Music Manuscripts: Series 4: Part 2: British Library, London ... - Gale

Music Manuscripts: Series 4: Part 2: British Library, London: Section B: Polyphonic Music 

before c.1640 

Author Index 

Aaron, Pietro - Italian?. 

Delli Principii de tuti il toni. 

Manuscript Number: K.1.a.10; Type: Ms.. 

Genre: Theoretical Works: Treatises 

Reel: 41 

Agricola, Alexander - Franco-Netherlands. 

Cest mal sarchie. 

Early 16th century 

Manuscript Number: Add. Ms 35087; Hughes-Hughes vol.ii, 

128. Copy in the Codex Casantensis at Rome; Type: Ms. 

Partbooks. 

Genre: Secular Vocal Music: 3-part Chansons 

Reel: 33 

Agricola, Alexander (Attrib.) - Franco-Netherlands. 

Da pacem, Domine. 


Manuscript Number: Add. Ms 35087; Hughes-Hughes vol.i, 

262; Type: Ms. Partbooks. 

Genre: Sacred Vocal Music: Motets 

Reel: 33 

Aleyn - English; Byttering - English; Chirbury, R. - 

English; Cooke, - English?; Excetre, J. - English; 

Fonteyns, - English; Roy Henry (Henry IV?) - English; 

Jervays - English?; Lambe - English; Power, Leonel - 

English; Mayshuet - French; Oliver - English; Pennard - 

English; Pycard - English; Queldryk - English; Rowlard 

- English; Swynford - English; Tyes, J. - English; Typp, 

W. - English; Zacar - Italian. 

The Old Hall Manuscript. 

First layer (? before 1413) 

Manuscript Number: Add. Ms 57950; Dates much disputed: 

Several movements paired, several canonic: Corpus 

Mensurabilis Musicae 46; Type: Ms. Compiled in four layers. 

Genre: Sacred Vocal Music: Masses: Movements; 

Sacred Vocal Music: Motets 

Reel: 38 

Alison, Richard - English. 

Behould, nowe praise. 

1664, 1670 &c 

Manuscript Number: Add. Ms 30478, 30479; Hughes-Hughes 

vol.i, 16. A Booke of Selected Church-Musick Consisting of 

full Anthems and Anthems with verses Used in the Cathedral 

Church of Durham Anno Domini 1664; Type: Ms. Two single 

partbooks, Tenor cantoris. 

Genre: Sacred Vocal Music: Anthems 

Reel: 26 

1 


Pavans (4). 

16th-17th century 

Manuscript Number: Add. Ms 31392 ff.13b-38; Hughes- 

Hughes vol.iii, 58; Type: Ms.. 

Genre: Instrumental Chamber Music: Lute Solos 

Reel: 30 


What if a day, or a month, or a year; Earth is but a poynt. 

1606 

Manuscript Number: Add. Ms 33933 ff.81b-90b; Hughes- 

Hughes vol.ii, 451. Words by Thomas Campion; Type: Ms. 

Countertenor part only. 

Genre: Secular Vocal Music: Part Songs 

Reel: 32 

Alison, Richard - English; Holborne, Antony - English. 

Lute solos. 

Late 16th century 

Manuscript Number: Hirsch M 1353; Type: Ms. Lute 

tablature. 


Reel: 41 

Alwood, Richard - English. 

In nomine (2). 


Manuscript Number: Add. Ms 30485; Hughes-Hughes vol.iii, 

104. Lady Nevill's Virginal Book.; Type: Ms.. 

Genre: Instrumental Chamber Music: Keyboard: 

Virginal 

Reel: 27 

Alwood, Richard - English. 

Voluntarye; Claro pascali gaudio (2); In nomines (2); I 

smyle to see howe yow devyse; The wretched wandringe 

prince of Troye; When Cressyde went from Troye. 

Mid 16th century 

Manuscript Number: Add. Ms 30513 ff.3-115; Hughes- 

Hughes vol.iii, 77. The Mulliner Book.; Type: Ms. Copy (in 

hand of Thomas Mulliner): On two 5-8 line staves. 


Organ Solos 

Reel: 28


before c.1640 

Author Index 

Amner, John - English. 

I will Sing unto the Lord. 

1664, 1670 &c 






Genre: Sacred Vocal Music: Verse Anthems 

Reel: 26 

Amner, John - English. 

Pavan & Galliard. 


Manuscript Number: Add. Ms 30826-8; Hughes-Hughes 

vol.iii, 221; Type: Ms. 3 parts only [C, A & T]. 

Genre: Instrumental Chamber Music: 5-part Consort 

Dances 

Reel: 30 

Andreas (?Silvanus) - Unknown. 

Confitemini Domino, quoniam bonus. 

1st half of 16th century 


Hughes vol.i, 261-2; Type: Ms. Single vocal parts (1st or 2nd 

treble or tenor). 


Reel: 20 

Anerio, Felice - Italian. 

Quelle rose. 

1589 


vol.iii, 223. From Le Gioje, 1589; Type: Ms. Vocal partbooks: 

first & second treble, countertenor, quintus, bassus. 

Genre: Instrumental Chamber Music: Madrigals 

Arranged For 5 Viols 

Reel: 35 

Anerio, Felice - Italian. 

Quelle rose. 

After 1597 


vol.ii, 130. Collected by Benedetto Pallavicino; Type: Ms. 

Partbooks [Treble, tenor & bass]. 

Genre: Secular Vocal Music: 5-part Madrigals 

Without Words 

Reel: 29 

2 

Anerio, Felice (Attrib.) - Italian. 

Quell rose. 

1596 


143. Copied in England.; Type: Ms. Tenor partbook only. 


Reel: 32 

Angus, John - Scottish. 

My soul doth magnify the Lord; O Lord, because my harts 

desire; What man soever he be; Attend my people and give 

eare; Now suffer me, O Lord; Our Father, which in heaven art; 

Al my beliefe and confidence; Give peace in thses dayes. 

1575-1578 


180-82. Thomas Wode's part-book: transcripts of the Scottish 

metrical Psalter of 1566; Type: Ms. Single part (countertenor). 

Genre: Sacred Vocal Music: Canticles With Hymn 

Tunes 

Reel: 32 

Animuccia, Paolo - Italian. 

Valli vicine. 

After 1604 

Manuscript Number: Add. Ms30823-5; Hughes-Hughes vol.ii, 

142; Type: Ms. 3 Partbooks. 


Without Words 

Reel: 29 

Anonymous. 

Ades...firmissime fidem teneamus Trinitatis; Tribum quem 

non abhorruit; Flos vernalis, stirps regalis. 

14th century 

Manuscript Number: Add. Ms 28550 ff.43-4v; Hughes- 

Hughes vol.i, 425. RISM IV/2, 236. The Robertsbridge 

Manuscript; Type: Ms. Melody written on single 5-line stave 

in square & diamond notes, letters underneath apparently for 

organ accompaniment. 

Genre: Sacred Vocal Music 

Reel: 20 

Anonymous. 

Altro non è'l mio amor che il proprio Inferno. 

16th century 

Manuscript Number: Add. Ms 31389 ff.17, 18; Hughes- 

Hughes vol.ii, 466; Type: Ms. With Italian lute tablature. 

Genre: Secular Vocal Music: Italian Songs For Voice 

And Lute 

Reel: 30


before c.1640 

Author Index 

Anonymous. 

Amor me rere che d'amor. 

c.1630 

Manuscript Number: Add. Ms 29481 ff.14, 32b; Hughes- 

Hughes vol.ii, 155; Type: Ms. Treble part. 

Genre: Secular Vocal Music: Madrigals 

Reel: 24 

Anonymous. 

Angelus ad pastores. 


Manuscript Number: Add. Ms 22597 f.16b; Hughes-Hughes 

vol.i, 142; Type: Ms. Tenor partbook. 

Genre: Sacred Vocal Music: Carols 

Reel: 20 

Anonymous. 

Angelus apparuit; Dum crumena plena tumet ere; O nacio 

nephandi generis; Ave, Jhesu Christe, verbum patris; Veste 

vili; Veni, sancte spiritus, et emitte celitus; Descendi in ortum 

meum; Rerum omnium dominus; Salve, Maria regia; Dat 

superis inferis gaudia; Rosula fructu perfulcitur; Salve, pater 

luminum; Mulierum hodie Major natus; Anima mea liquefacta 

est; Alleluia. Jhesu nos livore sana; Ave, tronus trinitatis; O 

Inestimabile triclinium; Consolare, virgo; Tota pulchra es, 

amica mea; Ave, virgo gloriosa; ave parens; Hec est domus 

domini; Benedicamus Domino; Adam cum viragine; O 

primarium veri sacrarium cordis armarium. 

15th century 

Hughes-Hughes vol.i, 256. RISM IV/4, 612. ? Of Bavarian 

origin.; Type: Ms. Medius part followed by ground tenor with 

different words: troped introits, proses, cantica &c. 

Genre: Sacred Vocal Music: Tropary: 2-part Music 

Reel: 20 

Anonymous. 

Anna veni; sequimur for 6 voices. 

After 1604 

Manuscript Number: Add. Ms 36484 f.18; Hughes-Hughes 

vol.ii, 194. Refers to Anne, Queen of Denmark d.1619.; Type: 

Ms. Bass part only. 

Genre: Secular Vocal Music: Motets 

Reel: 34 

Anonymous. 

Antevenis virides. 


Manuscript Number: Add. Ms 30361-6 f.14b; Hughes-Hughes 

vol.ii, 194. Addressed to a Duke of Bavaria.; Type: Ms. 6 

Parts [C,A,T,B,Q & S]. 


Reel: 25 

3 

Anonymous. 

Ave, dei patris filia; Adoro te, domine; Ave, Maria, ancilla 

trinitatis; Sancta Maria, Mater Dei; Salve, regina, mater 

misericordie (2 settings); O domine celi et terre; O regina; 

Salve, Jhesu; Ave, dei patris filia; Gloria sanctorum; Ave, 

Cuius concepcio; Gaude, virgo, mater Christi; Salve, 

intemerata; O bone Jhesu. 



212.; Type: Ms. Tenor partbook only: Diamond or quasisquare 

notes on a 5-line stave. 

Genre: Sacred Vocal Music: Masses 

Reel: 32 

Anonymous. 

A Ballet of ye deth of ye Cardinell (I herde a voce rewfully 

complane). 

Early 1530s (?) 

Manuscript Number: Add. Ms 50856; Formerly bound in a 

book form from Ripon Cathedral and therefore from 

Yorkshire; Type: Ms.. 


Reel: 38 

Anonymous. 

Beata es, Virgo Maria; Salve Regina; Deus noster, 

Refugium; Ecce, tu pulchra; Paratum cor; Ave, stella 

matutina; Ecce, dominus veniet; Gaudeamus; Jam non dicam 

vos servos. 


Manuscript Number: Add. Ms 34000-2; Hughes-Hughes vol.i, 

276-7; Type: Ms. Vocal partbooks: Cantus i, cantus ii, tenor. 

Genre: Sacred Vocal Music: 8-part Motets 

Reel: 32 

Anonymous. 

Beati omnes à 6; Da pacem, Domine à 6; Solemnis urgebat 

dies à 6; Deus misereatur à 6; Spiritus ubi vult, spirat à 6. 

c.1584 


264; Type: Ms. Two vocal parts. 


Reel: 31 

Anonymous. 

Benedictus in F; Jubilate; Offertory sentence in F. 



397; Type: Ms. Vocal partbooks C,Ct,T,B,Q. 

Genre: Sacred Vocal Music: English Services 

Reel: 27


before c.1640 

Author Index 

Anonymous. 

Benedictus; Fa la sol; Untitled string trios (3); Fors 

solemant (2). 



182. King Henry VIII's Manuscript; Type: Ms. Parts. 

Genre: Instrumental Chamber Music: String Trios 

Reel: 31 

Anonymous. 

Branle de Champagne; Allemande de symmerman; 

Allemande de la nonette; De frans galliard; Myn siele wylt 

den Heere met lof sanch prijsen; Als een hert gejaecht; Myn 

god voet mij als myn herder ghepresen; Wt de diepte; 

Allemande Brun smeedlyn; Allemande Prynce; Allemande de 

l'amour; Allemande; Brabanschen rondern dans, ofte Brande; 

Ontfarmt .v.over mij, arme sondaer; Ich bydde .v, helpt mij, o 

God; Pavan dan vers [d'Anvers?]; Tobyas om sterbven 

gheneghen; Allemande trycottee; De quadre galliard; Heer, ich 

wil v wt's herten gront prijzen; Ghij volckeren des aertrijcx al; 

Bewaert mij, Heer; Des boosdoenders wille; Staet op, Heer! 

Toont v onversacht; Godt, die der goden Heer is; Ghij Herder 

Israels wylt hooren; Prelude; Untitled piece; Allemande 

Loreyne; Pavan Prymera. 

c.1599 


104. Apparently made for Susanne van Soldt, the Ms appears 

to have been in England from a very early date.; Type: Ms. 

Copy: On 2 6-line staves. 

Genre: Instrumental Chamber Music: Keyboard 

Music: Arrangements For Virginals (Flemish) 

Reel: 24 

Anonymous. 

Canons without words (3). 


Manuscript Number: Add. Ms 31922 ff.90b, 91; Hughes- 

Hughes vol.ii, 2. King Henry VIII's Manuscript; Type: Ms. 

Parts. 

Genre: Secular Vocal Music: Canons 

Reel: 31 

Anonymous. 

Cantano gli angioletti Santus. 



204. RISM IV/4, 631; Type: Ms. Parts. 

Genre: Sacred Vocal Music: 2-part Madrigals 

Reel: 24 

4 

Anonymous. 

A ce bon an; Si me tenez; Helas, amy; En languissant; 

Come donna; Dormend' un giorno; Tant bien; Vostre rigueur; 

Sa quest; Or sus amour; Jour desire; Pere de nous; Jamais 

n'avoir; Morir non; Dolci colli; Ben sperai; La mia spietata 

sorte; Cruda e bella; Signor mio; Un bel vis. 

After 1604 




Without Words 

Reel: 29 

Anonymous. 

Cessi....; Quando....; Non mi togl'; Forsi dite; Solo e 

pensoso; Donna crudel; Ecco, ch' io; Solo e pensoso; Chiudea 

le luci. 

After 1601 


vol.ii, 140. Le Belle Nimfe; Type: Ms. Copy: 4 partbooks (1st 

and 2nd treble, alto & bass). 


Reel: 29 

Anonymous. 

Che se mentre; Non vedi, oimè; Baci amorosi; Zefiro torna; 

Perchè i vostri diletti; Amor, se i bei rubini; Alte parole; O che 

vezzosa; Timor et tremor; La fantasia; Death, the dissolver; 

Dum transsitt (sc) sabbatum. 

After 1601 


vol.iii, 222; Type: Ms. Vocal partbooks: first & second treble, 

countertenor, quintus, bassus. 



Reel: 35 

Anonymous. 

Come, tread the path. 

c.1616 


138; Type: Ms. Altus partbook. 


Reel: 23 

Anonymous. 

Communion Service; The Litany : Te Deum : Communion 

Service. 



396. Words possibly by Cranmer; Type: Ms. Tenor part only. 

Genre: Sacred Vocal Music: Services 

Reel: 32


before c.1640 

Author Index 

Anonymous. 

Composition written or arranged for treble viol. 


Manuscript Number: Add. Ms 30483 F.89b; Hughes-Hughes 

vol.iii, 159; Type: Ms.. 

Genre: Instrumental Chamber Music: Treble Viol 

Solos 

Reel: 27 

Anonymous. 

Conditor Alme syderum; Verbum supernum prodiens; Vox 

clara; Veni Redemptor; Salvator mundi, Domine; Christe, 

Redemptor omnium; A solis ortus cardine; Sancte Dei 

presiose; Bina celestis aulæ luminaria (2 settings); Hostes 

Herodes; Deus, Creator omnium; Primo dierum; Eterne rerum 

Conditor; Lucis Creator omnium; Ex more docti mistico; 

Christe, Qui lux; Summi Largitor; Audi, Benigne; Ecce, 

tempus idoneum. 

c.1647 

Manuscript Number: Add. Ms 29996 ff.6-69, 158-178b; 

Hughes-Hughes vol.iii, 80-81.; Type: Ms. Copy: 2 staves of 5, 

6, 7 or 8 lines. 


Organ Or Virginal Solos 

Reel: 24 

Anonymous. 

Cor mundum crea à 4; Deus, in nomine tuo; Venit vox de 

coelo à 5; Cecilia Virgo à 4. 





Reel: 27 

Anonymous. 

Corri, corri, corri, mamma doro; Io uo gridando. 

c.1584 


130; Type: Ms. Vocal part (treble). 


Reel: 31 

Anonymous. 

Cuides vous que dieu vous faille. 



Hughes vol.ii, 128; Type: Ms. Soprano part only. 


Reel: 20 

5 

Anonymous. 

Decantabat populus; Maria Magdalena. 





Reel: 32 

Anonymous. 

Deh resta; Cor mio; Ohimè; Untitled string quintet. 

c.1616 



Genre: Instrumental Chamber Music: String Quintets 

Reel: 23 

Anonymous. 

Deus Miseratur: O God be mercifull.... 



vol.i, 398; Type: Ms. Tenor partbook. 


Reel: 20 

Anonymous. 

Deus misereator nostri à 5; Scandens à 5; Sive vigilem sive 

dormiam à 5; O rex gloriæ; Omnia que fecisti à 5; Libera me, 

Domine; Confitemini; Sabatum Maria (plainsong); Domine, 

non est exaltatum cor; Hierusalem; Gaude et latere, Jacob. 

c.1584 


264; Type: Ms. Single vocal part. 


Reel: 31 

Anonymous. 

A Devision ffor a trible violl to play with a virgenall. 

1629-1630 


vol.iii, 243; Type: Ms. On two 6-line staves. 

Genre: Instrumental Chamber Music: Duets: Treble 

Viol And Virginal 

Reel: 34 

Anonymous. 

Diagram in explanation of time-signatures. 

After 1578 


vol.iii, 354; Type: Ms. English hand. 

Genre: Works Relating To Music: Notation 

Reel: 30


before c.1640 

Author Index 

Anonymous. 

Drawing of a lute, english. 

1616 

Manuscript Number: Add. Ms 29372-7 f.1; Hughes-Hughes 


Genre: Works Relating To Musical Instruments: 

Drawings 

Reel: 22 

Anonymous. 

Drawings of the notes and other musical symbols. 

c.1599 


vol.iii, 354. Apparently made for Susanne van Soldt, the Ms 

appears to have been in England from a very early date.; Type: 

Ms. Copy: On 2 6-line staves. 

Genre: Works Relating To Music: Notation 

Reel: 24 

Anonymous. 

Dulcis amica, without words. 



vol.i, 261. King Henry VIII's Manuscript; Type: Ms. Parts. 


Reel: 31 

Anonymous. 

Dum complerentur dies Pentecostes; Benedicam dominum; 

Surrexit Pastor bonus; Expecta Dominum; Beata viscera; 

Exaltabo te, Deus; Jam non estis hospites; Peccavi; quid 

faciam?; Mater ergo pietatis; Dicamus ergo gratias; Hodie 

natus est Christus; Timor et tremor; Justus est Dominus; 

Virgines mee; Vide domine; Ne derelinquas me; Surrexit 

pastor bonus (2 settings); Interrogabat magos Herodes; Ave, 

salutis Janua; Sancta et immaculata; O admirable 

commercium. 



vol.i, 275; Type: Ms. Parts (cantus missing). 


Reel: 23 

Anonymous. 

An easy one for a New Beginer; An Introduction; Untitled 

organ solos (3); The first and second maskes; A toy; The 

solitary widdow; The Kinge's Morick [sc. Morisco]; The 

Mallincholi's Loss; Pavan. 

1629-1630 


84; Type: Ms. On two 6-line staves. 


Organ Solos 

Reel: 34 

6 

Anonymous. 

Egressus Jesus; Laudem dicite Deo; Ne derelinquas nos; 

Zache, festinans descende; Sancti martires; O vos omnes; 

Agnus dei; Viri galilei; O pastor optime; Salve Regina; Dum 

complerentur dies; Letentur coeli; Aspice Domine; Salvatorem 

expectamus; Ave, Regina; Gloria Patri, qui creavit; Deus 

miseriatur nostri. 



274; Type: Ms. 6 Parts [C,A,T,B,Q & S]. 


Reel: 28 

Anonymous. 

En Mai, quant rose est; Ne sai ke je die, tant voi vilonnie. 

13th century 

Manuscript Number: Add. Ms 30091 ff.1b, 3; Hughes-Hughes 

vol.ii, 52. RISM IV/1, 516; Type: Ms. 2 parts only, the ground 

bass being sung to latin words. 

Genre: Secular Vocal Music: Duets: French Chansons 

Reel: 24 

Anonymous. 

English Dance. 

Late 16th-early 17th century 

Manuscript Number: 1242.a.1; Type: Ms.. 

Genre: Instrumental Music 

Reel: 41 

Anonymous. 

English Gloria. 

14th century 

Manuscript Number: Add. Ms 36579, f.lb; Hughes-Hughes 

vol.i, 171. From Selby Abbey? RISM IV/2, 238; Type: Ms. 

Diamond & square black notes on 2 5-line staves. 

Genre: Sacred Vocal Music: Duets 

Reel: 34 

Anonymous. 

Et exultavit in 2 keys; Ave, dei patris filia; Tui filij; Per 

pregustum; Maria stella, tuo natus; O gloriossima semper 

Virgo; Ave, Jesu Tui filii dulcis filia christi; Domine Labia; 

Mater christi sanctissima; Domine, quis habitabit; Quia fecit; 

Beata es, Virgo Maria. 



278; Type: Ms. Cantus partbook. 


Reel: 32


before c.1640 

Author Index 

Anonymous. 

Felix namque Maria; De supernis sedibus fortitudo mittitur 

ad salutem Virginis; Prolis eterne genitor; Quem non capit 

fabrica magnifica; Psallat mater gracie; gaudet ecclesia; 

Fragments of motets. 


Manuscript Number: Add. Ms 25031, ff.l-4v; Hughes-Hughes 

vol.i, 254-5. on fly leaves of a volume of medical treatises and 

connected with Worcester; Type: Ms. Square and diamondshaped 

notes on 5-line stave. 

Genre: Sacred Vocal Music: English Motets 

Reel: 20 

Anonymous. 

Filia formosa; Converte Domina. 

1556 

Manuscript Number: K.2.b.10 (5); In Printed edition of 

Sentimus Liber Modulorum. 1556 (Superius); Type: Ms. 

Treble part only. 


Reel: 41 

Anonymous. 

Five short pieces for harpsichord. 



Hughes vol.iii, 110; Type: Ms. Treble part or melody. 

Genre: Instrumental Chamber Music: Keyboard: Solos 

Reel: 20 

7 

Anonymous. 

Flos de spina procreatur; Maria, degenti confer solamina 

genti; Salva, Christe, te querantes; Ave, decus angelorum, 

salus vera fidelium; Audi, virgo virginum; Gaude, virgo 

virginem; Salve, virgo speciosa; O virgo mitis; Tu, norma 

pudicidie; Ad laudes Marie cantemus; Ostende nobis, O 

Maria; Gloriosa mater dei; Ave, fulgens stella maris; Ave, 

speculum candoris; Ad laudem virginis cantemus; Fulcite me 

floribus; Candor lucis; Virgo, tronus glorie; Hec est rosa 

venustatis; Letare, en! milicia; Nos respectu gracie; Chorus 

nove iherusalem; Salva, Christe, te querentes; Leccio libri 

apokalipsis; Leccio libri sapiencie... (2 settings); Kyrie, magne 

deus potencie; Kyrie, homo natus; Kyrie, fons bonitatis; Kyrie, 

ignis divine; In nympha regia; Salutemus dominum; Qui de 

carne puellari; Summe deus, rex celorum; Ab hac familia; O 

vera, o pia; Quem ethera et terra; Constantes estote; Vidit 

jacob in sompnis; Patris uingeniti filius; Sanctus. Rector celi 

immortalis; Psallat Augustino mater ecclesia; Ecce dies 

triumphalis gaudet; Flos ut rosa floruit; Ad cantus leticie; Ah 

homo perpende; Hec festiva accio; Hec esst sancta 

sollempnitas in qua; Ecclesiam de regnum stirpe natum; 

Alleluia. Dies sanctificatus; Ascende, benedicte; Alleluia. 

Surrexit pastor bonus; Alleluia. Veni, sancte spiritus. 

15th century 

Manuscript Number: Add. Ms 27630, ff.2v-67, 106v-8v; 


origin.; Type: Ms. Quasi-score: Troped introits, proses, cantica 

&c. 


Reel: 20 

Anonymous. 

Fortune esperee à 4; Ales, regretz à 3; Een frolyk weson à 

3; If I had wytt à 3; De tous bien plare à 3; Iay pryse amours à 

3; Ough, warder, mount à 4; La season (without words); I am 

a joly foster à 3; Though sum saith that youth rulyth me à 3; 

Madame damours à 4; Adew, adew, le company à 3; Let not 

us that yongmen be à 3; With goode order à 4; Elle sur tautes à 

3; Englond be glad à 3; And I war a maydyn à 4; Why shall 

not I à 3; What remedy à 3; Wher be ye, my love à 3; My 

thought oppressed à 3; Sumwhat musyng à 3; I love unloved à 

3; Hey troly loly lo! mayde, whether go you à 3. 



125-6. King Henry VIII's Manuscript; Type: Ms. Parts. 


Reel: 31 

Anonymous. 

The Fountains fragments. 


Manuscript Number: Add. Ms 40011 B.; M. Bukofzer, Studies 

in Medieval and Renaissance Music, New York, 1950,; Type: 

Ms. Fragments: 86 ff.. 


Reel: 37


before c.1640 

Author Index 

Anonymous. 

Fragments of late 14th century polyphony. 


Manuscript Number: Add. Ms 59846 M; Type: Ms. 

Fragments. 


Reel: 38 

Anonymous. 

Fragments of polyphony in a Gradual. 


Manuscript Number: Add. Ms 50120 ff.22v-23v; RISM IV/1, 

521; Type: Ms. Fragments. 

Genre: Sacred Vocal Music: Graduals 

Reel: 38 

Anonymous. 

French motets. 

14th century 

Manuscript Number: Add. Ms 41667 I ff.26-27v; RISM IV/2, 

240; Type: Ms. Fragments. 


Reel: 38 

Anonymous. 

Fugues (3); Fantasia in 2nd mode. 

1618 


81; Type: Ms. Copy: French hand: 2 5-line staves. 


Organ Solos 

Reel: 24 

Anonymous. 

Gloria (2 settings); Sanctus (2 settings). 

14th century 

Manuscript Number: Add. Ms 40725; From Blythburgh 

Priory. RISM IV/2, 239; Type: Ms. Incomplete. 

Genre: Sacred Vocal Music: Masses: Movements 

Reel: 37 

Anonymous. 

Goe thy way, since thou wilt goe. 

17th century 

Manuscript Number: Add. Ms 34800c; Hughes-Hughes vol.ii, 

492. Two verses of song in treble clef; Type: Ms. Vocal 

partbooks S,T,B bound together. 

Genre: Secular Vocal Music: Songs 

Reel: 33 

8 

Anonymous. 

Heare my prayer, O Lord (for a bass). 

1664, 1670 &c 







Reel: 26 

Anonymous. 

Hey troly loly, my love is lusty; Now...; Pray we to god 

(for the King). 




Genre: Secular Vocal Music: Rounds 

Reel: 31 

Anonymous. 

I will allways give thanks; Like as my heart desiris. 

1664, 1670 &c 







Reel: 26 

Anonymous. 

In judgment, lorde; I will geve thankes unto the Lord with 

my holl harte; Delyver us, Lord; O Lord, rebuke me not. 





Reel: 27 

Anonymous. 

In nomine - iii parts upon the plaine-sang. 

c.1575-1578 



Genre: Instrumental Chamber Music: Consort Music: 

Viols 

Reel: 32


before c.1640 

Author Index 

Anonymous. 

Incipit lamentation Jeremie à 6; Jerusalem, converte ad 

dominum à 6; Jod. O vos omnes qui transitis à 6. 




Genre: Sacred Vocal Music: Lamentations 

Reel: 23 

Anonymous. 

Jam candor celorum; Pater noster, qui es in celis; Non est 

fides in bohemo. 

15th century 


origin.; Type: Ms. Gothic notation. 


Reel: 20 

Anonymous. 

Je fijle; Madona, se'l morire; Madona su mia corto; Ubi est 

Abell; Untitled pieces (4); Untitled piece at end of which is 

written Je nilli croyss; Ploranc ploravit; Qui consolabatur; Le 

bergere; Si joy moy plains; Sittu languis; Or sabien; Frayse 

gallyard; Le cure de vous; Ill baucke; Unge Juramore [Un jour 

amour?]. 

After 1578 

Manuscript Number: Add. Ms 31390 ff.25b-65.; Hughes- 

Hughes vol.iii, 216-18. A book of In nomines and other 

solfaigne songes, i.e. textless music for consort or vocalisation 

(much of it originally vocal); Type: Ms. Parts. 

Genre: Instrumental Chamber Music: 5-part Viol 

Consorts 

Reel: 30 

Anonymous. 

A lessone off descant; Lachrime pavan & galliard; Maister 

Philip. 

After 1604 


224. From a Scottish manuscript; Type: Ms. Bass part only. 


5 Viols 

Reel: 34 

9 

Anonymous. 

Let barefooted beggars still walke in the street; Witte's 

commendation of a potte of good ale; Grayes-Inne Maske; The 

Belgicke frogge; A song made by a Cambridge man when K. 

James was entertainde at Oxford: To Oxford now the King is 

gone. 

c.1622 


470; Type: Ms. Tune only. 


Reel: 20 

Anonymous. 

Lulla, lullaby. 

1616 

Manuscript Number: Add. Ms 29372-5 f.105b, 29376 f.92b; 

Hughes-Hughes vol.iii, 390; Type: Ms. Vocal partbooks 

C,A,T,H,Q,Sx. 


Reel: 22 

Anonymous. 

Magnificat for 4 voices. 

c.1628 


vol.i, 206. Without accompaniment; Type: Ms. Score. 

Genre: Sacred Vocal Music: Magnificats 

Reel: 33 

Anonymous. 

The man is blest that hathe not bent; O Lord, Consider my 

distresse; Put me not to rebuke; Heare my praier, O God, and 

let thine ears. 

c.1630 

Manuscript Number: Add. Ms 29481 ff.3,4,5,17; Hughes- 

Hughes vol.i, 427; Type: Ms. Medius partbook. 

Genre: Sacred Vocal Music: Songs With Bass 

Reel: 24 

Anonymous. 

Mass for 5 voices, beg. Et in terra pax. 



Hughes vol.i, 214; Type: Ms. Cantus partbook. 


Reel: 32


before c.1640 

Author Index 

Anonymous. 

Mass fragment. 

15th century 

Manuscript Number: Add. Ms 49597 O; English?; Journal of 

the American Musicological Society 21 (1968); Type: Ms.. 


Reel: 38 

Anonymous. 

Mass movements. 

c.1420-1430 



Ms. Fragments: 86 ff. 


Reel: 37 

Anonymous. 

Motets for the dedication of a church. 

1562 

Manuscript Number: K.3.m.8; Inserted in J. de Kerle: Preces 

Speciales, 1562; Type: Ms. Copy: Inserted printed book. 


Reel: 41 

Anonymous. 

My little lamb; Balow . . (bass only); Whither shall I hy; 

Come love lets walke into the spring; I sigh (bass only); Jone, 

quoth John, when will it be (tenor only). 

After 1579 

Manuscript Number: Add. Ms 36526 A; Hughes-Hughes 

vol.ii, 131-132; Type: Ms. Tenor and bass parts only. 


Reel: 34 

Anonymous. 

My soveraine comfort; No peace I finde; O heavnly God; 

When from your sight; My cyllie lyfe; In tribulatione; In 

voluntate; Parce mihi, Domine; S. Joseph stirps; Dum 

transiscet; Diligite; O summa vera; O vos omnes; Veni, 

Creator; Timoe et tremor; Concupiscendo; Ave, Regina; 

Adauge nobis, Domine; Plangent eum. 



63; Type: Ms. Lute tablature. 


Reel: 31 

10 

Anonymous. 

A my tute planis; Quel foco che; O Lord, turne not awaye; 

Cum Sancto Spiritu; Et expecto Resurrectionem mortuorum. 



vol.iii, 202; Type: Ms. Vocal partbooks C,Ct,T,B,Q. 

Genre: Instrumental Chamber Music: String Quartets 

Reel: 27 

Anonymous. 

La my; Untitled string quartets (3). 





Reel: 31 

Anonymous. 

O all ye nations of the world. 



Hughes vol.i, 114; Type: Ms. Score. 

Genre: Sacred Vocal Music: Canons 

Reel: 24 

Anonymous. 

O del bel Oriente giocondissima; Non moro, no. 

After 1607 


Hughes vol.ii, 225; Type: Ms. Copy. 

Genre: Secular Vocal Music: Opera: Arias 

Reel: 28 

Anonymous. 

O God when Thou wentest forth; When Israel came out of 

Egypt. 

After 1601 


vol.iii, 387; Type: Ms. Vocal partbooks first & second treble, 

quintus, bassus & sixtus (in vol.i) wanting countertenor. 


Reel: 35


before c.1640 

Author Index 

Anonymous. 

O let us howle; As life what is so sweet; Wee'le sing like 

swanes; Cupid is Venus' onlie joie; Venus went wand'ringe; 

With my flocks as walked I; Sweet, staie awhile; I would thow 

werte not faire; Is't for a grace or is't for some mislicke; O 

bella pen'che la stella; Eyes look off; If my complaints could 

passions move; Sit and despaire; Before the sonne had guilde 

the morne; Downe, afflicted soule; The Anti-masque of 

Mountebanks: What is't you lacke; Shall I com, sweet love, to 

thee; Have you seene the white lillie flower; My mistress is in 

musicke passinge skillfull; Milla, the glorie of whose bewties 

raise; Shall I weepe or shall I singe; Fly, foule soule, to some 

forsaken hill; 'Tis late and could. 

c.1630 

Manuscript Number: Add. Ms 29481 ff.2-26; Hughes-Hughes 

vol.ii, 471; Type: Ms. Score. 

Genre: Secular Vocal Music: Song With A Bass 

Reel: 24 

Anonymous. 

O Lord, now mony enemies have I à 4; Oure father, god 

celestiall à 4; With mynd opprest I cry to the à 4; Our god is 

our defender à 4; The god off all power and micht à 4. 

After 1604 

Manuscript Number: Add. Ms 36484; Hughes-Hughes vol.i, 7. 

Scottish metrical psalm settings.; Type: Ms. Bass part only. 


Reel: 34 

Anonymous. 

O Lord, our Governour. 

c.1629 

Manuscript Number: Add. Ms 29289 ff.83b-107, 115; 

Hughes-Hughes vol.i, 15; Type: Ms. Single part (usually 

altus). 


Reel: 21 

Anonymous. 

O Lord, turne not awaye thy face; Harke Israell, and what I 

saye. 

1575-1578 





Tunes 

Reel: 32 

11 

Anonymous. 

O lustie May à 4; Qwm [cum] death, behold I breath à 4. 

After 1604 

Manuscript Number: Add. Ms 36484 ff.5,5b; Hughes-Hughes 

vol.ii, 451. Published in John Forbes' Songs & Fancies, 

Aberdeen 1662; Type: Ms. Bass part only. 


Reel: 34 

Anonymous. 

O maria, decus angelorum; Candida virginitas ut lilium; 

Tedet intueri me, quod vita cleri multo peior vult haberi; O 

quam sancta, quam benigna fulget mater salvatoris; Virgo, 

decus castitatis; O felix puerpera, flos virginum; Hac in die 

dulce melos assumpte matris; Balaam prophetanti; Cruci 

Domini sit cunctis horis laus parata; Eva, quid deciperis. 

13th century 


vol.i. 253. RISM IV/1, 516; Type: Ms. 2 parts only, the 

ground bass being sung to different words. 

Genre: Sacred Vocal Music: French Motets 

Reel: 24 

Anonymous. 

O parsi sparsi à 4; Un jour à 4; Ecco d'oro l'eta à 4. 

1575-1578 

Manuscript Number: Add. Ms 33933 ff.60, 77-79b; Hughes- 

Hughes vol.ii, 130. Thomas Wode's part-book; Type: Ms. 

Transcript. 


Reel: 32 

Anonymous. 

O quam gloriosum; In dedicatione templi; Adauge nobis, 

domine fidem; Laudem dicite Deo; Gaudebunt labia mea; Ne 

derelinquas nos; Plangent eum; Advenisti tandem; O vos 

omnes qui transitis; Dixit ergo Jesus ad duodecim; Sint lumbi 

vestri præcincti à 4; Sancti martires; Zachee, festinans 

descende; Extollens vocem; Illumina oculos meos; Domine, 

Deus meus; Domine, Iesu Christe; Gloria, laus et honor; Ave, 

gratia plena; Domine, ante te; Credo quod Redemptor; Morti 

tuæ tam amaræ; Surrexit pastor bonus; Angelus Domini 

descendit de coleo; Sancte Johannes Baptista; O fili dei. 





Reel: 25


before c.1640 

Author Index 

Anonymous. 

O ye happy dames; Untitled organ or virginals pieces (9); 

Whose faythefull service; Sermone blando; Tibi omnes; Tu ad 

liberandum; Salvum fac; A pointe (2); My frindes; Lyke as the 

chayned wyghte; Rejoyce in the Lorde allwayes; Of wyse 

heades; The man is bleste; Christe, Redemptor omnium; O 

Lorde, turne not awaye; Synce thou arte false to me; When 

grypinge griefes; The bytter sweete; As I deserve. 






Organ Solos 

Reel: 28 

Anonymous. 

Occhi quelle; Tra bei rubini; Se pur offesa; Se de miei; 

Dolce mia; Ardi e gela; Care selve; Chi per voi non sospira; 

Dolce mio duol. 

After 1597 





Without Words 

Reel: 29 

Anonymous. 

Our Father, which art in heaven. 

1575-1578 


Thomas Wode's part-book: transcripts of Scottish metrical 

psalms; Type: Ms. Single part (countertenor). 

Genre: Sacred Vocal Music: Psalms 

Reel: 32 

Anonymous. 

Out of the orient. 

After 1613 


vol.i, 143; Type: Ms. Vocal partbooks C,M,T,B,Q. 


Reel: 23 

Anonymous. 

Partite sopra Fidele. 

After 1607 


204; Type: Ms. Copy (in hand of L. Rossi): Score. 

Genre: Instrumental Chamber Music: String Quartets: 

Consort Music 

Reel: 28 

12 

Anonymous. 

Passing-measures pavin; Militis dumpe; Medley; Quadrant 

pavan & galliard; A treble with ground; Mrs Winter's Jumpp; 

Untitled lute pieces (2); Jolly Robbin; Pavan. 





Reel: 30 

Anonymous. 

Pavan & Saltarello (2 sets); Rezecar...; Pavan ditta 

Sguizera and Saltarello; Dismonta da Cavalo; Oselino de ramo 

in ramo; Ben si possiamo tuti lamentare; Partita cah mi son; 

Cavalca caval Baiardo; Tu dici che son fantino; La strepa; La 

Gambetta; Padoana (fragment); Recerchare; Untitled lute 

pieces (3); Tumbolo. 

16th century 


58; Type: Ms. Italian lute tablature. 

Genre: Instrumental Chamber Music: Lute Music 

Reel: 30 

Anonymous. 

Per letalis pomi pastum; Omnis curet homo promere 

cantica; Noster cetus psallat letus; Per partum virginis; Veri 

solis radius; O! primus homo corruit in fraude feminea; Lux 

refulget de supernis edita; Vellus rore celesti maduit; Rex 

omnia tenens imperio; Dulci dignum melodia; Congaudet 

hodie celestis curia; Patris ingeniti filius; Cantua miro summa 

laude summo viro vir aplaude; Prima mundi seducta sobloe; 

Catholicorum concio; Gregis pastor titirus asinorum dominus; 

Unharmonized tropes to the Sanctus; Clangat hodie vox nostra 

melodum; Sollempnia presentia con nimia leticia ecclesia 

extollat precursoris; Ave Maria salvatoris nostri terminus 

doloris; Virga iesse floruit, virgo deum genuit; Sequence - 

beginning lost - Hanc prophete priscis a seculis signavere; 

Orienti oriens stella nova claruit; Delictis hominis subintrat 

virginem; De monte lapis scinditur; Chorus noster recolat 

sancti viri [St Nicholas?] festum; Res iocosa quod hec rosa 

sine succo floruit; Ad honorem sempiterni regis; Regi nato 

gloria [Holy Innocents]; Gaudet chorus celestis hodie nobis 

Christo nato de virgine; Benedicamus Angelus sedens ad 

sepulcrum; Eya, pueri, voce precelsa benedicamus regi magno 

olim nato domino; Planctus ante nescia planctu lassor anxia. 

12th century 


240; RISM IV/1, 519. Troper; Type: Ms. 2 parts written on 4 

lines scratched on vellum. 

Genre: Sacred Vocal Music: Miracle Plays: 

Sequences, Tropes, And 2-part Proses 

Reel: 34


before c.1640 

Author Index 

Anonymous. 

Praise the Lord, O my soule; Lead me, O providence 

Divine. 

c.1630 

Manuscript Number: Add. Ms 29481 ff.27-43b; Hughes- 

Hughes vol.i, 40.; Type: Ms. Medius partbook. 


Reel: 24 

Anonymous. 

Preces à 4; Litany. 

c.1629 


Hughes vol.i, 398-9; Type: Ms. Altus part only. 


Reel: 21 

Anonymous. 

Primo-tempore alleviate est terra Zabulon. 



vol.i, 255; RISM IV/1, 515. from a Sarum Antiphonal; Type: 

Ms.. 

Genre: Sacred Vocal Music: 2-part Christmas 

Antiphon 

Reel: 20 

Anonymous. 

Prince Edward's Pavan; The Queine of Ingland's Pavan; 

Pavan. 

c.1575-1578 

Manuscript Number: Add. Ms 33933 ff.73b, 80-81; Hughes- 

Hughes vol.iii, 202; Type: Ms. Countertenor viol part only. 


Viols 

Reel: 32 

Anonymous. 

Procedence; In nomine; Quem ad modum; Si grand è la 

pietà; Vraie dieu d'amour; Me il Bavari. 

After 1578 

Manuscript Number: Add. Ms 31390 ff.2-21b, 124; Hughes- 

Hughes vol.iii, 231. A book of In nomines and other solfaigne 

songes, i.e. textless music for consort or vocalisation (much of 

it originally vocal); Type: Ms. Parts. 


Consorts 

Reel: 30 

13 

Anonymous. 

Puer natus est nobis; Angelus ad pastores; Parvulus filius 

hodie natus est; Gloria in excelsis...Ecce Maria genuit; Cum 

natus esset Jesus; Hodie Christus natus est. 


Manuscript Number: Add. Ms 30361-6 ff.16b-49; Hughes- 

Hughes vol.i, 142; Type: Ms. Parts. 


Reel: 25 

Anonymous. 

Quam pulchra es et quam decora; O dulcis amica; Sub 

tuum presidium; Veni, sponsa Christi; Veni, sancte spiritus, et 

emitte. 






Reel: 20 

Anonymous. 

Qui consolabatur; Descendi in ortum à 4. 

1575-1578 


263. Thomas Wode's part-book: transcripts of the Scottish 



Reel: 32 

Anonymous. 

R[--] (St Katharine); Rosa mundi and beginning of Regis 

aula; Surge; jam est hora; Trinitatem veneremur; Trinitas et 

deitas; Triumphat hodie Christi miles. 

14th century 

Manuscript Number: Add. Ms 24198, ff.132-133v; Hughes- 

Hughes vol.i, 256 RISM IV/1, 513. from St.Thomas the 

Martyr, Dublin.; Type: Ms. Music written in long lines with 

illuminated initials on 5-line stave. 

Genre: Sacred Vocal Music: English Motets 

Reel: 20 

Anonymous. 

Rejoyce unto the Lord. 

After 1613 


Hughes vol.i, 8; Type: Ms. Vocal partbooks C,M,T,B,Q. 

Genre: Sacred Vocal Music: 5-part Anthems 

Reel: 23


before c.1640 

Author Index 

Anonymous. 

Rota Katerine/Orbis dominatio. 


Manuscript Number: Add. Ms 40011 B.; Also appears, as a 

fragment in Add. Ms 24198. M. Bukofzer, Studies in 

Medieval and Renaissance Music, New York, 1950,; Type: 

Ms. Fragments: 86 ff. 


Reel: 37 

Anonymous. 

Salve, Regina; Potencia Patris (including prayer for Henry 

VIII); Asperges. 



261; Type: Ms. Tenor or bass partbook only: Diamond or 

quasi-square notes on a 5-line stave. 


Reel: 32 

Anonymous. 

Sanctus à 3. 

Late 13th-14th century 

Manuscript Number: Add. Ms 24199, ff.90-9lv; From Bury St. 

Edmunds?; Type: Ms.. 


Reel: 20 

Anonymous. 

Sans lever; Le Bergier; A singine song; When Maye; Maye 

makethe; All ye that live; Madona; Fa, sol, la; Retorne; 

untitled piece in early 17th century hand. 



Hughes vol.iii, 219-220; Type: Ms. Tenor part. 


Reel: 20 

Anonymous. 

Shall I despaire; Quadron pavan with Galliard; Untitled 

virginal pieces (9); Si je plaine; The queenes new year's gifte; 

Wakefild on a greene; Pavans (3); Prelude; Lacrimæ; Pavan & 

Galliard (2 sets); Ground; O neighboure Robart; Untitled piece 

& gigg. 





Virginal 

Reel: 27 

14 

Anonymous. 

Sic deus dilexit mundum; Sancta et immaculata; Laudans 

exultet gaudio; Te Deum patrem ingenitum; Deus, deus meus, 

respice in me; Ite in universum mundum; Gabriel angelus; 

Jesu, dulcis memoria; Incipite Domino in tympanis; Victimae 

paschali; Deus, Canticum novum cantabo tibi; Hic est vere 

martir; Exivi a patre; Salve Regina, mater misericordiae; 

Apparuerunt apostolis. 



276-7; Type: Ms. 2nd cantus and tenor parts only. 


Reel: 32 

Anonymous. 

Sir John Black; Blak, maior; Lessones upon the first; 

Lessons upon the secund; 50 psalmes; Wilsonis fantasie; In 

nomine. 

After 1604 




4 Viols 

Reel: 34 

Anonymous. 

Sleepe, sleepe, though griefe torment; Ay me! Can love 

and beautie soe conspire; As on a day Sabina fell a-sleepe; I 

love a love; What if a day; How can the tree but waste; Hence, 

leaden care; The sweetest flower; Neere to a bancke of roses; 

Hold, lingell, hold; As at noone Dulcina rested; Unkinde 

death; Reste mee here; Grieve not, Tibullus; I am the man that 

mirthles lives; Many desire; Sound yee, sheppheards; Is't for a 

grace; O that my eies were equall to my woes; Art thou that 

shee; Phillis was a faire maide; Sweet muses; Now I see thy 

lookes were fayned; Wanton away; The darke is my delight; If 

I freely may discover; My thread is spun; Pulchra nuper 

Rosalina; Whie dost thou turne away; Goe silly note. 

1615-1626 


468-9. Collected by Giles Earle; Type: Ms. Songs with bass 

and fioriture for solo voice. 

Genre: Secular Vocal Music: Lute Songs 

Reel: 20 

Anonymous. 

A songue; A pavan; Untitled cittern pieces (2); Que passé; 

Was not goode kinge Salomon; Queene of Scottes gallyard; 

The french galliarde. 




hand of Thomas Mulliner): Tablature. 

Genre: Instrumental Chamber Music: Cittern Solos 

Reel: 28


before c.1640 

Author Index 

Anonymous. 

String trios (10). 

c.1616 


vol.iii, 182; Type: Ms. Altus partbook. 

Genre: Instrumental Chamber Music 

Reel: 23 

Anonymous. 

Sub tuum praesidium. 

17th century 

Manuscript Number: C.263; Published in L. Leoni: Sacri 

flores 1619. page 17 in both part-books.; Type: Ms. Alto and 

bass partbooks. 


Reel: 41 

Anonymous. 

Suport your servand, pierles paramure à 4; Only to yow, 

my ladey bricht à 4; Richt soir oprest am I à 4; In throw the 

vondouis of my eies à 4; Musick fyne & Lytill blak à 4; O 

mortall man & My delyt à 4; Un jour vis à 4; My luiff & 

Adew à 4; Why sit I heir, Alace à 4; O love, thou art enraiged 

à 4; Cum, my deir à 4; O cum away, my deirest deir à 4; 

Depay of tym hes wrocht my wo à 4; The quhyt sueit singing 

death à 5; Pansing in spreit à 4; Si dessus à 4; Evin sighes I 

send à 4; Ye pearce my hairt à 4; Tres beux geux [yeux] à 4; 

Why do I thus complaine à 3; The flaming fyre à 4; Present 

now must I bee à 4; As every flour doth spring in may à 4; I 

die, alaice, throuch your disdaining à 4; Vorria à 4; O cairfull 

cative à 4; Whairfoir is this, my lady sueit à 4; An Italian song 

à 4; Adiw, sueit hairt à 4; My plesour à 4; Ardoch [Ardo che?] 

à 4; Puis que ne veux escouter à 4; Si ie repasse à 4; Je vaw 

[vois?] à 4; Ausew [Aux yeux] à 4. 

After 1604 


144. In the hand of David Melville.; Type: Ms. Bass part only. 


Reel: 34 

Anonymous. 

The Three Kings or The Adoration of the Magi. 



241. Strasburg; Type: Ms. Text with neums of early Gothic 

form. 

Genre: Sacred Vocal Music: Miracle Plays 

Reel: 20 

15 

Anonymous. 

Three; Sacerdos et pontifex; Tota pulchra es; O sacrum 

convivium. 

1595 

Manuscript Number: D.32; Bound with Varotti: Liber primus 

missarum 1595; Type: Ms. Tenor 1 part only. 


Reel: 41 

Anonymous. 

Trinity College Pavan. 





Dances 

Reel: 30 

Anonymous. 

The Triumphs of Oriana: first part à 5; A love-song: What 

first did break thee. 

After 1601 



countertenor, quintus & bassus. 


Reel: 35 

Anonymous. 

The Triumphs of Oriana: Part 2. 

1600-1601 



countertenor, quintus, bassus & sixtus (in vol.i). 



Reel: 35 

Anonymous. 

Trop est fol ky me bayle sa femme. 


Manuscript Number: Add. Ms 24198, ff.l-lv,; Hughes-Hughes 

vol.ii, 120: RISM IV/1, 513; Type: Ms. One part only. 

Genre: Secular Vocal Music: French Chansons 

Reel: 20


before c.1640 

Author Index 

Anonymous. 

Turn thy face à 6; Singe joyfully unto our God; I am the 

resurrection à 5; Saule and Jonathan. 

c.1616 

Manuscript Number: Add. Ms 29427; Hughes-Hughes vol.i, 6; 

Type: Ms. Altus partbook. 


Reel: 23 

Anonymous. 

Two In Nomines for 4 string instruments. 



Hughes vol.iii, 203; Type: Ms. Tenor part. 


Reel: 20 

Anonymous. 

Two in one in the 5 upon Miserere. 



vol.i, 114; Type: Ms.. 

Genre: Sacred Vocal Music: Canons Without Words 

Reel: 27 

Anonymous. 

Two psalmes. 

After 1579 

Manuscript Number: Add. Ms 36526 A; Hughes-Hughes vol.i, 

183; Type: Ms. Tenor & bass parts. 

Genre: Sacred Vocal Music: Hymns 

Reel: 34 

Anonymous. 

Two untitled organ solos each into punctas or movements. 

14th century 

Manuscript Number: Add. Ms 28550 ff.43-4v; Hughes- 

Hughes vol.iii, 76. RISM IV/2, 236. The Robertsbridge 

Manuscript; Type: Ms. Melody in ordinary notation with 

figuring in a kind of organ tablature. 


Organ Solos 

Reel: 20 

Anonymous. 

Ubi est Abell; Salvator Mundi à 5. 



Hughes vol.i, 273; Type: Ms. Tenor partbook. 


Reel: 20 

16 

Anonymous. 

Untitled 5-part consort piece for 5 viols; Le Bergeyre for 5 

viols; Non vy dette for 5 viols; Upon the playnsonge for 5 

viols. 

c.1584 


218; Type: Ms. Single treble viol part only. 


Viols 

Reel: 31 

Anonymous. 

Untitled piece. 

After 1601 


vol.iii, 232; Type: Ms. Vocal partbooks: cantus & sixtus parts 

only. 



Reel: 35 

Anonymous. 

Untitled piece for solo viol. 

c.1607 

Manuscript Number: Add. Ms 34800a; Hughes-Hughes vol.iii, 

162; Type: Ms. Superius part only. 

Genre: Instrumental Chamber Music: Viol Solos 

Reel: 33 

Anonymous. 

Untitled piece; Fantasia on Attendite. 

After 1601 



quintus, bassus: Wanting countertenor. 



Reel: 35 

Anonymous. 

Untitled short piece for virginal; A Gigge; Mall Sims; 

Hoope doune; Tomboy; Wanton season; Goe no more arushing; 

Coranto. 



106; Type: Ms. On two 6, 7 or 8-line staves. 


Virginal 

Reel: 27


before c.1640 

Author Index 

Anonymous. 

Untitled violoncello duets in D major & minor. 


Manuscript Number: Add. Ms 31432 f.49b (reversed); 

Hughes-Hughes vol.iii, 171; Type: Ms.. 

Genre: Instrumental Chamber Music: Cello Duets 

Reel: 31 

Anonymous. 

Watkin's Ale set for lute. 


Manuscript Number: Add. Ms 41498 f.38; Type: Ms.. 


Reel: 38 

Anonymous. 

Whole service in D (without Kyrie). 

After 1601 


Hughes vol.iii, 400. In a later hand than the rest of the ms.; 

Type: Ms. Treble part only. First leaf mutilated.. 


Reel: 35 

Anonymous. 

Wilt thou daunce and singe, my love. 

1615-1626 


53; Type: Ms. Score. 

Genre: Secular Vocal Music: Duets 

Reel: 20 

Anonymous. 

Wounded with sinne. 



5. Apparently in the hand of Alfonso Ferrabosco I.; Type: Ms. 

Vocal partbooks C,B,Q; lacking A,T. 


Reel: 21 

Anonymous English. 

Omnes gentes, attendite à 4. 

1575-1578 





Reel: 32 

17 

Anonymous English composers. 

Fancies (3); Lord Souches [Zouche's] Martche. 

After 1597 


vol.iii, 235; Type: Ms. Single parts only. 

Genre: Instrumental Chamber Music: Miscellaneous 

Reel: 34 

Anonymous Flemish composers. 

Du bon du cuer; Myn morken gaf my; Ic weet een 

molenarrynne; Quant je vous voye; A Dieu, mamour; Fortuna 

desperata; En lombre dung buissonet; Doort derven van v, 

myn lief; Myns liefkins claer anscauwen; Ic truere; Myns 

liefkins bruun ooghen; Mon mary m'a diffamee; Ma maitresse, 

mamye; Helas, dame, que jayme tant; Wan ic ghedincke; Mi 

heeft een piperken; Consummo la mia vita; Mais que che fut 

secretement; Nest il pas bien Infortune; Nostre saison est bien 

fortunee; Lessies parler; Verlanghen ghy doet mynder herten 

pyn (2 settings); Een boer, een boer, so willie waghen; Die 

crudekins die spruten; Qui est celuy qui dira mal; Je voy, je 

viens; Wy en sullen niet bedien; Ic ben zo nav bedwonghen; 

Ghistern avent; A Dieu, myn lief; Tout plain dennuy; Eylas, 

ey my; 'T meiskin was jonck wel van passe; Adieu, solas; O 

Venus vrau wat dedic gheboren; Je le lairay, puis quil my bat; 

Troest me, my lief; Een sotte cluytte; Ric god, wie sal ic 

claghen; Ic weet een vrauken; Quant je vous voy; Que nest Il 

vray; Ryck god, uv moet Ic trueren; Sourdes regretz; Doch 

weet Ic een jonc vraukin; Helas, pour quoy me suige Mariee; 

Fors seulement l'attente; Vrai dieu damour; Petite camusette; 

Amy, l'aurez vous donc fortune; Je my soloye; Diey gard de 

mal; On a mal dit de mon amy. 



128.; Type: Ms. Partbooks. 


Reel: 33 

Anonymous Flemish composers. 

O vos omnes qui transitis à 3; Erubescat Judens infelix à 3; 

Miserere mihi, Domine à 3 (wanting tenor part); Parce, 

Domine, populp tuo à 3 (wanting contratenor); Tristis est 

anima mea à 3; Pauper sum ego à 3; Peccantem me quotidie à 

3; Ut queant laxis à 3; Dulcis amica Dei à 3; Vivo ego, dicit 

Dominus à 3; Sancta Maria, piarum piissima à 3; Salve, mater 

Salvatoris [a prayer for Emperor Charles V, 1519-56] à 3; 

Dicant nunc Judej à 3. 



262; Type: Ms. Partbooks. 


Reel: 33


before c.1640 

Author Index 

Anonymous Italian. 

Aspice Domine à 5. 

1575-1578 





Reel: 32 

Anonymous Italian. 

Examples of mutation &c. 





Reel: 24 

Anonymous Italian composer. 

Dies ire; Surgit Cristus cum tropheo. 



425. RISM IV/4, 631; Type: Ms.. 

Genre: Sacred Vocal Music: Plainsong Of Antiphon 

Reel: 24 


Kyrie, Gloria in excelsis Deo et in terra pax & Credo. 



211. RISM IV/4, 631; Type: Ms. Parts. 

Genre: Sacred Vocal Music: 3-part Masses 

Reel: 24 


Tibi, Christe, splendor Patris. 



288. RISM IV/4, 631; Type: Ms. Quasi-score. 


Reel: 24 

18 

Anonymous Italian composers. 

O dolcie apresso un bel; O Perla gentil; Apres' une fiume; 

Per allegrezza; Mille merçe de Amore; Per isparverare; Non 

aurama pieta à 3; Dona, sito falito; Guard' una volta à 3; I son 

un pellegrin; L'aspido sordo; La dona mia vole; Non senti, 

donna; Se pronto non sara; Lamantachassera; Informa quasi 

tral vegliare (a chaccia); Poiche datte mi chonuien partir; 

Chosi pensoso; Chil ben sofri; I pregho amor; Lasso per mie à 

3; Donna, i prego amore à 3; Posando lonbra; Bench' io serva 

con fe; Donna tu pur; Gia perchi pensso; Bench' amar, crudel; 

Giporte; Chosa non necha à 3; El gradisio à 3; Chançonete 

tedesche (4) tenor part only; Nessum pongha sperança à 3; Or 

sus vous dormet à 3; Segugi a corde. 



Hughes vol.ii, 120-22. Apparently made for a member of the 

Medici family. RISM IV/4, 631; Type: Ms. Copy. 


Reel: 24 

Anonymous Italian composers. 

Stanpita [series of short pieces divided into parts: Ghaetta, 

Chomincimento, Isabella, Tre fontane, Belicha, Parlamento, In 

pro... &c; Untitled piece. 



Hughes vol.iii, 77. RISM IV/4, 631; Type: Ms. Copy: 5-line 

staves. 


Organ Solos 

Reel: 24 

Anonymous Scottish priest - Scottish. 

Domine, in virtute tua. 

1575-1578 





Reel: 32 

Anonymous; Preston, Thomas (Attrib.) - English. 

Uppon La mi re; Diffusa; Benedicta; Felix namque (7 

settings); Beatus Laurencius; Confessio; Resurrexit (2 

settings); Tu cognovisti; Hec dies...confitemini; Alleluia 

[Pascha nostrum]; Fulgens. 

c.1647 


Hughes-Hughes vol.iii, 80-81. In the hand of Thomas Preston; 

Type: Ms. Copy: 2 staves of 5, 6, 7 or 8 lines. 



Reel: 24


before c.1640 

Author Index 

Anonymous; Redford, John (Attrib.) - English. 

Misereres (3); Salvator (2 settings); Te lucis; Eterne rerum 

Conditor (2 settings); Conditor Alme siderum; Verbum 

supernum prodiens; Iste confessor; Veni Redemptor gencium; 

Deus, Creator omnium; Christe Redemptor; A solis ortus 

cardine; Corus nove Jerusalem; Glorificamun (2 settings); 

Lucem Tuam; The viij tune in C fa ut; Gloria in excelsis. 

c.1647 


Hughes-Hughes vol.iii, 80-81. In the hand of John Redford; 




Reel: 24 

Anonymous; Stretton, Thomas - English. 

Songs. 


Manuscript Number: K.1.e.1; Added to XX Songes, 1530; 

Type: Ms. Additions to printed book: Altus part. 


Reel: 41 

Anonymous; Werl, Albertus - Unknown. 

Lute music. 

1620 

Manuscript Number: K.3.m.21; In printed copy of 

Michelangelo Galilei: Il primo libro d'intavolatura di liuto, 

1620.; Type: Ms. Autograph (Werl). 


Reel: 41 

Antonius, Jacobus - Unknown. 

Ex Sion species. 





Reel: 31 

Appenzeller, Benedictus - Netherlands?. 

Buvons, ma commere. 





Reel: 33 

19 

Arcadelt, Jacques - Flemish?. 

Dormendo un giorno. 

After 1611 


vol.iii, 59; Type: Ms. Lute tabulature. 


Reel: 21 

Ashton, Hugh - English. 

Gaude, Virgo. 






Reel: 32 

Asola, Giovanni Matteo - Italian. 

Vezzosi augelli. 

After 1604 




Without Words 

Reel: 29 

Aston, Hugh - English; Baldwin, John - English; Barber 

- English?; Bedyngham - English; Bevin, Elway - English; 

Bull, John - English; Byrchley - English?; Byrd, William 

- English; Cooper - British; Daman, William - Walloon; 

Digon - Unknown; Fayrfax, Robert - English; Ferrabosco 

?I, Alfonso - Italian; Giles, Nathaniel - English; Golder - 

English; Gore (?Correy) - English; Henry VIII, King - 

English; Johnson - English; Merbecke, John - English; 

Marenzio, Luca - Italian; Monte, Philip de - Flemish; 

Morecock - English; Morley, Thomas - English; Mundy, 

William - English; Mundy, John - English; Parsons, 

Robert - English; Preston - English; Sheppard, John - 

English; Tallis, Thomas - English; Taverner, John - 

English; Thorne, John - English; Tye, Christopher - 

English; White - English; Wood - English?; Woodson, 

Thomas - English; Wilkinson, Robert - English. 

John Baldwin's Commonplace Book; Sections of motets. 

c.1588-1606 

Manuscript Number: RM 24 d 2; Anthology of miscellaneous 

music: Royal Musical Association Research Chronicle 12 

(1974); Type: Ms.. 


Reel: 40


before c.1640 

Author Index 









Marenzio, Luca - Italian; Monte, Philip de - Flemish; 








John Baldwin's Commonplace Book; Songs. 

c.1588-1606 


music:Royal Musical Association Research Chronicle 12 

(1974); Type: Ms.. 


Reel: 40 









Marenzio, Luca - Italian; Monte, Philippe de - Flemish; 








John Baldwin's Commonplace Book; Textless madrigals. 

c.1588-1606 



(1974); Type: Ms.. 

Genre: Secular Vocal Music: Textless Madrigals 

Reel: 40 

20 


- English?; Bedyngham - English?; Bevin, Elway - 

English; Bull, John - English; Byrchley - English?; Byrd, 

William - English; Cooper - British; Daman, William - 

Walloon; Digon - Unknown; Fayrfax, Robert - English; 

Ferrabosco ?I, Alfonso - Italian; Giles, Nathaniel - 

English; Golder - English; Gore (?Correy) - English; 

Henry VIII, King - English; Johnson - English; 

Merbecke, John - English; Marenzio, Luca - Italian; 

Monte, Philip de - Flemish; Morecock - English; Morley, 

Thomas - English; Mundy, William - English; Mundy, 

John - English; Parsons, Robert - English; Preston - 

English; Sheppard, John - English; Tallis, Thomas - 

English; Taverner, John - English; Thorne, John - 

English; Tye, Christopher - English; White - English; 

Wood - English?; Woodson, Thomas - English; 

Wilkinson, Robert - English. 

John Baldwin's Commonplace Book; Exercises. 

c.1588-1606 



(1974); Type: Ms.. 

Genre: Secular Vocal Music: Exercises 

Reel: 40 

Baccusi, Ippolito - Italian. 

Aspice, Domine. 





Reel: 31 


Canzone; Canzone sopra Susanna. 

After 1607 





Reel: 28 


Ma che squallido. 

After 1604 




Without Words 

Reel: 29


before c.1640 

Author Index 


Occhi miei. 

After 1601 





Reel: 29 

Bacheler, Daniel - English. 

To plead my faith. 

1615-1626 





Reel: 20 

Bachij, Jean de - Unknown. 

Fuit homo missus. 





Reel: 31 

Balla, Luigi dalla - Italian. 

Godiam' adesso. 

After 1604 




Without Words 

Reel: 29 

Ballis, Oliviero - Italian. 

Se Giove. 

1598 




Reel: 32 

Barbato, Angelo - Italian. 

Un giorno passeggiando. 

After 1604 




Without Words 

Reel: 29 

21 

Barbion - Flemish. 

Vigilate et orate à 5. 

1553 


vol.i, 262; Type: Printed tenor part only. 


Reel: 31 

Barera, Rodiano - Italian. 

Cara stagion. 

17th century 




Reel: 30 

Bartlet, John - English. 

Unto a fly transform'd; When from my love I look't for 

love. 

1615-1626 





Reel: 20 

Bartolino da Padova - Italian. 

Al bacho; Quando la terra; La dolce cera à 3; Qual legie 

move; Per um verde boschetto. 






Reel: 24 

Bassano, Giovanni (Attrib.) - Italian. 

Pavan; Galliard. 

c.1599 







Reel: 24


before c.1640 

Author Index 

Bassano, Lodovico - Italian. 

Pavan. 





Reel: 30 

Bateson, Thomas - English. 

Alas...where is my love? à 5; Oriana's farewell: Harke, 

heare you not a heavenly harmony à 5; Faire Hebe when 

Dame Flora meets à 6; Thirsis, on his faire Phillis' breast 

reposing à 6. 

1616 


vol.ii, 150-152; Type: Ms. Vocal partbooks C,A,T,H,Q,Sx. 


Reel: 22 

Batten, Adrian - English. 

The Creed for 4 & 5 male voices. 

c.1629 




Reel: 21 


O praise the Lord, all ye heathen à 4; Hide not thou thy 

face à 4; Lord we beseech thee à 4; Haste thee, O God à 4; 

When the Lord turned again à 4; Allmightie God which in thy 

wrath. 

1664, 1670 &c 







Reel: 26 


Praise the Lord, O my soule; Blessed are they that keep; 

Heare my prayr, O God; Heare me prayer, O Lord; O Lord, 

thou hast searched; Ponder my words, O Lord; Holy...Lord 

God Almightye. 

1664, 1670 &c 







Reel: 26 

22 

Bearsley, William - English?. 

When David heard that Absalom à 5; When David heard 

that Jonathan. 






Reel: 21 

Becken, Pleikardus Carolus - German?. 

Dances: Allemandes, Courantes, Sarabandes, Gavottes, 

Branles, Arias & Gigues. 

After 1660 


Hughes vol.iii, 189; Type: Ms. First cantus part only. 


Reel: 31 

Bellasio, Paolo - Italian. 

S'altra fiamma. 

After 1604 




Without Words 

Reel: 29 

Benn, Johann - German. 

Ricercare (3 settings). 

1628 

Manuscript Number: Add. Ms 34898 ff.1-16, 23b-31; Hughes- 

Hughes vol.iii, 83; Type: Ms. Organ tablature. 


Organ Solos 

Reel: 33 

Bergamo, Giovanni Antonio da - Italian. 

Pavan ala Feraresa & Saltarello (2 sets); La Tintorella & 

Saltarello. 

16th century 


58; Type: Ms. Italian lute tablature. 

Genre: Instrumental Chamber Music: Lute Music 

Reel: 30


before c.1640 

Author Index 

Berghem, Jacob van - Flemish?. 

Aspice, Domine. 





Reel: 31 

Bevin, Edward - English?. 

A Fancy. 

1629-1630 




Organ Solos 

Reel: 34 

Bevin, Elway - English. 

Canons. 

1611 

Manuscript Number: RM 24 c 14; Type: Ms.. 

Genre: Secular Vocal Music: Canons 

Reel: 39 


First whole service (including Venite). 

c.1629 




Reel: 21 


Remember.... 



Hughes vol.i, 114; Type: Ms. Score: 20 parts in one. 


Reel: 24 

Bevin, Elway - English; Bull, John - English; Byrd, 

William - English; Cosyn, Benjamin - English; Gibbons, 

Orlando - English; Strogers, Nicholas - English; Tallis, 

Thomas - English; Weelkes - English. 

Services. 

1620 

Manuscript Number: RM 23 1 4; Type: Ms. Organ part. 

Genre: Sacred Vocal Music: Services: Organ Parts 

Reel: 39 

23 

Bicci, Antonio - Italian?. 

Beautie quhyt pearle à 6. 

1597 


144. From Musica Transalpina, 1597.; Type: Ms. Bass part 

only. 


Reel: 34 

Bicci, Antonio - Italian?. 

Dainty white Pearle. 

1616 




Reel: 22 

Bickerll - English?. 

Pavan. 





Virginal 

Reel: 27 

Blackhall, Andrew - Scottish. 

Of mercy and of judgement bothe; Blessed art thou that 

fearis God; Judge and revenge mmy cause, O lord. 

1575-1578 





Reel: 32 

Blakehall, A - Scottish?. 

Off mercie and of Judgement both à 5. 

After 1604 


Scottish metrical psalm settings.; Type: Ms. Bass part only. 


Reel: 34


before c.1640 

Author Index 

Blancks, Edward - English. 

Credo quod Redemptor. 

After 1578 

Manuscript Number: Add. Ms 31390 ff.20,21; Hughes- 

Hughes vol.iii, 279.A book of In nomines and other solfaigne 




Consorts 

Reel: 30 

Blancks, Edward - English. 

Six untitled pieces for 3 viols. 

After 1618 

Manuscript Number: Add. Ms 34800 a-c; Hughes-Hughes 

vol.iii, 183; Type: Ms. Partbooks. 

Genre: Instrumental Chamber Music: Viol Trios 

Reel: 33 

Blitheman, William - English. 

Christe, Qui lux; Untitled organ or virginals piece; An 

excellente meane; Eterne rerum Conditor (4 settings); Te 

Deum; Gloria Tibi, Trinitas (6 settings). 






Organ Solos 

Reel: 28 

Blitheman, William - English. 

In nomine. 





Virginal 

Reel: 27 

Blow, John - English. 

O God, wherefore art thou absent. 

1664, 1670 &c 







Reel: 26 

24 

Boni, Gabriele - Italian. 

Domine, quando. 





Reel: 31 

Boni, Gabriele - Italian. 

Sta notte mi sognava. 

After 1604 




Without Words 

Reel: 29 

Brewster, Maurice - English?. 

In nomine. 

After 1578 


vol.iii, 202. A book of In nomines and other solfaigne songes, 

i.e. textless music for consort or vocalisation (much of it 

originally vocal); Type: Ms. Parts. 


Consorts 

Reel: 30 

Bryne, Albertus - English. 

I heard a voyce. 

1664, 1670 &c 







Reel: 26 

Bughen, John - English?. 

Blessed art thou that fearest God. 

1575-1578 




Genre: Sacred Vocal Music: Psalms With Hymn 

Tunes 

Reel: 32


before c.1640 

Author Index 

Bull, John - English. 

Allmightie God, who didst manifest. 

1664, 1670 &c 






Genre: Sacred Vocal Music: Anthems With Verses 

For Holy Days 

Reel: 26 


Almighty God who by the leading of a star à 5; Fraile man, 

despise the treasures à 4. 

c.1616 




Reel: 23 


Fantasia on Re, re, re, sol, ut, mi, fa, sol; Toccata di Roma 

(Sexti toni) di Hieronimo Ferrabosco; Bonni well, Robin; 

Rose a solis; Prelude in the 8th mode; Prelude in Solfaut; Les 

Buffons; Den Lustelijcken mey; Alma Redemptoris: 2nd and 

3rd verses, 6th mode; Courante La Reine [Elizabeth of 

Bohemia]; Canarie; Two Fantasias on Vestiua i colli by 

Palestrina; Fantasia de chappel; Pavana sinfoniæ de chappel; 

Galliard de chappel; Het Juweel; Fantasia on a theme by Jan 

Pieterszoon [Sweelinck?]; Pavana Synfoniæ; Fantasia on the 

fugue by La Guamina; Een Kindeken is uns geboren (2 

settings); Laet uns met Herten reyne with prelude; Het nieu 

Bergomasco; Juweel [courante]; Battaille; Alarme; Joyeuse; 

Brigante; The Princes; Adieu off the Vaerwel; A Round; 

Kingston; Alamire (5); Boeren Dans; Pavan in the 2nd mode; 

Prelude and Fantasia in the 8th mode on Sol, ut, - Mi, fa, sol, 

la; Prelude and Fantasia on Re, re, re, sol, ut, mi, fa, sol; 

Fantasia in the 6th mode; Fantasia on A Leona; Ricercare in 

the 6th mode; Prelude and Fantasia in the 5th mode; Fantasia 

on Ut, re mi, fa, sol, la à 5; Two Ricercares in the 1st mode; 

Ricercare in the 5th mode; Vexilla Regis prodeunt (4 settings); 

Jam Lucis orto sidere (2 settings, à 3 & à 4); Te Lucis ante 

Terminum; Alleluia; Veni, Redemptor gentium; Salvator 

mundi, Deus; Telluris Ingens Conditor (2 settings); Telluris 

Ingens Conditor (2 settings in super-diatessaron, 2 in 1); 

Telluris Ingens Conditor in sub-diatessaron; Telluris Ingens 

Conditor in super-diapason; Telluris Ingens Conditor in subdiapason; 

Alleluia (canon in dipente). 

1628 


82. Composed while Bull was organist of Antwerp Cathedral; 

Type: Ms. Transcribed on 2 staves 18 Jan-16 Nov 1628. 


Organ 

Reel: 20 

25 


Fraile man, despise the treasures of this life; In the 

departure of the Lord; Attend unto my teares, O Lord; 

Almighty God, which by the leading; Almighty God, which by 

the leading à 6. 

1616 


10-13. Thomas Myriell's Tristitiae Remedium.; Type: Ms. 

Vocal partbooks C,A,T,H,Q,Sx. 


Reel: 22 


In thee, O Lord; Almightie God, which by the leading. 

1664, 1670 &c 







Reel: 26 


Prelude; Why aske you. 





Virginal 

Reel: 27 


Two untitled organ solos. 

1629-1630 




Organ Solos 

Reel: 34 

Bull, John - English; Byrd, William - English; Parsons, 

Robert - English; White, Robert - English. 

In Nomines. 

After 1613 


Hughes vol.iii, 225; Type: Ms. Vocal partbooks C,M,T,B,Q. 


Reel: 23


before c.1640 

Author Index 

Bull, John - English; Byrd, William - English; White, 

Robert - English. 

Vray dieu damours; Seigneurs que dieu vous gard; 

Maulditz soient ces mariz jaloux; Non mudera ma constance 

(2 settings); Pensez de faire garnison; Si jeusse Marion; Tres 

doulce dame; Le bon espoir que mon cueur a; Souvent je 

mesbatz; Celle qui ma demande; Dieu la gard la bergerotte; 

Adieu, solaz; Si jay perdu; Si jaime mon amy (Superius part 

only); En despit des faulx mesdisans (Inferius only); Hellas, 

jen sius marri; Il ny a yci celuy; Petite fleur cointe et jolie; A 

vous non aultre; A Dieu, mamour et mon desir; Royne des 

flours la plus belle; Royne des flours que jay tant desiree; 

Royne des flours que je desire; Lamour de moy; Il fait bon 

aimer loysellet; On a mal dit de mon amy; Mais que ce fust le 

plaisir delle; Dieu gard celle de deshonneur; Vray dieu, qui my 

confortera (imperfect). 



221; Type: Ms. Cantus viol partbook. 

Genre: Instrumental Chamber Music: Consort For 4 

Viols 

Reel: 32 

Bull, John - English; Chetwoode, Robert - English; 

Coprario, John - English; Ferrabosco II, Alfonso - 

Italian; Ford - British; Guy, Nicholas - English; Holmes, 

Thomas - English; Ives, Simon - English; Lawes, William 

- English; Lupo, Thomas - English; Marenzio, Luca - 

Italian; Monteverdi, Claudio - Italian; Pallavicino, 

Benedetto - Italian; Vecchi, Orazio - Italian; Ward, John 

- English; White, Robert (Attrib.) - English. 

Textless madrigals &c. 

Before 1645 

Manuscript Number: Add. Ms 40657-61; Type: Ms. Part 

autograph (W. Lawes). 


Madrigals Arranged For Strings 

Reel: 37 

Bull, John - English; Cosyn, Benjamin - English; 

Gibbons, Orlando - English. 

Benjamin Cosyn's Virginal Book. 

1620 (date on index) 

Manuscript Number: RM 23 1 4; Cosyn's own Index (not 

entirely reliable); Type: Ms.. 


Virginal 

Reel: 39 

26 

Burell, John - English; Cooke - English?; Damett - 

English; Power, Leonel - English; Sturgeon - English. 


Second and third layers (?1413-1422) 

Manuscript Number: Add. Ms 57950; Dates much disputed: 

Several movements paired, several canonic: Corpus 

Mensurabilis Musicae 46; Type: Ms.; Ms. Compiled in four 

layers. 



Reel: 38 

Burton - English. 

Te Duem. 



Hughes vol.i, 114; Type: Ms. Score: 20 parts in one. 


Reel: 24 

Byrd, William - English. 

Ad dominum, cum tribularer. 

After 1578 

Manuscript Number: Add. Ms 31390 ff.125b, 126b; Hughes- 


songes, i.e. textless music for consort or vocalisation 

(originally vocal); Type: Ms. Parts (2 trebles, 2 medius, 1 

contratenor, 1 tenor & 2 basses). 


Consorts 

Reel: 30 


Arise, O Lord why sleepest Thou; Prostrate, O Lord; O 

Lord [who in thy sacred tent]; Decantabit. 

After 1601 






Reel: 35 


Browning...The leaves be green for 5 viols; Preludium for 5 

viols. 

c.1584 

Manuscript Number: Add. Ms 32377 ff.5b-25b, 75b, 76; 

Hughes-Hughes vol.iii, 218; Type: Ms. Single part (1st treble 

viol?). 


Viols 

Reel: 31


before c.1640 

Author Index 


Canons founded on O Lux Beata Trinitas (6); Canons 

founded on Per naturam (5); Canons founded on Miserere 

mihi, Domine (18). 



114; Type: Ms.. 

Genre: Sacred Vocal Music: Canonic Settings On 

Plainsong Melodies 

Reel: 30 


Come, come, helpe, helpe, O God; I laid me downe to rest 

and slept; My eyes with feruency of spirit; My soule opprest 

with care and greife; O Lord, turne thy wrath; Prevent us, O 

Lord; Christ rising à 6; Sing joyfully unto God, our strength. 

1616 





Reel: 22 


Compell the hauke. 

1589 (first published) 


143. Copied in England. From Songs of sundrie natures 1589; 

Type: Ms. Tenor partbook only. 


Reel: 32 


Cunctis diebus à 6; Sponsus amat sponsam à 5. 

c.1584 




Reel: 31 


Delight is dead. 

After 1604 




Reel: 32 

27 


A fancie. 

After 1601 






Reel: 35 


Fantasia. 

After 1618 




Reel: 33 


Fantasias (2). 

c.1616 

Manuscript Number: Add. Ms 29427 ff.9-12, 45-53; Hughes- 

Hughes vol.iii, 203; Type: Ms. Altus partbook. 


Reel: 23 



c.1629 




Reel: 21


before c.1640 

Author Index 


From Citheron; While yet the sonne; An aged dame; Syth 

death; O Lord, bow downe; O Lorde, now vaine; O God, but 

God; O that we wofull; O God, geve eare; Myne eyes with...; 

Even from the depth; O God, whom; Aryse, O Lorde; Ah, 

youthfull yeres; As I behilde; Who likes to love; In toure most 

hye; Though Amarillis; O happie thryse; In filds abroade; My 

minde to me; When first by force; Wheare fancy; Ah, golden 

hare; When Phebus; Ye sacred muses; Come to me, greefe; Of 

gould all burnisht; As Cæsar wepte; With sighes and teares; 

Susanna faire; Weepinge full sore; Why doe I use; La 

virginella; My fredome, ah; What steps of stryfe; Lullaby; 

Blesses is he; Lorde, in thy wrath à 3; O Lorde, O Lorde; The 

man is blest; I will geve laude; How shall a yong man; The 

Lorde is only; Have mercy; Care for the soule; Lord, to Thee; 

O Lorde, how longe; Rejoyce, rejoyce; Helpe, Lorde; Yf that a 

synner's; What wytes; My soule opprest; O vaine the toyle; 

Truce for a tyme; Penelope; See those swete eyes; Prostrate, o 

Lorde; Farwell false love; What pleasure (2 settings); 

Ambicious Love; All as a sea; An trowe ye, nimphes; Who 

made the Hob; An earthly tree; O deere lyfe; Yf women; 

When I was; O you that here this voice; Quis me statim; 

Constant Penelope; Remember, Lorde; Compell the Hauke; 

Behold how good à 6; While that a cruell fyre; Delight is 

deade; Looke and bow downe à 6; Christ rysinge à 6; Depart; 

Sith that the tre; O prayse our Lorde; Mounte, hope; The day 

delayde; The day delayde; What vaileth. 


Manuscript Number: Add. Ms 31992; Add. Ms 31992; 

Hughes-Hughes vol.iii, 63; Type: Ms. Lute tablature. 


Reel: 31 


Gradualia ac Cantiones Sacræ: extracts. 

After 1618 


282; Type: Ms. Vocal partbooks S,T,B bound together. 


Reel: 33 


Howe longe shall myne enimyes. 



Type: Ms. Tenor partbook. 


Reel: 20 

28 


I joy in noe earthly bliss; Where fancie fond; O deere life; 

When I was otherwise; Ambitious love; O you that heare thus 

voice; What pleasure have greate Princis; All as a sea; Oh that 

we woe-full wretches; Come to me, greefe (on the death of Sir 

Philip Sidney); The faire young virgin; O sweete deceite; Yea, 

sacred Muses; In feilds abrode; An aged dame; Wedded to 

Will; Care for thy soule; Why do I use my paper; Faire Brittan 

Ile (on death of Pr. Henry, 1613). 

After 1613 

Manuscript Number: Add. Ms 29401-5 ff.2-44b; Hughes- 

Hughes vol.ii, 149-50; Type: Ms. Vocal partbooks 

C,M,T,B,Q. 


Reel: 23 


I joy not in no earthlie bliss à 4; Wher fancie fond à 5; 

Constant Penelope à 5; In fieldis abrod à 5. 

1588 




Reel: 34 


As I went to Walsingham with 21 variations; Passingemesures 

Paven & Galliard; Pavan & Galliard; The Carman's 

whistle. 



106; Type: Ms. On two 6, 7 or 8-line staves. 


Virginal 

Reel: 27 


In nomine. 





Reel: 20 


In nomine. 

c.1647 


Hughes-Hughes vol.iii, 80-81. In the hand of Thomas Preston; 




Reel: 24


before c.1640 

Author Index 


In resurrectione tua, Domine à 5; Ne irascaris, Domine à 5. 

1616 


281; Type: Ms. Vocal partbooks C,A,T,H,Q,Sx. 

Genre: Sacred Vocal Music: Latin Motets 

Reel: 22 


The leaves bee greene: a ground. 

1647 


Hughes vol.iii, 226. Apparently scored by Thomas Tomkins; 

Type: Ms. Score. 


Reel: 24 


Lulla, lullabie, my sweet little baby. 

After 1613 


vol.iii, 389; Type: Ms. Vocal partbooks C,M,T,B,Q. 


Reel: 23 


Madrigals. 





Reel: 31 


O God, give ear; Even from the depth; O Lord, bowe 

downe thine heavenlye eyes; O Lord, how vayne; The man is 

blest; Blessed is he that fears; O lord, who in thy sacred tent; 

Help Lord; O Lord, how long; Lord in thy wrath; If that a 

sinner. 

After 1613 




Reel: 23 


O Lord, turne thy wrath. 

c.1616 




Reel: 23 

29 


O salutaris hostia. 

After 1578 






Consorts 

Reel: 30 


Pavan & Galliard (7 sets); Care for thy soule; If that a 

sinner's sighes; O God, but God how dare I name; Prelude; 

Upon a plaine-song (2); In nomine; Untitled pieces for 

virginals (6); Piece in 2 partes; Lulaby; Ground; Carman's 

whistle; I must go walke the woods so wilde; Fancy; Calinoe 

Castorame. 





Virginal 

Reel: 27 


Prevent us, O Lord à 5; O God, whom our offences à 5; O 

Lord, make thy servant Charles à 5; O Lord, turne thy wrath à 

5; Sing joyfully à 6; O God, the proud à 6; Deliver me from 

mine enemies; O Lord, give eare à 6; Save me, O God, for thy 

names sake; Howe longe shall myne enemies; Arise, O Lord, 

whie sleepest thou. 

1664, 1670 &c 







Reel: 26 


Quis me statim rupto vetat fato mori à 5. 

After 1613 


vol.ii, 195; Type: Ms. Vocal partbooks C,M,T,B,Q. 


Reel: 23


before c.1640 

Author Index 


Salve Regina à 4. 





Reel: 25 


Salve Regina; Infelix ego; Attollite portas in 2 keys; 

Memento homo; O Lux Beata Trinitas; Aspice Domine; 

Domine, non sum dignus; Domine, salva nos. 





Reel: 28 


Salve, Regina, vita dulcedo. 





Reel: 23 


Sing Joyfully unto God. 






Reel: 21 


Six anthems. 

After 1611 

Manuscript Number: Add. Ms 29247, ff.3, 9b, 17b, 46, 47b 

and 76; Hughes-Hughes vol.i, 8; Type: Ms. Lute tabulature. 


Reel: 21 


Susanna faire. 

1615-1626 





Reel: 20 

30 


Three himns of Mr Byrd's; Fancies of 6 parts originally 

written for viols (3). 

1647 


Hughes vol.iii, 85. In the hand of Thomas Tomkins; Type: Ms. 

Copy: Compressed score: Two 6-line staves. 

Genre: Instrumental Chamber Music: Arrangements 

For Solo Organ Of Works Originally For Voices Or 

Strings 

Reel: 24 


Triumphe, Triumphe, with plesaunte melodie à 5. 



vol.ii, 139; Type: Ms. Vocal partbooks C,Ct,T,B,Q. 


Reel: 27 


Untitled 3-part organ piece; Is love a boy?; Boy, pitty me; 

Wounded I am; Yet of us twayne; From Citheron; There 

careless thoughts; If love be just; Rejoyce, rejoyce; Cast off all 

doubtfull care. 

1647 


Hughes vol.iii, 85-86. In the hand of Thomas Tomkins; Type: 

Ms. Copy: Score: Four 5-line staves. 



Strings 

Reel: 24 


Ut my re. 

c.1584 




Reel: 31


before c.1640 

Author Index 


What pleasure; Peccavi; Infelix ego (2 settings); Sermone 

blando; Two fantasias; Ave maris stella; Quem terra, pontus; 

O gloriosa domina; Memento salutis; Regina coeli; Fantasia; 

Susanna faire; When yongelings; Uppon a sommers day; The 

gredie hauke; The nightingall; Fantasias (two); Te lucis (2 

settings); Christe, qui lux; Salvator; Miserere; Prostrate, O 

Lorde; Even from the depth; Compel the hawke; Farewell 

false love; Aparebit in finem; Audivi vocem; Domine, Tu 

jurasti; Remember, Lorde; Vide, Domine; Hec dicit Dominus; 

Constant Penelope; Vigilate; Domine, secundum; 

Tribulationes; Ambicious love; All as a Sea; Ne irascaris; Fac 

cum servo tuo; Arise, O Lorde; Memento, Domine; O God, 

give eare; Memento, homo; Aspice, Domine (2 settings); 

Attollite portas; O Lux; Infelix ego; O Lux, Beata Trinitas; 

Mine eyes; Crowned with flowers; O sweet deceipt. 

After 1611 




Reel: 21 


What Pleasures have great princes. 

1588 

Manuscript Number: K.2.f.1; On sig. Bii of each part of his 

Psalmes, Sonets and songs 1588 except Bassus.; Type: Ms.. 


Reel: 41 


What plesure have gryt princes; My mynd to me a 

kingdome is; Fairweill, fals love; The match that is maid. 

1588 


145. From Psalmes, Sonets and Songs of 5 parts, 1588; Type: 

Ms. Bass part only. 


Reel: 34 

Byrd, William - English; Child, William - English; 

Gibbons, Orlando - English; Rogers, Benjamin - English; 

Tallis, Thomas - English. 

Services. 

c.1613-1616 

Manuscript Number: Add. Ms 38539; At reverse end of 

volume; Type: Ms. Organ part. 


Reel: 36 

31 

Byrd, William - English; Coprario, John - English; 

Cranford, William - English; Dering, Richard - English; 

Ferrabosco I, Alfonso - Italian; Ferrabosco II, Alfonso - 

Italian; Lupo, Thomas - English; Ravenscroft, - English; 

Ward, John - English; White - English. 

Consort pieces. 

c.1640 (?) 

Manuscript Number: Add. Ms 39550-4; Type: Ms. With 

collation notes referring to other contemporary copies. 

Genre: Instrumental Chamber Music: Consort Music 

Reel: 36 

Byrd, William - English; Ferrabosco I, Alfonso - Italian; 

Johnson - English; Marenzio, Luca - Italian; Morales, 

Cristofero - Spanish; Palestrina, Giovanni Pierluigi da - 

Italian; Regnart, Jacob - South Netherlands; Tallis, 

Thomas - English; Taverner, John - English; Vaet, 

Jacobus - Flemish; Victoria, Tomás Luis de - Spanish; 

White - English. 

Music in 3 parts. 


Manuscript Number: Add. Ms 41156-8; From the Pastor 

family; Type: Ms.. 

Genre: Vocal Music: 3 Parts; Instrumental Music: 3 

Parts 

Reel: 38 

Byrd, William - English; Lassus, Orlande de - Franco- 

Flemish; Parsons, Robert - English; Sheppard, John - 

English; Strogers, Nicholas - English; Taverner, John - 

English; Tye, Christopher - English; White - English. 

Latin motets. 

After 1581 

Manuscript Number: Add. Ms 47844; Type: Ms. Vocal 

partbook (Countertenor). 


Reel: 38 

Byrd, William - English; Morley, Thomas - English; 

Farmer, John - English. 

Madrigals. 

1647 


Hughes vol.ii, 154; Type: Ms.. 


Reel: 24


before c.1640 

Author Index 

Byrd, William - English; White, Robert - English; 

Parsons, Robert ? - English; Alcock, Philip. 

In nomines for 7 viols. 

c.1584 


234; Type: Ms. Single parts only. 


Viols 

Reel: 31 

Byrd, William (Attrib.) - English. 

Galliard Quy passe. 

c.1599 







Reel: 24 

Campion, Thomas - English. 

Come, you prettie false-eied wanton; I care not for those 

ladies; Though you are younge; Silly boy, it is full Moone; 

Shall I come, sweet Love. 

1615-1626 





Reel: 20 

Carleton, Nicholas - English. 

A verse for two to play on one virginall or organs. 

1647 

Manuscript Number: Add. Ms 29996 ff.196bn, 204b; Hughes- 

Hughes vol.iii, 151; Type: Ms. Score. 

Genre: Instrumental Chamber Music: Duets For One 

Keyboard Instrument 

Reel: 24 

Carleton, Nicholas - English. 

Verse of 4 parts and another upon the sharpe. 

1647 






Strings 

Reel: 24 

32 

Carlton, Nicholas - English. 

Gloria Tibi, Trinitas. 






Organ Solos 

Reel: 28 

Carlton, Richard - English. 

If women could be courtious. 

1601 






Reel: 35 

Carpentras: Genet, Elzéar - French. 

Salve Regina misericordie. 






Reel: 20 

Carr, James - English?. 

In thee, O Lord, have I put. 

1664, 1670 &c 







Reel: 26 

Caustun, Thomas - English. 

Morning Service. 





Reel: 27


before c.1640 

Author Index 

Child, William - English. 

Heare, O my people. 

1664, 1670 &c 







Reel: 26 


O Lord, grant the Kinge; O God, wherefore art thou absent; 

O let my mouth bee filled; Thou art my king; O sing unto the 

Lord; Blessed be the Lord God; O clap your hands; O praise 

the Lord, Laud yee; O pray for the peace; Glory be to God on 

high. 

1664, 1670 &c 







Reel: 26 


Service in D; Service in C. 

1664, 1670 &c 


Hughes vol.i, 399. A Booke of Selected Church-Musick 

Consisting of full Anthems and Anthems with verses Used in 

the Cathedral Church of Durham Anno Domini 1664; Type: 

Ms. Tenor cantoris partbook. 


Reel: 26 


Whole service with Jubilate instead of Benedictus. 

c.1629 




Reel: 21 

Churchyard, Thomas - English. 

Venetian galliarde. 




hand of Thomas Mulliner): Tablature. 

Genre: Instrumental Chamber Music: Cittern Solos 

Reel: 28 

33 

Clemens non Papa, Jacob - Franco-Flemish. 

Ego me diligentes diligo à 5; Concussum est mare à 5; 

Misit me vivens pater à 5; O quam moesta dies à 5; Dixerunt 

discipuli à 5; Plaude, superna Syon à 5; Ave, martyr gloriosa à 

6; O Domine, multi dicunt à 6; Clemens et benigna à 6. 

1553 




Reel: 31 


Ego, flos campi. 

After 1611 

Hughes-Hughes vol.ii, 148, vol.iii, 59; Type: Ms. Lute 

tabulature. 


Reel: 21 


Or il ne mest possible. 





Reel: 27 

Compère, Loyset - French. 

Plaine dennuy. 



128. Words to bass part only, Latin: anima mea liquefacta est; 

Type: Ms. Partbooks. 


Reel: 33 

Conversi, Girolamo - Italian. 

Quando mi miri. 

After 1611 




Reel: 21 

Cooper, Dr - British. 

Alone I leffe. 





Reel: 31


before c.1640 

Author Index 

Cooper, Dr. - British. 

I have bene a foster à 3; Fare well my joy à 3. 





Reel: 31 

Coprario, John - English. 

Fancies (12). 



257; Type: Ms. Autograph: Score on two 6-line staves. 

Genre: Instrumental Chamber Music: Trios For Organ 

And Two Bass Viols 

Reel: 31 


Fancy. 



vol.iii, 220. Apparently in the hand of Alfonso Ferrabosco I.; 

Type: Ms. Vocal partbooks C,B,Q; lacking A,T. 


Reel: 21 


O Lord, how doe my woes increase. 

1616 





Reel: 22 


Sixteen Fantasia-Suites. 


Manuscript Number: RM 24 k 3; For violin, bass viol and 

organ; Type: Ms. Organ part only. 


Suites 

Reel: 40 

34 

Cornysh II, William - English. 

Adew, mes amours à 3; A dew, a dew, my hartis lust à 3; 

Ah! the syghs à 3; Blow the hornne, hunter à 3; A dew, corage 

à 3; Trolly lolly loly lo syng à 3; Yow and I and Amyas à 3; A 

Robyn à 3; Whill lyve or breth à 3. 





Reel: 31 

Cornysh II, William - English. 

My love she morneth. 



vol.ii, 53. King Henry VIII's Manuscript; Type: Ms. Parts. 


Reel: 31 

Corsini, Bonavitus - Italian. 

Donna, non fu giamay; Piata ti mova; Amor, tu vedi. 






Reel: 24 

Coste, Thomas - English. 

He that hath My commandments. 

c.1629 


Hughes-Hughes vol.i, 15; Type: Ms. Single part (tenor). 


Reel: 21 

Coste, Thomas - English. 

Save me, O God, for thy names sake. 

1616 





Reel: 22


before c.1640 

Author Index 

Courteville, Ralph - English. 

Vertumnus, Flora, you that bless the fields. 


Manuscript Number: Add. Ms 22597 ff.47-51b (reversed); 

Hughes-Hughes vol.ii, 242. Song in Durfey's Don Quixote 

1695, for which Purcell wrote most of the incidental music; 

Type: Ms.. 

Genre: Secular Vocal Music: Opera: Songs 

Reel: 20 

Coxon, Robert - British?. 

Letamini in Domino; Veritas mea. 

c.1647 






Reel: 24 

Cranford, William - English. 

I will love ye, O Lord. 

1664, 1670 &c 







Reel: 26 

Cranford, William - English. 

O Lord, make thy servant. 

1664, 1670 &c 







For Holy Days 

Reel: 26 

Crecquillon, Thomas - Franco-Flemish. 

Cæsaris auspitiis. 


Manuscript Number: Add. Ms 29388-92 f.25; Hughes-Hughes 

vol.ii, 194; Type: Ms. Parts (cantus missing). 


Reel: 23 

35 


Domine, ne memineris; Nigra sum (2 settings); Pis ne me 

puit; Domine, da nobis; Andreas Christi. 

After 1611 




Reel: 21 


Et perfice; Deus virtutum. 

After 1578 






Consorts 

Reel: 30 

Croce, Giovanni - Italian. 

Cinthia, il tuo dolce; Candide perle. 

1592 






Reel: 35 


Lord, in thy wrath reprove me not à 6; Shew mercy, Lord, 

on me à 6; Lord, in thine anger doe no more; My strength even 

fayles me. 

1616 





Reel: 22 


O gratious and worthiest of each creature; Hard by a 

christal fountaine. 

1616 




Reel: 22


before c.1640 

Author Index 


Ove tra l'herbe; O gratiosa e cara; Chi crederia; Valli 

profunde al sol. 

After 1601 





Reel: 29 


Rimaser le parole. 

1593 




Reel: 32 


Se da voi. 

1594 


vol.iii, 223. From Novi pensieri musicali, 1594; Type: Ms. 

Vocal partbooks: first & second treble, countertenor, quintus, 

bassus. 



Reel: 35 

Cutting, Francis - English. 

Allemande; Maister Pyper's pavyn; Galliard belonging to 

Greensleves; Pavan; Galliard. 





Reel: 30 

Dagger, William - English?. 

Downbery down, now am I exild. 





Reel: 31 

36 

Dalla Viola, Oratio - Italian. 

Cara la vita mia; Partimento sonare to the air Susanna un 

giorno. 

After 1607 


Hughes vol.iii, 157; Type: Ms. Copy. 

Genre: Instrumental Chamber Music: Viola Bastarda 

Arrangements 

Reel: 28 

Daman, William - Walloon. 

Miserere nostri, Domine à 5. 

1616 




Reel: 22 


O heavenly God, O Father deare. 

1616 





Reel: 22 


Spem in alium. 





Reel: 31 


Ut re my fa sol la. 

After 1611 




Reel: 21 

Davy, Richard - English. 

Virgo templum. 






Reel: 32


before c.1640 

Author Index 

de Gero, Jan - Walloon?. 

Adiutor in tribulationibus; O benignissime (1519). 






Reel: 20 


Jay veu le regnart. 



Hughes vol.ii, 128; Type: Ms. Treble part only. 


Reel: 20 


Se per colpa; Alla dolce ombra; Rare gratie; Le treccie; O 

felice colvi. 

After 1604 




Without Words 

Reel: 29 

de la Fage, Pierre - French?. 

O sancte seraphice. 






Reel: 20 

Dentice, Scipione - Italian. 

In queste selve. 

17th century 




Reel: 30 

37 

Dering, Richard - English. 

Allmightie God, which through. 

1664, 1670 &c 







For Holy Days 

Reel: 26 


And the king was moved à 5. 

1616 





Reel: 22 


And the kinge was moved à 5. 

c.1616 




Reel: 23 


The Country Cryes. 

c.1616 




Reel: 23 


Fancies (5). 






Reel: 21


before c.1640 

Author Index 


God give you good morrow, Sir Rice; What doe ye lack. 

1616 




Reel: 22 

Dethick - Unknown. 

Pavan. 





Dances 

Reel: 30 

Divitis, Anthony - Flemish. 

Da pacem, Domine (canon). 






Reel: 20 

Donato da Cascia - Italian. 

I fu gia bianch' ucciel. 






Reel: 24 

d'Orvieto, Ugolino - Italian. 

Musica disiplina. 

14th century 


306. Owned at an early date by Gaffurius.; Type: Ms.. 

Genre: Works Relating To Music: Treatises 

Reel: 32 

38 

Douglas - British. 

Converteri Domine; In convertendo. 

After 1578 






Consorts 

Reel: 30 

Douglas - British. 

In convertendo. 





Reel: 20 

Dowland, John - English. 

Come again sweet love. 



vol.ii, 138; Type: Ms. Countertenor part only. 


Reel: 32 


Dawlan's pavan & galliard. 

After 1604 




5 Viols 

Reel: 34 


A fantasie; Solus cum solâ; Lachrimæ. 





Reel: 30 


Sleep, waiward thoughts. 

c.1630 


vol.ii, 471; Type: Ms. Score. 

Genre: Secular Vocal Music: Song With A Bass 

Reel: 24


before c.1640 

Author Index 


Sorrow, sorrow, staye. 

After 1601 


vol.iii, 405. Adapted from Dowland's Second Booke of Songs, 

1600; Type: Ms. Vocal partbooks: first & second treble, 



Reel: 35 


Who ever thinks or hopes of love; If my complaints; Can 

she excuse my wrongs; Now, o now I needs must part; Burst, 

burst forth my teares; Come awaie, come, sweet love; Rest 

awhile; Sleep, waiward thoughts; All ye whom love of 

fortune; Come againe, sweet love; Awake, sweete love; Deare, 

if you chaunge. 

1597 


vol.ii, 132. From Dowland's First book of songes or ayres of 

foure parts, 1597.; Type: Ms. Tenor and bass parts only. 


Reel: 34 

Dowland, John (Attrib.) - English. 

De quadre pavanne. 

c.1599 







Reel: 24 

Dunstable, John - English. 

String trio with a ground tenor. 





Reel: 31 

Dunstable, John - English; Forest - English. 


Fourth layer ?c.1430-1431; Second and third layers (?1413- 

1422) 

Dates much disputed: Several movements paired, several 

canonic: Corpus Mensurabilis Musicae 46; Type: Ms.. 



Reel: 38 

39 

Dunstable, John - English; Plummer, John - English. 

Motets. 

15th century (?) 

Manuscript Number: Add. Ms 54324; Type: Ms.. 


Reel: 38 

East, Michael - English. 

Hast the, O God, to deliver me. 






Reel: 21 


O clap your hands; As they departed. 

1664, 1670 &c 







For Holy Days 

Reel: 26 


Sweet muses, nymphs and shepherds, a pastoral. 

1616 




Reel: 22 


Trip it lightly; Turne round about; Fly not away; Softly for 

falling; My lovely Phillis; And I, as well as thou; Love is a 

toye. 

After 1618 


vol.iii, 183. Volume reversed. From East's 5th sett of 

bookes...in 3 parts...1618; Type: Ms. Partbooks. 


Reel: 33


before c.1640 

Author Index 


When Israel came out of Egypt; O clap your hands. 

1616 





Reel: 22 


When Israell à 5. 

c.1616 




Reel: 23 


When Israell came out of Egypt. 

1664, 1670 &c 







Reel: 26 

Edwards, Richard - English. 

O the syllye man; In goinge to my naked bedde. 






Organ Solos 

Reel: 28 

Edwards, Richard (Attrib.) - English. 

In going to my naked bed. 

After 1579 


vol.ii, 131-132; Type: Ms. Tenor and bass parts only. 


Reel: 34 

40 

Eremita, Giulio - Italian. 

Ahi, che fuggite. 

After 1601 





Reel: 29 


Flie, give thow wilt à 5. 

1597 



only. 


Reel: 34 


Fuggi, se sai. 

1589 






Reel: 35 


So far, Deare life, from thy bright beams. 

1616 




Reel: 22 

F.T. (or J.T.?) - Unknown. 

La bounette; La doune cella (donnicella?); La shy myze 

(chemise?). 






Organ Solos 

Reel: 28


before c.1640 

Author Index 

Facy, Hugh - English. 

Untitled organ solos (2); Galliard. 

1629-1630 




Organ Solos 

Reel: 34 

Faignient, Noë - Flemish. 

When shall I cease lamenting. 

1616 




Reel: 22 


Now each creatur; Yow prettie flouris à 4. 

1599/1588 


144.; Type: Ms. Bass part only. 


Reel: 34 


You pertie flowers; Nowe each Creature joyes the other; 

You'le never leave; Lady, my flame; Sweet lorde, your Flame; 

Soone as the hungry lyon; O staye, sweet love; Complare my 

to the Child; Who would have thought; Sweet Friend, adue; 

The flattering words; Cease now thy mourning; A litle prety 

Boy; Fayre Phillis; Take tyme. 

1647 






Strings 

Reel: 24 

Farnaby, Giles - English. 

O my sonne Absalom à 5. 

c.1616 




Reel: 23 

41 

Farnaby, Giles (Attrib.) - English. 

Mall Sims. 

1629-1630 




Organ Solos 

Reel: 34 

Farrant, Richard - English. 

Felix namque; Voluntarye. 






Organ Solos 

Reel: 28 


Hide not thou thy face à 4; Call to remembrance à 4. 

1664, 1670 &c 







Reel: 26 


Hide not Thou Thy face; Call to remembrance. 

c.1629 



altus). 


Reel: 21 


Te Deum in D minor; Benedicite for male voices. 

c.1629 




Reel: 21


before c.1640 

Author Index 

Farthing, Thomas - English. 

Aboffe all thynge; Hey now; In May, that lusty sesone. 





Reel: 31 

Farthing, Thomas - English. 

The thowght within my brest à 3; With sorrowfull syghs à 

3; I love trewly à 3. 





Reel: 31 

Fayrfax, Robert - English. 

Ave, Dei Patris; Esurientes; In Deo; Sponsus amat 

sponsam. 

After 1611 




Reel: 21 

Fayrfax, Robert - English. 

O Maria; Regali exultavit. 






Reel: 32 

Felis, Stefano - Italian. 

Non so s' amor. 

After 1601 





Reel: 29 

Ferrabosco ?II, Alfonso - Italian. 

Heare me, O God, a broken heart. 

1616 





Reel: 22 

42 

Ferrabosco ?II, Alfonso - Italian. 

Pavan. 





Reel: 30 

Ferrabosco I, Alfonso - Italian. 

Le belle; Zefiro torna; Non mi fuggir. 

1587-1593 




Reel: 32 


Ego sum resurrectio; In nomen Jesu; Ego dixi, Domine, 

miserere; Domine, Deus meus; Ubi duo vel tres; Quare 

deteliquerunt me vires. 



275. Apparently in the hand of Alfonso Ferrabosco I.; Type: 

Ms. Vocal partbooks C,B,Q; lacking A,T. 


Reel: 21 


Fancy (2). 





Virginal 

Reel: 27 


Fantasia à 4. 

c.1584 


vol.iii, 202; Type: Ms. Single part (1st treble viol?). 

Genre: Instrumental Chamber Music: String Consorts 

Reel: 31


before c.1640 

Author Index 


Fureunt mihi lachrymæ meæ à 4; Quare dereliquerunt me 

vires meæ à 4; Peccantem me quotidie à 5; O Nomen Jesu à 5; 

Ego dixi, Domine, miserere mei à 5. 

1616 




Reel: 22 


Gia non mi fe; Poi chio non posso. 

After 1597 





Without Words 

Reel: 29 


If silent, then griefe torments me à 5; I laguish to 

complaine me à 5; Zephirus brings the time à 5; I saw my lady 

weeping à 5; So far from my delight à 6. 

1616 




Reel: 22 


In monte Oliveti. 





Reel: 25 


Non mi fuggir; Vorrei lagnar[mi]; S'io taccio; Tanto mi 

piacque; Non vide il mondo; Donna, l'ardente; Non è lasso. 

1587 






Reel: 35 

43 


Susanna fayer. 





Reel: 27 


Timor et tremor; In monte Oliveti; Inclina, domine, aurem; 

O vos omnes qui transitis; Credo quod redemtor. 





Reel: 23 


Voi volete ch'io. 

After 1601 





Reel: 29 

Ferrabosco I, Alfonso - Italian; Ferrabosco II, Alfonso 

(Attrib.) - Italian; Byrd, William - English; Tye, 

Christopher - English; White, Robert - English; Brewster 

- English; Parsons, Robert - English; Naylor, Miss - 

English; Strogers, Nicholas - English; Parsley, Osbert - 

English. 

In nomines (5 part). 

c.1584 




Viols 

Reel: 31 

Ferrabosco I, Alfonso - Italian; Valentyne - English. 

Fantasias. 



Hughes vol.iii, 41; Type: Ms. Tablature. 

Genre: Instrumental Chamber Music: Bandora 

Lessons 

Reel: 30


before c.1640 

Author Index 

Ferrabosco I, Alfonso (Attrib.) - Italian. 

O crude pene; Mentre ti fui si grato; Mentre ti fui si caro; 

Hor pien d'alto desio; Hor' un laccio; Non fingo. 

1587 






Reel: 35 

Ferrabosco II, Alfonso - Italian. 

Apre de vous; Si longe; Lamentatio; Le Rosignol; The 

nimphes; Bruna sei tu; Se voi sette. 

After 1611 




Reel: 21 


Da pacem, Domine; Virgo per incertos casus; Salva nos, 

Domine; Jerusalem, plantabis vineam à 7; Inclina, Domine, 

aurem à 3; Plorans ploravit; Exaudi, Deus, orationem; Deus 

misereatur nostri; Credo quod redemptor; O vos omnes qui 

transitis; Heu mihi, Domine; Timor et tremor. 


Manuscript Number: Add. Ms 31417 Volumes I & II; Hughes- 

Hughes vol.i, 276; Type: Ms. Parts (altus & tenor). 


Reel: 31 


Fancies (4). 






Reel: 21 


Fancyes to the vyols à 4. 

1647 






Strings 

Reel: 24 

44 


Fantasia on ut re my fa sol la. 

1647 






Strings 

Reel: 24 


In nomines (2). 

c.1616 




Reel: 23 


O vos omnes qui transitis. 





Reel: 25 


Virgo per incertos casus; On Monte Oliveti. 





Reel: 28 

Ferrabosco, Alfonso - Italian. 


c.1616 




Reel: 23


before c.1640 

Author Index 


Untitled consort piece. 

After 1578 






Consorts 

Reel: 30 


Zephirus bringis the tyme à 5; In flour of Apryll à 5. 

1597 



only. 


Reel: 34 

Ferrabosco, Alfonso - Italian; Ferrabosco I, Alfonso - 

Italian. 

Tu dolce anima; In nomines (2). 

c.1616 




Reel: 23 

Ferretti, Giovanni - Italian. 

Dolce amorose. 

After 1611 




Reel: 21 


Hor va, canzona mia. 

17th century 




Reel: 30 

45 


Questa fera gentil. 

After 1601 





Reel: 29 


Tutte la stella; Donna mi fuggi. 

c.1616 




Reel: 23 

Ferro, Vincenzo - Italian. 

Io credea. 

After 1604 




Without Words 

Reel: 29 

Ferro, Vincenzo - Italian. 

Vel puo giurar. 

After 1604 




Without Words 

Reel: 29 

Feryng - English?. 

O mercyfull father, we besech the. 





Reel: 27 

Festa, Costanzo - Italian. 

Deduc me, Domine. 






Reel: 20


before c.1640 

Author Index 

Févin, Antoine de - French. 

Fuyes, regretz. 





Reel: 33 

Fido, John - English. 

Heere me, O Lord. 

1664, 1670 &c 







Reel: 26 

Fillimarino, Fabrizio - Italian. 

Canzone cromatica. 

After 1607 





Reel: 28 

Firenze, Lorenzo di - Italian. 

Diligenter advertant cantores. 



425. RISM IV/4, 631; Type: Ms.. 

Genre: Sacred Vocal Music: Plainsong Of Antiphon 

Reel: 24 

Florio, Giovanni - Italian. 

Gia fu mia. 

After 1604 




Without Words 

Reel: 29 

46 

Forbes, John - Scottish. 

Love is the thing; Good men, shew if you can tell; O my 

poor eyes; Thogh your stranges frets my heart; Vain men 

qhose folies mak a God; Thinkst thou, Katt, to putt me doune; 

Lyk as the lark; Com, sweet lov, lett sorrow ceasse; About a 

bank; No wonder is, suppose my weeping eyes; Mistres myn, 

wel may you fair; Nou lett us sing, Chrest keep our king; Woe 

worth the tyme and eke the plase; Depart, depart. Alace, I 

must depart; Lyk as the dumb solsequium; Qhat mightie 

motive; If care do cause men crie; O lustie Maie; For love of 

one I mak my moane; Air without words; If flouds of tears; 

Lachrimae or Flow, my tears; My heartie service to yow, my 

tears; Trip and goe hey: a Christmas medley à 3. 



Hughes vol.ii, 451; Songs printed 1662; Type: Ms. 

Countertenor part only. 


Reel: 32 

Ford - British; Hume, Tobias - English; Lanier (?) ; 

Johnson, Robert (Attrib.) - English; Stirrop, Silvanus - 

English?. 

Lyra viol pieces and songs. 

c.1620 

Manuscript Number: Add. Ms 56279; Royal Musical 

Association Research Chronicle 10; Type: Ms.. 

Genre: Instrumental Chamber Music: Lyra Viol Solos 

Reel: 38 

Ford, Thomas - English. 

Not unto us but to thy name. 

1616 





Reel: 22 

Formellis, Guillaume - Flemish/Austrian. 

Miserere mei, Deus. 





Reel: 31


before c.1640 

Author Index 

Foster, John - English. 

What reward; Lord, what is man. 

1664, 1670 &c 







Reel: 26 

Foster, John - English. 

When the Lord turned; If the Lord himself; Glorie be to 

God on high; My songe shall be; Almighty and everlasting 

God; I am the resurrection; Allmighty God, who seest; Sett up 

thy selfe; I heard a voyce from heaven. 

1664, 1670 &c 







Reel: 26 

Foster, Will - English; Bull, John - English; Byrd, 

William - English; Cosyn, Benjamin - English; Inglott, 

William - English; Morley, Thomas - English; Tallis, 

Thomas - English; Ward, John - English. 

Will Foster's Virginal Book. 

1624 

Manuscript Number: RM 24 d 3; Type: Ms.. 


Virginal 

Reel: 40 

Francisco da Firenze - Italian. 

Si dolce non so à 3; Musican son; Perche di novo sdegno; 

Nella piu chara parte; Gran pianta à 3; A Dyou, a dyou; Parte 

si con dolor; Piu bella donna; Quanto pui charo fay à 3; Lalma 

mia piangie à 3; Comtenplar le gran chose à 3; Dolce signore; 

La dolcie victa; Lucea nel prato. 






Reel: 24 

47 

Frescobaldi, Girolamo - Italian. 

Canzonas (2); Toccatas (3). 



vol.iii, 88; Type: Ms. On two 6 & 7-line staves. 


Organ Solos 

Reel: 34 

Frescobaldi, Girolamo - Italian. 

Fioretti. 



Genre: Instrumental Chamber Music: Keyboard Music 

Reel: 37 

Futhy, John - English. 

O God abuse, so well thou hes devysde. 

1575-1578 





Reel: 32 

Gabrieli, Andrea - Italian. 

Sperar non si potea; Sonno diletto. 

After 1601 





Reel: 29 

Gabrieli, Giovanni - Italian. 

Domine, Dominus noster. 





Reel: 32 


Incipit oratio Jeremiae Prophetae à 8; Aegypto dedimus 

manum à 8; Hierusalem convertere à 8. 



197; Type: Ms. Vocal partbooks: Cantus i, cantus ii, tenor. 


Reel: 32


before c.1640 

Author Index 


Mass à 8 without Credo or Benedictus; Agnus Dei à 8; Et 

in terra pax &c à 7; Sanctus & Agnus Dei (à 7?); Et in terra 

pax & Agnus Dei. 



214; Type: Ms. Vocal partbooks: Cantus i, cantus ii, tenor. 


Reel: 32 


O Jesu mi. 



vol.i, 276-7; Type: Ms. 2nd cantus and tenor parts only. 


Reel: 32 


Preludes (10); Dixit Dominus (8 settings); Masses without 

Credo (3); Te Deum; Fantasia; Magnificats (13); Preludes in 

12 modes (12); Fugues in the first 6 and 8th ecclesiastical 

modes (50); Short untitled piece. 

1618 




Organ Solos 

Reel: 24 

Gabrieli, Giovanni (Attrib.) - Italian. 

Edite Cæsareo Boiorum sanguine; Vindelicæ tædas musæ 

quassatae.... 



vol.ii, 194. Vindelicæ tædas apparently from Giovanni 

Gabrieli's Sacræ Symphoniæ, 1597; Type: Ms. 2nd cantus and 

tenor parts only. 


Reel: 32 

Gale - English. 

O how amiable. 

1664, 1670 &c 







Reel: 26 

48 

Gannain, P. - French. 

Buvons, ma commere. 



Hughes vol.ii, 128; Type: Ms. Altus part only. 


Reel: 20 

Gascogne, Mathieu - French. 

Osculetur me osculo oris sui. 






Reel: 20 

Geeres, John - English. 

The eyes of all. 

1664, 1670 &c 







Reel: 26 

Geeres, John - English. 

The eyes of all; O praise the Lord of heaven. 

1664, 1670 &c 







Reel: 26 

Gerarde, Derick - Flemish. 

Chera la fountayne. 

After 1578 






Consorts 

Reel: 30


before c.1640 

Author Index 

Gesualdo, Carlo - Italian. 

Canzon franzese del Principe. 

After 1607 





Reel: 28 

Gherardello da Firenze - Italian. 

Tosto che lalba [chaccia]; Sotto verdi frascetti; Con 

levriere. 






Reel: 24 

Giacopo da Bologna - Italian. 

Di novo e gionto un cavalier; Si chome al canto; Prima 

vertute; Useletto selaguio; Un bel parlare. 






Reel: 24 

Gibbons, Christopher - English. 

Have pittie upon me, O God. 

1664, 1670 &c 







Reel: 26 

Gibbons, Christopher - English. 

Teach me, O Lord. 

1664, 1670 &c 







Reel: 26 

49 


Behold, thou hast made. 

1664, 1670 &c 




Church of Durham Anno Domini 1664; Type: 30278: Printed 

30479: Ms: Two single partbooks, Tenor Cantoris. 


Reel: 26 


The Cryes of London. 

c.1616 




Reel: 23 


Deleroye pavan à 5. 





Dances 

Reel: 30 


Deliver us, O Lord à 4; Almighty and everlasting God à 4; 

Hosanna to the Sonne of David à 6; Lift up your heads à 6; 

Arise, O Lord. 

1664, 1670 &c 







Reel: 26 



c.1629 




Reel: 21


before c.1640 

Author Index 


God give you good morrow. 

1616 




Reel: 22 


The Italian Ground; The King's Juell; Wander ye woods 

[The woods so wild]; Short prelude à 4; A voluntary à 4; A 

voluntary: 2 parts on a plainsong; Galliard; A French air; A 

Maske; Courante (French); Untitled organ solo. 

1629-1630 




Organ Solos 

Reel: 34 


Nine untitled fantasias for 3 viols. 

After 1618 


vol.iii, 183. From Fantasies in 3 parts for viols, 1610; Type: 

Ms. Partbooks. 


Reel: 33 


O clap your hands; Almighty and everlasting God à 4. 

c.1629 



altus). 


Reel: 21 


Pavan. 

1647 






Strings 

Reel: 24 

50 


See, see, the word is Incarnate. 

1616 





Reel: 22 


Sing unto the Lord; Wee praise thee, O Father; This is the 

record; Glorious and powerfull God; Blessed are all theye; 

Have mercy upon me, O God; The secret sins; Arise, O God. 

1664, 1670 &c 







Reel: 26 

Gibbs, Richard - English. 

Se, Sinfull Soul. 

1664, 1670 &c 







For Holy Days 

Reel: 26 

Giles, Nathaniel - English. 

Cease now vaine thoughts. 

1616 




Reel: 22 


Cease now, vaine thoughts. 

c.1616 




Reel: 23


before c.1640 

Author Index 


God, which on this day; Thou god, that guidest; Everlasting 

God. 

1664, 1670 &c 







For Holy Days 

Reel: 26 


My Lord; Have mercy upon me, O God; I will magnifie 

the, O Lord; O heare my prayer, Lord; O Lord, turne not 

away; O Lord, thou hast searched; Out of the deepe. 

1664, 1670 &c 







Reel: 26 


O give thanks unto the Lord, for he; He that hath my 

Commandements; If yea love me; This is my commandement; 

Heare the voyce and prayer. 

1664, 1670 &c 







Reel: 26 


O how happy a thing it is. 

1664, 1670 &c 







Reel: 26 

51 

Giovanelli, Ruggiero - Italian. 

Tu nascesti di furto. 

1593 






Reel: 35 

Giovanelli, Ruggiero - Italian. 

Vince labianio. 

c.1616 




Reel: 23 

Gombert, Nicolas - Flemish. 

Peccata mea. 





Reel: 31 


Peccata mea. 





Reel: 23 


Peccata mea. 

After 1611 




Reel: 21 


Plust a Dieu. 

After 1604 




Without Words 

Reel: 29


before c.1640 

Author Index 



After 1578 






Consorts 

Reel: 30 

Greggs, William - English. 

The Lord hear thee. 

1664, 1670 &c 







Reel: 26 

Gregorii, Francesco di - Unknown. 

Lunge da gl' occhi vostri. 

After 1604 




Without Words 

Reel: 29 

Guami, Giuseppe Francesco - Italian. 

Queste note vi dono. 

After 1604 




Without Words 

Reel: 29 

Guami, Giuseppe Francesco - Italian. 

Udite, amanti; Donna Cardente; Signor, la vostra fiamma; 

Nel piu fiorito. 

After 1597 





Without Words 

Reel: 29 

52 

Guigliemo di Santo Spirito - Italian. 

La neve, el ghiaccio. 






Reel: 24 

Hammerschmidt, Andreas - Bohemian. 

Allemandes, a Courante, Sarabandes, Ballets & an Aria. 

After 1660 




Reel: 31 

Hanford, George - English?. 

Long have I lifted up my voice. 

1616 





Reel: 22 

Hanford, George - English?; Lupo, Thomas - English. 

Long have I lifted up my voice à 5; Oute of the deepe à 5; 

Heare my prayer, O Lord and consider à 5. 

c.1616 




Reel: 23 

Harding, James - English. 

Fancy (2). 





Virginal 

Reel: 27 

Harding, James - English. 

Galliard. 





Dances 

Reel: 30


before c.1640 

Author Index 

Hasse, Nicolaus - German. 

Aufzug. 

After 1660 


vol.iii, 23. For 2 trumpets & 2 kettle-drums; Type: Ms. First 

trumpet part only. 

Genre: Instrumental Orchestral Music: Marches 

Reel: 31 

Hasse, Nicolaus - German. 

Taniec & Proportion. 

After 1660 


vol.iii, 176; Type: Ms. First cantus part only. 

Genre: Instrumental Chamber Music: Polish Dances 

Reel: 31 

Heardson [T] - British. 

Keepe, wee beseech the. 

1664, 1670 &c 







Reel: 26 

Heath - English. 

Christe, Qui lux es. 






Organ Solos 

Reel: 28 

Hennius - South Netherlands. 

Mon souvenir me faict languir. 





Reel: 33 

53 

Henry VIII, King - English. 

Untitled string quartet.. 





Reel: 31 

Henry VIII, King - English; Fayrfax, Robert - English; 

Farthing, Thomas - English; Cornysh II, William - 

English. 

String trios. 





Reel: 31 

Hilton, John - English. 

Call to remembrance. 

1664, 1670 &c 







Reel: 26 

Hilton, John - English. 

Heare my crie, O God; Save me, O God, for the waters. 

1664, 1670 &c 







Reel: 26 

Hinde, Richard - English. 

O sing unto the Lord. 

1664, 1670 &c 







Reel: 26


before c.1640 

Author Index 

Holborne, Antony - English. 

A pavyn. 





Reel: 30 

Hollander, Sebastian - Flemish. 

Dum transisset. 

After 1578 






Consorts 

Reel: 30 

Hollander, Sebastian - Flemish. 

Dum transisset sabatum à 5. 





Reel: 27 

Hooper, Edmund - English. 

Behold, it is Christ. 

1616 





Reel: 22 

Hooper, Edmund - English. 

O Thou God Almighty à 5; Teach me Thy waye. 

c.1629 



altus). 


Reel: 21 

54 

Hooper, Edmund (Attrib.) - English. 

O God of Gods; O Lord, in thee is all my trust; Almightie 

God, which hast made. 

1664, 1670 &c 







Reel: 26 

Hooper, Edmund (Attrib.) - English. 

O thow God Allmighty à 5; Behold, It is Christ à 5; I will 

magnify thee O Lord; Almighty God, which hast given. 

1664, 1670 &c 







Reel: 26 

Hothby, John - English. 

Tractatus quarundam regularum artis musices; La caleopea 

[legale] redutto sotto brevita. 

c.1500 


311. The latter treatise describes the transition from neums to 

square notes; Type: Ms.. 


Reel: 34 

Howard, Henry, Earl of Surrey (Words by) - English. 

O happye Dames. 






Organ Solos 

Reel: 28 

Humfrey, Pelham - English. 

The Grand Chant. 

c.1630 


vol.i, 147; Type: Ms. Medius partbook. 

Genre: Sacred Vocal Music: Chants 

Reel: 24


before c.1640 

Author Index 

Hutchinson, John - English. 

Yee that feare the Lord; Out of the deepe; O Lord, let it be 

thy pleasure; Grant, wee beseech the, mercyfull Lord; Behold, 

how good and joyfull; Lift up your heads; O God, the proud. 

1664, 1670 &c 







Reel: 26 

Hutchinson, John or Richard - English. 

O Lord, I am not highminded. 

1664, 1670 &c 







Reel: 26 

Hutchinson, Richard - English. 

O God, my heart. 

1664, 1670 &c 







Reel: 26 

Infantas, Don B. de las - Spanish. 

Sepe expugnauerunt. 

After 1611 




Reel: 21 

Ives, Simon - English. 

Fly, boy, to the cellers. 

c.1630 


vol.ii, 650; Type: Ms. Treble & bass parts only. 

Genre: Secular Vocal Music: Trios 

Reel: 24 

55 

Jackson - English. 

Pavan. 





Dances 

Reel: 30 

Jan (? de Gero), - Walloon?; Martini, Thomas - 

Unknown. 

Emendemus in melius; Congaudentes exultemus. 






Reel: 20 

Jeffreys, Matthew - English. 

Rejoice in the Lord à 6; Praise thee Lord, ye servants; 

Singe wee merrily. 

1664, 1670 &c 







Reel: 26 

Jenkins, John - English. 

Why in this shade of night. 

Before 1645 


Hughes vol.ii, 54; Type: Ms. Score: 2 voices with thoroughbass. 


Reel: 31 

Johnson ?II, Robert - English. 

The Prince's Allemande; Almayne, 1629; Flatt pavin. 

1629-1630 




Organ Solos 

Reel: 34


before c.1640 

Author Index 

Johnson I, Robert - English. 

Ave, Dei Patris; Ave, plena gratia. 

After 1611 




Reel: 21 

Johnson I, Robert - English. 

Deus miseriatur nostri à 4. 

1575-1578 





Reel: 32 

Johnson I, Robert (Attrib.) - English. 

Domine, in vertute tua à 5 (2 settings). 





Reel: 27 

Johnson II, Robert - English. 

O Eternall God; This is my Commandment (soprano part). 

c.1629 



altus). 


Reel: 21 

Johnson, Edward - English. 

Com agayne...sweet natur's traseur. 





Reel: 27 

56 

Johnson, Robert - English. 

Amors, qui bien set anchanter; Qui que face retruenge 

nouvelle; Roine celestre, buer fuissiez vous nee; Talant me 

prent or androit; Esforcier mestuet; Quant ces floreted florir 

voi; Por conforter mon cuer et mon coraige; Por la pucelle 

anchantant me deport; Mere deu, virge senee; Lamor dont ie 

sui espris; A une amor eore et sene; Qui matin a ma iornee. 





Reel: 32 


Flat paven. 





Virginal 

Reel: 27 


In nomine; Defyled is my name; Benedicam Domino. 






Organ Solos 

Reel: 28 


A knell; Gaude, virgo; In nomine. 

After 1578 






Consorts 

Reel: 30 

Johnson, Robert (Attrib.) - English. 

Com, palefaced death; Defiled is my name; Elisa...is the 

fayest quene. 



vol.ii, 139. Johnson is described as chaplain to Anne Boleyn in 

this manuscript.; Type: Ms. Vocal partbooks C,Ct,T,B,Q. 


Reel: 27


before c.1640 

Author Index 

Jones I, Robert - English. 

Spes nostra. 






Reel: 32 

Jones, Robert - English. 

Doe not, O doe not prize thy beautie; Beautie sate bathinge; 

Goe to bed, sweet muse; Shall I looke to ease my griefe; What 

if I speed; Cease, troubled thoughtes; Scinthia, queene of esas 

and lands; Think'st thou, Kate, to put mee downe; When will 

the fountaine of my teares; Flie from the world; If I could 

shutt the gates; Whie should wee maides; Fy, fy what a coil. 

1615-1626 





Reel: 20 

Josquin Desprez - Northern French. 

Domine, ne in furore; Inviolata, integra. 






Reel: 20 


Je ne me puis. 

After 1611 




Reel: 21 


Miserere mei, Deus. 



Hughes vol.i, 244; Type: Ms. Altus part only. 

Genre: Sacred Vocal Music: Misereres 

Reel: 20 

57 

Juxon [E.] - English. 

Christ riseinge againe. 

1664, 1670 &c 







For Holy Days 

Reel: 26 

Keith, Sir William - Scottish. 

Pavan and galliard. 

After 1604 




5 Viols 

Reel: 34 

Kemp, Andrew - Scottish. 

Cum, Holy Ghost, eternall God; Where righteousnes doth 

say. 

1575-1578 





Tunes 

Reel: 32 


Have mercy, God for thy great mercies sake. 

1575-1578 


Thomas Wode's part-book: transcripts of the Scottish metrical 

Psalter of 1566; Type: Ms. Single part (countertenor). 


Reel: 32 


Hey nowe. 





Reel: 31


before c.1640 

Author Index 


The Sang of Ambrose [Te Deum]. 

1575-1578 


vol.i, 397. Thomas Wode's part-book: transcripts of the 

Scottish metrical Psalter of 1566; Type: Ms. Single part 

(countertenor). 

Genre: Sacred Vocal Music: Services: Te Deums 

Reel: 32 

Kerle, Jacob van - South Netherlands. 

Laudans invocabo. 





Reel: 31 

Kindersley, Robert - English. 

Judge them, O Lord, which me pursue. 

1616 





Reel: 22 

King, William - English. 

I will Allwayes Give Thanks. 

1664, 1670 &c 







For Holy Days 

Reel: 26 


Lord, how are they increased; Now that the Lord (for King 

Charles' Restoration, May 29). 

c.1630 




Reel: 24 

58 


Lord, How art they increased; My God, my God, look upon 

me; Praise yee the Lord (2 settings). 

1664, 1670 &c 







Reel: 26 

Kirbye, George - English. 

Loe, here my mart I leave with her remayning. 

1616 




Reel: 22 


O Jesu, Looke. 

1616 





Reel: 22 


Pavan. 





Dances 

Reel: 30 

Knöp, Lüder - German. 

Courantes, a Sarabande & Ballets. 

After 1660 




Reel: 31


before c.1640 

Author Index 

Kyrton, John - English. 

Misereres (2). 

c.1647 






Reel: 24 

La Rue, Pierre de - Flemish. 

En l'amour d'une dame. 



Hughes vol.ii, 128; Type: Ms. One vocal part only. 


Reel: 20 

Lambardo, Francesco - Italian. 

Toccata; Galliard. 

After 1607 





Reel: 28 

Landin, Francesco - Italian. 

Per llafruença. 






Reel: 24 

Lange, Gregor - German. 

Jacta in Dominum; Festa dies; Quoties diem illum. 

After 1611 




Reel: 21 

Lange, Gregor - German. 

Quoties diem. 





Reel: 31 

59 

Lappi, Pietro - Italian. 

Missa Dixit Dominus for 6 voices. 

c.1628 




Reel: 33 

Lassus, Orlande de - Franco-Flemish. 

Canzone sopra Susanna. 

After 1607 





Reel: 28 


E deu vene vous (D'où venez vous?) for 5 viols; Susanna 

fair sometime of love for 5 viols. 

c.1584 




Viols 

Reel: 31 


Ego dixi, Domine; Ave Regina; Deus, Tu scis; Sacrificate; 

Mors tua; Domine Jesu; Ella sen va; Le Rosignol; Jesu, nostra 

redemptio; Cum natus esset Jesus; Anni nostri; In te, Domine, 

speravi; In principio erat Verbum; In propria venit; Decantabat 

populus; Salve, Regina. 

After 1611 




Reel: 21 


Et ecce stella [second part to Cum natuis esset Jesus]. 



Hughes vol.i, 142; Type: Ms. 6 Parts. 


Reel: 25


before c.1640 

Author Index 


I Monte Oliveti; Tristis est anima à 5. 





Reel: 28 


In monte Oliveti; Veni, Creator, spiritus; Locutus sum in 

lingua mea. 





Reel: 23 


In te, domine, speravi. 

c.1584 




Reel: 31 


Locutus sum in lingua mea; Veni, creator spiritus; Tristis 

est anima à 5; In monte Oliveti. 





Reel: 25 


Prendi l'aurata. 

After 1601 





Reel: 29 


Susanna fair sometime of love assaulted was à 5. 

1588 


144. From Musica Transalpina 1588; Type: Ms. Bass part 

only. 


Reel: 34 

60 


Susanna se videns à 6; Ecce nunc, benedicite Domino à 5; 

Euge, serve bone à 5; Haec est voluntas eius à 5; Cantate 

Domino canticum novum à 5; Maria Magdalena à 5; Domine 

Jesu Christe, non sum dignus à 5. 

1580 

Manuscript Number: K.1.c.23; Hughes-Hughes vol.i, 263-4. 

Added at the end of the Sex vocum Cantiones Orlandi di 

Lasso, 1580 (3 books only); Type: Ms. Parts (altus, tenor, and 

in one case also sixtus). 


Reel: 41 


Susanne un jour à 5. 

1575-1578 



Transcript. 


Reel: 32 


Susanne ung iour à 5. 





Virginal 

Reel: 27 

Lauder, James - Scottish. 

Pavan. 

After 1604 




5 Viols 

Reel: 34 

Laurentius der ältere - French?. 

Waer is hy. 



128. Founded on the canon Qui me sequitur.; Type: Ms. 

Partbooks. 


Reel: 33


before c.1640 

Author Index 

Lawes, William - English. 

Gather your rosebuds. 



vol.ii, 651; Type: Ms. Basso continuo part only. 


Reel: 30 


A hall, a hall; When each Lyne 's a faithfull drinker; What 

hoe, wee come to be merry; A Health, a health...to the 

northerne Lasse; The Catts, as other Creatures; Trialogue: 

Orpheus, O Orpheus, gently touch thy Lesbyan Lyre. 



Hughes vol.ii, 648; Type: Ms. Score. 


Reel: 31 


In envye of the night. 


Manuscript Number: Add. Ms 31432f.26; Hughes-Hughes 

vol.ii, 226; Type: Ms. Autograph: Score. 

Genre: Secular Vocal Music: Masque: Arias (Treble) 

Reel: 31 


The Lord is my light. 

1664, 1670 &c 







Reel: 26 


My song shall be. 

1664, 1670 &c 







Reel: 26 

61 


Sarabandes (2); Courante. 


Manuscript Number: Add. Ms 31432 ff.2, 2b; Hughes-Hughes 

vol.iii, 69; Type: Ms. Autograph. 

Genre: Instrumental Chamber Music: Lute Solos: 

Dances 

Reel: 31 


Tis joy to see how deadly sin. 

Before 1645 


vol.i, 115; Type: Ms. Autograph. 

Genre: Sacred Vocal Music: 3-part Canons 

Reel: 31 


What's at our tongues' end; Now in the sad declenshion; 

Virgins, as I advise, forbeare; Dost see how unregarded now; 

If you a wrinkle on the sea have seene; Aske me noe more 

where Jove bestowes; O thinke not, Phoebe; Upp, Ladyes, up; 

Faith, be noe longer coy; Cupids, wearie of the Court; It is her 

voice; Where did you borrow that last sigh; Why should great 

bewty vertuous fame desire; Come take a Carouse; Pleasures, 

bewty, youth attend yee; Whieles I this standing Lake swath 

up with Ewe; To whome shall I complaine; Had you but herd 

her sing; Farewell, faire Sainct; Love's a Child; Erly in the 

morne; Thou that excellest; Perfect and endles Circles are; 

Can Bewtye's spring admitt; Tell me noe more her eyes; God 

of winds; I would the God of love would dye; Ah, Cruell 

Love, must I endure; He that will not love; I burne, I burne; 

White thou yee be; Gather ye Rosebuds while ye may; I'me 

sick of love; Lovers rejoice; That flame is borne of earthly 

fire; Beliza, shade your shining eyes; Dearest, all faire is in 

your browne; Be not proud; Love I obey; O drawe your 

Curtaynes; O Love, are all those Arrowes gone; Yee Feinds 

and Furies, come along; On, on! Compassion shall never enter 

heere; Hence, flattring hopes; Stay, Phoebus, stay; Cloris, I 

wish that Envye were as just; Doris, see the amorous flame; 

Those Lovers only happy are; Amarilis, teare thy haire. 



vol.ii, 473; Type: Ms. Autograph: Score. 

Genre: Secular Vocal Music 

Reel: 31


before c.1640 

Author Index 


When death shall snatch us from these kidds; What softer 

sounds are these; Come, heavy hart; 'Tis not, Boy, thy 

Amorous Looke; Charon, O Gentle Charon; Come, my 

Daphne. 

Before 1645 


Hughes vol.ii, 54; Type: Ms. Autograph: Score: 2 voices with 

thorough-bass. 


Reel: 31 

Le Jeune, Claude - French. 

Stella crudel; Amanti miei. 

After 1601 





Reel: 29 

Lloyd, John - English/Welsh. 

Deme the best. 





Reel: 31 

Lloyd, John - English/Welsh. 

Pieces in armonia graduat (2). 





Reel: 31 

Locke, Matthew - English. 

Dances: allemandes, Courantes, Sarabandes, Ballets & an 

aria. 

After 1660 




Reel: 31 

62 

Loosemore, Henry - English. 

Composition for 3 violls to the organ. 

After 1618 

Manuscript Number: Add. Ms 34800 b,c; Hughes-Hughes 

vol.iii, 268.; Type: Ms. Partbooks. 

Genre: Instrumental Chamber Music: Trios: Organ 

And 2 Viols 

Reel: 33 


Give the kinge thy judgements. 

1664, 1670 &c 







For Holy Days 

Reel: 26 


Glory bee to God one high; Feare not, shepherd; I Will 

Give thanks unto thee. 

1664, 1670 &c 







Reel: 26 


Praise the Lord, O my soule. 

1664, 1670 &c 







Reel: 26 

Lorenço, Ser - Italian?. 

Viddi nell ombra; Ittase nera star. 






Reel: 24


before c.1640 

Author Index 

Ludford, Nicholas - English. 

Le Roy [2nd tenor & bass of Benedictus & treble & 1st 

tenor of Agnus Dei]. 



vol.i, 213; Type: Ms. Two leaves of a choirbook, originally of 

4-part masses. 


Reel: 28 

Lugge, John - English. 

It is a good thing to give thanks. 

1616 





Reel: 22 

Lupo, Thomas - English. 

A fantasie divided into 3 parts. 

After 1601 



quintus, bassus: Wanting countertenor. 



Reel: 35 


O Lord, give eare to my complaint; Out of the deepe. 

1616 





Reel: 22 


O vos omnes qui transitis. 

c.1616 




Reel: 23 

63 

Macque, Giovanni de - Flemish. 

Capriccio on Re, fa mi sol. 

After 1607 


Hughes vol.iii, 81; Type: Ms. Copy (copyist L. Rossi). 


Organ Solos 

Reel: 28 


Nasce la doglia mia. 

c.1584 




Reel: 31 


Nasce la pena mia. 

After 1607 


Hughes vol.iii, 157; Type: Ms. Copy. 

Genre: Instrumental Chamber Music: Viola Bastarda 

Arrangements 

Reel: 28 


Partite sopra Ruggiero; Capriccietto; Canzone Le due 

Sorelle; Stravaganza I; Galliard I; Galliard II; Conzoni (2); 

Toccata a modo di Trombette; Stravaganza II. 

After 1607 





Reel: 28 

Maillard, Gilles - French. 

Assendo. 

After 1578 






Consorts 

Reel: 30


before c.1640 

Author Index 

Mallorie - English. 

O consider myne adversitie. 





Reel: 20 

Mallorie - English. 

Sol re sol my sol; Yf man in care. 

After 1578 






Consorts 

Reel: 30 

Manchicourt, Pierre - Franco-Flemish. 

Quo abijt dilectus à 5. 

1553 




Reel: 31 

Mando, Patrick - English?. 

Like as the day à 4. 

After 1601 





Reel: 35 

Manenti, Giovanni Pietro - Italian. 

Se pensand' al partir. 

After 1601 





Reel: 29 

64 

Marchant - English. 

Pavan & Galliard. 





Virginal 

Reel: 27 

Marenzio, Luca - Italian. 

Arda pur sempre. 

1595 






Reel: 35 


Bascia e ribascia; O tu che ale. 

1590-1593 




Reel: 32 


Deh, poichè era. 

1595 


vol.iii, 222; Type: Ms. Vocal partbooks first treble, 

countertenor, quintus, bassus wanting 2nd treble. 



Reel: 35 


Giunto a la Tomba. 

1584 






Reel: 35


before c.1640 

Author Index 


Liquide perle; Deggio dunque; Amor io non potrei. 

After 1597 





Without Words 

Reel: 29 


Mentre l'aura spirò. 

17th century 




Reel: 30 


Ond' ei di Morte. 

c.1616 




Reel: 23 


Parto da voi; Talche dovunque; Qual vive. 

After 1601 





Reel: 29 


Quem dicunt; Quell' Augelin; Deh poi che. 

After 1611 




Reel: 21 


Rimanti in pace; Ond' ei, di morte. 

1594 






Reel: 35 

65 

Marenzio, Luca (Attrib.) - Italian. 

Che pensi, che pensi, cor di tigre; E cosi pur'languendo; Per 

non mi dir; O prodighi di fiamme; Come sian dolorose; 

Stratiami pur, Amor; Era l'anima mia; Occhi un tempo; 

Langue al vostro languir; O miseria d'Amante; Hor' che la 

notte; Ciechi desir; Credetel' voi; Cor mio deh non languire; 

Pallida gelosia; Ah, dolente partita; Ohime, se tanto amate; 

Cura gelata; Si, mi dicesti; Amor' io parto; Voi volete ch' io 

Mora; Morto mi vede; Tu parti, tu parti, a pena gionto; Con 

che soavita; Alma afflitta; Moribondo mio pianto; Io d'altrui 

se volessi; Una farfalla; Che dura legge; Quanto per voi 

sofferse; Mentre d'ampia voragine tonante. 



vol.ii, 136; Type: Ms. 3 Partbooks only [Treble, alto & bass]. 


Reel: 30 

Masnelli, Paolo - Italian. 

Non vi bastava. 

c.1616 




Reel: 23 

Masnelli, Paolo - Italian. 

Non vi bastava; Soavissimo ardore; Occhi cari; Ah, diseale; 

A che tormi il ben mio. 

1596 






Reel: 35 

Mason, George - English. 

Pavans (8). 





Dances 

Reel: 30 

Massaino, Tiburtio - Italian. 

Poi disse; Ne mai piu vag. 

After 1601 





Reel: 29


before c.1640 

Author Index 

Meiland, Jakob - German. 

Benedixisti, Domine. 





Reel: 31 

Meiland, Jakob - German. 

Pierides musæ. 

After 1611 




Reel: 21 

Mericocke, Thomas - English. 

Te Deum and evening service. 

c.1629 




Reel: 21 

Mica, Leandro - Italian. 

Come il lauro. 

After 1601 





Reel: 29 

Milton, John - English. 

Faire Orian in the morne. 

1616 




Reel: 22 


Precamur, Sancte domine à 6. 

1616 




Reel: 22 

66 


Thou God of might hast chastned me; O Lord, behold my 

miseries; If that a sinners sighs; When David heard that 

Absalom was slain; O woe is me for thee, my brother 

Jonathan; I am the resurrection; How doth the holy City 

remaine à 6. 

1616 





Reel: 22 

Montagnana, Rinaldo da - Italian. 

Partite sopra Zefiro; Canzone. 

After 1607 





Reel: 28 

Monte, Philippe de - Flemish. 

Adiutorium nostrum; Beati qui habitant; Deus, Deus meus; 

Meror cuncta tenet. 





Reel: 31 

Monte, Philippe de - Flemish. 

De ho da maledir; Unir non puo; Voi sette occhi; De si 

cocente; Se le longue; Beati qui habitant; Amor me acende; 

Como vago augeli; Amincia poi che; Como havera; Ecco che 

io; La dolce vista; Il più forte; Crowned with flowers. 

After 1611 




Reel: 21 

Monteverdi, Claudio - Italian. 

O come gran martire; Perfidissimo volto. 

1592 






Reel: 35


before c.1640 

Author Index 


On dei, di Morte; Là tra 'l sangue. 

c.1616 




Reel: 23 


Sovra tenera herbetta; Là, tra'l sangue; O dolce anima mia; 

Ma dove, O lasso; La giovinetta pianta; O Rosignuol; 

Stracciami pur il core; O primavera bella. 

After 1601 






Reel: 35 

More, William - English. 

Levavi oculose. 





Reel: 27 

Morley, Thomas - English. 

Aprill is in my mistris' Face; Since my tears; Clorinda 

false; Why sit I heere complayning; Help! I fall; Lady why 

grieve you; In every place; Now is the gentle season; The 

Feilds abroade; Dye now, my hart; Say, gentle nimphs; Come, 

Lovers, followe; No, no shee doth but flout mee; I will no 

more; Beside a Fowntayne; Sport wee, my lovely treasure; O 

sweet, alas; Hark, Jolly sheppards; Ho, whoe comes heere. 

1647 






Strings 

Reel: 24 


Clarinda fals, Adew à 4; In dew od roises (sic.) à 4; I will 

no moir my sichinh slaik à 4; Apryl is in my maistres face à 4; 

Besydis a fountain à 4; Hark, Joly Shipherds à 4. 

1594 


144. From Madrigals, 1594; Type: Ms. Bass part only. 


Reel: 34 

67 


Eheu! sustulerunt Dominum meum à 4; Nolo mortem 

peccatoris à 4; O amica mea à 5; De profundis clamavi à 6; 

Laboravi in gemitu meo à 6. 

1616 




Reel: 22 


First verse evening service. 

c.1629 




Reel: 21 


Howe longe shall I seeke counsell. 

1664, 1670 &c 







Reel: 26 


Mistress myne, well may you fare. 

1615-1626 





Reel: 20 


My lovely wanton jewell: Ballet; Leave, alas, this 

tormenting: Ballet; Why weepes, alas, my lady love: Ballet. 

1616 




Reel: 22


before c.1640 

Author Index 


Out of the deepe. 

1664, 1670 &c 







Reel: 26 


See, see, mune owne sweet jewell; Ladie those eyes; Joy, 

joy doth so arise; Hould out, my hart; God morrow fayre 

ladies; Whether awaye so fast; O flye not; Farewell, 

disdainfull. 

After 1618 




Reel: 33 


Sie, sie, myne owne sueit; Joy, joy doth so aryse; Ladie, 

those eyes of yours; Crewell, yow pull away too soine your 

sueit lipis; Whether away so fast; Blow, shepherds, blow; God 

morrow, fair ladies; O flye not, O tak some pittie; Thirsis, O 

lett pittie move the; Aryse, get wp my deir. 

1593 


145. From Canzonets..to 8 voyces, 1593; Type: Ms. Bass part 

only. 


Reel: 34 



After 1601 






Reel: 35 

Moscaglia, Giovanni Battista - Italian. 

Sola lor pensoso. 

c.1616 




Reel: 23 

68 

Mosto, Giovanni Battista - Italian. 

Dolci alpestri parole. 

1591 


vol.iii, 223. From Melodia Olympica, 1591; Type: Ms. Vocal 

partbooks: first & second treble, countertenor, quintus, bassus. 



Reel: 35 

Mosto, Giovanni Battista - Italian. 

Dolci alyestre (sic. alpestre) parole. 

After 1597 





Without Words 

Reel: 29 

Mouton, Jean - French. 

James [sc. Jamais] n'aymeray. 





Reel: 33 

Mouton, Jean - French. 

Noe! noe! noe! puer nobis nascitur; Peccantem me 

quottidie; Moriens lux. 






Reel: 20 

Mudd, Thomas - English. 

God, which hast prepared; Let thy mercyfull eares. 

1664, 1670 &c 







Reel: 26


before c.1640 

Author Index 


I will All wayes Give thanks. 

1664, 1670 &c 







Reel: 26 


In nomine. 

After 1578 






Consorts 

Reel: 30 


O God, thou art my God. 

1664, 1670 &c 







Reel: 26 

Mulliner, Thomas - English. 

The hier that the ceder tree. 



vol.ii, 127. The Mulliner Book.; Type: Ms. Quasi-score. 


Reel: 28 

Mundy, John - English. 

O give thanks unto the Lord, for he; Sing joyfully unto God 

our strength. 

1616 





Reel: 22 

69 


O give thanks unto the Lord, for hee. 

1664, 1670 &c 







Reel: 26 


Send aide. 

1664, 1670 &c 







For Holy Days 

Reel: 26 


Tres partes in una. 






Organ Solos 

Reel: 28 

Mundy, John (Attrib.) - English. 

Fye, fye...my fate. 

After 1601 





Reel: 35 

Mundy, John or William - English. 

Give laude unto thee; Rejoice in the Lord; Let us now 

laude. 

1664, 1670 &c 







Reel: 26


before c.1640 

Author Index 

Mundy, John or William - English. 

O God, my strength; Blessed art. 

1664, 1670 &c 







Reel: 26 

Mundy, William - English. 

Ah helplesse wretch. 

1664, 1670 &c 







Reel: 26 


Domine, quis habitabit à 6. 

c.1584 




Reel: 31 


In eternum; Domine, non exultatur. 

After 1578 






Consorts 

Reel: 30 


Let the sea make a noyse. 

After 1578 

Manuscript Number: Add. Ms 31390 ff.20,21; Hughes- 

Hughes vol.iii, 279.A book of In nomines and other solfaigne 




Consorts 

Reel: 30 

70 


Morning Service in F; Third evening Service; First 

morning service; Fourth evening service; First evening 

service; Second evening service; Te Deum for 5 male voices: 

2nd contratenor part. 

c.1629 




Reel: 21 


O admirabile. 

After 1578 






Consorts 

Reel: 30 


O Lord, I bow the knee à 5. 

1664, 1670 &c 







Reel: 26 


O Lord, the maker; O Lord, the world's Saviour; My song 

shall be; Teach me, O Lord; God me mercifull; Behold, it is 

Christ; Praise the Lord, O ye servants; Let us nowe laude. 

c.1629 



altus). 


Reel: 21 


O lorde, I bowe the knees. 





Reel: 20


before c.1640 

Author Index 


Prepare yowe, prepare yowe, tyme weareth awaye. 





Reel: 27 


Te Deum in F. 





Reel: 27 



After 1601 






Reel: 35 


Vox Patris; Favus distillans; Dulcior melle. 

After 1611 




Reel: 21 

Mundy, William - English; Tallis, Thomas - English. 

Solfynge songes for 5 viols. 

c.1584 




Viols 

Reel: 31 

71 

Mundy, William (Attrib.) - English. 

O Lord, our Governer. 

1664, 1670 &c 







For Holy Days 

Reel: 26 

Mundy, William (Attrib.) - English. 

Teach me thy way à 4; O Lord, the maker à 4; O Lord, the 

world's saviour à 4; O thow God Allmighty à 5. 

1664, 1670 &c 







Reel: 26 

Nanimo, G. M. - Italian?. 

Sueit sparkle off luifis fyre à 5. 

1597 



only. 


Reel: 34 

Nanino, Giovanni Maria - Italian. 

Lascian le fresche. 

After 1604 




Without Words 

Reel: 29 

Nanino, Giovanni Maria - Italian. 

Morrir; O com' gran martire; Sovra tenera. 

c.1616 




Reel: 23


before c.1640 

Author Index 

Neriti, Vincenzo - Italian. 

Ne' bei vostr' occhi. 

17th century 




Reel: 30 

Newman, Andrew - British. 

Fancy; Pavan. 






Organ Solos 

Reel: 28 

Nicholls, John - English. 

I will give thanks unto thee. 

1664, 1670 &c 







Reel: 26 

Nicholls, John - English. 

O pray for the peace of Jerusalem. 

1664, 1670 &c 







Reel: 26 

Obrecht, Jacob - Netherlands. 

St. Matthew Passion à 4. 



Hughes vol.i, 387. Latin and German versions - the latter in 

the hand of Steuerlin.; Type: Ms. Countertenor I & II and bass 

parts only of Latin version: altus & bass parts of German 

version. 

Genre: Sacred Vocal Music: Passion Music 

Reel: 33 

72 

Paghollo, Don - Italian. 

Se non ti piaque. 






Reel: 24 

Palestrina, Giovanni Pierluigi da - Italian. 

Ne impedias; Io son ferito; Vestiu' i colli. 

After 1611 




Reel: 21 

Palestrina, Giovanni Pierluigi da - Italian. 

Sound out my voice with pleasant tunes. 

1616 




Reel: 22 

Pallavicino, Benedetto - Italian. 

Arte mi siano; Amorosette ninfe; Levo con la sua mano; 

Con che soavita; Chiedei piangendo; Natura non mi fe; Bene 

ragion; Non mi ferir; Si, mi dicesti; Non mirar; Filli, l'alme; 

Tu pur ti parte; Donna, se voi m'odiate; Mentre che qui 

d'intorno. 

After 1597 





Without Words 

Reel: 29 


Con che soavità. 

Before 1588 






Reel: 35


before c.1640 

Author Index 


Deh, scem' il foco. 

After 1601 





Reel: 29 


Dolce mia cara; Mentre che qui d'intorno; Non mirar; Non 

mi ferir; Donna, se voy m'odiate; Filli, tu pur sei quella; Tu 

pur ti parti; Si, mi dicesti; Ben l'alme; Artemisiano; 

Amorosette ninfe; Leva con la sua mano; Hor veggio; Se voi 

siete il mio core; Hor lieto; La tua cara. 

1953 




Reel: 32 


Donna, se voi m' odiate; Donna, se quel. 

1593 






Reel: 35 


Love, quench this heate consuming; Cruell, cruell, why 

dost thou flie me. 

1616 




Reel: 22 


Natura non mi; Ne lo star: cancelled; Hor veggio; Dolci 

mia cara mano. 

c.1582-1584 (?) 






Reel: 35 

73 

Palmer of Cropredy, Joseph - English. 

Hints for reading vocal music. 

After 1597 


vol.ii, 460; Type: Ms. Autograph. 

Genre: Secular Vocal Music: Exercises 

Reel: 34 

Palmer, Henry - English. 

Allmightie and everlastinge God; Almightie and 

everlasting God. 

1664, 1670 &c 







Reel: 26 


Allmightie God, who out; Allmightie and everlasting God. 

1664, 1670 &c 







For Holy Days 

Reel: 26 


O God, whose nature. 

1664, 1670 &c 







Reel: 26 

Parsley, Osbert - English. 

The Clock. 





Reel: 27


before c.1640 

Author Index 


Conserva me; Benedicam Domino; Multiplicati. 

After 1611 




Reel: 21 


Spease noster. 

After 1578 






Consorts 

Reel: 30 


Te Deum in F; Benedictus. 





Reel: 27 

Parsons, Robert - English. 

Abradad. 

c.1616 




Reel: 23 


Credo quod redemptor à 6. 

c.1584 




Reel: 31 


Delacurt for 5 viols. 

c.1584 




Viols 

Reel: 31 

74 


Delacurt; Galliard. 





Reel: 27 


Deliver me from mine enemies à 6; Holy...Lord God 

Almightie; Ever blessed Lord. 

1664, 1670 &c 







Reel: 26 


Deliver me from myne enimyes à 5. 





Reel: 20 


How many hired servants; Above the starrs. 

1664, 1670 &c 







Reel: 26 


In nomine. 

After 1611 




Reel: 21


before c.1640 

Author Index 


In nomine for 4 string instruments. 



Hughes vol.iii, 203; Type: Ms. Tenor part. 


Reel: 20 


In nomine; De la curte. 





Reel: 20 


Morning service (imperfect at beginning). 

c.1629 




Reel: 21 


Retribue servo tuo. 

c.1584 


264; Type: Ms. Single vocal part. 


Reel: 31 


Songe. 

After 1578 






Consorts 

Reel: 30 

75 


A songe; De la court; In nomine. 

After 1578 






Consorts 

Reel: 30 


Ut re mi fa (a solfaing song). 





Reel: 27 


Ut re my fa so la à 4. 

c.1584 




Reel: 31 


When I looke back. 





Reel: 31 

Parsons, Robert (Attrib.) - English. 

De la Court. 

After 1601 






Reel: 35 

Partyne - English. 

Evening Service in F. 





Reel: 27


before c.1640 

Author Index 

Pasquini, Bernardo - Italian. 

Prelude; Toccatas (7). 



vol.iii, 88; Type: Ms. On two 6 & 7-line staves. 


Organ Solos 

Reel: 34 

Pearson, James - English?. 


After 1601 






Reel: 35 

Pearson, James (Attrib.) - English. 

A Pavinge [pavan]. 

After 1601 






Reel: 35 

76 

Peebles, David - Scottish. 

O God my strength and Fortitude; The heavens and the 

firmament; In trouble and adversitie; O Lord, how juyful is the 

King; The Lord is only my support; I lifte mine hart to thee, 

my God; Lord, be my judge; Thou art, O Lord, my strength 

and stay.; Give to the Lord, ye potentates; Ye righteous. in the 

Lord rejoice; I will give laude and honour; Lord, plead my 

cause against my foes; Grudge not to see the wicked men; The 

man is blest that carefull is; Judge and revenge my cause O 

Lorde; Our ears have heard; The Lord is our defence and aide; 

Let all folke with joy clape hands; All people, hearken and 

give eare (beginning only); O Lord, consider my distresse; 

Why dost thou, tyrant, boast abrod; Bot is it true, o froward 

folke; Deliver me, my God of might; Regard o Lord for I 

complayne; Althoght my soule hath sharply beine assalted; Ye 

men on earth, in God rejoycce; Our God, that is lord; The 

Lord, my light and health; Let God arise, and then; Make 

haste, O God, to set me free (1st line wanting); My trust, o 

Lord, in thee; Lord, give thy judgements to the King; However 

it be, yet God is good; In Jury land God is well knowne; I with 

my voyce to God do crye; Attend [my people, to my law]; O 

Lord the Gentiles do invade; O Pastor of Israel; To God, our 

strength; Amid the pres, with men of might; God, for thy 

grace; O Lord, thou loved hast thy land; Lord, bowe thyne 

eare; That citie shall ful wel endure; O God of my salvation; 

To sing the mercies of the Lord; Whoso with full intent and 

mynde; O come, let us lift up our voyce; Sing ye with praise 

unto the Lord; All people, that on earth do dwell; Of mercye 

and of judgement bothe; Lord, to myne humble sute give eare; 

My soule, give laude unto the Lord; My soule, praise the Lord; 

Give thankes unto the Lord, our God; O God, beholde, my 

heart; In speachles silence; The Lord moste high unto my 

Lord; With heart I do accorde; The man is blest that God doth 

feare; Ye children, which do serve the Lord; When Israel by 

Gods addresse; O praise the Lord, ye nations all; Give to the 

Lord all praise; Blessed are they that perfect are; In trouble 

and in thrall; I lift myne eyes to Sion Hill; I did in heart 

rejoice; O Lord, that heaven dost possesse; Now Israel may 

say; Suche as in God the Lord do trust; When that the Lord 

againe; Except the Lord the house so make; Of Israel this may 

now be the song; Lord, to thee I make my mone; Of David, 

Lord, in mynde recorde; O how happy a thing it is; Behold and 

have regarde; Unto the name of God; When as we sate in 

Babilon; With my whole heart; From the perverse and wicked 

wight; On thee I call O Lord; Give laud unto the Lord; Sing 

unto the Lord, with hearty accord; Yeld unto God, ye mightie 

Lord. 

1575-1578 




Genre: Sacred Vocal Music: Psalms With Hymn 

Tunes 

Reel: 32


before c.1640 

Author Index 

Peebles, David - Scottish; Heagy, Francis (Arranger) - 

Scottish. 

Quam multi, Domine à 4; Si quis diligit me. 

1575-1578 





Reel: 32 

Peerson, Martin - English. 

Blowe up the trumpet. 

1664, 1670 &c 







Reel: 26 


I will magnify the, O Lord. 






Reel: 21 


Pleade thou my cause, O Lord; O that my wayes; O let me 

at thy footstoole fall; O goe not from me; Blow out the 

trumpet; Who will rise up with me; Raine eyes, in tender 

memory weepe; Fly, ravisht soule; I am brought into so great 

trouble; O Lord, thou hast searched me out; O that my waies 

were made so direct. 

1616 





Reel: 22 


Wake, sorrow; Arabella...sole paragon. 

1616 




Reel: 22 

77 

Peerson, Martin - English; Portman, Richard - English. 

I will magnifie thee, O Lord; Show mee, O God; I will 

alwayes give thanks; Behould how good and joyfull. 

1664, 1670 &c 







Reel: 26 

Pennard (Attrib.) - English. 

Mass movement. 

c.1420-1430 



Ms. Fragment. 


Reel: 37 

Peri, Jacopo - Italian. 

Tu dormi. 

After 1607 


Hughes vol.ii, 467. With bass, partly figured, for harpsichord 

or virginals; Type: Ms. Copy: Score. 


Reel: 28 

Peruva, Nicolo - Italian?. 

Pianta gentil. 

After 1601 





Reel: 29 

Petreius, Magnus - Danish. 

Pavans (2). 





Dances 

Reel: 30


before c.1640 

Author Index 

Pevernage, Andreas - Flemish. 

Hæc dies; Jam non estis; Salvatorem. 





Reel: 31 

Pevernage, Andreas - Flemish. 

Hec dies. 

After 1611 




Reel: 21 

Philips, Peter - English. 

Amor, che vuoi ch'; Amor, che vid. 

After 1601 





Reel: 29 



1616 





Reel: 22 


Bow downe thyne eare. 






Reel: 21 


The nightingale that sweetly..doth complaine. 

1616 




Reel: 22 

78 

Philips, Peter - English; Ramsey, Robert - English. 

Blessed art thou that fearest God; When David hard à 6. 

c.1616 




Reel: 23 

Phillips, Arthur - English; Tomkins, Thomas (Attrib.) - 

English. 

A Ground. 

1647 






Strings 

Reel: 24 

Pianellaio da Firenze, Giacopo - Florentine. 

Come tradhir pennsasti. 






Reel: 24 

Picforth - English. 

In nomine. 

After 1578 



solfainge songes, i.e. textless music for consort or vocalisation 



Consorts 

Reel: 30 

Pilkington, Francis - English. 

Mrs Marie Oldfield's Galliard; Pavans (2); Spanish Pavan; 

Goe from my wyndowe. 





Reel: 30


before c.1640 

Author Index 

Pisis, Henricus de - Unknown; Grève, Philippe de (Words 

by) - French?. 

Venditores labiorum fleant advocati; In omni fratre tuo non 

habeas fidutiam. 

13th century 


vol.i. 253. RISM IV/1, 516; Type: Ms. 2 parts only, the 

ground bass being sung to different words. 

Genre: Sacred Vocal Music: French Motets 

Reel: 24 

Portman, Richard - English. 

Save mee, O God; I will allwayes give thanks. 

1664, 1670 &c 







Reel: 26 

Poynt, Robert - English. 

In nomine. 





Reel: 20 

Poynt, Robert - English. 

In nomine. 

After 1578 






Consorts 

Reel: 30 

Preston, Thomas - English. 

Felix namque; In nomine. 

c.1647 


Hughes-Hughes vol.iii, 81; Type: Ms. Autograph: 2 staves of 

5, 6, 7 or 8 lines. 



Reel: 24 

79 

Preston, Thomas - English. 

Reges Tharsis. 

c.1647 






Reel: 24 

Proposto, Nicolò del - Italian?. 

I son tuo, donna; Io vegio in gran dolo; Dapoy chel sole; 

State su, donne; No di spregiarvi; Mentr' che vagho viso; 

Madrigal without words (a few bars only); Benche partir da te; 

Ciascum faccia per se; Non piu diro. 






Reel: 24 

Purcell, Henry (Attrib.) - English. 

O praise the Lorde, all ye heathen. 

1664, 1670 &c 







Reel: 26 

Pygott, Richard - English. 

Gaude pastores. 






Reel: 32 


Qui petis, o filij. 



vol.i, 141. King Henry VIII's Manuscript; Type: Ms. Parts. 

Genre: Sacred Vocal Music: 4-part Carols 

Reel: 31


before c.1640 

Author Index 


Veni, Sancte Spiritus. 






Reel: 32 

Quartieri, Pietro Paolo - Italian. 

La bella Flora. 

17th century 




Reel: 30 

Quintiani, Lucrezio - Italian. 

Al suon D'amata. 

c.1616 




Reel: 23 


Al suon d'amata; Monti, selve; Di lauri e mirtil; Non può 

tanto l'amore; Se le virtù; Creschin' a gara. 

1588 






Reel: 35 


Hillis and woods à 5. 

1597 



only. 


Reel: 34 

80 

Ramsey, Robert - English. 

Hear my prayer, O Lord, and consider. 






Reel: 21 


O how fortunate they; Cease now thy greife; Since no 

desert can move thee. 



vol.ii, 138. Apparently in the hand of Alfonso Ferrabosco I.; 


Genre: Secular Vocal Music: Madrigals (In English) 

Reel: 21 


Te Deum in A minor. 

c.1629 




Reel: 21 

Ravenscroft, Thomas - English. 

Ne læteris, inimica mea à 5. 

1616 




Reel: 22 


O Jesu sweet; Ah helpless wretch; O Lord, in thee is all my 

trust à 5. 

c.1616 




Reel: 23


before c.1640 

Author Index 


O let me heare thy lovinge kindnes. 

1664, 1670 &c 







Reel: 26 


Remember, O thou man for 4 voices. 


vol.i, 143; Type: Ms. Countertenor vocal part only. 


Reel: 32 


Treatise of Musick. 



316; Type: Ms.. 


Reel: 20 

Read - English. 

God standeth in the congregation. 

1664, 1670 &c 







Reel: 26 

Redford, John - English. 

Eterne Rex Alltissime; O Lux; O Lux with a meane; 

Exultet celum laudibus withe a meane; Christe qui lux; Christe 

qui lux with a meane; Salvator with a meane; Lucem tuam (2); 

Untitled piece for organ or virginals; Veni, Redemptor; Iste 

confessor withe a meane (2); Miserere with a meane; 

Glorificamus; Te per orbem terrarum; Verbum supernum; A 

meane; Salvator withe a meane; Aurora lucis with a meane; 

Eterne rerum Conditor; Jam lucis orto sydere. 






Organ Solos 

Reel: 28 

81 

Redford, John - English. 

Miserere; Christe Qui lux; Primo dierum; Lucis Creator; Te 

Deum; Precatus est Moyses; Justuts ut palma; Felix namque (2 

Settings). 

c.1647 


Hughes-Hughes vol.iii, 80-81.; Type: Ms. Autograph: 2 staves 

of 5, 6, 7 or 8 lines. 



Reel: 24 

Renaldi, Giulio - Italian. 

Non vedi, amore. 

After 1604 




Without Words 

Reel: 29 

Renold - English?. 

Fancy. 





Virginal 

Reel: 27 

Repgin, Andreas - Unknown. 

Ave, Maria; Cum pervenisset beatus Andreas. 

1628 

Manuscript Number: Add. Ms 34898 ff. 32b-56; Hughes- 

Hughes vol.i, 283; Type: Ms. Score. 


Reel: 33 

Repgin, Andreas - Unknown. 

Miserere mei, Deus for 6 voices. 

c.1628 


vol.i, 244; Type: Ms. Score. 

Genre: Sacred Vocal Music: Misereres 

Reel: 33


before c.1640 

Author Index 

Rice, Philip ap - English; Strogers, E. - English. 

Miserere; Deus Creator omnium; Offertorium. In die sancta 

Trinitatis; Mass beginning with Sanctus (incomplete); Felix 

namque. 

c.1647 






Reel: 24 

Richardson, Ferdinand - English. 

Pavan & Galliard; Pavan; Allemande. 





Virginal 

Reel: 27 

Rimonte, Pedro - Spanish. 

En las Riveras; El que partir. 

After 1601 





Reel: 29 

Rivolo, Francesco di - Italian?. 

Gloria Tibi, Trinitas. 

After 1611 




Reel: 21 

Rivolo, Francesco di - Italian?. 

Vias tuas, Domine; Ego sum panis. 





Reel: 31 

82 

Rogers, Benjamin - English. 

O give thanks unto the Lord, for he; Teach me, O Lord, the 

way. 

c.1630 

Manuscript Number: Add. Ms 29481 ff.27-43b (reversed); 

Hughes-Hughes vol.i, 40; Type: Ms. Decani and cantoris 

parts. 


Reel: 24 

Romano, Alessandro - Italian. 


After 1578 






Consorts 

Reel: 30 

Rore, Cipriano de - Flemish. 

Virgine Saggia; Il de S'appresse. 

After 1660 


Hughes vol.ii, 154; Type: Ms. Alto or tenor parts only. 


Reel: 31 

Roseingrave, Daniel - English/Irish?. 

Haste thee, O God, to deliver me. 

c.1630 


Hughes vol.i, 40. For 8 voices, 4 Decani & 4 Cantoris; Type: 

Ms. Medius partbook. 


Reel: 24 

Rossi, Michelangelo (Attrib.) - Italian. 

E cosi pur'languendo; Per non mi dir; O prodighi di 

fiamme. 



vol.ii, 136; Type: Ms. 3 Partbooks only [Treble, alto & bass]. 


Reel: 30


before c.1640 

Author Index 

Rosso de Chollegrana - Italian. 

Tremando piu che foglia. 






Reel: 24 

Rovigo, Francesco - Italian. 

Liete le muse. 

After 1601 





Reel: 29 

Rowlard - English. 

Mass movements. 

c.1420-1430 

Manuscript Number: Add. Ms 40011 B.; cf. Add. Ms 57950. 

M. Bukofzer, Studies in Medieval and Renaissance Music, 

New York, 1950,; Type: Ms. Fragment. 


Reel: 37 

Roy, Simon de - French?. 

Exurgens Maria; O quam gloriosum. 





Reel: 31 

Rutter - English. 

Blessed is the man that feareth. 

1664, 1670 &c 







Reel: 26 

83 

Rysby, Henry - English?. 

Whoso that wyll hym sellff applye à 4. 





Reel: 31 

Sabino, Ippolito - Italian. 

Tirsis in ira di filli. 

After 1611 




Reel: 21 

Sariano, F. - Italian?. 

Oscura notte. 

After 1597 





Without Words 

Reel: 29 

Savioli, Alessandro - Italian. 

Cantin liete le Ninfe. 

17th century 




Reel: 30 

Shelbye, William - English. 

Felix namque; Miserere. 






Organ Solos 

Reel: 28


before c.1640 

Author Index 

Sheppard, John - English. 

Esurientes; Owr Father. 

After 1578 






Consorts 

Reel: 30 


Haste thee O God à 4. 

1664, 1670 &c 







Reel: 26 


Igitur, O Jesu; Illustrissima; Singularis privilegii. 

After 1611 




Reel: 21 


Kirieleson The best songe in England. 


Manuscript Number: Add. Ms 30480 f.68b; Add. Ms 30481 

f.72; Add. Ms 30482 f.67; Add. Ms 30483 f.69b; Add. Ms 

30484 f.8; Hughes-Hughes vol.iii, 232; Type: Ms. Vocal 

partbooks C,Ct,T,B,Q. 

Genre: Instrumental Chamber Music: String Sextets 

Reel: 27 


Quia fecit; A poynte; Versus (3). 






Organ Solos 

Reel: 28 

84 


Sabatum; Jerusalem. 

After 1578 






Consorts 

Reel: 30 

Sheppard, John (Attrib.) - English. 

Esuryentes implevit. 

c.1584 




Consorts 

Reel: 31 

Sheppard, John (Attrib.) - English. 

O Lord, the maker à 4; Submit yourselves. 

1664, 1670 &c 







Reel: 26 

Sheppard, John or Thomas - English. 

Christ rysynge agayne. 





Reel: 27 

Sheppard, John or Thomas - English. 

Hec dies est quam fecit Dominus à 6. 

c.1584 




Reel: 31


before c.1640 

Author Index 

Sims, William - English?. 

Arise... à 5. 

c.1616 




Reel: 23 

Skein, William - British?. 

Pavan. 

After 1604 




5 Viols 

Reel: 34 

Smith, Edward - English. 

If the Lord himselfe (Gunpowder treason); O praise God in 

his holyness. 

1664, 1670 &c 







Reel: 26 

Smith, Edward - English. 

O Lord, consider my distress. 

1664, 1670 &c 







Reel: 26 

Smith, Elias - English?. 

How is the gould become dimme (for King Charles the 

Martyr). 

1664, 1670 &c 







For Holy Days 

Reel: 26 

85 

Smith, John Stafford - English. 

Short untitled organ piece. 






Organ Solos 

Reel: 28 

Smith, William - English. 

I will preach thy lawe; O God, who through; Allmightie 

and everlasting God; Grant we beseech; God, which hast 

taught. 

1664, 1670 &c 







For Holy Days 

Reel: 26 

Smith, William - English. 

I will wash my hands; O Lord, which for our sake; My 

heart is set. 

1664, 1670 &c 







Reel: 26 

Soncino, Emanuele - Italian?. 

Cromotica [Cromatica]. 

1629-1630 




Organ Solos 

Reel: 34 

Spontoni, Bartolomeo - Italian. 

Force cagion. 

After 1597 





Without Words 

Reel: 29


before c.1640 

Author Index 

Stabile, Annibale - Italian. 

Damor le ricche gemme. 

After 1597 





Without Words 

Reel: 29 

Stabile, Annibale - Italian. 

Verde lauro. 

After 1601 





Reel: 29 

Steigleder, Johann Ulrich (Attrib.) - German. 

Hymnus in Nativitate Domini; Ave, Maria; Kyrie Paschalis 

& Christe (2 settings); Kyrie, Sanctus Paschalij & Angus Dei; 

Hymnus Paschalis (3 verses); Kyrie B.M. VBirginis & 

Christe; O Lux, Beata Trinitas; Ricercare; Canzon; Exultet 

Cælum; Kyrie and Christe; Canzon; Veni, Creator; Urbs beata 

Hierusalem; Ricercare (4 settings). 

1628 

Manuscript Number: Add. Ms 34898 ff.1-16, 23b-31; Hughes- 

Hughes vol.iii, 83; Type: Ms. Organ tabluture. 


Organ Solos 

Reel: 33 

Stella, Scipione - Italian. 

Partite sopra La Romanesca; Canzone (2). 

After 1607 





Reel: 28 

Stephenson, Joseph - English. 

When the Lord turned. 

1664, 1670 &c 







Reel: 26 

86 

Steuerlin, Joannes - German. 

Short Mass (incomplete) à 4. 



214; Type: Ms. Part autograph. 


Reel: 33 

Stivorio, Francesco - Italian. 

Dormiva dolcemente. 

After 1604 




Without Words 

Reel: 29 

Stonard, William - English. 

My God, my God, look upon me; Heare, O my people. 

1664, 1670 &c 







Reel: 26 

Stoning, Henry - English. 

In nomine; Miserere; Browninge, my dere. 

After 1578 






Consorts 

Reel: 30 

Striggio, Alessandro - Italian. 

Di questa bionda. 

After 1611 




Reel: 21


before c.1640 

Author Index 

Strogers - English. 

O God, bee mercifull. 

1664, 1670 &c 







Reel: 26 

Strogers, E. - English. 

In nomine. 

After 1578 






Consorts 

Reel: 30 


In nomine. 

After 1611 




Reel: 21 


In nomines (2). 

After 1578 






Consorts 

Reel: 30 


Yf the, my deere; When stormes of care; By croked ways. 





Reel: 31 

87 

Strogers, E.? - English; Tye, Christopher - English. 

In nomines for 6 viols. 

c.1584 




Viols 

Reel: 31 

Strogers, Nicholas - English. 

O God, be merciful. 

c.1629 



altus). 


Reel: 21 

Strogers, Nicholas - English. 

Pavan. 





Dances 

Reel: 30 

Stuart, John - English?; Bacheler, Daniel - English; 

Dowland, John - English; Holborne, Antony - English; 

Johnson ?I, Robert - English; Kindersley, Robert - 

English. 

John Stuart's Lutebook; Lute solos. 

c.1613-1616 



Reel: 36 

Sweelinck, Jan Pieterszoon - Netherlands. 

Face donques. 

After 1597 





Without Words 

Reel: 29


before c.1640 

Author Index 


Fantasia in the 4th mode. 

1618 




Organ Solos 

Reel: 24 


Madonna, con quest. 

After 1601 

Manuscript Number: Add. Ms 30816-9; Add. Ms 30820-2; 

Hughes-Hughes vol.ii, 140. Le Belle Nimfe; Type: Ms. Parts 

(treble, tenor & bass). 


Reel: 29 

Sylvius, Conrad - Unknown. 

Qui de terra est à 6; Clamaverunt justi à 5. 

After 1660 


Hughes vol.i, 283; Type: Ms. Alto and tenor parts only. 


Reel: 31 


Ave, plena gratia; Gaude, Virgo; Pleni sunt coeli Gloria 

tua; Maria Stella; Per hec nos; Ave, mulieris; Tu nimirum; Et 

benedictus; Ave, Dei Patris; Gaude, gloriosa; In nomine; O 

sacrum convivium; Mihi autem nimis; Salvator mundi; How 

longe; Absterge Domine; O salutaris hostia; Sabbatum dum 

transisset; Domine, quis habitabit; Suscipe, queso. 

After 1611 

Manuscript Number: Add. Ms 29247, ff.3, 9b, 17b, 46, 47b 

and 76; Hughes-Hughes vol.i, 8; vol.iii, 59; Type: Ms. Lute 

tabulature. 


Reel: 21 


Blessed are those that be undefiled. 

After 1613 




Reel: 23 

88 


Facti sunt Nazarei; O salutaris hostia à 5. 





Reel: 27 


First whole service. 

c.1629 




Reel: 21 


How longe. 





Reel: 31 


I call and crie à 5. 

c.1616 




Reel: 23 


I call and cry; Blessed are they that keepe his testimonies à 

5. 





Reel: 20 


Ille dum pergunt; O sacrum convivium. 





Reel: 27


before c.1640 

Author Index 


In nomine à 4. 

c.1575-1578 

Manuscript Number: Add. Ms 33933 ff.73b, 80-81; Hughes- 

Hughes vol.iii, 202; Type: Ms. Countertenor viol part only. 


Viols 

Reel: 32 


Libera me Domine. 

After 1601 






Reel: 35 


Natus est nobis; Fonde youthe is a bubble; Remember not, 

O Lorde God; I geve yow a new commanndement; O ye 

tender babes; When shall my sorrowfull sygheinge; Jam lucis 

orto sydere; Veni, Redemptor (2 settings); Ex more docti 

mistico; Untitled pieces for organ or virginals (3); Ecce, 

tempus ydoneum (2 settings); A poyncte; Iste confessor; Lyke 

as the dolefull dove; Per hæc nos. 






Organ Solos 

Reel: 28 


O Lord, give thy holy spirit à 4; With all our hearts à 5; 

Blessed be thy name à 5; I call and cry à 5; Wipe away my 

sins à 5; Arise, O Lord, and heare. 

1664, 1670 &c 







Reel: 26 

89 


O sacred and Holy Banket; With all our heart and mouth. 

1616 





Reel: 22 


O salutaria hostia; The Belles; Discumfit them, O Lorde. 





Reel: 20 


O salutaris hostia. 

16th century 

Manuscript Number: K.3.b.15; Various locations within a 

printed book; Type: Ms. In printed book. 


Reel: 41 


O Salutaris hostie; Sabatum; Absterge, Domine; O sacra 

convivium. 

After 1578 






Consorts 

Reel: 30 


Offertary arr. for virginals; A lesson: two partes in one. 





Virginal 

Reel: 27


before c.1640 

Author Index 


Plorans ploravit; Incipit lamentacio...Aleph; De 

laminacione heiremie...Gimel; De Lamentatione 

Jeremie...Beth. 

c.1584 


197; Type: Ms. Vocal parts (5). 


Reel: 31 


Remember not, O Lord; With all our harts; Blessed be thy 

name; If you love me; Hear the voyce; A newe 

commandment; O Lord God of hostes; O Lord, give thy Holy 

Spirit. 

c.1629 



altus). 


Reel: 21 


Salve, intemerata &c; O salutaris hostia. 





Reel: 32 


When Jesus went into Simon the pharisyes howse; Wipe 

away my synes; Wyth all our hartes; Purge me, O Lord. 





Reel: 27 


When sall my sorofull siching slaik à 4. 

After 1604 




Reel: 34 

90 


When shall my sorrowful sighing slack à 4. 

1575-1578 



Transcript. 


Reel: 32 

Taverner, John - English. 

Ave, Rosa sine spinis; Patrem omnipotentem; Agnus Dei (3 

settings); O quam probatum; Corona spiniæ; Pleni sunt; Ergo 

laudes; Crucufixus; Ave, Dei Patris; Gaude plurimum; Et in 

terra pax; Crucifixus; Et incarnatus (2 settings); Qui tollis (2 

settings); Nam qui corde; Gloria tua; Gaude Maria; Quoniam 

tu solus; In nomine; Gloria Tibi, Trinitas (imperfect at end). 

After 1611 




Reel: 21 


Gaude plurimum. 






Reel: 32 


In nomine. 






Organ Solos 

Reel: 28 


In nomine; Sabatum. 

After 1578 






Consorts 

Reel: 30


before c.1640 

Author Index 


O geve thankes unto the Lord, for he. 





Reel: 27 

Taylor, Daniel - English. 

Singe wee merrily. 

1664, 1670 &c 







Reel: 26 

Thorne, John - English. 

Exultabunt sancti. 

c.1647 






Reel: 24 

Tomkins, John - English. 

Variations upon Jone, come kiss me nowe. 

1647 






Strings 

Reel: 24 

Tomkins, John or Thomas - English. 

O thrice blessed. 

c.1616 




Reel: 23 

91 

Tomkins, John or Thomas - English. 

O, O, thrice blessed earthbed. 

1616 




Reel: 22 

Tomkins, Thomas - English. 

Blessed bee the Lord God of Israell; Thou art my King; 

Deliver me from my enemies; Above the starres; Out of the 

deepe; O pray for the peace of Jerusalem; My helpe commeth 

of the Lord; O Lord, let me know; Give sentence. 

1664, 1670 &c 







Reel: 26 


Compositions for 4 voices. 

c.1622 


Hughes vol.ii, 452; Type: Ms. Score. 


Reel: 24 


A Fancy. 

1647 

Manuscript Number: Add. Ms 29996 ff.196bn, 204b; Hughes- 

Hughes vol.iii, 151; Type: Ms. Score. 

Genre: Instrumental Chamber Music: Duets For One 

Keyboard Instrument 

Reel: 24 


O let me live; O let me dye; O yes, has any found; Weep no 

more, thow foolish Boy; Yet agayne. 

1647 


Hughes vol.iii, 85-86; Type: Ms. Autograph: Score: Four 5line 

staves. 



Strings 

Reel: 24


before c.1640 

Author Index 


O Lord, let me knowe mine end; O singe unto the Lord a 

new songe, Let. 






Reel: 21 


Oft did I marvel. 

1616 




Reel: 22 


Pavan. 





Dances 

Reel: 30 


A short verse; Pretty wayes [on a plainsong]; for young 

beginners to looke on; Lord Canterbury's Pavan. 

1647 


Hughes vol.iii, 85-86.; Type: Ms. Autograph: Compressed 

score: Two 6-line staves. 



Strings 

Reel: 24 


When David heard that Absalom was slaine; Thou are my 

king à 6; It is my well beloveds voice; Sing unto God; From 

deepest horror of sad penitence. 

1616 





Reel: 22 

92 


Whole service in C. 

c.1629 




Reel: 21 

Trabacci, Giovanni Maria - Italian. 

Galliard I; Galliard II. 

After 1607 





Reel: 28 

Tucker, William - English. 

Lord, how longe wilt thou; I will magnifie thee, O God. 

1664, 1670 &c 







Reel: 26 


O give thanks; My heart is fixed; There were shepherds; 

Comfort yea, my people; This is the day; Wherewithall shall a 

younge man; O Lord, send us. 

1664, 1670 &c 







Reel: 26 


Service in F. 

1664, 1670 &c 


Hughes vol.i, 399. A Booke of Selected Church-Musick 

Consisting of full Anthems and Anthems with verses Used in 

the Cathedral Church of Durham Anno Domini 1664; Type: 

Ms. Tenor cantoris partbook. 


Reel: 26


before c.1640 

Author Index 

Turnhout, Giovanni - Flemish. 

Vorria parlare. 

After 1601 





Reel: 29 

Tutiis, Vincentius de - Italian?; Zarti, Giovanni Vincenzo 

- Italian. 

Masses with figured bass for 3 voices. 

c.1628 




Reel: 33 

Tye, Christopher - English. 

Ascendo ad Patrem à 5. 

After 1604 


279. Scottish.; Type: Ms. Bass part only. 


Reel: 34 


Crucifixus. 

After 1611 




Reel: 21 


Deus miseratur in F; Nunc Dimittis in F. 





Reel: 27 


I Lift my heart. 






Organ Solos 

Reel: 28 

93 


I lift my heart to thee, my God. 

1616 





Reel: 22 


I will exalt thee à 4; O God, be mercifull unto us à 4; I lift 

my heart to thee à 5. 

1664, 1670 &c 







Reel: 26 


In nomine à 5; Amauit. 





Reel: 20 


Jesum Nazarenum à 3. 





Reel: 27 


Piece without title. 

After 1601 






Reel: 35


before c.1640 

Author Index 


Prayse ye the lord, ye children; From the depth I called; My 

trust, O Lorde, in the is grounded; Delyver us, good lord, from 

eternall Death; I have loved; Save me, O God, for thy names 

sake. 





Reel: 27 

Various - Unknown. 

Fragments of music. 

Manuscript Number: Add. Ms 38651 F; RISM IV/2, 238. 

Journal of the American Musicological Society, 21 (1968); 

Type: Ms. Fragments. 

Genre: Various 

Reel: 36 

Vecchi, Orazio - Italian. 

Il bianco e dolce cigno; Donna, s'iosono il sole; O di rare' 

eccellenze; Pastorella graziosella; Cara mia Dafne; Quella che 

in mille; Clorind', hai vinto. 

1589 






Reel: 35 


Clorinda; Ond' all hor; Pastorella. 

c.1616 




Reel: 23 


Life, tell me what is the cause à 5; The white delightfull 

swanne à 5. 

1616 




Reel: 22 

94 


Voi che gia stanchi; Che nova Cinthia. 

After 1597 





Without Words 

Reel: 29 

Venturi del Nibbio, Stefano - Italian. 

Usciva homai. 

17th century 




Reel: 30 

Verbonnet, Jean - Flemish. 

Jayme bien no amy. 





Reel: 33 

Verdonck, Cornelis - Flemish. 

Tu as tout seul; La belle que. 

After 1597 





Without Words 

Reel: 29 

Verdonck, Cornelis - Flemish. 

Tu as tut seul à 5. 

After 1604 




Reel: 34 

Vespa, Girolamo - Italian. 

Madonna se volete. 

After 1611 




Reel: 21


before c.1640 

Author Index 

Viadana - Italian. 

Il sangie a pena. 

1597 




Reel: 32 

Victoria, Tomás Luis de - Spanish. 

Alma Redemptoris. 





Reel: 31 

Victoria, Tomás Luis de - Spanish. 

Et Jesum; Senex puerum; Ne timeas Maria; Salve Regina; 

Alma Redemptoris. 

After 1611 




Reel: 21 

Vincenzo da Rimini, Frate - Italian. 

Nell' aqua chiara; Ittase nera star. 






Reel: 24 

Vyzeto, Jo. de - French?. 

Coment peult avoir Joye. 





Reel: 33 

W.P - French?. 

Vostre jamais par heritage. 





Reel: 27 

95 

Ward, John - English. 

Downe caitiff wretch à 5; Howe longe shall I seeke 

councell à 5. 

c.1616 




Reel: 23 


Flora, faire nymph, whilst silly lambes are feeding à 5; 

Hope of my heart à 5; Upon a bank with roses set about à 5; 

Retire, my troubled soule à 6; Out from the vale of deele 

despaire à 6; Oft have I tendred tributary teares à 6; O divine 

love à 6; If the deepe sighs of an afflicted brest à 6; Weepe 

forth your teares à 6; Dye not, fond man à 6; Come sable night 

à 6I have intreated à 6; Noe object dearer à 6. 

1616 




Reel: 22 


I will praise the Lord; Let God arise. 

1664, 1670 &c 







Reel: 26 


O let me tread in the right path; O Lord, consider my greate 

moanes; Downe, captive wretch; How lpong wilt thou forget 

me; Let God arise. 

1616 





Reel: 22 


Verse Te Deum, Kyrie & Creed. 

c.1629 




Reel: 21


before c.1640 

Author Index 

Warwick, Thomas - English. 

I lift my hart up to the hills. 






Reel: 21 

Webb, William - English. 

I wish no more. 



vol.ii, 651; Type: Ms. 3 Partbooks [1st and 2nd treble & basso 

continuo]. 


Reel: 30 

Weelkes, Thomas - English. 

Ceasse now delighte. 

c.1616 




Reel: 23 


The Crie of London: New oysters. 

After 1601 





Reel: 35 


The Cryes of London. 

c.1616 




Reel: 23 


Galliard. 





Virginal 

Reel: 27 

96 


Give the kinge thy judgments; Halleluiah. 

1664, 1670 &c 







For Holy Days 

Reel: 26 


In thee, O Lord; O Lord, how joyfull is the. 

1664, 1670 &c 







Reel: 26 


Lachrime. 





Reel: 27 


Lachrime and 2 pavans. 





Dances 

Reel: 30 


Morning service (Venite, Te Deum & Jubilate). 

c.1629 




Reel: 21


before c.1640 

Author Index 


O happie he whom thou protectest; Give eare, O God; 

Alleluiah, salvation and glory; O, O my sonne Absalom à 6; 

O, O Jonathan, woe is me for thee à 6; When David heard that 

Absalom was slaine. 

1616 





Reel: 22 


O Lord, grant the king à 6 & 7; O how amiable; 

...Successive course. 

1664, 1670 &c 







Reel: 26 


O, O my sonne Absalom à 6; O, O Jonathan, O woe is me à 

6. 

c.1616 




Reel: 23 


O, O my sonne Absalom; O, O Jonathon, woe is me. 






Reel: 21 

97 


When Cloris heard of her Amyntas dyeing à 4; Happy 

streams whose trembling fall à 4; Change me, O heavens, into 

the Rubystone à 4; Love me not for comely grace à 4; I love, 

alas yet am not loved à 4; Give me my heart and I will goe à 5; 

Come, clap thy hands, thou sheppards swaine: Ballet à 5; Now 

is my Cloris fresh as May à 5; Unto our flockes sweet 

Corolus: Ballet à 5; Cease now delight: Elegy à 6; Those Spots 

upon my ladies face à 6; Retire, my thoughts unto à 6. 

1616 




Reel: 22 

Wert, Giaches de - Flemish. 

Speramus; Salve, Regina; Aspice, Domine; In tenebris; 

Huc me siderio. 





Reel: 31 

White, Matthew - English. 

If you love me; Second evening service in F. 

c.1629 



altus). 


Reel: 21 

White, Robert - English. 

The Lord blesse us à 5; O how glorious; O praise God in 

his holyness à 7. 

1664, 1670 &c 







Reel: 26 


The Lorde bless us. 





Reel: 20


before c.1640 

Author Index 


O prayse God in his holyness. 





Reel: 27 


Peccatum peccavit; Manus tuæ; Six fantasias; Christe, Qui 

lux (2 settings); Precamur; In nomine (3). 

After 1611 




Reel: 21 


Songe. 

After 1578 






Consorts 

Reel: 30 

White, Robert (Attrib.) - English. 

Peccatum peccavit Jerusalem. 





Reel: 32 

White, William - English. 

Almighty Lord, whose love. 

1616 





Reel: 22 

98 

White, William - English. 

Behould, nowe praise. 

1664, 1670 &c 







Reel: 26 

Whytbroke, William - English. 

Magnificat. 





Reel: 27 

Wilbye, John - English. 


c.1616 




Reel: 23 


Ne reiminiscaris, Domine, delicta nostra à 5. 

1616 




Reel: 22 


Ne reminiscaris, Domine. 



275. Apparently in the hand of Alfonso Ferrabosco I.; Type: 

Ms. Vocal partbooks C,B,Q; lacking A,T. 


Reel: 21 

Wilder, Philip van - Flemish. 






Reel: 20


before c.1640 

Author Index 


Blessed arte thow that fearest God. 





Reel: 27 


Ce vostre brut; Le home banni; Du mal que je ay. 

After 1611 




Reel: 21 


'Las, que ferra. 





Virginal 

Reel: 27 


Si de beau compere; Triste departe; Quall iniqua mia sorte; 

Amour me vaye; O dulks (sc.doux) regard; Dunge novieu 

darte; Vois commant; Si vous voules; 'Las, que feray; Cest 

vester bruten; Pour vous aimer; Unt novieu; Aspice, Domine; 

Esperantes. 

After 1578 






Consorts 

Reel: 30 


Si de beaucult; Pour vous amer; Laseque fraye; Si vous 

voles. 





Reel: 20 

99 


Vide civitatem; Arouses (?) vous voy. 

After 1578 






Consorts 

Reel: 30 

Wilkinson, Thomas - English. 

Behould, O Lord; Helpe, Lord; Deliver me, O Lord; O 

Lord, my God; Put me not to rebuke; Heare my prayer, O 

Lord; Lord, howe are they increased; Preserve me, O Lord; 

Praise the lord, o ye servants; O Lord, consider my distres; 

Unto thee, O Lord. 

1664, 1670 &c 







Reel: 26 


Heare my prayer, O Lord, and let; Preserve me. O Lord, 

from those; Put me not to rebuke. 

1616 





Reel: 22 


Pavans (3). 





Dances 

Reel: 30


before c.1640 

Author Index 


Put me not to rebuke; Helpe, Lorde; O Lord my God, in 

thee have I put; O Lord, consider my destresse; Preserve me, 

O Lord, from those; Lord, how are tehy encreased; Deliver 

me, O Lord, from lying lipps; I am the resurrection à 6; Prays 

the Lord O ye servants. 






Reel: 21 

Willaert, Adrian - Flemish. 

Intercessio, quesumus. 






Reel: 20 

Wilson, - English; Anonymous. 

How now, shepherd? What means that. 

c.1630 


vol.ii, 54. Described in Percy's Reliques of Ancient Poetry as 

The Willow Tree: a pastoral dialogue; Type: Ms. Medius 

partbook. 

Genre: Secular Vocal Music: Duets With Bass 

Reel: 24 

Wilson, John - English. 

Bring out the cold chine. 

c.1630 


vol.ii, 650; Type: Ms. First 3 bars of treble only. 


Reel: 24 

Wilson, Thomas - English. 

By the waters of Babylon. 

1664, 1670 &c 







Reel: 26 

100 

Wise, Michael - English. 

Have pitie upon me; By the waters; Thou, O God, art 

praised; How are the mighty fallen. 

1664, 1670 &c 







Reel: 26 

Wise, Michael - English. 

How are the mighty falln. 

c.1630 




Reel: 24 

Wisme, Nicholas de - Netherlands. 

Que est ista à 6. 

1553 




Reel: 31 

Wollick, Nicolaus - Lotharingian. 

Da michi te placidum; Veni, Creator Spiritus; Ut queant 

laxis; Festum nunc celebre. 

16th century 

Manuscript Number: K.1.h.5* (end); Hughes-Hughes vol.iii, 

283: Added at the end of N. Wollick: Opus Aureum, 1504; 

Type: Ms. Examples of various metres. 

Genre: Combined Vocal And Instrumental Music: 

Examples Of Harmony 

Reel: 41 

Wood, John - English?. 

Effunde, quæso; Exurge, Domine; Perfeci illud; Verbi tui. 

After 1611 




Reel: 21


before c.1640 

Author Index 

Wood, John - English?. 

O Lord, the worlds saviour. 

1664, 1670 &c 







Reel: 26 

Woodcock, Clement - English. 

Hackney; In nomines (2); Brownynge, my dere. 

After 1578 






Consorts 

Reel: 30 

Woodson, Thomas - English. 

Forty wayes of 2 parts in one on the Miserere. 

1647 






Strings 

Reel: 24 

Woodson, Thomas - English. 

Te Deum in D minor. 

c.1629 




Reel: 21 

Wynslate, Richard - English. 

Lucem Tuam. 

c.1647 






Reel: 24 

101 

Yarrow - English. 

Almightie and everlasting God. 

1664, 1670 &c 







Reel: 26 

Zuber[n?], Gregorius - German?. 

Dances (18): Allemande, Courantes, Sarabands, Ballets & a 

Mascharada. 

After 1660 




Reel: 31 

Zuber[n?], Gregorius - German. 

Dances: Ballets, Courantes, Sarabands & Arias; Dances: 

Courantes, Sarabands & a Bataglia. 

After 1660 


Hughes vol.iii, 226; Type: Ms. Treble part only. 


Reel: 31 

Zuber[n?], Gregorius - German?. 

Mascharada. 

After 1660 


vol.ii, 227; Type: Ms. Cantus part only. 

Genre: Secular Vocal Music: Operas 

Reel: 31

Music Manuscripts: Series 4: Part 2: British Library, London ... - Gale

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?