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TO ADVERTISE PHONE 07961 535 189<br />
RIDE WITH YOUR MIND (cont<strong>in</strong>ued)<br />
The Challenge of Ris<strong>in</strong>g Trot<br />
if you’ve been follow<strong>in</strong>g this series so far <strong>and</strong> hav<strong>in</strong>g a go at some of <strong>the</strong> exercises you<br />
may be f<strong>in</strong>d<strong>in</strong>g a great deal of improvement at halt <strong>and</strong> walk, but how about at <strong>the</strong><br />
trot?<br />
Can you keep your alignment, bear down (use your core stability), brea<strong>the</strong>, keep <strong>the</strong> connection<br />
with your <strong>horse</strong> <strong>and</strong> <strong>in</strong>fluence <strong>the</strong> speed <strong>and</strong> athleticism of his stride when you move up to <strong>the</strong><br />
trot?<br />
What have you been taught previously about ris<strong>in</strong>g trot?<br />
The most probable scenarios are to ‘go up <strong>and</strong> down’ or<br />
to m<strong>in</strong>imise your rise <strong>and</strong> ‘keep it tidy’. Depend<strong>in</strong>g on your<br />
<strong>horse</strong>’s preference you are likely to f<strong>in</strong>d one of two th<strong>in</strong>gs<br />
happen. Ei<strong>the</strong>r he barely goes at all, or he runs on so that<br />
you f<strong>in</strong>d yourself ‘p<strong>in</strong>ged’ out of <strong>the</strong> saddle <strong>and</strong> go<strong>in</strong>g up <strong>and</strong><br />
down at a rate of knots to keep up with him, <strong>and</strong> pull<strong>in</strong>g<br />
on <strong>the</strong> re<strong>in</strong>s to both try to slow him down <strong>and</strong> to keep<br />
your balance (which actually only makes him go more <strong>and</strong><br />
more).<br />
To reset <strong>the</strong> trot <strong>and</strong> have your <strong>horse</strong> move to your ‘tune’, it may be helpful to do <strong>the</strong> follow<strong>in</strong>g<br />
dismounted exercise. F<strong>in</strong>d yourself a full length mirror <strong>and</strong> kneel down sideways on to it <strong>and</strong><br />
sit back on your heels (with <strong>the</strong> tops of your feet aga<strong>in</strong>st <strong>the</strong> floor). Check out your alignment<br />
mak<strong>in</strong>g sure you have nei<strong>the</strong>r hollowed nor rounded your back (i.e. your sp<strong>in</strong>e is <strong>in</strong> ‘neutral’ as<br />
def<strong>in</strong>ed by a physio or o<strong>the</strong>r bodyworker).<br />
Place one h<strong>and</strong> on your tummy <strong>and</strong> one on your back, this is to ensure that when you make any<br />
movement, nei<strong>the</strong>r your front nor your back leng<strong>the</strong>ns or shortens. Next, pivot on your knee<br />
so that your torso moves <strong>for</strong>ward to open <strong>the</strong> angle at <strong>the</strong> front of <strong>the</strong> hip to 180 degrees (as<br />
it would be if you were st<strong>and</strong><strong>in</strong>g up). Then sit back onto your heels. Move between <strong>the</strong>se two<br />
positions several times. Each time ensure that you nei<strong>the</strong>r round nor follow your back.<br />
It won’t take many repetitions <strong>for</strong> you to notice a stra<strong>in</strong> <strong>in</strong> <strong>the</strong> thighs, especially <strong>the</strong> quadriceps at<br />
<strong>the</strong> front of <strong>the</strong> thigh. This exercise mimics what should be happen<strong>in</strong>g <strong>in</strong> your body <strong>in</strong> ris<strong>in</strong>g trot.<br />
So ra<strong>the</strong>r than ‘ris<strong>in</strong>g’ it is more of a thrust <strong>for</strong>wards, pivot<strong>in</strong>g on <strong>the</strong> knee. This can only happen<br />
if you have several o<strong>the</strong>r ‘<strong>in</strong>gredients’ <strong>for</strong> <strong>the</strong> recipe of rid<strong>in</strong>g <strong>in</strong> place, alignment, bear down <strong>and</strong> a<br />
good deal of ‘tone’ <strong>in</strong> <strong>the</strong> muscles.<br />
The thrust <strong>for</strong>wards <strong>and</strong> <strong>the</strong> sit are a dynamic movement, with a very slight ‘pause’ both at <strong>the</strong><br />
most <strong>for</strong>ward part of <strong>the</strong> movement <strong>and</strong> <strong>in</strong> <strong>the</strong> sit. As you l<strong>and</strong> it must be both positive yet light<br />
so you make a def<strong>in</strong>ite contact without ‘squash<strong>in</strong>g’ your <strong>horse</strong>! Once you can control your body<br />
<strong>in</strong> this way, it becomes possible to ‘take your <strong>horse</strong>’ <strong>in</strong> a way that has him danc<strong>in</strong>g to your tune,<br />
ra<strong>the</strong>r than <strong>the</strong> o<strong>the</strong>r way around. So whe<strong>the</strong>r you need to motivate <strong>the</strong> <strong>horse</strong> that won’t go or<br />
to conta<strong>in</strong> <strong>the</strong> ra<strong>the</strong>r more enthusiastic mount that would ra<strong>the</strong>r go faster <strong>and</strong> faster – <strong>the</strong> answer<br />
lies <strong>in</strong> <strong>the</strong> way you organise <strong>and</strong> control your body!<br />
if you’d like help with organis<strong>in</strong>g your body to improve your rid<strong>in</strong>g, have fun, <strong>and</strong> really<br />
impress your <strong>horse</strong>, please give me a call. as you work on some of <strong>the</strong>se changes you<br />
may f<strong>in</strong>d restrictions <strong>in</strong> your own movement or that of your <strong>horse</strong>, a few sessions of<br />
shiatsu may well help to alleviate <strong>the</strong>se problems.<br />
Vivienne isaac, 01509 880652<br />
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