William Byrd: A Celebration, edited by Richard Turget - MusicaSacra

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TABLE OF CONTENTS Acknowledgments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Preface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9 BIOGRAPHY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11 William Byrd: A Brief Biography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13 Kerry McCarthy “Blame Not the Printer”: William Byrd’s Publishing Drive, 1588–1591 . . . . . . . . . . . . . . . . . . . . .17 Philip Brett Byrd and Friends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .67 Kerry McCarthy William Byrd, Catholic and Careerist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .75 Joseph Kerman MASSES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .85 The Masses of William Byrd . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .87 William Peter Mahrt Byrd’s Masses in Context . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .95 David Trendell CANTIONES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .103 Byrd’s Musical Recusancy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .105 David Trendell Grave and Merrie, Major and Minor: Expressive Paradoxes in Byrd’s Cantiones Sacrae, 1589 . . . .113 William Peter Mahrt Savonarola, Byrd, and Infelix ego . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .123 David Trendell William Byrd’s Art of Melody . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .131 William Peter Mahrt GRADUALIA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .139 Rose Garlands and Gunpowder: Byrd’s Musical World in 1605 . . . . . . . . . . . . . . . . . . . . . . . . . .141 Kerry McCarthy The Economy of Byrd’s Gradualia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .151 William Peter Mahrt 5
6 — A Byrd Celebration ENGLISH MUSIC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .159 Byrd the Anglican? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .161 David Trendell Byrd’s Great Service: The Jewel in the Crown of Anglican Music . . . . . . . . . . . . . . . . . . . . . . . . .167 Richard Turbet Context and Meaning in William Byrd’s Consort Songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .173 David Trendell UNPUBLISHED MOTETS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .177 Byrd’s Unpublished Motets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .179 David Trendell APPENDICES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .185 Record of Choral Works Performed at the William Byrd Festival . . . . . . . . . . . . . . . . . . . . . . . . .187 Mark Williams Facsimile Achive of Byrd’s Manuscript Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .195 INDEX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .201 CONTRIBUTORS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .207
Page 1 and 2: This book has been published by the
Page 4 and 5: William Byrd 1540-1623 A Byrd Celeb
Page 8: ACKNOWLEDGMENTS The editor would li
Page 11 and 12: 10 — A Byrd Celebration one gets
Page 14 and 15: WILLIAM BYRD: A BRIEF BIOGRAPHY Ker
Page 16: William Byrd: A Brief Biography —
Page 19 and 20: 18 — A Byrd Celebration needed th
Page 21 and 22: 20 — A Byrd Celebration It is thr
Page 23 and 24: 22 — A Byrd Celebration publishin
Page 25 and 26: 24 — A Byrd Celebration Recently,
Page 27 and 28: 26 — A Byrd Celebration because o
Page 29 and 30: 28 — A Byrd Celebration A. A. T
Page 31 and 32: 30 — A Byrd Celebration What plea
Page 33 and 34: 32 — A Byrd Celebration S. A. T.
Page 37 and 38: 36 — A Byrd Celebration 6 S. A. T
Page 41 and 42: 40 — A Byrd Celebration 4 SUPERIU
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Masses
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92 — A Byrd Celebration voice ent
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98 — A Byrd Celebration this I am
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100 — A Byrd Celebration and the
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Cantiones
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110 — A Byrd Celebration had comm
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WILLIAM BYRD’S ART OF MELODY Will
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within the basic interval or added
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William Byrd’s Art of Melody —
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Ex. 16: CS II:10. Levemus corda con
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& b w. ˙ ˙ ˙ Fac cum w Ex. 24: C
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SAVONAROLA, BYRD, AND INFELIX EGO D
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Savonarola, Byrd, and Infelix ego
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132 — A Byrd Celebration Indeed,
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134 — A Byrd Celebration 12 & 20
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136 — A Byrd Celebration Ex. 8: C
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Gradualia
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142 — A Byrd Celebration astonish
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146 — A Byrd Celebration turn of
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148 — A Byrd Celebration You’ve
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Tsacrae. THE ECONOMY OF BYRD’S GR
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The Economy of William Byrd’s Gra
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tempo: on “sub honore Sanctorum o
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The Economy of William Byrd’s Gra
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BYRD THE ANGLICAN? David Trendell 1
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Byrd the Anglican? — 163 vestment
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Byrd the Anglican? — 165 If clari
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BYRD’S GREAT SERVICE: THE JEWEL I
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Byrd’s Great Service: The Jewel i
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Byrd’s Great Service: The Jewel i
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174 — A Byrd Celebration The inte
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Unpublished Motets
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182 — A Byrd Celebration It is un
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184 — A Byrd Celebration in the 1
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RECORD OF CHORAL WORKS PERFORMED AT
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Record of Choral Works Performed at
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Page numbers in bold refer to music
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Domine, praestolamur (Byrd), 106 Do
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Ockeghem, Johannes, 88 Omni tempore
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CONTRIBUTORS PHILIP BRETT (1937-200
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Contributors — 209 Organist. He w
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William Byrd: A Celebration, edited by Richard Turget - MusicaSacra

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