Deer Hunter

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I show you. Come. You come. (pulls him to his feet) Linda have special, crazy fuck. That right? NICK nods. He looks as if he might be about to cry. BAR GIRL (CONT'D) I give you special, crazy fuck, just like Linda. Come. You come. Linda cry, make crazy moan? NICK nods. BAR GIRL (CONT'D) I give you cry, crazy moan. Come. You come. INT. CORRIDOR - BAR - NIGHT The BAR GIRL comes around the corner with NICK, guiding him to a flight of narrow stairs. She has one hand around his waist and the other down the front of his pants. BAR GIRL
You like to call me Linda now? NICK Linda, yeah. BAR GIRL You call me Linda, just like home. Suddenly NICK draws to a stop, staring at a small window at the end of the corridor. He tears himself loose from the BAR GIRL and pushes up against the glass. EXT. NARROW STREET (NICK'S POV) - NIGHT Seated on the sidewalk against the wall of the opposite building is an OLD MAN surrounded by a collection of white ceramic elephants. A truck roars by in front of him. Motorcycles sputter past and PEDESTRIANS hurry in both directions. The OLD MAN sits motionless, like the guardian of some timeless, silent kingdom. INT. CORRIDOR - BAR - NIGHT NICK spins away from the window. NICK Hey... Hey, elephants! Look at
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Deer Hunter, The (1978) movie scrip
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trembling with heat, and they come
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SAL'S MOTHER It would snow... Every
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checking out. NICK, SAL and MERLE a
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stop dead in their tracks. VINCE Sn
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MERLE Right. ALBERT Damn right! VIN
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VET 1 (signals) Up ribbon! One end
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GUYS IN THE CAR (chanting) Do it, N
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Love, Mom." ANGELA frowns, turns th
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holds a half-empty bottle in his ha
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LINDA'S FATHER swings at her again,
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SAL'S MOTHER So cold is your heart
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NICK I know. MERLE That way it sets
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MERLE Fucking A. NICK I don't think
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point is, Nick, without you I'd hun
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That's new, isn't it? NICK Couple o
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carnations, NICK hears someone call
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NICK Linda, Linda...! LINDA (very s
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PRIEST "Blessed be the Kingdom... n
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crowned for the servant of God Ange
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unison, they desert the smiling and
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MERLE crosses back to LINDA and giv
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Pow! The SERGEANT gives a beery chu
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as they have gone MARSHA is taken b
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Uh... well, maybe you could tell us
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from the dance floor right out into
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Don't worry what it says in the boo
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Pontiac, ALBERT carrying MERLE's cl
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that. NICK (half laughing) Merle --
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conversation. ALBERT She fucked you
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JOHN Who's got the ammo? ALBERT Amm
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VINCE into a blind rage. VINCE Get
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That's mustard! ALBERT (mouth jamme
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it. EXT. ROADSIDE AREA - DAWN The s
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over. VINCE (CONT'D) (rummaging aro
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(both hands in the air) No!!!? MERL
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times, Merle! (to the others) I fix
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MERLE I said no. JOHN looks at ALBE
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Yeah... I mean so he knows... He do
Page 79 and 80: WE HEAR THE BUZZ AND CREAK OF OTHER
Page 81 and 82: gaunt, but we recognize that it is
Page 83 and 84: ROAR. EXT. APPROACHING AMERICAN HEL
Page 85 and 86: A shot rings out. The LIEUTENANT go
Page 87 and 88: is a single-action .45 caliber revo
Page 89 and 90: toward the SOUTH VIETNAMESE. The SO
Page 91 and 92: MERLE, who lies on the floor nearby
Page 93 and 94: him of f to the table. INT. THATCHE
Page 95 and 96: and forth. His eyes are vacant and
Page 97 and 98: What else? MERLE I thought you migh
Page 99 and 100: NICK Forget Sal? MERLE Forget Sal..
Page 101 and 102: means we gotta play each other. NIC
Page 103 and 104: ONE OF THEM lets off a blast of aut
Page 105 and 106: EXT. CLEARING IN THE JUNGLE - WAITI
Page 107 and 108: NICK puts the revolver back on the
Page 109 and 110: this, so get your shit in fuckin' s
Page 111 and 112: MERLE IS STRONG! -- HA! MERLE IS MA
Page 113 and 114: suddenly discovering himself among
Page 115 and 116: spins, BADLY WOUNDED. MERLE throws
Page 117 and 118: ope which MERLE has tied around his
Page 119 and 120: Hey! Hey, gee! SAL crosses to the w
Page 121 and 122: skids. Now and then an ARMY CONVOY
Page 123 and 124: watches, then he jams the gun in hi
Page 125 and 126: off and cut it up... (he extracts a
Page 127 and 128: CAMERA HOLDS ON NICK as he turns ou
Page 129: Everybody love Linda. NICK That's r
Page 133 and 134: BAR GIRL Wait! First I give you spe
Page 135 and 136: (to the YOUNGEST URCHIN) You know h
Page 137 and 138: NICK walks out past the CORPSES. Th
Page 139 and 140: ack of the building,and TWO BURLY M
Page 141 and 142: Where did you play? NICK Up north.
Page 143 and 144: I have to go. ARMAND But you must c
Page 145 and 146: (weary, shaking his head) No. None
Page 147 and 148: cookies, trudging up the hill. We s
Page 149 and 150: CAB DRIVER What're you, crazy? That
Page 151 and 152: LINDA gives a thin smile. VINCE (CO
Page 153 and 154: gulping down whiskey -- gulping it
Page 155 and 156: NICK stands half-way down a rickety
Page 157 and 158: No. LINDA Oh, Nick! Oh I missed you
Page 159 and 160: NICK's knees. LINDA (CONT'D) (smoot
Page 161 and 162: just have beer. Do you want some ch
Page 163 and 164: NICK Naw, it's... I mean... LINDA M
Page 165 and 166: (takes his arm, laughs) No-o-o! NIC
Page 167 and 168: It's Nick! VINCE Nick...? (sees him
Page 169 and 170: How're you guys... I mean, how've y
Page 171 and 172: gun, Vince. VINCE looks around. Car
Page 173 and 174: Nick! Hey, Nick! (gives him a big h
Page 175 and 176: No? NICK No. How's Angela? How's sh
Page 177 and 178: WHAT THE HELL IS THIS??? ALBERT Nic
Page 179 and 180: now! The toaster man! I'll go and g
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Nick! ANGELA begins to tremble, jab
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dark, like a great river rolling th
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NICK doesn't stir, doesn't budge. L
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geyser of molten steel erupts in a
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understand, doing it with one... wo
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ALBERT (CONT'D) Hey, John! ALBERT s
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Albert... VINCE cracks up, howling.
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Yeah... All the guys, we're all goi
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EXT. MOUNTAINS - MIXED HARDWOOD FOR
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down. JOHN and ALBERT drag VINCE to
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growling sound. NICK grabs for the
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coming in, thudding in the mud and
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ALBERT indicates his rifle. VINCE s
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NICK (grins) Damn... God damn... EX
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ALBERT Then what's the gun for! Wha
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VINCE What the hell was that! (pick
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pounds on the car. VINCE takes off,
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What's that noise? SAL John Wayne..
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INT. NICK'S TRAILER - NIGHT NICK ho
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Too bad. NICK goes down a long aisl
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Let's make love forever! INT. NICK'
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irked with himself, a little fright
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NICK We do, Sal. We do... You're th
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Where? NICK Here. Behind you. NICK
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for a long time. NICK picks the pap
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money. The reality of what MERLE is
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NICK Like I say, Phantom Mary's pre
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Biederman. Is that right? BIEDERMAN
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important. LIEUTENANT That I must n
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(leans close) Not bad fresh, but th
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ush. NICK gets in the limousine. Th
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omelettes, s'il vous plait. WIFE (h
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the yard with the little grape arbo
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falls flat on his back. Standing in
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doin' in there? NICK You know a guy
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about, glass-eyed, drinking champag
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disbelief at the evolution of the g
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five languages. NICK starts off aga
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You are his friend. NICK Where is h
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How's Linda? NICK Fine. She's fine.
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NICK reaches the end of the terrace
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a bugle, trying to play TAPS. VET 1
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together on a steep hillside of til
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NICK (very shaky) I just... would l
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Deer Hunter

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