The Buddhist Perspective on Cause and Condition
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ything is naturally integrated <strong>and</strong> fulfilled.<br />
We can explain these four levels of underst<strong>and</strong>ing<br />
from another angle. In order to play a musical instrument,<br />
such as a flute, violin, or piano, beginners<br />
must first study scales <strong>and</strong> notes. <str<strong>on</strong>g>The</str<strong>on</strong>g>y must first<br />
learn to read the musical score <strong>and</strong> familiarize<br />
themselves with their respective instruments. To<br />
generate each sound, they must look at each note <strong>on</strong><br />
the score, become knowledgeable in the use of the<br />
instrument, <strong>and</strong> practice. <str<strong>on</strong>g>The</str<strong>on</strong>g>y c<strong>on</strong>tinue this process<br />
of practicing until they are thoroughly familiar with<br />
the music. This is the first level of performance.<br />
<str<strong>on</strong>g>The</str<strong>on</strong>g>se performers can <strong>on</strong>ly play with a musical score.<br />
Similarly, when we still need to look at the phenomena<br />
of the external world for underst<strong>and</strong>ing, we<br />
are at the level of right underst<strong>and</strong>ing.<br />
When the performers have perfected their practice,<br />
the musical score now has been etched into their<br />
hearts <strong>and</strong> minds. <str<strong>on</strong>g>The</str<strong>on</strong>g>y can close their eyes, <strong>and</strong> the<br />
notes will naturally appear in the mind. Although<br />
they appear to perform without the physical music<br />
sheet, their minds are still bound by the existence of<br />
the score. <str<strong>on</strong>g>The</str<strong>on</strong>g>y perform by following the notes <strong>and</strong><br />
cannot freely express themselves musically. This is<br />
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