strong> Director, The <strong>University</strong> of Iowa<br />

Musical Musical Intermission<br />

Intermission<br />

<strong>Silliman</strong> <strong>University</strong> Gratitude Goodwill Ambassadors<br />

Dr. Elizabeth Susan Vista-Suarez<br />

Artistic Director<br />

Award ard for for THe THe THe Crea Creative Crea tive Writing Writing Found Foundation<br />

Found tion<br />

Accepting for the Creative Writing Foundation<br />

Alfred Yuson and Susan Lara


Award ard for for the the NN<br />

Nation NN<br />

tion tion tional tion al CC<br />

Commission CC<br />

ommission for for Cul Culture Cul ture and and the the Ar Ar Arts Ar ts<br />

Accepting for the NCCA<br />

Prof. Ricardo M. de Ungria<br />

Award ard ard for for for the the Duma Dumaguete Duma guete Literar Literar Literary Literar Literar y Ar Arts Ar ts Ser Service Ser vice Gr Gr Group Gr Gr oup<br />

Accepting for DULA<br />

Mr. Bobby Flores-Villasis and Ms. Bing Sumanoy<br />

The family of the late Ernesto Superal Yee are also asked to come on stage<br />

Address Address for for for the the Fift Fiftth Fift th Anniversar<br />

Anniversary<br />

Anniversar<br />

Dr. Margaret Helen Udarbe-Alvarez<br />

Dean, College of Arts and Sciences<br />

Lost ost in in the the the St Stars: St ars: In In Memoriam<br />

Memoriam<br />

Award ard for for the the n nnation<br />

n tion tional tion al writers writers W WWorkshop<br />

W Workshop<br />

orkshop St Staff St St aff<br />

Accepting for the Staff<br />

Prof. Warlito Caturay<br />

The panelists of the Department of English and Literature are also asked to come onstage<br />

oup, , , Inc Inc. Inc<br />

Award ard ard for for the the n nnation<br />

n tion tional tion al writers writers W WWorkshop<br />

W orkshop P PPanelists<br />

PP<br />

anelists<br />

Accepting for the Panelists<br />

Dr. Anthony Tan<br />

The panelists will also be given their certificates<br />

RHYTHM RHYTHM OF OF VIOLETS: VIOLETS: Poetr Poetr Poetry Poetr Poetr y & & & Song Song Cy Cycle Cy cle<br />

with<br />

Christine Lao, Shane Carreon, Myrna Peña-Reyes, Dr. César Ruìz Aquino,<br />

Katrina Saga, Jem Robert Talaroc, Carla Mongado, Onna Rhea Quizo, Rigel Suarez,<br />

and Dr. Elizabeth Susan Vista-Suarez<br />

“Afternoon of the Sea Faun”<br />

by Edith Lopez Tiempo<br />

“Sunlight at Auvers”<br />

by Rowena Tiempo-Torrevillas<br />

“The River Singing Stone”<br />

by Myrna Peña-Reyes<br />

“Point of View”<br />

by César Ruìz Aquino<br />

A A Video Video Trib Tribute Trib ute t tto<br />

t to<br />

o the the the Founders Founders Founders of of the the the WW<br />

Workshop<br />

W Workshop<br />

orkshop<br />

Rec Recognition Rec ognition for for for C CCollege<br />

C ollege Assurance Assurance Plan<br />

Plan<br />

and and A AAtty<br />

A ty ty. ty . enriq enrique enriq ue Sobrepeña Sobrepeña jr.<br />

jr.<br />

Accepting for CAP and Atty. Sobrepeña<br />

Dr. Josefina Cornelio<br />

Former Deputy Head, CAP College and CAP College Foundation<br />

Rec Recognition Rec ognition for for dr. dr. R RRowen<br />

R wen wena wen a Tiempo-T Tiempo-Torrevillas<br />

Tiempo-T Tiempo-Torrevillas<br />

orrevillas<br />

Rec Recognition Rec ognition for for Dr. Dr. Edilber Edilberto Edilber o K. K. Tiempo Tiempo<br />

Tiempo<br />

Rec Rec Recognition Rec Rec ognition for for Dr. Dr. Edith Edith L. L. L. Tiempo<br />

Tiempo


Cl Closing Cl Closing<br />

osing Remarks<br />

Remarks<br />

Dr. Rowena Tiempo-Torrevillas<br />

Director-in-Residence, National Writers Workshop<br />

Cl Closing Cl osing Number Number<br />

Number<br />

‘T ‘Tod ‘T od oday’ od y’<br />

Presenters<br />

Presenters<br />

in order of appearance<br />

Moses Joshua Atega<br />

Patrik Norouzi<br />

Alfie Calingacion<br />

Gino Francis Dizon<br />

Oscar Serquiña Jr.<br />

Jenette Ethel Vizcocho<br />

Ian Rosales Casocot<br />

Myrna Peña-Reyes<br />

Lorna Reyes Makil<br />

Lady Flor Partosa<br />

Philip Van Peel<br />

Alana Cabrera-Narciso<br />

Rebecca de la Torre<br />

César Ruìz Aquino<br />

Misael Ondong<br />

Allen Samsuya<br />

Andrea Macalino<br />

Ceres Abanil<br />

Gémino H. Abad<br />

Bobby Flores Villasis<br />

Miro Frances Capili<br />

Aaron James Jalalon<br />

Susan S. Lara<br />

Alfred Yuson<br />

Marius Monsato<br />

Maria Rochelle Villaruel<br />

Voice-over<br />

Ian Rosales Casocot<br />

WRITER WRITER WRITER AND AND DIRECT DIRECT DIRECTOR<br />

DIRECT DIRECTOR<br />

OR<br />

Danilo Francisco M. Reyes<br />

PR PRODUCTION PR PR ODUCTION ASSIST ASSISTANT ASSIST ANT and and pr program pr ogram design<br />

design<br />

Ian Rosales Casocot<br />

PR PRODUCTION PR ODUCTION ASSIST ASSISTANT ASSIST ANT and and and SET SET DESIGN<br />

DESIGN<br />

Moses Joshua Atega<br />

ST STAGE ST ST GE MAN MANAGER MAN GER<br />

Christel Kho<br />

TALENT ALENT CC<br />

COORDIN CC<br />

OORDIN OORDINATOR<br />

OORDIN OR<br />

Diomar ABrio


The National Writers Workshop<br />

in Dumaguete is the oldest<br />

creative writing program in<br />

Asia. The Workshop has been directed<br />

for the past 50 years by National Artist<br />

for Literature Dr. Edith L. Tiempo,<br />

along with her husband and<br />

Workshop founder, the late Dr.<br />

Edilberto K. Tiempo. In 2009, Dr. Edith<br />

Tiempo was named Director Emeritus<br />

of the National Writers Workshop,<br />

now known as the <strong>Silliman</strong> <strong>University</strong><br />

National Writers Workshop.<br />

The <strong>Silliman</strong> <strong>University</strong> National Writers<br />

Workshop is the only three-week long writers<br />

workshop in the country, devoted to helping<br />

writers hone their craft in the genres of poetry,<br />

fiction, nonfiction, and drama. As the longest<br />

running among the nation’s writing workshops, the<br />

<strong>Silliman</strong> Workshop has trained several generations<br />

of writers, many of whom are now influencing the<br />

shape, direction, and development of Philippine<br />

literature. Over six hundred young writers have<br />

received the workshop fellowships, which are open<br />

for annual competitions. Many of these writers<br />

have won major prizes in the Don Carlos Palanca<br />

Literary Awards, the Philippine Graphic Literary<br />

Contest, and the Philippines Free Press Literary<br />

About the Workshop<br />

Contest, among others. With the workshop’s<br />

integrity and tradition over the years, it has become<br />

a rite of passage for the country’s finest writers.<br />

Apart from <strong>Silliman</strong> <strong>University</strong>, over the<br />

years the Workshop has received support from the<br />

Ford Foundation, the National Commission for<br />

Culture and the Arts (NCCA), the CAP Family of<br />

Companies, the Creative Writing Foundation, the<br />

Dumaguete Literary Arts (DuLA) Group, and<br />

various cultural institutes based in the United States<br />

ad Europe.<br />

Last 2010 marked a milestone in the<br />

development of Philippine literature and the<br />

writing craft, as the <strong>Silliman</strong> <strong>University</strong> National<br />

Writers Workshop, headed by its first Director-in-<br />

Residence Dr. Rowena Tiempo-Torrevillas and the<br />

visionary Dr. Ben S. Malayang III, <strong>University</strong><br />

President, first invited a writer beyond the<br />

Philippines to sit in as a guest panelist for a week<br />

to enrich the workshop by infusing Asian<br />

consciousness. The first international guest writer<br />

was Hong Kong’s Xu Xi. For 2011, it is Singapore’s<br />

Kirpal Singh.<br />

Also in 2010, <strong>Silliman</strong> <strong>University</strong> welcomed<br />

the panelists, writing fellows, workshop alumni,<br />

and guests to the Writers Village at Camp Lookout,<br />

Valencia; its realization made possible through<br />

generous hearts.


EDITH L. TIEMPO, poet, fictionist,<br />

teacher and literary critic is one of the<br />

finest Filipino writers in English<br />

whose works are characterized by a<br />

remarkable fusion of style and substance,<br />

of craftsmanship and insight. She was born<br />

on 22 April 1919 in Bayombong, Nueva<br />

Vizcaya. Her poems are intricate verbal<br />

transfigurations of significant experiences<br />

as revealed, in two of her much<br />

anthologized pieces, “The Little Marmoset”<br />

and “Bonsai”. As fictionist, Tiempo is as<br />

morally profound. Her language has been<br />

marked as “descriptive but unburdened by<br />

scrupulous detailing.” She is an influential<br />

tradition in Philippine literature in English.<br />

Together with her late husband, Edilberto<br />

K. Tiempo, she founded and directed the<br />

<strong>Silliman</strong> National Writers Workshop in<br />

Dumaguete City, which has produced some<br />

of the country’s best writers. Tiempo’s<br />

published works include the novel A Blade<br />

of Fern (1978), His Native Coast (1979), The<br />

Alien Corn (1992), One, Tilting Leaves (1995)<br />

and The Builder (2003); the poetry collections,<br />

The Tracks of Babylon and Other Poems (1966),<br />

and The Charmer’s Box and Other Poems<br />

(1993); and the short story collection Abide,<br />

Joshua, and Other Stories (1964). (Adapted from<br />

the National Commission for Culture and the<br />

Arts website)<br />

About the founders


About the founders<br />

Fiction-writer and literary critic<br />

EDILBERTO K. TIEMPO was born<br />

in 1913. He obtained his M.F.A. from<br />

the <strong>University</strong> of Iowa and his Ph.D. in<br />

English from the <strong>University</strong> of Denver. In<br />

addition to having been a Guggenheim and<br />

Rockefeller fellow, Dr. Tiempo, alongside<br />

wife Edith, spent around four years<br />

studying literature and creative writing in<br />

the Iowa Writers Workshop. Upon<br />

returning to the Philippines in 1962, the<br />

Tiempos founded the <strong>Silliman</strong> National<br />

Writers Workshop after the objectives of the<br />

Iowa writers’ clinic. In the 1960s, he taught<br />

in two American schools, but it was <strong>Silliman</strong><br />

<strong>University</strong> which Tiempo chose as his base,<br />

serving as department chair, graduate<br />

school dean, vice-president for academic<br />

affairs, and writer-in-residence. He reaped<br />

numerous honors for his writing, among<br />

them the Cultural Center of the Philippines<br />

Prize, Palanca Awards, the National Book<br />

Award, and a prize in the U.P. Golden<br />

Anniversary Literary Contest. He authored<br />

over a dozen books in his lifetime. Titles<br />

include the collections A Stream at Dalton<br />

Pass and Other Stories (1970), Snake Twin and<br />

Other Stories (1992) and Literary Criticism in<br />

the Philippines and Other Essays (1995); as well<br />

as the novels Cry Slaughter (1957), which had<br />

four New York printings and six European<br />

translations, To Be Free (1972), the awardwinning<br />

More Than Conquerors (1982), and<br />

Cracked Mirror (1984). Tiempo died in<br />

September of 1996, but his final novel, Farah,<br />

saw print in 2001. (Adapted from the Panitikan<br />

website)


When the first Filipino<br />

President of <strong>Silliman</strong><br />

<strong>University</strong>, Dr. Leopoldo<br />

T. Ruiz, gave his inaugural address at<br />

our commencement on 6 April 1953,<br />

he defined the true university as one<br />

where, among others, there is<br />

“constant enlargement of the horizons<br />

of man’s knowledge...”<br />

Until today, successive administrations of<br />

the <strong>University</strong> have been measured against such<br />

yardstick as defined by Dr. Ruiz, and as one of the<br />

innovative academic programs introduced in the<br />

university in the summer of 1962, this National<br />

Writers Workshop is then one of those pillars of<br />

the true university.<br />

Indeed, whether in creative, research, or<br />

academic writing, a university cannot be one<br />

without a solid, stable program in writing. At<br />

<strong>Silliman</strong> <strong>University</strong>, where the first three chairmen<br />

of the English Department—Dr. Metta Jacobs<br />

<strong>Silliman</strong>, Dr. Edilberto K. Tiempo, and Dr. Edith L.<br />

Tiempo—shaped her destiny, the National Writers<br />

Workshop was a natural progression that brought<br />

the <strong>University</strong> into international prominence. And<br />

as the brainchild of husband-and-wife team, Dr. Ed<br />

and Dr. Edith Tiempo, another natural progression<br />

is their daughter taking over—Dr. Rowena Tiempo-<br />

Torrevillas, the Writers Workshop’s current<br />

Director-in-Residence.<br />

For the past three weeks, we welcomed to<br />

this gathering of minds the creative writers who<br />

are striving to perfect their craft in spite of a<br />

rigorous journey in the process of discovering their<br />

strengths and weaknesses. This is a program so<br />

structured to develop one’s critical insights to<br />

expand one’s knowledge—the true horizon of the<br />

true university. For wasn’t it the American<br />

management guru, Peter Drucker, who gave us the<br />

From the<br />

Acting<br />

President


term “knowledge work,” describing it as work that<br />

is not easily designed because knowledge does not<br />

result in a product but instead, in a contribution of<br />

knowledge to somebody else?<br />

Such then is the hallmark of the true<br />

university—where “knowledge work” is<br />

generated, criticized, expanded, analyzed,<br />

assimilated—an academic program of the National<br />

Writers Workshop that only <strong>Silliman</strong> <strong>University</strong><br />

can design and achieve!<br />

For the past three weeks, the design of<br />

creative writing as knowledge not only sharpened<br />

some more to conform to what a true university is,<br />

but also, each one of the writing fellows—<br />

individually screened and selected—were tested to<br />

the limit by the mentors of this innovative summer<br />

program, a knowledge journey towards selfdiscovery<br />

of qualities that are self-imposed in their<br />

desire to perfect their craft.<br />

Now then is a happy moment for us in the<br />

<strong>University</strong> to have welcomed everyone of our<br />

writing fellows to the Rose Lamb-Sobrepeña<br />

Writers Village, the permanent home of <strong>Silliman</strong><br />

<strong>University</strong>’s Writers Workshop.<br />

In the last three weeks, I am sure that our<br />

fellows have also discovered that although the Rose<br />

Lamb Sobrepeña Writers Village is only a year old,<br />

it is also the only place on this earth where the<br />

tranquility of the environment could give them<br />

their needed serenity to achieve their creative<br />

genius! Again, congratulations on having been<br />

admitted to this summer’s program!<br />

Dr. Betsy Joy B. Tan<br />

Acting President, <strong>Silliman</strong> <strong>University</strong>


From the<br />

director<br />

in residence<br />

Dr. Rowena Tiempo-Torrevillas<br />

Director-in-Residence<br />

At this moment, across the<br />

planet, the fields of Iowa are<br />

being tilled and prepared for<br />

planting the seed that will feed the<br />

whole world.<br />

Where we are today, a world away, the seeds<br />

from Iowa — the nursery of writing worldwide,<br />

the Iowa Writers’ Workshop — are being reaped<br />

in our midst: fifty years of the written word, shared,<br />

cultivated, celebrated in a golden harvest.


May 2011 is the fiftieth<br />

anniversary of the National<br />

Writers Workshop. Let us<br />

try to trace briefly, dwelling only on<br />

the broad historical contours, the<br />

evolution of the National Writers<br />

Workshop.<br />

In 1961, National Artist for Literature Dr.<br />

Edith L. Tiempo and her late husband, Dr. Edilberto<br />

K. Tiempo, planted the seed for what is now the<br />

<strong>Silliman</strong> <strong>University</strong> National Writers workshop.<br />

In 2010, 49 years later, <strong>Silliman</strong> <strong>University</strong>,<br />

through a generous donation of Atty. Enrique<br />

Sobrepeña Jr., an Outstanding <strong>Silliman</strong>ian Awardee<br />

in the field of business, realized its vision to create<br />

a Writers Village on this gentle slope at the foothills<br />

of Mount Talinis as primary venue for the National<br />

Writers Workshop, and as a home for writers away<br />

from the distractions of city life.<br />

Now in 2011, the National Writers<br />

Workshop celebrates its fiftieth anniversary. We<br />

pause to think—we are now at the threshold of<br />

another fifty years, or a hundred years or more, for<br />

as long as there are writers who write about life,<br />

love, friendship, loyalty, honor, or about hatred,<br />

greed, envy, betrayal, dishonor, all universal<br />

themes that have preoccupied writers throughout<br />

the ages.<br />

Yes, we pause to think, what’s next? For now<br />

the <strong>University</strong>’s most immediate dream or vision<br />

is the Asianization of the Writers Workshop—<br />

inviting panelists and fellows from neighboring<br />

Asian countries to create a space for a vibrant blend<br />

in the literary arts and writing craft, and expanding<br />

<strong>Silliman</strong> <strong>University</strong>’s relevance and reach beyond<br />

its campus by the sea to gain value as an institution<br />

to others beyond itself.<br />

This vision became a reality in 2010 when<br />

we invited a notable Hong Kong-based writer, Xu<br />

From the<br />

Workshop<br />

Coordinator


Xi, a veteran in writers’ workshops, as guest<br />

panelist. This year, we have expanded to two Asian<br />

guests from Singapore: one, a young Singaporean<br />

student—Jasmine Teh—as writing fellow, and the<br />

other, her mentor, Dr. Kirpal Singh, a notable<br />

Singaporean writer and another veteran in writers’<br />

workshops, as guest panelist in the last week of the<br />

workshop. The National Writers Workshop is a<br />

three-week workshop—the longest writing<br />

workshop in the Philippines.<br />

This is one of the highlights in the workshop<br />

calendar for May 2011. Another highlight is the<br />

<strong>Gala</strong> and Awarding Ceremonies tonight at the<br />

Claire Isabel McGill Luce Auditorium, when<br />

institutions and persons who have supported and<br />

contributed to the development and growth of the<br />

National Writers Workshop will be recognized.<br />

Amazingly, there seems to be an<br />

inexplicable convergence of circumstances, a<br />

happenstance that can make one superstitious (or<br />

one think that this augurs successful fruitful<br />

ventures in the future): this is the visit to <strong>Silliman</strong><br />

on the last days of the workshop by Prof. Robin<br />

Hemley, director of the Non-fiction <strong>Program</strong> at the<br />

<strong>University</strong> of Iowa, who is visiting with twenty<br />

students.<br />

Why this convergence of circumstances?<br />

Why now at this threshold of the next fifty or more<br />

years of the Workshop’s existence, when there is a<br />

lot of wondering as to what would happen next,<br />

some dreaming or envisioning?<br />

We see that what started as a seed in 1961,<br />

and followed by a vision in 2010, are now realities<br />

in 2011. Let me end with this thought: dreams and<br />

visions are the stuff realities are made of.<br />

Dr. Evelyn F. Mascuñana<br />

Chair, Department of English and Literature


The 50th Anniversary Writing Fellows<br />

CHARMAINE CARREON is taking up her M.A.<br />

in Creative Writing at the <strong>University</strong> of the<br />

Philippines in Diliman. She also teaches in UP-<br />

Cebu. She has attended the 10th Iyas Creative<br />

Writing Workshop and the UP Visayas Centennial<br />

All-Visayan Writers Workshop.<br />

GLENN L. DIAZ is taking up his M.A. in Creative<br />

Writing at the <strong>University</strong> of the Philippines in<br />

Diliman. He was a Fellow for the 10th Ateneo<br />

National Writers Workshop. He has a short story<br />

published in the Philippine Free Press, and is at<br />

present a freelance writer, contributing non-fiction<br />

articles to the Philippine Star, Philippine Daily<br />

Inquirer, BusinessWorld, and others.<br />

PHILLINE P. DONGGAY is a presenter of The<br />

Climate Project, a leadership training group<br />

established by Al Gore. She is also a PR/Media<br />

Communications Manager of GREENERGY<br />

Development Corporation. She is also an editor of<br />

an online magazine, an ABS-CBN producer/writer<br />

for CHUY!, and an events organizer. Originally<br />

from Cagayan, she received her BS in Commerce<br />

from De La Salle <strong>University</strong>. She is passionate about<br />

traveling and writing.<br />

ROGELIO FANTONIAL GARCIA JR. is an<br />

instructor at the Department of English Language<br />

and Literature in Xavier <strong>University</strong> and is also<br />

taking up his M.A. in the school. He was Mindanao<br />

State <strong>University</strong>’s Writer of the Year in 2009 and<br />

was a writing fellow to the Sulat-Dula Playwriting<br />

Workshop. His works have been published in<br />

Sun.Star Davao, Dagmay, and in the “Youngblood”<br />

column of the Philippine Daily Inquirer.<br />

EVANGELINE B. GUBAT is taking up her M.A.<br />

in Creative Writing at the <strong>University</strong> of the<br />

Philippines in Diliman. She earned her Bachelor of<br />

Fine Arts from the Ateneo de Manila <strong>University</strong>.<br />

Her works have appeared in different publications,<br />

and one of her poems is anthologized in One<br />

Hundred Love Poems: Philippine Love Poetry Since<br />

1905. Currently, she is a freelance feature writer.<br />

JEFFREY JAVIER is a Creative Writing major in<br />

the <strong>University</strong> of the Philippines Mindanao. He has<br />

attended the DWG-ADDU Writers Workshop in<br />

2009. His stories and poems have appeared in<br />

Dagmay and in Sun.Star Davao.<br />

CHRISTINE LAO, after earning her Bachelor of<br />

Laws in the <strong>University</strong> of the Philippines College<br />

of Law, has been a Philippine attorney since 2001.<br />

She was a legal consultant for the Asian<br />

Development Bank and was also a lecturer at the<br />

English Department in the Ateneo de Manila<br />

<strong>University</strong>. Her stories have been published in the<br />

Philippine Speculative Fiction series (in 2008 and in<br />

2011), and her poems in 100 Filipina Poets: First<br />

Annual Festival of Women’s Poetry (in 2008). One of<br />

her stories has just recently appeared in Kritika<br />

Kulura.<br />

EMMANUEL LEAN P. LAVA is a corporate<br />

Business English Trainer in goFluent Phils., Inc. and<br />

is a contributing writer in GabLifeStyle Magazine. He<br />

has previously received his BA in Economics in the<br />

Ateneo de Manila <strong>University</strong>.<br />

ANDREA MACALINO earned her B.A. in English<br />

Literature from the Ateneo de Manila <strong>University</strong>.<br />

Her short story was a finalist in the Philippine Free<br />

Press Awards. Currently, Andrea is an Executive<br />

Assistant of the Ateneo Center for Continuing<br />

Education and is a content developer in Phinma<br />

Education Network.


MARIUS ANGELO G. MONSANTO is from<br />

Davao City. A Creative Writing student in the<br />

<strong>University</strong> of the Philippines Mindanao, he was<br />

fellow in the 15th Iligan National Writers<br />

Workshop. His works have been published in<br />

Sun.Star Davao.<br />

ALLEN SAMSUYA, a Creative Writing student in<br />

the <strong>University</strong> of the Philippines Mindanao, is from<br />

Cotabato City. He was a Fellow in the Davao<br />

Writers Workshop in 2009, and a finalist in the<br />

Davao Band Fest song-writing competition.<br />

MIGUEL ANTONIO D. SULANGI was given the<br />

BPI-DOST Science Award in 2010. He is a Physics<br />

major in the Ateneo de Manila <strong>University</strong>, and is<br />

also a member of Heights, Ateneo’s literary folio.<br />

ALYZA MAY T. TAGUILASO was a fellow in the<br />

Ateneo Writers Workshop and in the Iyas Creative<br />

Writing Workshop. Her work has also appeared<br />

in the recent Kritika Kultura: Anthology of New<br />

Philippine Writing in English. A Biology major from<br />

Ateneo, she is pursuing her Doctor of Medicine<br />

degree from the <strong>University</strong> of the East Ramon<br />

Magsaysay Memorial Medical Center.<br />

JASMINE TEH studied Information Systems<br />

Management at Singapore Management <strong>University</strong><br />

and lives in Singapore.<br />

ELAINE MICHELLE M. TOBIAS has published<br />

her works in The Literary Apprentice and in the<br />

<strong>University</strong> of the Philippines English Department’s<br />

Ampersand. At present, Tobey is a writer for The<br />

Mind Museum, a project of Bonifacio Arts<br />

Fundation, and a Creative Writing Major in UP<br />

Diliman.<br />

MARIA ROCHELLE A. VILLARUEL studies in<br />

De La Salle <strong>University</strong>, where she is working for<br />

her Master of Fine Arts degree. She has contributed<br />

articles to various publications—including<br />

Masigasig/Entrepreneur, Yes! Magazine, Cosmopolitan<br />

Philippines, etc.—and has worked in TV production<br />

and advertisement. At present, Miel is a writer for<br />

Global Property Guide.


1962<br />

J. Lorenzo Rivera<br />

Jose Ferraris<br />

Jose Lansang Jr.<br />

Luciano Tenedo<br />

Petronilo Daroy<br />

Socorro Federis-Tate<br />

Vic Samonte<br />

Wilfrido Nolledo<br />

1963<br />

Alberto Florentino<br />

Amalia Perez<br />

Bataan Faigao<br />

Elena Reyes<br />

Emmanuel Osorio<br />

Erwin Castillo<br />

Fernando Afable<br />

Geronimo Sicam<br />

Indalecio de Leon<br />

Ireneo Gancuangco<br />

Jesus Peralta<br />

Ko Won<br />

Leonidas Benesa<br />

Linda Ty-Casper<br />

Nicanor Tabligan<br />

Raymond Llorca<br />

Rogelio Sicat<br />

Valdemar Olaguer<br />

1964<br />

Alfredo Cuenca<br />

Alfredo Morales<br />

Erwin Castillo<br />

Jose Carreon<br />

Nelson La Rosa<br />

Ninotchka Rosca<br />

Orlando Hernando<br />

Roberto Pontinela<br />

Rolando Carbonell<br />

Rolando Pena<br />

Wilfredo Pascua Sanchez<br />

1965<br />

Alma de Jesus Tayo<br />

Elsie Martinez-Coscolluela<br />

Estelita Juco<br />

Freddie Dimaya<br />

G. Burce Bunao<br />

J Maidan Flores<br />

Jose Montebon<br />

Maximo Tuason<br />

Rita Gaddi<br />

Teresita Dato<br />

1966<br />

Alfredo Pucay<br />

Antonio Samson<br />

Carmelo Chionglo<br />

Cesar Victor Reyes<br />

Federico Licsi Espino<br />

Marra Lanot<br />

Norman Quimpo<br />

Salvador Bernal<br />

1967<br />

Antonio Enriquez<br />

Cesar Ruiz Aquino<br />

Fellows from 1962 to 2011<br />

Edgar Libre-Griño<br />

Eduardo Yap<br />

Florence Baban<br />

Jesus Chanco<br />

Joy Dayrit<br />

Jun Canizares<br />

Mar Arcega<br />

Migen Osorio<br />

Ricardo Patalinghug<br />

Robert Villasis<br />

Romeo Virtucio<br />

Sr. Ma. Delia Coronel, ICM<br />

Sr. Mary Imelda Domingo<br />

Thelma Enage<br />

1968<br />

Alfred Yuson<br />

Armando Ravanzo<br />

Cesar Mella, Jr.<br />

Dionisio Gabriel<br />

Donel Pacis<br />

Emmanuel Lacaba<br />

Lamberto Ceballos/Caballes<br />

Rene Estella Amper<br />

Rene Bonsubre<br />

Urias Almagro<br />

1969<br />

Alfrredo Navarro Salanga<br />

Artemio Tadena<br />

Dory Robles<br />

Gemma Tadena<br />

Josephine Soto<br />

Lamberto Antonio<br />

Linda Faigao<br />

Melquiades Allego<br />

Rosalinda Roxas<br />

Virgilio Almario<br />

Wigberto Fuentebella<br />

1970<br />

Alberto Casuga<br />

Carlos Aureus<br />

Carlota Abellana<br />

Celedonio Aguilar<br />

Conrado de Quiros<br />

Fr. Miguel Fernandez<br />

Franklin Osorio<br />

Gwendolyn Reyes<br />

Junio Ragragio<br />

Macario Tiu<br />

Ricky Lee<br />

Wilfredo Pascua Sanchez


1971<br />

Aida Rivera-Ford<br />

Desmond Montemayor<br />

Dolores Martir<br />

Edgar Griño<br />

Eduardo Lucero<br />

Edward Garrett<br />

Erwin Castillo<br />

Gil Garcia<br />

Leticia Farinas<br />

Loreto Matienzo Jr.<br />

Ma. Zenaida French<br />

Primo Pacis<br />

Rene Martinez<br />

Val Fajardo<br />

1972<br />

Alfredo Macaraeg<br />

Edgar Maranan<br />

Ernesto Lariosa<br />

Francis Macansantos<br />

Freddie Hernandez<br />

Josefina Cabe<br />

Luis Cabalquinto<br />

Pantaleon Auman<br />

Ramon Cortes III<br />

Rene Parohinog<br />

Rogelio Mangahas<br />

Virgilio Vitug<br />

1973<br />

Angelito Santos<br />

Anthony Tan<br />

Antonio Orogo Jr.<br />

Catherine Salazar<br />

Cecilia Nava<br />

Felix Fojas<br />

Jaime An Lim<br />

Jolico Cuadra<br />

Ma. Cristina Ferreros<br />

Mauro Avena<br />

Meng Magno<br />

Oriel Muspratt<br />

Vidal Armamento<br />

1974<br />

Bella Apelo<br />

Cynthia Rodriguez<br />

Elizabeth Orteza<br />

Gaudioso Sustento<br />

Generoso Taduran<br />

Gilbert Centina III<br />

Herminio Beltran<br />

Hortensia Balisalisa<br />

Jose Gilbert Licuanan<br />

Leoncio Deriada<br />

Luis Cabalquinto<br />

Rodulfo Alano<br />

1975<br />

Cristina Velez<br />

Estrella Alfon<br />

George Vail Kabristante<br />

Manuel Concepcion<br />

Oscar Pecson<br />

Romeo Centina<br />

Sammy Sta. Maria<br />

1976<br />

Danilo Estiva<br />

Fornarina Enemicio<br />

Goddy Ricafort Ypon<br />

Inez Taccad-Cammayo<br />

Jun Cruz Reyes<br />

Kee Thuan Chye<br />

Marie Marjorie Pernia<br />

Mario Eric Gamalinda<br />

Socorro Tate<br />

Teoh Choon Ean<br />

Wong Po Wah<br />

1977<br />

Angelo Bernardo<br />

Connie Imperial<br />

Diana Gamalinda<br />

Domingo de Guzman<br />

Edel Garcellano<br />

Eduardo Orozco<br />

Ernesto Superal Yee<br />

Noralyn Mustapha<br />

Victor Mandala<br />

1978<br />

Aida Manansala<br />

Anthony Serrano<br />

Denise Allas<br />

Grace Monte de Ramos<br />

Jorge Sabino<br />

Juan Arcellana<br />

Melito Baclay<br />

Nadine Rodriguez<br />

Rene Saguin<br />

Simeon Dumdum<br />

1979<br />

Enrico Enerio<br />

Geraldine Maayo<br />

Henry Villalva<br />

Jessie Bandillo<br />

Leslie Lofranco<br />

Letty Salanga<br />

Priscilla Supnet<br />

Susan Lara<br />

Vicente Bandillo


1980<br />

Antonio Hernandez<br />

Aries Baluyos<br />

Augusta de Almedda<br />

Carlos Basa Cortes<br />

Edgar Alosbanos<br />

Edmundo Farolan<br />

Elsa Mampo<br />

Ely Centina<br />

Maria Linda Felipe<br />

Rene Espeleta<br />

Timbasal Tawasil<br />

Wilfredo Alberca<br />

1981<br />

Achilles B. Mina<br />

Emilia Salanga<br />

Jose Y. Dalisay Jr.<br />

Loretta Medina<br />

Manolo Fernando<br />

Mercedita Flores<br />

Tita Taule<br />

1982<br />

Fanny HB. Llego<br />

Merlie Alunan<br />

Patricia Rivera<br />

Rhodora Espinosa<br />

Seth Florentino<br />

Victoria Kapauan<br />

1983<br />

Baboo Mondonedo<br />

Danton Remoto<br />

Emmanuel Espinola Jr.<br />

Isabela Banzon<br />

Louie Stuart<br />

May Datuin<br />

Ricardo de Ungria<br />

1984<br />

Alexander Lee<br />

Clovis Nazareno<br />

Connie Maraan<br />

Ed delos Santos Cabagnot<br />

Fidelito Cortes<br />

Ramon Bautista<br />

R. Torres Pandan<br />

Victor Peñaranda<br />

1985<br />

Ernesto Bitonio Jr.<br />

Gina Apostol<br />

Merlinda Bobis<br />

R. Romea Luminarias<br />

Rodolfo Silvestre<br />

Victorio Sugbu<br />

1986<br />

Agustin Rodriguez<br />

Charlson Ong<br />

Fatima Lim<br />

John Kenneth Go<br />

Meynardo Macaraig<br />

Ruby Tan Enario<br />

Rufino Vigilar<br />

1987<br />

Anthony Buyawe<br />

Nino Soria de Veyra<br />

Cecilia Roxas<br />

Grace Odal<br />

Marne Kilates<br />

Vicente Ignacio de Veyra<br />

1988<br />

Cesar Bacani Jr.<br />

Cyrus Borja<br />

Dinah Roma<br />

Jose Celmar<br />

Mozart Pastrano<br />

Timothy Montes<br />

Victorino Manalo<br />

1989<br />

Christine Godinez-Ortega<br />

Cynthia Lopez Dee<br />

Danilo Francisco Reyes<br />

Felino Garcia Jr.<br />

Gilbert Tan<br />

Jose Wendell Capili<br />

Lakambini Sitoy<br />

Luna Sicat<br />

Maria Jovita Zarate<br />

Miriam Coronel Ferrer<br />

Nenita Lachica<br />

Ramon Boloron<br />

Rex JMA Fernandez<br />

Romeo Baquiran Jr.<br />

Timothy Wells<br />

VE Carmelo Nadera Jr<br />

1990<br />

Albert Claude Evangelio<br />

Anne Panning<br />

Arile Valerio<br />

Elmar Ingles<br />

Franklin Cimatu<br />

Generoso Opulencia<br />

Jessie Garcia<br />

J. Neil C. Garcia<br />

Ma. Cristina Martinez<br />

Nerissa Balce<br />

Noel Ramiscal<br />

Philip James Laquindanum<br />

Pio Ricky Torre<br />

Rofel Brion<br />

Violeta Ledesma


1991<br />

Adrian Antique<br />

Ana Carla Villarmente<br />

Ben Javier<br />

Bonnie Jane Flores<br />

Camilo Villanueva Jr.<br />

Cesar Aljama<br />

Clarita Kwan<br />

Ma. Theresa Quintana<br />

Ma. Criselda Bonganciso<br />

Maningning Miclat<br />

Minerva Chanco<br />

Noberto Bana III<br />

Peter Lay<br />

Rhoda Montes<br />

Shalom Galve<br />

Victor John Padilla<br />

1992<br />

Angelo Rodriguez Lacuesta<br />

Allan Bodoy<br />

Antonio Mapa Jr.<br />

Bonnie Jane Flores<br />

Dean Francis Alfar<br />

Homer Novicio<br />

Jess Alfonso Macasaet<br />

Maria Elena Paterno<br />

Nicolas Pichay<br />

Orlynne Genato<br />

Ramil Gulle<br />

Renerio Concepcion<br />

Timothy Montes<br />

1993<br />

Alexander Edmund Capiz<br />

Andre Lagunzad<br />

Lu-Ann Fuentes<br />

Diwata Hope Bose<br />

Gerardo Antoy<br />

Gerardo Torres<br />

Eugene Gloria<br />

Leigh Reyes<br />

Liezl Sitosta<br />

Lilia Maria Sevillano<br />

Ma. Romina Gonzales<br />

Melanie San Juan<br />

Michael Maniquiz<br />

Natasha Vizcarra<br />

Padmapani Perez<br />

Reinerio Alba<br />

Rolito Beratio Mojica<br />

Ruel De Vera<br />

Vicente Garcia Groyon III<br />

1994<br />

Alessandra GL Gonzales<br />

Alma Anonas-Carpio<br />

Anthony Kintanar<br />

Aurelio Pena<br />

Calbi Asain<br />

Doreen Jose<br />

Edelisa Cruz<br />

Espereanza Nuqui<br />

Josefina Tejada<br />

Lilibeth Rose Mercado<br />

Ma. Rhodora Ancheta<br />

Melchor Cichon<br />

Michael Obenieta<br />

Nerisa del Carmen Guevara<br />

RJ Ledesma<br />

Ruben Canlas Jr.<br />

Sylvia de Guzman<br />

1995<br />

Mads Bajarias<br />

Anne-Marie Jennifer Eligio<br />

Beatriz Lorete<br />

Conchitina Cruz<br />

Francis Martinez<br />

Januar Yap<br />

Larissa Saguisag<br />

Lorenzo Paran III<br />

Lourd Ernest De Veyra<br />

Ma. Bigonia David<br />

Carla Pacis<br />

Ma. Leovina Nicolas<br />

Ma. Liza Fetalino<br />

Maria Chona Jomilla<br />

Melecio Turao<br />

Melissa Salva<br />

Michael Anthony Dizon<br />

Ralph Semino <strong>Gala</strong>n<br />

Randolf Bustamante<br />

Robert JA Basilio Jr.<br />

Seann Tan<br />

Ursula Priscilla Calasanz<br />

1996<br />

Abigail Aquino<br />

Andrea Pasion<br />

Caroline Howard<br />

Cesar Naniong<br />

Cherrie Sing<br />

Christina Peralta<br />

David Brooks<br />

Gabriel Baban Keith<br />

Homer Novicio<br />

Ina Alleco Silverio<br />

Jhoanna Lynn Cruz<br />

John Labella<br />

Kris Lanot Lacaba<br />

F.H. Batacan<br />

Mae Emmily Magtalas<br />

Michael de Guzman<br />

Nid Anima<br />

Rosanna Cabusao<br />

Tara FT Sering


1997<br />

Alex Gregorio<br />

Alexander Tan Jr.<br />

Diane Coleen Jorolan<br />

Eduardo Geronia Jr.<br />

Frances Ng<br />

Gad Lim<br />

Israfel Fagela<br />

J. Ana Flores<br />

Jennifer Patricia Cariño<br />

Jeremiah Bondoc<br />

Joel Toledo<br />

Jose Edmundo Reyes<br />

Lor Arejola<br />

Maribel Bagabaldo<br />

Mary Ann Tobias<br />

May Jennifer Amolat<br />

Nicole Roldan<br />

Riza Faith Ybañez<br />

Ronald Baytan<br />

Ronald Villavelez<br />

Sandra Nicole Roldan<br />

Sem Precioso Villareal<br />

Sergio Pontillas<br />

1998<br />

Carlomar Arcangel Daoana<br />

Ceres Abanil<br />

Isagani D’Bayan Jr.<br />

Jojo Alamillo<br />

Jude Espina Ganzon<br />

Lawrence Ypil<br />

Lilledeshan Bose<br />

Miguel Syjuco<br />

Raymund Magno Garlitos<br />

Rebecca April Khan<br />

Rizaldy Dandan<br />

Tanya Sevilla<br />

1999<br />

Allan Popa<br />

Barbara Ricafrente<br />

Bernice Roldan<br />

Christine Flores<br />

Indira Endaya<br />

Jessica del Mundo<br />

John Go<br />

Jose Perez Beduya<br />

Mayo Uno Aurelio Martin<br />

Libay Linsangan Cantor<br />

2000<br />

Alex de los Santos<br />

Elmer Pizo<br />

Gerald Ramos<br />

Isolde Amante<br />

Jean Claire Dy<br />

Noel Villaflor<br />

Roberto Salva<br />

Ted Limpoco<br />

Ulysses Navarro<br />

Vincenz Serrano<br />

Wayne Mark Lopez<br />

Ian Rosales Casocot<br />

2001<br />

Christine Alindada<br />

Anna Bernaldo<br />

Alvin Dacanay<br />

Jin Paul De Guzman<br />

Jeneen Garcia<br />

Barry Gutierrez<br />

BJ Patiño<br />

Janet Villa<br />

Yeyet Villa<br />

Marby Villaceran<br />

2002<br />

Kristine Alave<br />

Daryll Jane Delgado<br />

Ana Maria Katigbak<br />

Peter Mayshle<br />

Maryanne Moll<br />

Michael Morco<br />

Allan Pastrana<br />

Baryon Tensor Posadas<br />

Angelo Suarez<br />

Naya Valdellon<br />

2003<br />

Mark Anthony Cayanan<br />

Vincent Coscolluela<br />

Jonathan Davila<br />

Louella Fortez<br />

Ken Ishikawa<br />

Carljoe Javier<br />

Maria Francezca Theresa Kwe<br />

Nikki Paredes Jasmine<br />

Rolando Salvaña<br />

Anna Felicia Sanchez<br />

Joseph Rosmon Tuazon<br />

Niccolo Vitug<br />

2004<br />

Selina Alano<br />

Ia Aparentado<br />

John Bengan<br />

Mitzie Correa<br />

Hedwig De Leon<br />

Faye Ilogon<br />

Marie La Viña<br />

Gabriela Lee<br />

Glenn Maboloc<br />

Monica Macansantos<br />

Ginny Mata<br />

James Iain Neish<br />

Romel Oribe<br />

Myrza Sison


2005<br />

Anna Cristina Abola<br />

Angela Balcita<br />

Jose Perseus Canivel<br />

Mikael Co<br />

Elizabeth Rae Cowan<br />

Matthew Davis<br />

Jun Dela Rosa<br />

Maria Cynthia Diangson<br />

Bernadette Esposito<br />

Whitney Fleming<br />

Brian Goedde<br />

Jynelle Gracia<br />

Charisse-Fuschia Paderna<br />

Maria Lourdes Parawan<br />

Benedict Parfan<br />

Gerardo Peralta<br />

Bonnie Rough<br />

Rica Bolipata-Santos<br />

Alex Sheshunoff<br />

Virginia Villanueva<br />

2006<br />

Douglas Candano<br />

Dominique Cimafranca<br />

Erica Jean Cabanawan<br />

Darwin Chiong<br />

Patricia Evangelista<br />

Antonio Adrian Habana<br />

Anna Escalante Neri<br />

Noel Pingoy<br />

Michelle Sarile<br />

Larissa Mae Suarez<br />

Andrea Teran<br />

2007<br />

Kristian Abe Dalao<br />

Krisette Sia-Valderia<br />

Jennelyn Tabora<br />

Sharleen Banzon<br />

Cecille La Verne de la Cruz<br />

Pancho Villanueva<br />

Catherine Alpay<br />

Sasha Martinez<br />

Janina Marie Rivera<br />

Michelle Eve de Guzman<br />

Robert Jed Rio Malayang<br />

Mia Tijam<br />

Martin Villanueva<br />

Jan Paulo Bastareche<br />

Primy Joy Cane<br />

Justine Megan Yu<br />

2008<br />

Lawrence Bernabe<br />

Noelle Leslie dela Cruz<br />

Ma. Celeste Fusilero<br />

Rodrigo dela Peña<br />

Arelene Jaguit Yandug<br />

Bron Joseph Teves<br />

Marguerite Alcarazen de Leon<br />

Dustin Edward Celestino<br />

Joshua Lim So<br />

Liza Baccay<br />

Fred Jordan Mikhail Carnice<br />

Ma. Elena Paulma<br />

Anna Carmela Tolentino<br />

Lamberto Varias Jr.<br />

2009<br />

Mariane Amor Romina Abuan<br />

Jonathan Gonzales<br />

Arkaye Keirulf<br />

Patricia Angela Magno<br />

Niño Manaog<br />

Keith Bryan Cortez<br />

Ana Margarita Stuart del Rosario<br />

Monique Francisco<br />

Russell Stanley Geronimo<br />

Aleck Maramag<br />

Gabriel Millado<br />

Gabrielle Nakpil<br />

Joy Rodriguez<br />

Philip Kimpo Jr.<br />

Marck Ronald Rimorin<br />

2010<br />

Gian Paolo Simeon Lao<br />

Dominique Allison Santos<br />

Jacob Dominguez<br />

Oscar Serquina Jr.<br />

Aaron James Jalalon<br />

Jenette Ethel Vizcocho<br />

Gilda Ysobel <strong>Gala</strong>ng<br />

Anne Carly Abad<br />

Gino Francis Dizon<br />

Jose Carlo Flordeliza<br />

Ida Anita Del Mundo<br />

Samantha Echavez<br />

Kelly Marie Tulio Conlon<br />

Miro Frances Capili<br />

Christina Mae del Rosario<br />

2011<br />

Charmaine Carreon<br />

Evangeline Gubat<br />

Jeffrey Javier<br />

Allen Samsuya<br />

Alyza Taguilaso<br />

Glenn Diaz<br />

Christine Lao<br />

Emmanuel Lava<br />

Andrea Macalino<br />

Marius Monsanto<br />

Philline Donggay<br />

Rogelio Garcia Jr.<br />

Miguel Sulangi<br />

Elaine Tobias<br />

Maria Villaruel


The 50th Anniversary Panel of Writer/Critics<br />

DR. ROWENA TIEMPO-TORREVILLAS<br />

teaches nonfiction writing and transnational<br />

literature at the <strong>University</strong> of Iowa. Prior to joining<br />

the English Department faculty at the <strong>University</strong><br />

of Iowa, she was for nearly two decades<br />

administrator of the International Writing <strong>Program</strong>.<br />

She holds the Ph.D. in English and Literature from<br />

<strong>Silliman</strong>; her career includes the Gawad Balagtas<br />

from the Writers’ Union, two Philippine National<br />

Book Awards, as well as the Palanca for poetry and<br />

fiction; the UMPIL Distinguished Writer Award in<br />

1984, Outstanding Educator of the Year at the<br />

National Gintong Sipag Award in 1985, Philippine<br />

National Book Award, Progress 2002 Famous Fifty<br />

in Iowa City. She writes fiction, poetry, nonfiction<br />

and literary criticism. Her books include The Sea<br />

Gypsies Stay, Flying Over Kansas: Personal Views,<br />

Mountain Sacraments: Selected Poems, Upon the<br />

Willows and Other Stories, and The World Comes to<br />

Iowa. Her works have been translated into<br />

numerous languages, including Arabic, Bengali,<br />

Chinese, Hebrew, Russian. She and her husband<br />

Lem live in Iowa City.<br />

KIRPAL SINGH, who shares the same name with<br />

an Indian spiritual leader, is known worldwide as<br />

a scholar and writer. Born in Singapore in 1949, he<br />

stayed very briefly in Malaysia when he was a child<br />

and then went back again to Singapore to get his<br />

education. While in primary school, he started<br />

dabbling in poetry, and eventually, while studying<br />

Arts for his A-levels in Raffles Institution, he<br />

published his work in Singapore Pot-pourri, where<br />

he compiled poems, prose, and plays by local<br />

authors. Singh graduated with honors at the<br />

National <strong>University</strong> of Singapore where he met his<br />

professors Edwin Thumboo and Lee Tzu Pheng—<br />

whom he credits with playing significant roles in<br />

his literary growth. To date, Singh has published<br />

not only books of poetry, but also research articles<br />

and critical writings which have appeared in<br />

international publications such as the Ariel, Diogene,<br />

Commonwealth Novel In English, Literary Criterion,<br />

Quadrant, Southern Review, and Westerly. Singh also<br />

has overseen the editing of different publications;<br />

he was also editor of the literary journal World<br />

Literature Written in English. He has attended<br />

various international writers’ festivals, and has<br />

been to Adelaide, Cambridge, Edinburgh, Toronto,<br />

and Kent to read his works. In 1993 and 1994, he<br />

was the first Asian director of the Commonwealth<br />

Writers’ Prize. Later in 2004, he became the first<br />

Asian and non-American director of the American<br />

Creativity Association’s (ACA) board. At present,<br />

he is the Assistant Professor at the Singapore<br />

Management <strong>University</strong>.<br />

CÉSAR RUÌZ AQUINO finished his Ph. D. in<br />

Creative Writing at <strong>Silliman</strong> <strong>University</strong> and<br />

currently teaches Literature and Creative Writing<br />

courses in this same institution. Winner of various<br />

international (most recent of which is the 2005 Sea-<br />

Write Award from the queen of Thailand) and<br />

national literary awards, Dr. Aquino has published<br />

World Without End, a collection of poems; Chronicles<br />

of Suspicion, a collection of short stories; Checkmeta:<br />

The Cesar Ruiz Aquino Reader, another collection of<br />

stories and poems; and In Samarkand: Poems and<br />

Verseliterations, another book of poems.


MYRNA PEÑA-REYES earned her BA in English<br />

from <strong>Silliman</strong> <strong>University</strong> and went on to acquire<br />

her MFA in Creative Writing from the <strong>University</strong><br />

of Oregon, where she taught for some time. Ms.<br />

Peña-Reyes has already published two books of<br />

poems, The River Singing Stone (Anvil, 1994) and<br />

Almost Home: Poems (UP Press, 2003; 2004). Her<br />

other poems, fiction, essays, and literary reviews<br />

have appeared in the Sands and Coral, the <strong>Silliman</strong><br />

Journal, the Philippine Collegian, Solidarity, the<br />

Philippine Free Press, The Weekly Graphic, the Weekly<br />

Women’s Magazine, the Asia-Philippines Leader, and<br />

The Sunday Times Magazine. Her works were also<br />

anthologized in Philippine publications such as the<br />

Likhaan Anthology of Philippine Literature in English<br />

From 1900 to the Present (1998); A Habit of Shores:<br />

Filipino Poetry and Verse from English ‘60s to the ‘90s<br />

(1999); and Filipino Women Writers in English: Their<br />

Story 1905-2002 (2003) as well as in US publications:<br />

From Here We Speak: An Anthology of Oregon Poetry<br />

(1993); The Forbidden Stitch (1989); Making Waves<br />

(1989); Gathering Ground (1984); Anthology of Eugene<br />

Writers #1 (1982), and Sequoia (1973).<br />

GÉMINO H. ABAD is one of the Philippines’<br />

foremost contemporary poets and critics as well as<br />

a distinguished academician. He has published<br />

several collections of poems and critical essays,<br />

including Fugitive Emphasis (poems, 1973); In<br />

Another Light (poems and critical essays, 1976); A<br />

Formal Approach to Lyric Poetry (critical theory,<br />

1978); The Space Between (poems and critical essays,<br />

1985); and Poems and Parables (1988). He is also<br />

well-known for having edited what are considered<br />

landmark anthologies in Philippine poetry: Man<br />

of Earth (1989), A Native Clearing (1993) and A Habit<br />

of Shores: Filipino Poetry and Verse from English, ‘60s<br />

to the ‘90s (1999). The <strong>University</strong> of the Philippines<br />

has awarded Dr. Abad its highest academic rank<br />

of <strong>University</strong> Professor. Currently, he is Emeritus<br />

<strong>University</strong> Professor at the College of Arts and<br />

Letters, UP-Diliman, where he teaches creative<br />

writing. Dr. Abad has recently brought honor to<br />

the entire country when it was announced that he<br />

won Italy’s most coveted literary achievement in<br />

the Foreign Author category, the Premio Feronia—<br />

Città di Fiano 2009 for his work, In Ordinary Time.<br />

Poet RICARDO M. DE UNGRIA has won five<br />

National Book Awards for his books of poetry. He<br />

has also earned various research grants, one of<br />

which is a Fulbright Grant, which sent him to<br />

Washington <strong>University</strong> in St. Louis where he<br />

received his MFA in Creative Writing in 1989. Aside<br />

from this, he played a significant role in establishing<br />

two writers groups: he is a founding member of<br />

the Philippine Literary Arts Council, and he<br />

founded the Davao Writers Guild when he moved<br />

to Davao in 1999. Since then, he has organized<br />

annual readings in schools and published works<br />

in Dagmay, a Davao-based literary journal. From<br />

2001 to 2007, he served as Chancellor of UP<br />

Mindanao. He was also the Commissioner for the<br />

Arts for the National Commission for Culture and<br />

the Arts. Presently he teaches creative writing to<br />

undergraduate students in UP Mindanao.<br />

SUSAN S. LARA is a distinguished fictionist and<br />

author of the book Letting Go and Other Stories. A<br />

workshop alumna, Ms. Lara graduated from the<br />

<strong>University</strong> of the Philippines Dilliman with a BA<br />

in English. She is currently a professional<br />

communications consultant.


DANILO FRANCISCO M. REYES is the author<br />

of the poetry collection Promising Lights, and is at<br />

work on another volume as well as a collection of<br />

short stories. He has an MA in English Literature<br />

from the Ateneo de Manila <strong>University</strong>, and is on<br />

the faculty of Ateneo’s Filipino and English<br />

departments. He recently completed a research<br />

fellowship with the Japan Foundation, which<br />

brought him to several institutes and cultural sites<br />

across Asia.<br />

BOBBY FLORES VILLASIS was a Creative<br />

Writing Fellow to both the National Writers<br />

Workshop in Dumaguete and the UP Writers<br />

Summer Workshop (where he won the Best Fiction<br />

Manuscript Prize, the first of many literary awards).<br />

Aside from being a multiple recipient of the Palanca<br />

Award for the one-act and full-length plays, Mr.<br />

Villasis was also first prize winner for short fiction<br />

in the Focus Magazine and the Philippine Free<br />

Press literary contests. His books include Suite<br />

Bergamasque (short fiction, winner of the 2001<br />

National Book Award given by the Manila Critics<br />

Circle); and Demigod (personal anthology). He was<br />

also co-editor of Kabilin, the official book of the<br />

Negros Oriental Centennial Celebration.<br />

ALFRED A. YUSON is in the Hall of Fame of the<br />

Carlos Palanca Memorial Awards for Literature, the<br />

Philippines’ most prestigious literary distinction,<br />

and has been conferred in 1992 the S.E.A. Write<br />

Award for lifetime achievement. To date, he has<br />

authored 19 books, including novels, poetry<br />

collections, short fiction, essays, and children’s<br />

stories. These include Sea Serpent (Monsoon Press,<br />

1980), Trading in Mermaids (Anvil Publishing,<br />

1993),Mothers Like Elephants (Anvil Publishing,<br />

2000), Hairtrigger Loves: 50 Poems on Woman (UP<br />

Press, 2002), and the translation, Love’s A Vice/Bisyo<br />

and Pag-Ibig: Translations into English of 60 Poems<br />

by Mike L. Bigornia (National Commission for<br />

Culture and the Arts, 2004). Krip Yuson is currently<br />

Chairman of the Writers Union of the<br />

Philippines, and writes a literature and culture<br />

column for The Philippine Star aside from teaching<br />

fiction and poetry at Ateneo de Manila <strong>University</strong>,<br />

where he holds the Henry Lee Irwin Professorial<br />

Chair in Creative Writing.


About the writers village<br />

The Mary Rose Lamb Sobrepeña Writers Village is a gift by Atty.<br />

Enrique Sobrepeña Jr.—1973 Outstanding <strong>Silliman</strong>ian<br />

Awardee in the field of business—to <strong>Silliman</strong> <strong>University</strong>. Atty.<br />

Sobrepeña’s dedication to the arts has helped establish <strong>Silliman</strong>’s role<br />

as a hub for literature and creative writing in Asia. The Writers Village<br />

is named in honor of his wife Mary Rose Lamb Sobrepeña.<br />

Today, the site is the primary venue for the <strong>Silliman</strong> <strong>University</strong> National Writers<br />

Workshop, founded by Drs. Edilberto and Edith Tiempo in 1961. The Writers Village, a<br />

project initiated by <strong>University</strong> President Dr. Ben S. Malayang III, is part of a long tradition<br />

of gifts to the <strong>University</strong> from the Sobrepeñas, avid patrons who have also helped keep<br />

the workshop alive as keen supporters through the years.<br />

The donation for the creation of the Writers Village, located in Camp Lookout, in<br />

Bongbong, Valencia, was facilitated by former <strong>University</strong> President Dr. Quintin S.<br />

Doromal. Groundbreaking rites were held on 15 November 2009, and dedication rites<br />

were held on 13 April 2010. The Village was first used for the 49th National Writers<br />

Workshop in May 2010.<br />

The Writers Village is now home to writers of all persuasions. Its establishment<br />

helps promote the arts and culture at <strong>Silliman</strong> <strong>University</strong> and in the Dumaguete and<br />

Negros Oriental community.


Acknowledgments<br />

the national writers workshop would like to thank<br />

Dr. Ben S. Malayang III<br />

Dr. Betsy Joy B. Tan<br />

Dr. Edith L. Tiempo<br />

Dr. Margaret Helen Udarbe-Alvarez<br />

Dr. Teresita Sy-Sinda and the Alumni College<br />

Mr. Jose Mari Jonathan Antonio<br />

Dr. Elizabeth Susan Vista-Suarez<br />

Dr. Christopher Ablan<br />

Dr. Josefina Cornelio<br />

Prof. Robin Hemley<br />

Ms. Susan Lara<br />

Dr. Ricky M. de Ungria<br />

Ms. Jacqueline Piñero-Torres<br />

Ms. Arlene Delloso-Uypitching<br />

Ms. Annabelle Lee-Adriano and Antulang Beach Resort<br />

Mr. Edo Adriano<br />

Mr. and Mrs. Simon and Virginia Stack<br />

Ms. Jacqueline Veloso-Antonio and Globe Telecom<br />

Forest Camp<br />

Office of the Negros Oriental Governer<br />

Gov. Roel Degamo<br />

Provincial Administrator Arnel Francisco<br />

Dr. Nic Elman and the Provincial Tourism Office<br />

Sidlakang Negros<br />

Bobby Raymundo<br />

Myla Abellana<br />

Office of the Dumaguete City Mayor<br />

Mayor Chiquiting Sagarbarria<br />

Mr. Joel Toledo of Philippines Free Press<br />

Mr. Joel Salud of Philippine Graphic<br />

Mr. Krip Yuson of Philippine Star<br />

Ms. Isolde Amante of Sun.Star Cebu<br />

Prof. Irma Faith Pal of MetroPost<br />

Mr. Allen del Carmen of Visayan Daily Star<br />

Mr. Ely Dejaresco of Negros Chronicle<br />

Mr. Roy Bustillos of KillerBee<br />

<strong>Silliman</strong> <strong>University</strong> Camera Club<br />

Mr. Greg Morales<br />

Mr. Urich Calumpang<br />

Ms. Gladys Borromeo<br />

Mr. Hersley Ven Casero<br />

Ms. Alma Zosan Alcoran<br />

Mr. Philip Calumpang<br />

<strong>Silliman</strong> <strong>University</strong> Gratitude Goodwill Ambassadors<br />

Office of Information and Publication<br />

Mr. Ian Lizares<br />

Mr. Fredjordan Carnice<br />

Ms. Sonia SyGaco<br />

Ms. Andrea Macalino<br />

Ms. Christine Lao<br />

Mr. Sarge Lacuesta<br />

Ms. Rica Bolipata-Santos<br />

Mr. Dean Francis Alfar<br />

Mr. Burtlan Partosa


Mr. Tyrone Partosa<br />

Rev. Noel Villalba<br />

Mr. Carlo Angelo Regalado<br />

Banda Manga<br />

Ms. Nerisa del Carmen Guevara<br />

Ms. Sharon Dadang-Rafols<br />

Ms. Lua Padilla-Hagedorn<br />

Ms. Kakay Pamaran<br />

Ms. Lia Padilla Hagedorn<br />

Ms. Katrina Saga<br />

Mr. Ricardo Abapo<br />

The Quizo Family Singers<br />

Ms. Mennem Peark Caballero<br />

Mr. Joshua So<br />

Pastor Giovanni Punzalan<br />

Mr. Richard Kim<br />

Mr. Patrik Norouzi<br />

The Luce Auditorium Corps of Ushers and Usherettes<br />

Ms. Jean Espino and the <strong>Silliman</strong> Cafeteria<br />

Prof. Joseph Basa and the Claire Isabel McGill Luce Auditorium<br />

<strong>Silliman</strong> <strong>University</strong> Instructional Media Center<br />

<strong>Silliman</strong> <strong>University</strong> Buildings and Grounds<br />

The City Engineers Office<br />

General Services Office of Dumaguete<br />

Manang Josephine and Manang Bebe of the Writers Village<br />

the national writers workshop<br />

would like to thank<br />

Hon. Hon. Enrique Enrique Gonzalez<br />

Gonzalez<br />

Municipal Mayor<br />

the national writers workshop<br />

would like to thank<br />

Chantilly


the national writers workshop<br />

would like to thank<br />

Hon. Hon. R RRoel<br />

R oel Degamo Degamo<br />

Degamo<br />

Governor<br />

the national writers workshop<br />

would like to thank<br />

City City Mayor<br />

Mayor<br />

Bais City, Negros Oriental<br />

the national writers workshop<br />

would like to thank<br />

Ms. Ms. Annabelle Annabelle Lee Lee-Adriano Lee driano driano<br />

General Manager<br />

the national writers workshop<br />

would like to thank<br />

Hon. Hon. Chiquiting Chiquiting Sagarbarria<br />

Sagarbarria<br />

City Mayor


the national writers workshop<br />

would like to thank<br />

Arlene<br />

Delloso-Uypitching<br />

&<br />

Don<br />

Ramas-Uyitching<br />

the national writers workshop<br />

would like to thank<br />

College of<br />

Performing<br />

and Visual Arts<br />

Dr Dr. Dr . Elizabeth Elizabeth Susan Susan V VVista<br />

V istaista-Suarezista Suarez<br />

Dean<br />

the national writers workshop<br />

would like to thank<br />

Simon<br />

&<br />

Virginia<br />

Stack<br />

the national writers workshop<br />

would like to thank<br />

Hon.<br />

Pryde Henry<br />

Teves<br />

Third Third District District R RRepresentative<br />

R epresentative<br />

Negros Oriental


the national writers workshop<br />

would like to thank<br />

Hon.<br />

George<br />

Arnaiz<br />

Second Second Second District District R RRepresentative<br />

R epresentative<br />

Negros Oriental<br />

the national writers workshop<br />

would like to thank<br />

Hon.<br />

Karen<br />

Villanueva<br />

City City Mayor<br />

Mayor<br />

Bais City, Negros Oriental<br />

the national writers workshop<br />

would like to thank<br />

Hon.<br />

Jocelyn<br />

Limkaichong<br />

First irst District District R RRepresentative<br />

R epresentative<br />

Negros Oriental<br />

the national writers workshop<br />

would like to thank<br />

Royani oyani Dy<br />

Dy<br />

General Manager


The Workshop Staff<br />

Director Emeritus<br />

Director-in-Residence<br />

Workshop Coordinator<br />

Secretariat<br />

Finance Officer<br />

Publicity Officers<br />

Facebook<br />

Twitter<br />

Website<br />

Photography<br />

Designs and Layouts<br />

Kit/Souvenir Officer<br />

Transportation Officer<br />

<strong>Program</strong> Officers<br />

Food Committee Officer<br />

Accommodations Officer<br />

Registrations Officers<br />

Evaluations Officer<br />

Physical Arrangement Officers<br />

Requisitions Officer<br />

Screening Committee<br />

Ushering<br />

Dr. Edith Lopez Tiempo<br />

Dr. Rowena Tiempo-Torrevillas<br />

Dr. Evelyn F. Mascuñana<br />

Alana Leilani C. Narciso<br />

Lady Flor N. Partosa<br />

Prof. Warlito Caturay Jr.<br />

Ian Rosales Casocot<br />

Dr. Cesar Ruiz Aquino<br />

Misael Ondong for Tapok <strong>Silliman</strong><br />

Ian Rosales Casocot<br />

Muhammad Syarief Asbir<br />

Ian Rosales Casocot<br />

Greg Morales and Urich Calumpang<br />

<strong>Silliman</strong> <strong>University</strong> Camera Cllub<br />

Ian Rosales Casocot<br />

Rebecca de la Torre<br />

Prof. Philip Van Peel<br />

Ian Rosales Casocot<br />

Moses Joshua Atega<br />

Prof. Diomar Abrio<br />

Rebecca de la Torre<br />

Rina Fernandez-Hill<br />

Joan Generoso<br />

Ronelaine Picardal<br />

Myla June Patron<br />

Jennifer Solitana<br />

Sherro Lee Lagrimas<br />

Moses Joshua Atega, head<br />

Hermesiela Duran<br />

Jankaren Kitane<br />

Dubhe Flores<br />

Michael Patron<br />

Dr. Rowena Tiempo-Torrevillas<br />

Prof. Myrna Peña-Reyes<br />

Dr. Cesar Ruiz Aquino<br />

Mr. Bobby Flores Villasis<br />

Patrik Norouzi<br />

Shanice Rae McSavaney<br />

Ela Clavano<br />

Marian Vanslembrouck<br />

Alfie Calingacion<br />

Lissa-Patricia Duch<br />

Glenna Christina Duch

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!