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The Buddhist Perspective on Cause and Condition

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ything is naturally integrated <strong>and</strong> fulfilled.<br />

We can explain these four levels of underst<strong>and</strong>ing<br />

from another angle. In order to play a musical instrument,<br />

such as a flute, violin, or piano, beginners<br />

must first study scales <strong>and</strong> notes. <str<strong>on</strong>g>The</str<strong>on</strong>g>y must first<br />

learn to read the musical score <strong>and</strong> familiarize<br />

themselves with their respective instruments. To<br />

generate each sound, they must look at each note <strong>on</strong><br />

the score, become knowledgeable in the use of the<br />

instrument, <strong>and</strong> practice. <str<strong>on</strong>g>The</str<strong>on</strong>g>y c<strong>on</strong>tinue this process<br />

of practicing until they are thoroughly familiar with<br />

the music. This is the first level of performance.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g>se performers can <strong>on</strong>ly play with a musical score.<br />

Similarly, when we still need to look at the phenomena<br />

of the external world for underst<strong>and</strong>ing, we<br />

are at the level of right underst<strong>and</strong>ing.<br />

When the performers have perfected their practice,<br />

the musical score now has been etched into their<br />

hearts <strong>and</strong> minds. <str<strong>on</strong>g>The</str<strong>on</strong>g>y can close their eyes, <strong>and</strong> the<br />

notes will naturally appear in the mind. Although<br />

they appear to perform without the physical music<br />

sheet, their minds are still bound by the existence of<br />

the score. <str<strong>on</strong>g>The</str<strong>on</strong>g>y perform by following the notes <strong>and</strong><br />

cannot freely express themselves musically. This is<br />

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