SHENSTON IAN 88 - Old Silhillians Association
SHENSTON IAN 88 - Old Silhillians Association
SHENSTON IAN 88 - Old Silhillians Association
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JUNIOR SCHOOL SUMMER CONCERT, AND 'SWEENEY TODD'.<br />
The Junior School Summer Concert is always an oasis of calm in the frenzy of<br />
the end-of-year clearing up. As usual, we were treated to enthusiastic and able<br />
perfomances given to a gratifyingly large audience.<br />
The Junior School Orchestra, led by Simon Williams, started the proceedings<br />
with two numbers from Space Travellers, by Bruce Lawrence. It is remarkable that<br />
year after year Mrs Spurrell is able to produce a substantial orchestra, which plays<br />
already in a relaxed and professional way.<br />
Orchestras depend on a supply of violinists, which is why they are usually so<br />
rare in junior schools. Mrs Spurrell and Mrs Solomon work to such admirable<br />
effect, however, that in addition to the orchestral item we were able to hear a trio<br />
of violinists (Simon Williams, Robert Love and Nathan Downing) play an<br />
arrangement of 'Lift Thine Eyes' from Mendelssohn's Elijah. This item was<br />
followed by a brass trio of two trumpets and a trombone (Guy Deeming, Michael<br />
Fletcher and Christopher Jones) playing music by Fleming and Schumann. The last<br />
item in Part 1 was a charming account of a Purcell Rondo for two recorders and<br />
cello (Richard Gibbs, Jamie Andrews and Louis Meryon), this showed real<br />
understanding of ensemble by the young players.<br />
Part 2 of the concert was a spirited performance by the Junior School<br />
Percussion Group of 'Hand me down my silver Trumpet, Gabriel!'. Mr. Allen has<br />
developed this type of work very greatly, and it is delightful to see the obvious<br />
enjoyment of the players and observe their commitment.<br />
Finally, in Part 3, we were treated to another remarkable 'happening'. This<br />
time , Mrs Instone had chosen the grisly tale of Sweeney Todd, the Demon Barber,<br />
by Carey Blyton with a script written by Mrs Instone herself. The excellent set was<br />
dominated by an ingenious collapsing barber's chair designed by Mr. Belcher,<br />
which despatched the murdered customers via a chute to the cellar, where they<br />
were processed into meat pies by the gin-soaked Mrs Covett. (It is of course not as<br />
sinister as it seems to notice that our gifted kitchen manager had helped with<br />
properties by producing the said meat pies: Mr Bayley assures me that every Junior<br />
School boy is accounted for and will return home for the holidays.) The set itself<br />
was flanked by the raked choir, in fine Victorian costumes designed by Mrs Davies.<br />
The choir acted as both commentator and chorus.<br />
Jamie Andrews was the self-assured narrator. Thomas Spittle, resplendent in<br />
mustachios of decidedly repulsive aspect, went about his foul business with great<br />
enthusiasm and an excellent singing voice. His final downfall was encompassed by<br />
his new apprentice Tobias Ragg (presumably a replacement for a predecessor who<br />
had been turned into sausages), the returned seafarer Mark Ingestre (performed by<br />
Adam Collins with a fine stage presence) and his sweetheart Joanna Oakley (Neil<br />
Dodson), and the Law represented by Christopher Jones. The observant passer-by<br />
was Guy Deeming.<br />
Mrs Instone, as producer, has that art which conceals art which only excellent<br />
producers have. She is able to impose on a large group of people order, and above<br />
all stillness when it is needed. Perhaps it can only be truly appreciated by those who<br />
have witnesssed elesewhere the choas and fidgeting which beset amateur<br />
productions. It makes a superb setting for excellent singing, which is what we were<br />
treated to thanks to the work of Mr Irving. At a time when choral singing in English<br />
schools is in general either lamentable or non-existent, it is our great good fortune<br />
to be treated to the clear, tuneful and well-produced voices of the soloists and choir<br />
alike.<br />
Our thanks for a most enjoyable afternoon to the large number of boys who<br />
took part, and to the many members of staff who enabled this production to run so<br />
smoothly.<br />
DMT<br />
R.S.P.B. Bird Films.<br />
On 17th November 1987, Solihull Junior School went to the Solihull Library<br />
Theatre to watch an array of bird films by the R.S.P.B.<br />
The first was a film about migrating birds and their long dangerous flights over<br />
seas and rugged landscapes.<br />
The second was about the everyday life of a puffin. It showed how it lived on<br />
cold damp rock faces, and caught fish from the water with ease.<br />
The final film was about river birds. It showed us how birds cope in the rivers<br />
and marshes of Britain. It was amazing how each bird had its own methods of<br />
survival.<br />
Between films, a talk was given by the chairman of the Solihull R.S.P.B.<br />
association. The films were enthralling to watch, and I hope that there will be more<br />
showing of them in the near future.