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The Heirs of Anthony Boucher Marvin Lachman

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Other Fan Magazines and Organizations: 1 0s<br />

<strong>of</strong> the Agatha Christie Society, whose chairman was Mathew Prichard, Christie’s<br />

grandson; the president was Christie’s mother, Rosalind Hicks. Kate Stine edited the<br />

newsletter and acted as the society’s US director. It included an article, “Teaching<br />

Agatha Christie,” by Gordon Clark Ramsey, who in 1967 wrote the first <strong>of</strong> more than<br />

a dozen books about Christie. Other articles told <strong>of</strong> Christie celebrations, including<br />

the society’s annual trip to see <strong>The</strong> Mousetrap in London and the yearly gathering <strong>of</strong><br />

the society in Torquay, Christie’s hometown. By 2003, the Society (and its magazine)<br />

had been disbanded, and replaced by an English website, AgathaChristie.com, called<br />

“<strong>The</strong> Official Online Home <strong>of</strong> Agatha Christie.”<br />

<strong>The</strong> Short Sheet (1987–1988)<br />

Josh Pachter’s column, “<strong>The</strong> Short Sheet,” in Mystery Scene outgrew the space it<br />

was allowed, so in April 1987, Pachter, a fan as well as a writer and editor <strong>of</strong> the short<br />

story, started <strong>The</strong> Short Sheet. Though Edward D. Hoch had written a column about<br />

the short story for TAD, Pachter’s publication was the first fan magazine devoted to<br />

the mystery short story.<br />

News <strong>of</strong> the short story and summaries <strong>of</strong> anthologies and magazines was an<br />

important part <strong>of</strong> Pachter’s magazine. He interviewed authors known for their short<br />

fiction, for example Brendan DuBois. An interesting feature was “Critic’s Choice,”<br />

which contained reviews <strong>of</strong> favorite past anthologies. Morris Hershman reviewed<br />

Ellery Queen’s anthology 101 Years Entertainment (1941), and I reviewed <strong>The</strong> Pocket<br />

Mystery Reader (1942), edited by Lee Wright.<br />

In December 1987, Pachter wrote an “obituary” for Espionage, a digest-sized fiction<br />

magazine started in 1984 that, after a promising start, failed to attract enough<br />

subscribers to continue. Ironically, the next issue, January-February 1988, was the<br />

last for <strong>The</strong> Short Sheet.<br />

<strong>The</strong> Margery Allingham Society and <strong>The</strong> Bottle Street Gazette (1988–)<br />

This was a society that started in England but had an American branch. It began<br />

in 1988 “to celebrate the life and work <strong>of</strong> a great ‘Queen <strong>of</strong> Crime.’” Barry Pike, author<br />

<strong>of</strong> Campion’s Career: A Study <strong>of</strong> the Novels <strong>of</strong> Margery Allingham (1987), and Pat Watt<br />

were co-editors <strong>of</strong> the society’s newsletter, <strong>The</strong> Bottle Street Gazette, which Pike now<br />

edits alone. Its title comes from the location <strong>of</strong> Campion’s London flat. It has included<br />

biographical material about Allingham, candid photographs <strong>of</strong> her, and copies <strong>of</strong><br />

her correspondence. In America, Maryell Cleary was editor <strong>of</strong> the US newsletter. <strong>The</strong><br />

final issue <strong>of</strong> the US edition was Fall 1995, but the society remains active in England,<br />

with an annual dinner, trips, and publication <strong>of</strong> the semiannual newsletter. In 2004,<br />

the society celebrated the centenary <strong>of</strong> Allingham’s birth with a traveling exhibition<br />

<strong>of</strong> visual and literary material from the Allingham archives; publication <strong>of</strong> a volume<br />

<strong>of</strong> articles and essays about her by other crime writers, friends, and fans; and the<br />

unveiling <strong>of</strong> a commemorative plaque at her former London home.<br />

Pulp Vault (1988–1996)<br />

Pulp Vault, one <strong>of</strong> the best pulp fan magazines, was started in February 1988 by<br />

Doug Ellis <strong>of</strong> Chicago. In addition to reprinting pulp stories, each issue had articles<br />

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