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SHENSTON IAN 88 - Old Silhillians Association

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JUNIOR SCHOOL SUMMER CONCERT, AND 'SWEENEY TODD'.<br />

The Junior School Summer Concert is always an oasis of calm in the frenzy of<br />

the end-of-year clearing up. As usual, we were treated to enthusiastic and able<br />

perfomances given to a gratifyingly large audience.<br />

The Junior School Orchestra, led by Simon Williams, started the proceedings<br />

with two numbers from Space Travellers, by Bruce Lawrence. It is remarkable that<br />

year after year Mrs Spurrell is able to produce a substantial orchestra, which plays<br />

already in a relaxed and professional way.<br />

Orchestras depend on a supply of violinists, which is why they are usually so<br />

rare in junior schools. Mrs Spurrell and Mrs Solomon work to such admirable<br />

effect, however, that in addition to the orchestral item we were able to hear a trio<br />

of violinists (Simon Williams, Robert Love and Nathan Downing) play an<br />

arrangement of 'Lift Thine Eyes' from Mendelssohn's Elijah. This item was<br />

followed by a brass trio of two trumpets and a trombone (Guy Deeming, Michael<br />

Fletcher and Christopher Jones) playing music by Fleming and Schumann. The last<br />

item in Part 1 was a charming account of a Purcell Rondo for two recorders and<br />

cello (Richard Gibbs, Jamie Andrews and Louis Meryon), this showed real<br />

understanding of ensemble by the young players.<br />

Part 2 of the concert was a spirited performance by the Junior School<br />

Percussion Group of 'Hand me down my silver Trumpet, Gabriel!'. Mr. Allen has<br />

developed this type of work very greatly, and it is delightful to see the obvious<br />

enjoyment of the players and observe their commitment.<br />

Finally, in Part 3, we were treated to another remarkable 'happening'. This<br />

time , Mrs Instone had chosen the grisly tale of Sweeney Todd, the Demon Barber,<br />

by Carey Blyton with a script written by Mrs Instone herself. The excellent set was<br />

dominated by an ingenious collapsing barber's chair designed by Mr. Belcher,<br />

which despatched the murdered customers via a chute to the cellar, where they<br />

were processed into meat pies by the gin-soaked Mrs Covett. (It is of course not as<br />

sinister as it seems to notice that our gifted kitchen manager had helped with<br />

properties by producing the said meat pies: Mr Bayley assures me that every Junior<br />

School boy is accounted for and will return home for the holidays.) The set itself<br />

was flanked by the raked choir, in fine Victorian costumes designed by Mrs Davies.<br />

The choir acted as both commentator and chorus.<br />

Jamie Andrews was the self-assured narrator. Thomas Spittle, resplendent in<br />

mustachios of decidedly repulsive aspect, went about his foul business with great<br />

enthusiasm and an excellent singing voice. His final downfall was encompassed by<br />

his new apprentice Tobias Ragg (presumably a replacement for a predecessor who<br />

had been turned into sausages), the returned seafarer Mark Ingestre (performed by<br />

Adam Collins with a fine stage presence) and his sweetheart Joanna Oakley (Neil<br />

Dodson), and the Law represented by Christopher Jones. The observant passer-by<br />

was Guy Deeming.<br />

Mrs Instone, as producer, has that art which conceals art which only excellent<br />

producers have. She is able to impose on a large group of people order, and above<br />

all stillness when it is needed. Perhaps it can only be truly appreciated by those who<br />

have witnesssed elesewhere the choas and fidgeting which beset amateur<br />

productions. It makes a superb setting for excellent singing, which is what we were<br />

treated to thanks to the work of Mr Irving. At a time when choral singing in English<br />

schools is in general either lamentable or non-existent, it is our great good fortune<br />

to be treated to the clear, tuneful and well-produced voices of the soloists and choir<br />

alike.<br />

Our thanks for a most enjoyable afternoon to the large number of boys who<br />

took part, and to the many members of staff who enabled this production to run so<br />

smoothly.<br />

DMT<br />

R.S.P.B. Bird Films.<br />

On 17th November 1987, Solihull Junior School went to the Solihull Library<br />

Theatre to watch an array of bird films by the R.S.P.B.<br />

The first was a film about migrating birds and their long dangerous flights over<br />

seas and rugged landscapes.<br />

The second was about the everyday life of a puffin. It showed how it lived on<br />

cold damp rock faces, and caught fish from the water with ease.<br />

The final film was about river birds. It showed us how birds cope in the rivers<br />

and marshes of Britain. It was amazing how each bird had its own methods of<br />

survival.<br />

Between films, a talk was given by the chairman of the Solihull R.S.P.B.<br />

association. The films were enthralling to watch, and I hope that there will be more<br />

showing of them in the near future.

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