A Masked Ball (Un ballo in maschera) by ... - Opera Australia
A Masked Ball (Un ballo in maschera) by ... - Opera Australia
A Masked Ball (Un ballo in maschera) by ... - Opera Australia
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OPERA AUSTRALIA MEDIA RELEASE – MELBOURNE AUTUMN SEASON 2013<br />
*New Production*<br />
*World Première Season*<br />
Spa<strong>in</strong>’s avant‐garde of the perform<strong>in</strong>g arts, La Fura dels Baus,<br />
direct and design<br />
A <strong>Masked</strong> <strong>Ball</strong> (<strong>Un</strong> <strong>ballo</strong> <strong>in</strong> <strong>maschera</strong>) <strong>by</strong> Giuseppe Verdi<br />
Images clockwise from bottom right: A <strong>Masked</strong> <strong>Ball</strong>, Diego Torre, José Carbó<br />
One of Spa<strong>in</strong>’s most sought‐after companies comes to Melbourne with a stunn<strong>in</strong>g production of Verdi’s A <strong>Masked</strong> <strong>Ball</strong>,<br />
play<strong>in</strong>g at Arts Centre Melbourne from April 12 to May 3.<br />
Prepare to be amazed <strong>by</strong> a breathtak<strong>in</strong>g new production <strong>by</strong> the <strong>in</strong>genious La Fura dels Baus. Innovative director Alex Ollé<br />
and designers Alfons Flores and Lluc Castells have created a visually stunn<strong>in</strong>g, ground‐break<strong>in</strong>g tale of deception, disguise<br />
and fate <strong>in</strong> a world where the wealthy have all the power and control the populace.<br />
Acclaimed Mexican tenor Diego Torre takes the role of Gustav III, Hungarian soprano Csilla Boross makes her <strong>Opera</strong><br />
<strong>Australia</strong> debut, and the outstand<strong>in</strong>g José Carbó portrays Count Ankarström <strong>in</strong> his first Verdi opera. Ollé’s visceral<br />
production sets a new benchmark <strong>in</strong> theatrical <strong>in</strong>novation and is as m<strong>in</strong>d‐boggl<strong>in</strong>g and dar<strong>in</strong>g as it is musically lush. It is<br />
conducted <strong>by</strong> Italian composer and conductor Andrea Mol<strong>in</strong>o, the Artistic Director of World Venice Forum, who<br />
conducted Of Mice and Men and Macbeth for <strong>Opera</strong> <strong>Australia</strong> <strong>in</strong> 2011.<br />
About La Fura dels Baus<br />
Formed as a street theatre <strong>in</strong> the late 1970s, La Fura dels Baus performed <strong>in</strong> towns and cities around Catalonia. Through<br />
their experimental beg<strong>in</strong>n<strong>in</strong>gs they developed the traits that would later def<strong>in</strong>e them: <strong>in</strong>quiry, <strong>in</strong>teraction with the<br />
audience and adapt<strong>in</strong>g each show to the specific performance space. Accolades were quick to follow their venture onto<br />
the <strong>in</strong>ternational tour<strong>in</strong>g circuit, with their cult status be<strong>in</strong>g cemented with massive outdoor spectaculars for huge crowds,<br />
<strong>in</strong>clud<strong>in</strong>g Barcelona’s Olympic Open<strong>in</strong>g Ceremony <strong>in</strong> 1992.<br />
<strong>Australia</strong>n audiences may know La Fura <strong>by</strong> MTM at Barrie Kosky’s 1996 Adelaide Festival; ØBS at Sydney Festival 2001,<br />
their huge outdoor human net as the open<strong>in</strong>g event of Perth Festival 2010, and Le Grand Macabre at Adelaide Festival<br />
2010 with its illum<strong>in</strong>ated recl<strong>in</strong><strong>in</strong>g giant woman. Internationally, the company has presented works at Ruhr Triennale <strong>in</strong><br />
Bochum, L’Opéra Bastille, Opéra national de Paris and Teatro Real <strong>in</strong> Madrid.<br />
About the work<br />
While the benevolent ruler Gustav III beg<strong>in</strong>s plann<strong>in</strong>g a grand masquerade for the pleasure of his subjects, his conspirators<br />
are plott<strong>in</strong>g his end. The traitors, however, will only succeed if they can enlist an ally close to the k<strong>in</strong>g. With its<br />
unforgettable melodies and f<strong>in</strong>e balance of romance and tragedy – and one of opera’s greatest love duets – the<br />
<strong>in</strong>ternational collaboration is a first for <strong>Opera</strong> <strong>Australia</strong> ahead of seasons <strong>in</strong> Brussels, Oslo, Buenos Aires and Bologna.<br />
Written at the height of Verdi’s career, A <strong>Masked</strong> <strong>Ball</strong> is loosely based on the actual assignation of Sweden’s Gustav III.<br />
Orig<strong>in</strong>ally titled Gustav III, Verdi and librettist Antonio Somma were forced <strong>by</strong> censors to revise and relocate the opera’s
OPERA AUSTRALIA MEDIA RELEASE – MELBOURNE AUTUMN SEASON 2013<br />
*New Production*<br />
sett<strong>in</strong>g to Boston before its première <strong>in</strong> 1859 <strong>in</strong> Rome. Despite subsequent relaxation of the censors’ hold, which could<br />
have meant return<strong>in</strong>g the opera’s story to Sweden, A <strong>Masked</strong> <strong>Ball</strong> rema<strong>in</strong>ed set <strong>in</strong> America until the mid‐20 th century.<br />
About the artists<br />
Mexican tenor Diego Torre is best known to <strong>Australia</strong>n audiences as Rodolfo <strong>in</strong> La bohème. Other recent appearances<br />
<strong>in</strong>clude Savonl<strong>in</strong>na <strong>Opera</strong> Festival, Boston Lyric <strong>Opera</strong>, Staatstheater Darmstadt, Metropolitan <strong>Opera</strong> and Dessau <strong>Opera</strong>,<br />
as well as a soloist at Santo Dom<strong>in</strong>go Music Festival. Upcom<strong>in</strong>g engagements <strong>in</strong>clude both Tebaldo <strong>in</strong> I Capuleti e i<br />
Montecchi and P<strong>in</strong>kerton <strong>in</strong> Madama Butterfly with Den Norske <strong>Opera</strong> & <strong>Ball</strong>et.<br />
Hungarian dramatic soprano Csilla Boross has performed extensively <strong>in</strong> Italy, as well as France and USA. Her most recent<br />
and notable performances <strong>in</strong>clude Nabucco (Abigaille) at the Teatro dell'<strong>Opera</strong> di Roma with Riccardo Muti, which was<br />
broadcast on live television throughout Europe on ARTE. She was also chosen <strong>by</strong> Maestro Muti to perform <strong>in</strong> the gala<br />
performance celebrat<strong>in</strong>g the 150 th anniversary of Italy <strong>in</strong> 2011.<br />
Born <strong>in</strong> Argent<strong>in</strong>a of Spanish and Italian descent, baritone José Carbó moved to <strong>Australia</strong> with his family at an early age.<br />
After study<strong>in</strong>g under Thais Taras, Arax Mansourian and Margaret Baker Genovesi <strong>in</strong> Rome, he won the <strong>Australia</strong>n S<strong>in</strong>g<strong>in</strong>g<br />
Competition <strong>Opera</strong> Award <strong>in</strong> 2005. Mr Carbó made his debut with <strong>Opera</strong> <strong>Australia</strong> <strong>in</strong> 2002, followed <strong>by</strong> his European<br />
debut <strong>in</strong> Madrid <strong>in</strong> 2011, and his American debut at Seattle <strong>Opera</strong>. Most recently <strong>in</strong> Melbourne, Mr Carbó sang <strong>in</strong> The<br />
Barber of Seville for <strong>Opera</strong> <strong>Australia</strong> <strong>in</strong> 2012.<br />
The cast is completed <strong>by</strong> a raft of popular <strong>Opera</strong> <strong>Australia</strong> s<strong>in</strong>gers <strong>in</strong>clud<strong>in</strong>g Lor<strong>in</strong>a Gore as Oscar, Christopher Hillier as<br />
Christian, Richard Anderson as Count Ribb<strong>in</strong>g, David Park<strong>in</strong> as Count Horn and Andrew Brunsdon as the Judge.<br />
A <strong>Masked</strong> <strong>Ball</strong> is a co‐production with Teatro Colon, Buenos Aires; La Monnaie, Brussels; Norwegian National <strong>Opera</strong> &<br />
<strong>Ball</strong>et, Oslo; and Teatro Lomunale di Bologna.<br />
CREATIVES & CAST:<br />
Conductor<br />
Andrea Mol<strong>in</strong>o<br />
Director<br />
Alex Ollé<br />
Set Designer<br />
Alfons Flores<br />
Costume Designer<br />
Lluc Castells<br />
Light<strong>in</strong>g Designer<br />
Urs Schönebaum<br />
PERFORMANCE INFORMATION<br />
Even<strong>in</strong>gs at 7:30pm:<br />
April 12, 17, 20, 23, 26<br />
May 3<br />
Gustav III<br />
Diego Torre<br />
Amelia<br />
Csilla Boross<br />
Jacquel<strong>in</strong>e Mabardi<br />
Count Ankarström<br />
José Carbó<br />
Ulrica Arfvidsson<br />
Mariana Pentcheva<br />
Oscar<br />
Lor<strong>in</strong>a Gore<br />
Sung <strong>in</strong> Italian with English surtitles<br />
Runn<strong>in</strong>g time: 2hrs 55m<strong>in</strong>s with one 20m<strong>in</strong> <strong>in</strong>terval.<br />
Christian<br />
Christopher Hillier<br />
Count Ribb<strong>in</strong>g<br />
Richard Anderson<br />
Count Horn<br />
David Park<strong>in</strong><br />
Judge<br />
Andrew Brunsdon<br />
Servant<br />
Dean Bassett<br />
With<br />
Orchestra Victoria<br />
<strong>Opera</strong> <strong>Australia</strong> Chorus<br />
BOOKINGS<br />
Tickets: From $108<br />
Student Rush is available at most performances. $55 (plus<br />
transaction/handl<strong>in</strong>g fee)<br />
<strong>Opera</strong> <strong>Australia</strong> Box Office: (03) 9685 3700<br />
Or onl<strong>in</strong>e: www.opera‐australia.org.au<br />
State Theatre, Arts Centre Melbourne<br />
Media Enquiries:<br />
Sarah Wilson, Senior Publicist (02) 9318 8332 // 0405 364 643 E: sarah.wilson@opera‐australia.org.au<br />
Imogen Corlette, National PR & Publicity Manager (02) 9318 8327 // E: imogen.corlette@opera‐australia.org.au<br />
Government Partners Pr<strong>in</strong>cipal Partner