V12 #1 November 1990 - Archives - The Evergreen State College

view
The Evergreen State College
INTO THE
WOODS

Who's New?
GEONE'
Evergreen's new admissions policy works as
jlanned, and the first class of freshmen and transfer
students admitted following the guidelines of the
policy are on campus this quarter.
A major focus of the new policy is to ensure
that more people of color and other underrepresented
populations who apply will be admitted, and,
"essentially, more people of color are being admitted
to the college," says Doug Scrima, assistant to
the dean of Enrollment Services for Admissions.
Established to meet the state's Higher Educa-
|ion Coordinating Board, guidelines, Evergreen's
admission policy uses GPA and standardized test
scores to select freshmen. From there.,, diveffjty
becomes a factor. The policy also discards ||e
rfjjling admission process that forcedsjvergpen to
clo;se its doors to applicants Unless they applied a
year before they planned to attend. Now, March 1 is
die-annual deadline to apply. :,: il|i>
Statistics give a good idea of how the:poiil|fe
works to encourage*! fie enrollment of people of "'
color,! students aged 25 and older, Vietnaiil veterans*!
{he sensb%iand physically challenged, and first generation
college students. Historical data below :'-:'.
shows the policy's effect on enrollments of people of,
color.
Evergreen's overall program of recraitpBfit and
•the nesg: admissions policy are credited with ,
increased enroHment/fjom these populations. ,
"We are certainly putting ourselves out front ii
higher education by .saying we want a diverse .:
student body and hacking it up with such a policy,'
sai Arhaldo Rodnguex, (lean of Enrollment.
Services. "We don't admit a student because she's a
student of color, we admit her because she is
qualified and because her presence will enrich the:
:colle|e community. The sunn: goes for older A-g
students, Vietnam: veterans, physically and sensory
ehalicnged, and first generation college students."
II People of Color Who .,;:.'.
Applied for Pall Quarter Ad
1989
296'
1990
394 :
4
o o
applicants
were
admitted)
Puree Named
Interim
President
:
THE EVERGREEN REVIEW
Evergreen's Board of
Trustees selected T. L.
"Les" Puree as interim
president during their
October 10 meeting.
Puree, who served as
acting president since
September 6, thanked the
trustees for their support
and said, "I would like
to say to my colleagues
that I understand the
hard work we have to
do. Much of my energy
and time will be spent
working with faculty,
students, staff and
trustees to meet the
challenges ahead."
SI The board's appointment
followed a
of intense
.ultation. The
tuliees solicited written as well as verbal recommendations from students, staff
ajid'iaculty. Others considered for the position were: Faculty Members Rudy
and Charles McCann, Academic Dean Carolyn Dobbs and former Vice
President Ken Winkley.
The search for a permanent president, which trustees say will begin after
extefi|ive consultation with staff and faculty, might take as long as 18 months to
pvojiears.
Puree came to Evergreen on March 8, 1988 as vice president for College
Advancement. One of his most notable accomplishments in that time has been
the. successful launching of the campaign to establish the Senator Daniel J. Evans
Glair, Evergreen's first endowed chair. In addition to directing the wotk of
Development, Conference Services, Alumni Affairs and Information Services,
P»ce has also been an active participant in the Strategic Planning process and
other institutional activities.
II Puree's first contact with the college came in 1972 when he worked with
former Faculty Members Willi Unsoeld and LeRoi Smith. Puree, then a counsel-
||ig psychologist at Washington State University, facilitated an evaluation
|>rocess for Unsoeld's and Smith's first Evergreen academic program. "I was
"deeply impressed with the college and its mission, and that impression always
stayed with me."
Before coming to Evergreen, Puree served as the special assistant to the
president and director of Research Park and Economic Developm A at Idaho
State University. He also directed the Department of Health and^pMre for the
state of Idaho, where he was responsible for a $200 million annijf|||udget and a
statewide staff of 2,400. ;.;/'"
Did Bureaucracy Kill the Pharaohs?
Faculty Member Mark Papworth spent April and June in Egypt's Valley of the
Kings, where he helped excavate his archeological dig from an international
media scandal involving government bureaucrats.
"I will put the Egyptian bureaucracy up against any two bureaucracies in
the world, including China's, Russia's and the CIA, and Egypt will bury them,*'
says Papworth. :«;: !
Although there's no proof bureaucracy played a role in the decline of the
Pharaohs, Egyptian bureaucracy dates back much farther than the 3,

GEONEW
Greeners Export Environmentalism to U.S.S.R.
by Mike Wark
The Volga River, a geographical landmark that cuts across the
Soviet Union, is not really a river. Instead, the Volga is a series of
reservoirs behind seven major dams that are compounding problems
with pollution.
Faculty Member Tom Rainey led a group of faculty and students
to study two Soviet nature preserves on the Volga this
summer. They found that protected areas on the Volga aren't
immune to upriver pollution. However, the Soviet word for nature
preserve means "Forbidden Area," and generally, that description
is accurate.
"There is no hunting and no economic exploitation of forest
lands. They are protected — nature in the raw," says Rainey. "The
preserves are designed to be ecological models for study, and one
preserve is found in each vegetational zone, or major bioregion,
across the Soviet Union."
Rainey, Faculty Members Oscar Soule and Dave Milne and 10
students were the first Americans ever to set foot on a Soviet nature
preserve to study the environment, according to their host, Marat
Khabibullov of Kazan State University. Not even Soviet tourists are
allowed into the areas. They are, literally, forbidden areas, except
for study.
However, a major threat to the preserves are the "marauding
Soviet economic ministries," operating out of Moscow with little
control from the center, says Rainey. Worse than American
corporations that are checked by protectionist forces, the Soviet
ministries have little to stop them when they set sights on exploiting
minerals or forest lands. If they want something in the preserves,
they'll go and get it, ignoring local laws, or paying fines that
are minimal. Those in Moscow, far away, care little about the environment.
The Evergreen contingent was ferried between two preserves
on a boat called OM73, or "OM sweet OM," which also served as
a lecture hall. The group identified the flora and fauna, and looked
at cultural assumptions and attitudes which shape peoples' view of
the environment.
"From the preserves, we went to nearby areas that were
seriously damaged by industrial pollution, farming and improper
forest practices," says Rainey.
Cities still have improper treatment of human waste, which often
isn't treated before being dumped into the Volga. Fish suffer
from many diseases typical of a stressed situation.
THE EVERGREEN REVIEW
Evergreen welcomes new Trustees Christina Meserve '71 and John Terrey.
Meserve, an Olympia lawyer specializing in family law, is a member of
Evergreen's first four-year graduating class. She's served as an Alumni
Association president and member of the college's Foundation Board of
Governors. Terrey, a Seattle resident, has served as director for the State Board
of Education for Community College, and executive assistant to the president
and dean of Administration at Central "Washington University. He also taught at
Tacoma Community College and was a high school English teacher for 75
years. Meserve and Terrey replace former Trustees Kay Boyd '76, who resigned
on October 1, and Richard Page whose term expired this fall.
Rainey's work didn't stop there. In late August he went
back, not to the Volga, but to Lake Baikal, a major focus of his
academic study and personal affection.
With a group of 24 American and 28 Soviet scientists, the
joint-U.S./U.S.S.R. delegation headed for Northeastern Siberia
for the world's largest lake: 365 miles long, 56 miles across at its
widest point, Baikal holds 20 percent of the globe's fresh water.
It is 1.5 miles to bottom at its deepest point. Baikal supports
1200 species found nowhere else, including a fresh water seal.
Of 365 rivers that flow in, only the Angara flows out.
"The lake is celebrated locally and in Russian legend as a
symbol of purity in a corrupt world," says Rainey.
The groups' destination was Severobaikalsk, a town created
15 years ago by railroads. Two cellulose mills at the southern
end of the lake threaten to destroy Lake Baikal.
"The Railroad to Severobaikalsk was to be one of the great
projects of the century for the Soviets, touted as a second trans-
Siberian railroad designed to open Northeastern Siberia to
economic exploitation of timber and minerals," says Rainey.
The scientists performed field studies and reached a
common conclusion that the lake was threatened. They drew up
300 recommendations to correct the situation. One major initiative
was to promote "environmentally safe" industry like
tourism.
The group returned to Moscow to much media attention
from Pravda and Izvestia, who called the group "Ekspertiza 90."
Both papers reviewed the scientists' findings favorably, recommending
they be adopted. A week later, the Supreme Soviet
passed a resolution in support of the group's findings.
With environmental measures being taken by both national
and local governments, Rainey hopes that Lake Baikal's delicate
environment will survive, but he's not resting on his hope.
"Baikal Watch" is the name of the organization Rainey
began. As co-chair, he plans to inform the American public of
environmental threats to a world-class treasure, and raise money
to start sending scientists to help Soviets understand and protect
the lake. Rainey is also American co-chair of the Baikal Fund,
with Soviet counterpart Andrei Kapitsa, a professor of geography
at the prestigious Moscow State University. Their purpose is
to continue joint U.S./U.S.S.R. study and preservation efforts.
Rainey now counts 11 trips to the Soviet Union, three to
Lake Biakal.
"This was quite the most extraordinary summer I've ever
spent," he says.
I
THE FATE OF
ANCIENT FORESTS
IS THE GUT ISSUE OF THE NORTHWEST.
Millions of acres of forests and
thousands of jobs hang in the balance.
It's easy when dealing with such
large numbers to see people as abstract
masses, rather than as individuals.
Among the people affected by this
environmental and economic crisis are
a great number of Evergreeners
whose lives and passions are deeply
invested in the health of timber
and forests. In hopes of personalizing
the issue, the ReView offers a
profile of three such people orpthe
following pages.
FALL 199O

I
BOTANIST
by Keith Eisner '80
Let's start small. Consider 3.5 million board feet. That's the
estimated amount of timber that would be removed from the sale of
100 or so acres of old growth forest in Washington's Mt. Baker-
Snoqualmie National Forest.
Three-and-a-half million of anything is tough to conceive.
But let's put it this way: 3.5 million board feet would cover every
inch of Evergreen's Red Square (from CAB to Lecture Hall,
Clocktower to knoll) to a height of over 15 feet. It's enough lumber
to frame at least 270 three-bedroom houses. Stumpage value for that
amount rings in at about $1,500,000. Add several million more
dollars generated in processing, truckers' wages, millwork, retail
sales and other support industries. Anyway you cut it, it's a lot of
lumber packing a huge economic wallop that affects hundreds if not
thousands of lives.
Yet 3.5 million board feet is only a fourth of the amount of
timber that the Darrington District is required to sell this year. The
Darrington District, 60 miles northeast of Seattle, is only one of five
districts in the Mt. Baker-Snoqualmie National Forest which as a
whole is mandated to sell 45 million board feet of timber this year.
The Mt. Baker Forest is one of six national forests in Oregon and
Washington. Altogether nearly 4 billion board feet of old growth
timber on federal lands is slated to be cut in Oregon and Washington
next year.
Consider now the Botrychium montanum, also known as
the grape fern or moonwart. "It looks like something Bart Simpson
would draw," says Forest Service botanist Laura Potash '78. She
sketches a bony, angular-looking stalk, a warty thing one could well
imagine growing on the moon. The particular specimens Potash
found were one-half-inch tall. A hundred would fit in the palm of
your hand, and a child's breath would blow them away.
Puny and abstract as the moonwart, bog orchid, sedges and
other such plants may seem against the million dollar stacks of
lumber, they are of great importance to the U.S. Forest Service
which recently hired Potash to develop a system of study, identification
and inventory for the Mt. Baker-Snoqualmie National Forest.
She is the first federal botanist hired for that area.
Before anyone—logger or Earth Firster!—raises fears or
hopes about a botanist sidetracking a timber sale, Potash is quick
and emphatic about her impartiality. "I wouldn't last two seconds in
the Forest Service if I acted in a manner to favor one side or the
other of the old growth issue. I don't have the authority to say this
should or shouldn't be cut.
My job is to say this is the plantlife that exists in a certain
area. This is what those plants need to survive."
THE EVERGREEN REVIEW
continued on page 14

•Illl
ACTIVIST
by Ray Kelleher '88
Walk into the Olympia office of the National Audubon Society and
the first thing you notice is how hectic an operation it is these days.
Reports and stacks of data fill the reception area chairs. A fax
machine pours a stream of paper into a widening pool on the floor.
Staff members swoop in and out of offices, jumping from telephone
to computer terminal and back to the phone. There are no visible
signs of hierarchy: no receptionist chained to an eight-line phone, no
closed, name-plated door at the end of the hall, and no neckties.
Everybody seems to be doing everything.
Another thing that's missing is the tension you might expect to
find at this level of controlled chaos. When you look into the faces
here you see enthusiasm, you get the feeling this place is on a roll.
In fact, the whole environmental movement is on a roll these
days. Issues of conservation that would have had trouble making the
inside pages of the Sunday paper 10 years ago are front-page news
today. The major story in the Pacific Northwest for the past two
years has been the spotted owl controversy. Waste reduction and
preservation of habitat are vital issues in every community. Being
Good to the Earth has even become a popular advertising hook.
America is thinking Green.
For Argon Steel '86, Washington State coordinator for the
Audubon Society, this is no time to be complacent. "We're like ants
compared to the forces we're up against," he said, referring to big
business interests and timber lobbyists. A recent proposal by the
Bush administration to implement a spotted owl plan that would
reduce next year's timber harvest by only 20% seems to bear him
out. In any case, Steel is giving no quarter in the fight to save what
little ancient forest remains.
Steel's primary organizing tool is the Adopt A Forest Program
which enlists volunteers to work directly with the National Forest
Service monitoring sales proposals and logging practices in national
forests near their homes. Steel maintains there's a contrived myth
that the conservationists are all in the cities. "We have Adopt A
Forest representatives in every Forest Service district in Western
Washington." he says. "If I've been smart, it's in knowing that I
needed to work with the people who live out there. That's why it's
working."
The largest room at the Audubon Society is used for cataloging
and updating maps. The map room bears an unmistakable resemblance
to a World War II Operations Bunker. Maps hang from the
walls. A large conference table is covered with maps of different
forest districts. Each map has two or three transparent overlays
defining various tree communites and showing the changes that
occur with harvests. Steel pulls an especially large map of the
continued on page 15
FALL 1990

LOGGER
By Keith Eisner
"So then what happened?" asks the man.
The boy pauses. It's just after seven in the morning. We're in
his father's pickup on the way to Trevor's before-school daycare.
"Remember Saturn had a prophecy..." the man prompts.
"Oh, yeah," the boy goes on excitedly, "he heard that one of
his kids would kill him -no, wait -not kill him, but overthrow him.
So he eats them as soon as they're born. Except when Jupiter was
born, they dressed up a rock like a baby and gave that to Saturn to
eat. Then Jupiter chased his father and made him throw up his
brothers-Pluto and Neptune."
Trevor turns to me and says proudly, "Dad and I read about
'em last night."
This conversation is not an exchange one would associate with
the popular, media-generated image of a logger. But Doug Roberts,
who graduated from Evergreen in 1979, is not your typical logger.
He says, for example, "It's more and more difficult for the
forestry industry to make a legitimate argument for cutting old
growth forests."
Most importantly, what sets Roberts off from many loggers is
his steadfast confidence in 'the face of a dwindling timber supply.
The Big Shakeout—he talks about it in the same capital letters that
Californians talk about the eventual Big One—"will ultimately be
good for the industry. We'll learn to be more efficient, less wasteful,
more creative."
Roberts does not look like someone who's spent most of his
working life in the woods. His serious, thoughtful face and thick,
dark-framed glasses are more suggestive of a professor of history or
mathematics. But you see the workman in him when he moves,
striding with a surefooted, rolling gait, swinging in or out of the
pickup with an efficiency of movement.
His optimism isn't based on wishful thinking, but on over 20
years of good times and bad in the logging business. "The industry
has been cyclical for years," he says after we drop off his son, "but
nothing since the Depression hit logging as hard as the slump of the
early 80s."
Ironically, it was during that slump that the company Roberts
works for was founded. "Production had to be doubled," he says,
"because the price was halved. People who remained had to be
ambitious, resourceful."
THE EVERGREEN REVIEW
continued on page 16

BOTANIST
continued from page 8
Although it is within the
realm of possibility that a
timber sale could be delayed or
cancelled because of a plant,
Potash hastens to point out
that most forestry issues are
not black-and-white, cut-ordon't-cut
situations.
"Say we find moonwarts,"
she says, "or any other
sensitive or endangered species
on a proposed timber site. It's
not a matter of 'Well there's a
moonwart, so no sale.' The
first thing we do is determine
the requirements for the
species, then write about
impacts: how changes in the
soil, hydrology and light
conditions will affect the plant.
"Then we try to work
with timber crews, engineers
and other people in the Forest
Service. For example, perhaps
the road crew could change the
spacing between culverts to
lessen changes in the hydrology,
or maybe the species can
withstand flooding if a certain
amount of the canopy is left
intact or maybe..."
Two million acres is another
tough concept to grasp. Think
of it this way: imagine covering
the Evergreen campus on foot,
from soccer fields to Organic
Farm, from bus loop to
Geoduck Beach, not missing a
square foot. Now imagine
2,000 Evergreens, laid out
together with no easy trails,
mown lawns or predominantly
gentle terrain. Imagine miles of
devil's club, wetlands, tall
timber, rivers, boulders,
wilderness and clear cut.
Those 2 million acres are
Potash's venue, a roughly 30mile-wide
corridor of forest in
central Washington, extending
from the Mt. Rainier area to
the Canadian border. Of
course, no human or conceiva-
bly workable group of humans
could cover that area in depth
in a lifetime. What it will take
to produce a reasonable profile
of plantlife in the forest is
nothing less than first-rate
thinking, planning and
teamwork.
And there's the rub.
Nothing manmade is as
complex and mystifying as the
biodiversity of an old growth
forest. But the machinery of
bureacracy conies close.
Forestry issues involve huge,
interlocking, interrelated
government entities: Congress,
the USD A, the Forest Service,
Fish and Wildlife, Department
of Natural Resources and state
safety inspectors just to name a
few. Bear in mind that each
agency consists of hundreds of
people in sub-agencies often on
the ready to fight for turf,
authority and jurisdiction.
Throw in lawyers, media, and
advocacy groups from timber
and environmental camps and
you have a minefield of
personal and political crosspurposes.
Daunting?
"This is the job," says
Potash, "that I've always
wanted." Her enthusiasm for
the task is genuine and
infectious. At her desk and in
the woods itself, she emanates
a zest for discovery and making
things work.
Her desk in Seattle is a
testament to the double life of
field botanist and administrator:
word processing manual;
phone and rolodex; a thick-asa-Bible
volume entitled Final
Environmental Impact
Statement; a plastic-coated field
guide to flora of the Pacific
Northwest; a memo typed
military-style (ALL CAPS) from
a forest ranger; an organization
chart; a metric ruler; two sizes
of tweezers; a magnifying glass,
and two ziplock plastic bags
containing green and swampylooking
plants.
14 THE EVERGREEN REVIEW
"Those are sedges," she
says, "It's odd to sit here at a
desk, under florescent lights
and examine plants. It's a lot
harder identifying things in the
field. You can't pick the
sensitive or endangered plants.
Usually I'm squatting down in
the rain, crawling under devil's
club to look at them."
The phone rings and she
engages in a lively conversation
about swamp gentians. "It's a
sexy project," she says, "People
love bogs. I'd like to do it
myself."
She's talking with a Forest
Service employee responsible
for the rare plants program at
the North Bend station. He and
Potash are discussing the pros
and cons of recruiting members
of private conservation groups
to volunteer for the enormous
task of plant study in the
national forests.
"On the other hand," she
says, "you don't want to take a
lot of people out there. It's a
delicate situation, socially and
ecologically."
After the call Potash
explains it's a new ballgame
with plants in the Forest
Service. Some districts are very
interested, others don't have
the time, and some just don't
want to be bothered. Creating
a network of people who care
about rare plants and have the
expertise to identify them is
one of Potash's top priorities.
"Hopefully we'll train timber
cruisers and other Forest
Service people to be on the
lookout for rare species."
The image is captivating:
everyone from engineers and
surveyors to roadbuilders and
loggers paying as much
attention to what's on the
ground as to the 400-year-old
giants towering over them.
Potash's first fieldwork
took place over 14 years ago as
an Evergreen student when she
studied at the Malheur Bird
Observatory in Oregon and
observed elephant seals at the
Point Reyes Observatory in
California. Last year she
earned a masters degree in
ecosystems analysis from the
University of Washington,
writing her thesis on "Sprouting
of Red Heather in Response
to Fire."
I wondered why someone
so active would chose to
specialize in botany rather than
wildlife. One of the reasons is
simple. The reality of wildlife
research means hours of sitting
motionless in observation
blinds. She also loves the
intellectual challenge of keying
a plant: "You become aware of
the evolutionary relationships
between organisms."
Three days after visiting her
office, I accompany Potash to a
stand of old growth timber, the
Darrington sale referred to
earlier in this story. We are
members of a party of 15
who'll review the proposed
timber site. There's a silviculturist,
an Audubon Society
member, a member of the
Nature Conservancy, a wildlife
biologist, fisheries biologist, an
hydrologist, a timber management
officer, foresters and the
district ranger. There's also a
representative for the Tulalip
tribe whose interest is the
shrinking area of natural forest
suitable for ceremonial
purposes.
The hike is a traveling
seminar. The group strings out
into little ad hoc discussion
groups of twos and threes, with
topics ranging from the
abstraction of policies,
agencies, theories and politics
to the here-and-now of this
Douglas Fir, this Western
Hemlock. Every now and then
with no formal notice or
apparent organization, the
entire group gathers to discuss
the implications of the sale. We
stand quiet for awhile, blinking
at the trees above us until
someone starts to speak.
I Most of the talk is over my
head: windthrow, blowdown,
corridors, sunscald, storage,
recharge, canopy intersection,
fragmentation, overstory,
understory, exploding growth,
edge. I am reminded of the
saying that Eskimos have over
100 words for ice and snow.
Likewise, those of us on the
periphery of forests think
generally in two words, "big"
and "trees," while people like
Potash and her co-workers
have developed a whole lexicon
to deal with the complexity of
forest life.
One phrase that continually
surfaces is "New Perspectives."
It's the new thinking
that recognizes a forest as a
complex, biological community
rather than just a woodlot.
Recognizing the biodiversity of
a forest is one thing. Removing
400-year-old, twenty-ton trees
and recreating that diversity of
life is something else again.
It's all new territory. What
trees and how many do we
leave standing? Should we cut
lots of little sections or several
huge stands? What actually
lives here now? What'll happen
in 80, 100, 300 years? Will we
have recreated a forest or a
treelot? No one knows for
sure. It's like giving a pocket
watch to a five-year old and
asking her to take it apart and
put it together again.
But there's hope in
knowledge. A year ago there
was no botanist for this forest.
Now she's up ahead with a 10pound
field guide tucked into
the back pouch of her rain
parka. It's also safe to say that
a few years ago there probably
wouldn't have been an
hydrologist, a biologist, an
environmentalist, a journalist
or a tribal representative
present on this survey.
There's hope, too, in
communication. A fair amount
of networking takes place on
the hike: Potash and the
hydrologist discuss what
constitutes wetlands; the
wildlife specialist discusses
shade and seedling growth with
the silviculturist; a timber
cruiser and an environmentalist
discuss the effects of blowdown
on the edge of the proposed
cut. Every exchange of
knowledge and resources
contributes a tiny piece to the
puzzle of a forest.
Later, I ask Potash about her
piece of the puzzle. We're
driving back to Seattle and I
drop my Greener Environmentalist
Chic and play the devil's
advocate: "Okay, really, Laura,
job responsibilities and correct
politics aside, why all this fuss
about moonwarts and other
weeds?"
Her response is calm but
impassioned: "We don't know
the long-term effects of our
actions. It's presumptuous to
assume we do. Take the fungus
they've discovered on the roots
of trees. They've found out that
that fungus helps trees grow.
"Who knows? Maybe the
moonwart could be a cure for
AIDS or cancer. Not protecting
it would be like burning the
pages of a book before you've
read it."
She pauses as we enter the
city. "Even if moonwarts are of
absolutely no use to humans,
we don't have the right to
destroy any species or to allow
them to be destroyed."
In these hard times, it
takes more than compassion to
do the right thing for our
forests. It takes knowledge
about all life-great and
microscopic. What Potash and
her co-workers are giving us is
as precious as water.
ACTIVIST
continued from page 11
Olympic Peninsula from the
bottom of the pile and starts
flipping through orange and
green overlays. Numbered tags
scattered across the map
indicate the known locations of
spotted owls. The wealth of
biological data contained in
these maps is impressive.
While working on a World
Wildlife Fund project in the
Amazon rain forest, Steel
became acquainted with the
concept of island biogeography:
the study of changes in
animal and plant populations
that occur when large tracts of
habitat are broken into isolated
patches by natural or human
activity. This is essentially what
is happening in the Northwest
and is at the core of the fight
over how much old growth
forest needs to be preserved.
"Before the days of the
spotted owl, conservation was
a recreational issue. The 'Name
it and Save it' philosophy
guided legislation," he explains,
referring to the point of
view that it was easier to get
Congress to save pretty places
than to preserve animal
habitat. "The ancient forests
used to be thought of as
biological deserts," he says,
pointing out the dwindling
islands of green on the map
overlay. "As we learned more
about their diversity of life it
became evident that we needed
to shift from thinking about
landscapes to thinking about
whole ecosystems. At last we're
recognizing the importance of
forests as biological areas."
After jobs with the Forest
Service and the Washington
State Department of Wildlife,
The Audubon Society put Steel
to work organizing the map
library. It didn't take them long
to recognize his skill for
organizing people. "I was in
the right place at the right
time," he says. He believes the
Audubon Society was one of
the first national organizations
to shift its emphasis to "deep
ecology." This required a reevaluation
of what was
politically possible for the
FALL 1990
movement. It meant education
and involving a much larger
part of the population.
Steel sees Washington
state as particularly fertile
ground for political action.
"This is the best lab in the
country right now to see if
people can live in a healthy
environment. We still have a
few areas that are virtually the
same as they were before the
arrival of white men. At the
same time we have a public
that's concerned about
environmental issues. The
combination of both factors is
something unique in the
U.S. I believe that if we can't
practice wise forestry in the
Pacific Northwest, we can't do
it anywhere."
The term "grass roots"
keeps coming up when you
talk to Argon Steel. For him,
environmentalism is a populist
movement. He sees danger in
the tendency to focus on
lobbying in Washington D.C.
at the expense of working in
the community. "The next big
issue for environmental groups
is how to integrate youth and
minorities into the movement,"
he said. "I'm hoping
this campaign will recognize
that minorities have their own
agendas, and the environmental
movement has room
for those agendas. I'd like to
look beyond saving your local
marsh and look at the larger
issues that surround people."
For Steel these larger
issues are economic. "In the
near future we are going to see
more confrontations between
economic interests and
endangered species." He
doesn't believe it's going to be
possible to legislate environmentalism
without making
fundamental changes. "I'm a
little more radical than some
of my fellow environmentalists,"
he admits with a vaguely
dangerous smile.
"Let me tell you what my
priorities are. My first
allegiance is to the environment.
My second is to the
continued on next page
15

grass roots, the community.
And my third is to my organization."
Steel is aware that
protecting endangered species
means making economic
choices that are going to hurt
people. When asked if he finds
it uncomfortable to live and
work in a community so
polarized over the forest issue,
his reply is unhesitating. "I
never apologize," he says. "I'd
rather deal with hostility than
apathy any day."
He empathizes deeply with
those who are caught in the
middle. At the same time he
believes that environmental
degradation has gone too far
for painless solutions. "We
can't compromise life. Extinction
is the bottom line. The
burden of proof in this
discussion has always been on
the environment and now that
has to change."
The people that Argon
Steel has no empathy for are
cynics. "We're on a campaign
that's winning and I will not
tolerate pessimism. I mean,
what's the point? People need
to be empowered. You need to
point out solutions or there's
no use for you," he says.
"No one would do this
work for the money. The thing
that makes this winnable is
passion, and that passion
includes all your sadness and
anger as well as your love. It
can be hard. You can get
sucked into this work body and
soul and it will suck you dry,
but you've got to maintain
your idealism. Like I said,
we're winning."
LOGGER
continued from page 12
Roberts performs two
kinds of work. Mostly, he's a
troubleshooter, dealing with
permits, public agencies,
insurance companies, banks,
etc. but he also fills in as a
loader and operator of
construction equipment when
needed.
His days as a loader begin
at 4:30 a.m., he's out on the
site, loading trucks by 5:30.
"We did away with a lot of
luxuries during the early 80s
crunch," he says. "Like the 8hour
day with coffee breaks
and a long lunch hour. Now
it's 10-11 hours: eat your lunch
in the cab; got to go? you do it
off the running board-keep the
engine running, hop back in
and keep loading."
Fortunately, today, a
dazzling morning in late
September, is a troubleshooting
day. We'll have plenty of time
to talk as we travel down
Highway 8 between stops in
and around Montesano,
Aberdeen and Hoquiam.
The company that Roberts
works for employs about 50
people -more or less, depending
on the availability of work.
Diversity, he says, is the key to
survival. Several years ago 90%
of the company's revenue came
from logging; now it's around
60%. The rest of the revenue
comes from construction and
road building, land development
and two logging supply
stores. On the way to the
office, located about 20 miles
west of Evergreen, Roberts
elaborates on the theme of
diversity:
"Two years ago we sold
off most of our heavy equipment.
We made the decision
that it wasn't feasible for us to
log at the level of intensity it
takes to cut on federal lands. If
we have economic options,
such as developing real estate,
we don't need to log old
growth to-
"Hey, there you go," he
says, interrupting himself and
pointing to a hillside, "that's
what I was talking about
before."
All I see are trees: dark fir
on the ridge and upper slopes;
alder and other leafy trees
below. But what Roberts sees is
an unmanaged forest. "See how
the firs peter out and there's all
those junk trees below? Well,
that's because after they cut it,
they didn't reseed, but let it
happen on its own. A certain
amount of alder is desirable,
but not that much."
I begin to ask more about
this but we're interrupted by
the phone. It's a call from the
office, advising Roberts to
make sure the local fire
department has been notified of
a burn that the company will
be conducting on a site near
Montesano. "People see
smoke," explains Roberts, "call
the fire department, and then
there's hell to pay if they come
roaring out with their trucks
and find out it's a controlled
burn that we forgot to tell them
about.
"So much of this job is
p.r.," he says. "That thing," he
adds, pointing to the cellular
phone, "is as much a tool of
logging these days as a chain
saw."
Most of Roberts' logging
career has not been spent on
the phone. He got his first job
as a chokesetter when he was
18. Then he was a "whistle
punk," using an electronic
whistle to signal the engineer
who operates the machinery
that hauls the logs to the
landing. He worked for his
uncles in the summer while he
went to school, then set
chokers, blew whistle and
loaded for big companies and
gypos alike. He also worked
for a time at Camp Grisdale,
the state's last logging camp (it
closed in 1985).
"I've had to make an
adjustment in transitioning
from the production end of this
business to what I do now. I
mean when you're on a site,
you know you're working
hard. But I tell myself that
what I'm doing now is just as
important as loading or setting
chokers.
As I was saying the other
day to John, the guy I was just
on the phone with, most of us
don't necessarily get a rush out
of doing routine logging jobs
anymore. We like the situations
where we have to solve
problems. Like you," he says,
nodding toward my notebook,
"You live for getting out of the
office and solving the problem
of how to write down what
you're seeing."
He's right and what I'm
seeing now is a different
Highway 8 than I'm used to.
For years it's just been the road
to the ocean. To Roberts, it's
neighborhood. There's a cut
that his brother worked on,
here's a job he worked on, and
a piece that his uncles logged
six years ago- "Hey, look how
well the trees are coming back.
See last year's growth, the
distance between the highest
spikes and the top? About a
foot! That's a good reprod
job." The object of his admiration
is a dense stand of six- to
eight-foot tall firs.
His enthusiasm diminishes,
however, as we round a curve.
Dead ahead is a great, ugly hill.
It's being clear cut and stands
out from the green hills around
it like a scab. Roberts pulls
over to the side of the road. It's
not the clear cut he minds (all
along, he's been showing me
stands of timber grown from
clear cuts), but the way it's
being done. "See those dark
lines up there? Those are
furrows. They're caused by
dragging the logs to the tower.
They don't have a suspension
system so the logs tear up the
soil, causes erosion and makes
it hard to replant. That's the
kind of crap that makes us all
feel bad about logging."
r A few miles later, we take a
two-track into the woods
outside of Montesano. The first
thing I hear as I step out of the
truck is the high, sharp pipings
of the tower whistle. The tower
is the mechanism that cables
the logs off the cut and up to
the landing area. The whistle
communicates between the
crew on the ground and the
operator.
We walk up a short rise
and look down on the loading
operation. On a small hilltop
there's a log truck half-full of
logs, a bright yellow loader (a
sort of forklift with jaws) and a
fifty-foot steel tower. Cables
run out from the top of the
tower across a valley to a
cutting site on the other side of
the next hill.
Two men are on the
ground, limbing logs and
coiling wire. They're dressed in
boots, pants with the cuffs torn
off (so the cloth, if snagged,
will tear rather than hold)
wide-brimmed hardhats and
red suspenders. (Everybody,
including Roberts, wears red
suspenders).
"Those guys are in what
we call 'the F...ing Bight,'" says
Roberts, referring to the
narrow, dangerous corridor
between tower, logs, loader,
truck and cable. "Something
goes wrong in there, there's not
a lot of room to get out of the
way."
One of the men in the
bight waves and walks up the
hill to us. Roberts introduces
me to his brother -a muscular,
younger version of himself.
They don't say much -a few
words about Grandma and
when this job will end. They
stand by an ancient stump, one
that was hand-notched and cut
over 100 years ago (this current
cut is harvesting third growth
timber). The brother's stubbled
face is dark from the sun; so
much darker and healthierlooking
than the recreational
tans that I'm used to seeing in
the office. He gives me a wide
grin, shakes my hand, and
bounds down the hill. I catch
myself wondering, and not for
the first time, whether it's a
better life out here in the
woods.
"Hey, don't forget," says
Roberts, reading my mind,
"that we're seeing them on a
good day. I mean, more often
than not, we're talking cold,
rainy days; dangerous, slippery
logs, and being clammy right
down to your underwear."
The whistle blows, the
cable tightens and over the rise
of the far hill comes a canvas
cradle of three two-ton logs.
Roberts says some technical
things, pointing out the
suspension system that keeps
the logs from furrowing the
soil. But I'm not really listening.
Routine as it may be, there
is something breathtaking
about the logs appearing over
the crest of the hill; not unlike
the moment when you first see
a hooked trout breaking the
water. It's also like the first trip
to a dairy farm when you
realize that milk doesn't just
come from a carton at Safeway,
and beyond that, that it just
doesn't come from a cow (or a
forest) but through immense
human effort.
Later in the day we drive down
the streets of Montesano, a
town of about 2000. It's three
in the afternoon, hot as
midsummer and quiet: people
are still at work, children at
school. The houses are older
and well-kept; there's little
development, no condos in
sight. There are also fewer of
the lime-green, stenciled signs
that we saw everywhere in
Aberdeen:
"THIS FAMILY
SUPPORTED BY
TIMBER DOLLARS."
But that doesn't mean that
"timber" isn't here: it's a
universal thread through all of
Roberts' memories. He points
out the streets where his uncles
live, only a block apart. They
logged. Uncle Ken, in his 70s,
still has a shop where he works
on logging equipment. We
drive past the house where his
family once lived. His father
drove a logging truck. House
after familiar house contains or
once contained a family he
knew, a family in which
members of two, three, and
sometimes four generations
harvested lumber.
He points out timber
mansions and says, "These
'mansions,' (though they're not
really that big) are on the same
street with everybody else's
houses. They didn't take the
money and run or shut
themselves off from the rest of
the town."
Roberts, who now lives in
Olympia, says "Monty" hasn't
changed much. He recites the
names of the stores that he
knew as a kid. Most are still
there. We drive by a gleaming,
block-long fire station.
"That's timber money," he
says, "The money to build that
station was donated by a
retired logger. See, you can't
cut that cord. Timber is a part
of this town, part of our
history. It'd be like saying let's
have southern France without
wine growers."
Roberts, himself, comes from a
four-generation logging family.
His great-grandfather moved to
the Northwest in the 1880s and
cleared the land. His sons,
grandsons and great grandsons
worked as loggers, millworkers
or hauled logs to the mills.
Roberts' 93-year-old
grandmother, a bright, sharp
woman who still lives in
Montesano, remembers the
backbreaking work of former
days: "Gee, it was so bard to
clear the land," and you can
sense from her words the
massive forests looming before
the homesteaders and their
puny saws and axes. Who
among them would've guessed
that the day would come when
such forests would ever be in
danger?
As we leave Montesano,
Doug muses: "The curious
thing is that I don't represent
the typical logger, but my
background is so typical, so
intricately webbed with
timber."
I ask if he's ever thought
of doing something else. "Sure,
I've got a college education.
I've got skills. I could do a lot
of things, but it's tough to
explain. There's a certain feel, a
certain smell. It's a way I
ground myself..."
I mention that such
sentiments on the part of
loggers rarely get transmitted in
the media. He laughs and says,
"You know most environmentalists
have never seen a logger.
Loggers are environmentalists.
We spend 10 times more time
in the wilderness than they
do."
We drive for awhile in
silence, while Doug searches
for the right words: "I mean
you can't help but be mesmerized
by the sight of snow
crystals on the pines when
you're going to work at dawn.
We're farmers, really. You
know the media depiction of
farmers—down on their knees
with their hands in the dirt?
Well, we're farmers, too. We're
close to the earth."
16 THE EVERGREEN REVIEW FALL 1990 17

ALUMNEWS
The 1990-91 Alumni Association Board. Pictured on the left from
top to bottom are: Tom Williams '90, Cheryl Larson '83, Marion
Vimont '83, Jon Martin '86, Steve Salmi '89 and Clif Cox '83.
Pictured on the right hand side of the stairway are Daniel Maker
'87, Jimmy Mateson '84, Susan Slate '75, Jon "Eppo" Epstein '81,
and Doug Riddels '85. Not pictured: Casey Bakker '81, Vickie
Brennan '89, Elaine Cubbins '88, Mary Craven '88, Tom freeman
'90, Diana Robishaw '90, Janine Rogers '87, Andy Stewart '84
and Dee Dee Suter '89.
Keep that Evergreen Spirit Alive:
Join the AlumniAction network!
I want to do my part to help launch an effective communication
network for Evergreen alumni. Sign me
up as a charter subscriber to the AlumniAction
network, which entitles me to four issues of our new
magazine Mud Bay Quarterly and a series of
AlumniAction bulletins sent whenever fast-breaking
Evergreen news begs for an alumni perspective.
D Enclosed is $25. Ill
D I can't afford that, so here's $
Name :
Address
City State
Zip
Phone
Make checks payable to TESC Alumni Association
and send to LH10, The Evergreen State College,
Olympia, WA 98505.
Notes from the President
By Steve Salmi '89, Alumni Association President
One of Evergreen's most important innovations is its attempt to create a true
learning community. That approach contrasts markedly with most traditional
universities, which seem content to function as thinly disguised degree factories.
To a laudable degree, Evergreen has lived up to its ambitious mission. But
there is one crucial area where our college fails just as miserably as any other—
Evergreen continues to encourage the ghettoization of succeeding generations of
students.
That manifests itself most obviously in the relative isolation of alumni.
True, like virtually every other college, we TESC alumni are sent impassioned
fundraising appeals. True, we are invited to mingle with the rest of the Evergreen
community at events such as Super Saturday. And true, Evergreen, like
other colleges, gives us the chance to find out what our former student colleagues
are doing in an Alumni Notes section of the ReView.
It doesn't take a whole lot of imagination, however, to realize that much
more could be done. Indeed, not a year has passed without the Alumni Association
dreaming up yet another innovative project that could build bridges between
alumni and the college.
Yet after a decade of existence, what does the Alumni Association really
have to show for its efforts beside a handful of receptions and a few tons of
barbecued chicken sold at Super Saturday? Many of our most significant ideas
sit like abandoned cars rusting at the side of a deserted highway:
•A volunteer network that plugs alumni into worthy campus projects, i.e.,
acting as mentors for fledgling student programs;
•An international travel/work survival kit;
•Summer seminars targeted for alumni;
•A national computer network that allows alumni to communicate with each
other as well as with Evergreen faculty and students, and
•A WashPIRG-style political-action arm that plays an effective role in helping
shape Evergreen's future.
We have many excuses for our failures, not the least of which is a lack of
resources provided to alumni activities by the college. But even that isn't a very
good excuse. If we learned anything at Evergreen, it is that you get out of this
college what you put in. If we have not managed to convince administrators
that, say, a summer seminar series for alumni deserves a slice of the funding pie,
this is as much because of our own lack of savvy and follow-through as it is the
indifference of a campus bureaucracy too busy dealing with seemingly more
pressing issues.
This year we're taking these lessons very seriously as we redouble our
efforts to build an organization—nay, a movement—that plays a vital role in
breaking down the ghettoization between alumni and the rest of the Evergreen
community. The most visible example of that is the recent introdution of an
alumni magazine called Mud Bay Quarterly.
But we are also attempting to move forward in less visible ways. In a major
break with the past, our board is now meeting monthly rather than quarterly so
we can track fast-breaking Evergreen policy debates and more quickly lay the
groundwork for a handful of service projects that you will be hearing about in
coming months.
Although our immediate objectives may seem modest, our mission remains
lofty: to bring about the day when graduating isn't the end of one's intimate involvement
with the "Evergreen community," but the beginning of a lifelong
learning odyssey enriched by strong ties with fellow alumni, faculty and current
students.
In giving earthly roots to that vision, alumni can play a crucial role in
keeping the spirit of Evergreen vibrant in the decades to come. If this sounds
exciting to you, please show your support by joining our AlumniAction information
network and participating in Association activities that strike your
fancy.
by Eppo '75, Alumni Association First Vice President
I came to Olympia in 1975 to attend Evergreen. In the early days I
remember walking around the downtown area and having people
yell Greener in a not-too-friendly way as they drove by. Evergreen
has always been surrounded by controversy. I remember eastern
Washington legislators presenting bills to close the college every
year. I still have my historic "Evergrowing State Crisis" T-shirt
although it is old and threadbare. When the college decided to have
the first Super Saturday, those of us in the "Country Music"
program were sent out on a flatbed truck performing bluegrass
music, trying to attract people to the event. At Capital High School
they threw rocks at us and we quickly departed.
It was not until Dan Evans became the second president of the
college that things began to change. All of a sudden articles appeared
in the New York Times, U.S. News & World Report and
other publications calling Evergreen the "hidden gem" of higher
education. I was insulted, however, when a group calling itself
"Greeners for Evans" organized to support his bid for the U.S.
Senate. In those days I believed the real Greeners should have been
supporting Mike Lowry for that Senate seat.
In retrospect, Dan Evans did a lot of good things for the college.
He helped get all that national recognition which shut up some
legislators at the capitol. He convinced local school officials that Evergreen
was an okay place to attend college, and he made local
business people aware that Greeners brought millions of dollars into
Thurston County by purchasing food, clothing, gasoline and
opening bank accounts.
Things started to look a lot better for Greeners during the last
decade. The Olympian actually announced our concerts, an Evergreen
degree became an asset when applying for a state job, and
people stopped yelling Greener when I walked around downtown.
Many conservative Olympia residents would be disturbed to
find out that a large percentage of the legislative staff, the Department
of Ecology, and the Energy Office are Evergreen alumni. Evergreen
was definitely moving up in the world and then we ran into
the recent year-and-a-half controversy regarding the presidency that
hopefully has ended with the resignation of Joe Olander and Board
of Trustee Chair Kay Boyd.
This year Evergreen has lost more administrative staff than at
any time I can remember. Morale seems to be at an all-time low.
Perhaps so many people leaving this year is only a coincidence,
perhaps not. For my part, I feel that alumni need to assist in the
process of rebuilding what has been torn apart. There is more
factionalization at Evergreen now then ever before. There is a
danger of Evergreen becoming another Beruit with faction fighting
faction for power and control. In this scenerio, everyone loses. I am
interested in seeing an end to the fighting and the beginning of the
healing process. In order for this to happen there needs to be frank
and open discussion. There needs to be collaboration and communication
among faculty, administration, staff, students and the Board
of Trustees. There needs to be leadership that values honesty and
integrity. Honesty and integrity seemed to be absent during the last
five years and the institution has suffered immeasurably. We need
leaders like Charles McCann or Dan Evans who can let the institution
run itself. We need a leader who realizes what a "hidden gem"
Evergreen already is. We need a leader who will work to strengthen
the college, not someone who wants to force their personal agenda
to advance their career. We need someone with integrity, and regretfully,
this quality seems to be harder and harder to find in America.
UMNEWS
Mud Bay Quarterly
isn't just another college magazine-it's a robust conversation. The
Alumni Association specifically designed its new publication to
encourage wide-ranging dialogue between alumni and the rest of
the Evergreen community.
You are invited to join in that conversation. Here are a few
ways to do so:
Reinventing Evergreen-a call for ideas. Let's pretend that the
Legislature is so impressed with the farsightedness of Evergreen
that it allocates money for the creation of a new "experimental
college" that will represent state-of-the-art thinking when it
opens in the year 2000. What, in your view, would such a college
be like? What are some of the lessons learned at Evergreen that
should and shouldn't be applied in creating this brave new institution?
Heart-to-heart correspondence. The ReView will continue to
be the place to print snippets trumpeting your new job, kid or
BMW. Mud Bay Quarterly, however, is the place to write lengthy
open letters that share your life experiences. Anything goes, from
slice-of-life reflections on the frustrations of grad school to an account
of a hair-raising trip up the Amazon.
Sage advice. Think of all the things you wish you had known
when you first came to Evergreen but didn't learn until your third
or fourth year. Now think of all those current students who could
benefit from your advice. Again, anything goes.
Book reviews/research. Okay, so you're pretty exicted about
a book you recently read or research you've completed. You
think your former classmates and professors would love to see
how your thinking has evolved. Mud Bay Quarterly would, too.
Evergreen Tales. It's time to put down on paper the myriad
myths and legends of Evergreen. Tell us your tales, real or
imagined, that exemplify the "Evergreen experience" as you and
your colleagues knew it.
Eclectic art. Answer the question, "What do Greener artists
do after they graduate?" by exploring the frontiers of black ink
on newsprint.
News and opinion. We're always looking for more people
with reporting skills who can keep our readers abreast of issues
of importance to the Evergreen community. We're also enthusiastic
about printing scintillating polemics.
For details on submitting material to the
Mud Bay Quarterly, call or write us at the Office of Alumni
Relations, LH 10, The Evergreen State
College, Olympia, WA 98505 (206) 866-6000, ext. 6190.
The Holiday Season is Coming...
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\n Evergreen Fossil Speaks Out
18 THE EVERGREEN REVIEW FALL 1990 19

ALUMNEWS
Shared Site" is "Outta Sight!"
by Mike Wark
Televised images are big money in international sports, where issues of gender, diversity and art are usually
overwhelmed by the hype of gold medals, upsets, steroid controversies and patriotic fervor.
Unless you're an Evergreener.
Amidst the competition of this summer's Goodwill Games in Seattle, a crew of alumni and faculty
captured images and sounds surrounding the athletic events, and put them on display within a sculptural
installation in the heart of downtown Seattle. The project was called "Shared Site," and it ran the duration
of the Goodwill Games.
The group's camera crew wasn't shooting for Neilson ratings.
"We wanted to capture the cultural scope of the international event. The installation redefines media
coverage and the cultural context of the Goodwill Games phenomenon," says Sally Cloninger, faculty member
and a co-producer of the videos featured in "Shared Site." The production was an entree like nothing
else in the popular Goodwill Arts Festival.
The crew didn't have to bargain for shooting rights worth big bucks to mainstream media. Turner
Broadcasting, owner of the Goodwill Games,
let the "Shared Site" camera crews go wherever
they liked. They didn't have to capture
the play-by-play-their job was harder. The
crew captured yards of footage and, every few
days, created a new 8 to 14 minute-long
artistic video, complete with original soundtrack,
that wove together themes of diversity,
gender, racism, media, ritual and more. The
videos provided a different perspective on the
Goodwill Games.
"Shared Site" was a circular installation
built smack in the center of the main-floor
atrium of Rainier Square, a ritzy, multi-level
shopping center in Seattle.
The crew worked night and day in a small
Hundreds of people,
including this group of
Evergreeners, toured the
Goodwill Games from
an anthropological,
artistic and political
angle this summer
through "Shared Site,"
a sculptural/video
installation at Seattle's
Rainier Square.
apartment to make five tapes in 17 days. Out
of their window, they could see Seattle's Space Needle in the distance, draped
with a giant Goodwill Games gold medal.
Cloninger and Lisa Farnham '84 co-produced the video tapes, working
closely with Faculty Member Peter Randlette who built complex soundtracks
with recorded voice and original music. Beliz Brother created the installation.
Krista Paulson '90 logged tapes, shot Super-8 film and provided support. Some
personal observations:
Inside the installation, the screens surround you with a pure, watery blue
that frames a muscular calf at the instant the diver's knees slide underwater in
slow motion. The striking beauty of a woman's face is replaced by a wild man
emerging from smoke, his muscular, dark-complected torso and face move
across the screen. The woman is a diver, the man a performer from Circus
DeSole, but they aren't identified beyond the obvious symbolism of the video's
theme: "Beauty and the Beast."
"Almost 80 to 90 percent of the audience watch the whole thing," says
Peter Randeltte, who has observed viewers throughout the event. "People come
through, stop, look and say, 'wow,' then watch the whole thing. You really have
to watch several times to catch all the themes, to see all the subtle detail
captured in the photography, and to see what messages are tied together with
the progression of images."
...The screens fill with a man's face framed in Bo Derek braids. He's a
musician from "Gorky Park," the Soviet rock band. He says "Politicians kept
the world in fear. The most important thing we discovered was that people here
were the same as we are." Flash to images of athletes. A voice says, "Sports are
one of the last bastions of racism, sexism, corruption. It may not be the last one,
but it's really working well there."
Slow motion, pool-side, you see overwhelming joy on a young swimmer's
face as she hugs her coach before cameras part to let her by. Ronald Reagan's
face fills the screen, music rises and fighter jets fly over the stadium.
THE EV£RCR£EH REVIEW
3THZ
ALUMNOTES
CLASS OF 1973
Rick Hartley, Olympia, WA,
and brother Jim '85 have built
their custom jewelery business
over 23 years, beginning in
their parents' garage and recently
opening a store in
Olympia. Rick Hartley helped
begin a jewelery lab at
Evergreen as an undergraduate.
His wife Linda Hartley
graduated in business in 1987.
CLASS OF 1974
Joseph Ochoa, Salem, OR, has
accepted a position with the
Oregon Department of Justice
in the Trial Division's Corrections
Litigation Unit. He was
also recently appointed
chairperson of the
department's Affirmative
Action Committee.
CLASS OF 1975
Susan Herring, Olympia, WA,
married Dave Kempher, a UC-
Santa Barbara grad employed
by Congresswoman Jolene
Unsoeld. Herring works for
the Department of Social and
Health Services.
Ken Moser, Puget Sound, WA,
has been appointed the first
SoundKeeper. The Sound-
Keeper will help guard against
pollution, abuse of resources,
and blatant lawlessness, as well
as educate the public about
ecological problems and
possible improvements. The
SoundKeeper positon is
modelled after the Hudson
Riverkeeper program in New
York, a non-bureaucratic
alternative for setting and
maintaining environmental
policy. Moser, a licensed skipper,
helped establish the
Wooden Boat Foundation, the
Port Townsend Wooden Boat
Festival, and the Center for
Wooden Boats on Lake Union.
CLASS OF 1976
Merideth Taylor, St. Louis,
MO, was appointed associate
professor of theater and dance
at Webster University. Taylor
joined the faculty in 1986 after
completing her M.F.A. at
Southern Illinois University.
CLASS OF 1977
Nancy Bernard Wicker, Irving,
TX, works for Delta Airlines
near Dallas. She would like to
hear any news from other '77
graduates. Her address is
available through the Alumni
Office.
Michael Corrigan, Birmingham,
AL, is president of
Protective Financial Corporation
in Birmingham. The onetime
author of the satirical
"Conservative Backlash"
column in the CPJ, admits that
the okra, grits, high humidity
and the Stars and Bars of Alabama
make him long for the
cool rain and hot debates of
Evergreen.
CLASS OF 1978
Laura Millin, Missoula, MT,
was recently appointed director
of the Missoula Museum of the
Arts in July, 1990. Millin first
served as interim director for
the museum in early 1990,
after moving from Seattle
where she was a partner in a
contemporary art bookstore.
Fred Nollan, Seattle, WA, won
the grand prize at the Pacific
Northwest Writers conference
for his screen play "Armadillo
Sonata." The screenplay
started out as a piece performed
by the Empty Space
Theater in Seattle. "Armadillo
Sonata" examines the
important issues of a
Northwest logging family.
G. Michael Dolan, Onalaska,
WA, the owner of Burnt Ridge
Orchards in Onalaska, married
Carolyn Cerling this June.
CLASS OF 1979
Judith Cohen, address
unknown, is a professional
pianist. She performed at the
Governor's Chamber Music
Festival in Olympia this June.
Cohen has won international
honors for her performances.
Lynda Barry, Washington,
received a Governor's Writers
Award for The Good Times
are Killing Me, a novel about a
girl coming of age in a family
struggling to stay together.
Barry is also known for her
cartoons about life's joys/
maladies including a monthly
strip in Esquire called "Modern
Romance." Her first
cartoons were featured in early
editions of the CPJ.
Dana Squires and John Foster,
Otis Orchards and Olympia,
WA, gave a lecture on their experiences
as Peace Corps volunteers
in the Solomon Islands.
They previously served two
years in Senegal.
Paul Stamets, Kamilche Point,
WA, has gained a reputation as
a "mushroom mogul."
Stamets and his wife Cruz not
only raise exotic mushrooms,
but write instruction books
about how to grow them, and
send out mail-order garden
kits. For information about
starting a morrel or chantrelle
farm, write Fungi Perfect!, P.O.
Box 7634, Olympia, 98507.
CLASS OF 1981
Lenny Brennan, Starkville, MS,
accepted a position on the
faculty in the Department of
Wildlife and Fisheries at
Mississippi State University.
He completed his Ph.D. in
wildlife ecology at the
University of California,
Berkeley in November 1989.
CLASS OF 1982
Teresa Pruden, Starkville, MS,
has been teaching third and
fourth grades in Mendocino
County, California for the last
six years, and recently moved
to Mississippi to join '81 grad
Lenny Brennan.
Elizabeth Winter, La Jolla, CA,
is the recipient of an NSF
Predoctora! Fellowship, which
she will apply toward her
studies in Oceanography at
Scripps Institute, UC San
Diego.
David Lee Geist, Friday
Harbor, WA, married Kathleen
Lee and opened a fine foods
restaurant called "Cafe
Bissett." They are also
building their own house.
Faith Hagenhofer, Yelm, WA,
and a two-person staff run the
Yelm Library. She also coordinates
reading programs in
Tenino, Bucoda and Rainier.
CLASS OF 1983
Doug Bennett, Los Angeles,
CA, is "The Paper Man," a
delivery service for auto body
shops. Bennett reports that
he's the largest independent
supplier of window tape and
masking material in the city
and is ready with at least three
alternatives to any traffic jam
in L.A. He's also set to publish
his second book of poetry, as
yet untitled. His first volume
of verse is titled "On The Treetops."
CLASS OF 1984
Darcy Fox, Seattle, WA,
celebrates the completion of
her first year in private practice
this summer. Her chiropractic
clinic is located near the
University District in
Wedgwood.
Joan Flowerbird, Wenatchee,
WA, was sworn in as a new attorney
in the Chelan County
Superior Court. She graduated
from the University of Puget
Sound Law School in 1989.
Flowerbird, mother of three, is
also a grandmother.
Rex Fletcher, Olympia, WA,
received his M.D. from the
University of Washington. He
won the Ellen Griep award for
balancing the academic
demands of medicine with
excellence in other areas of life.
Fletcher plans to conduct his
residency at the University of
Oklahoma.
CLASS OF 1986
Kathryn Ann Campbell,
Beaverton, OR, is a child
treatment specialist for Youth
Adventures in Clackamas.
Richard Maywald, Olympia,
WA, earned his M.A. in
Psychology from Antioch
University in Seattle this June.
Maywald is a chemical
dependency counselor at St.
Peter's Hospital.
CLASS OF 1987
Haidee O'Shaughnessy, Seattle,
WA, earned her M.A. in Whole
Systems Design from Antioch
University in Seattle this June.
O'Shaughnessy is currently
employed as a parent education
coordinator for Together Communities
for Drug Free Youth.
Rhyannon (Ren) Lallatin,
Seattle, WA, is on the road,
walking across America to help
victims of child abuse. She
started a newsletter called
"When Child Abuse Ceases"
and writes from different locations
along her trek. She
attends support groups, gives
presentations to foster parents
of abused children, and
educates parents about Post
Traumatic Stress Disorder
(PTSD) which many abused
children suffer. She hopes to
start a rippling effect. "If I can
help one person, then I've
made a difference" she says,
"Even if that one person is me.
If you heal yourself, you help
heal the world."
Celine Davis, Salem, OR,
graduated last spring from
Willamette University's College
of Law in Salem.
Hal Longan, Yelm, WA, also
graduated last spring from
Willamette University's College
of Law.
Jean Ketcham Fitzgerald,
Vancouver, WA, is working
toward her doctorate in
Postsecondary Education Leadership
at Portland State
University. She was also
appointed registrar at Warner
Pacific College in Portland, and
serves as an adoption caseworker
for Hope Services as
part of the Special Needs
Adoption Coalitions of Oregon
and Washington.
Rhys Roth, Olympia, WA,
works for the Thurston County
Environmental Health agency
in "Garbage Vice, chasing
down illegal dumpers." Away
from work, he's a member of
"No Sweat," a volunteer group
working against the greenhouse
effect. Currently, the group is
concentrating on recycling.
Efforts include persuading state
agencies to switch to recycled
paper and successfully
persuading the Olympian to
switch to recycled paper in two
of its sections.
Alice Long, New Chatham,
MA, will spend a year teaching
English in Thailand through
WorldTeach, a private nonprofit
organization based at
Harvard University.
CLASS OF 1988
Tracy Guerin, Olympia, WA,
who works for the Department
of Health, married Ramsey
Radwan in July 1990.
Renee Sheets and Gary
Fredrick Johnson '89, Buffalo,
NY, were married in June
1990. Johnson is currently a
graduate student at the State of
New York University.
Stacy Arlin Smith, Tumwater,
WA, married Linda Hoey of
Olympia. Smith works for the
Employment Security
Department.
CLASS OF 1989
Tim Russell, Justin Pollock,
'90, and current student Zack
Poiter trekked through Thailand
this summer. Pollock and
Russell returned to Boston for
a bike trip across the U.S. while
Poiter continued on to
Indonesia.
Mary Ellen Loibl, Seattle, WA,
married John Hartman of
Auburn in June 1989.
Paul Metzler and Darcy
Jennings, '90, Eugene, OR, tied
the knot in June 1990. Metzler
is working for Advanced
Laboratory Systems.
FALL 1990
LUMNEWS
CLASS OF 199O
Christopher Raymond
Cognasso and Evergreen
student Kathy Laman,
Olympia, WA, were married
this June. Cognasso is
employed by the state
Department of Health, and
Laman works for Heritage
Bank.
James Waugh, Olympia, WA,
along with Biola University
student John L. Paget,
produced a video about the
Olympia Police Department for
TCTV. Their version of
"Cops" aims to show viewers
the professional and human
side of police officers. Waugh
is now a graduate student at
Regent University in Virginia.
Katy "Heidi" Andress,
Eliensburg, WA, serves as a
technician for the Laughing
Horse Summer Theatre. The
1990 theatre series included
"House of the Blue Leaves"
and "A Woman in Mind."
Don Brush, Shelton, WA, was
hired as a planner by Mason
County. Brush's position began
as an undergraduate internship
while he was pursuing an
environmental studies degree.
He's currently working on
regulation of shoreline
development in Mason County.
Alumni
Directory
Coming Your Way
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have a current address for you,
and if we have a current address
for you, you should have
received an important Alumni
Directory Questionnaire. This
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to be accurately listed in the
upcoming Alumni Directory.
Please be sure to complete and
return your directory questionnaire
as soon as possible.
Once received, your information
will be edited and processed by
our publisher, Harris Publishing
Company, Inc. Over 8,000 of
our alums will be included in
this impressive new directory.
If you don't return your questionnaire
there is a possibility
you may be omitted. So watch
for your questionnaire and
return it promptly.

The following excerpt is from
"Soundings" which appears in this
fall's issue of "North Dakota
Quarterly." The author lives, writes,
works and watches whales in Sitka,
Alaska.
SOUNDINGS
By Carolyn Servid '75
It is seven o'clock on a
summer morning. The
sun has been up for
hours and my eyes have
to adjust to daylight as I
reach over to turn off the
alarm. No sooner does
the ringing stop than I
hear the explosion. My
mind flips through the
possibilities and in
seconds I know it is whales. I am instantly at the window, watching
three dark hulks sinking below the water's surface. They are
closer to shore than I have ever seen them, just beyond some rocks
that are fifty yards from the beach. The moment my eyes lose them
to the water, I find my way downstairs to the porch outside.
The water is a sheet of glass, mirroring the light of the
morning. The air is cool. If there are sounds, I don't hear them.
My attention is fixed on that spot just beyond the rocks. The
conditions are perfect for watching what I know is to come. I
stand silent, arms crossed for a bit of warmth, determined to be a
witness. I don't have to wait more than a few minutes before the
bubbles begin to ripple to the surface. They move clockwise in an
arc away from shore, then back toward the point where they
began. The circle completes itself and in seconds the water
explodes in what appears to be mass confusion: the gaping
mouths, warty heads, thrashing flippers and spouting blowholes of
three 40-foot whales. A rush of noise echoes through the bay.
What I am witnessing is not confusion at all but the final
movement of an intricate dance humpback whales sometimes
engage in when they feed. The technique is called bubble net
feeding. Diagrams show a whale diving underneath a school of
krill or small fish, then blowing bubbles as it swims gradually
upward in a spiral. The rising bubbles form a cylindrical net
around the krill or fish, effectively herding them into a confined
area. The whale then lunges to the surface inside the circumference
of that cylinder, mouth open, engulfing anything in its way. These
are not toothed whales; instead, they have long tapered plates of
baleen hanging from their top jaws, arranged like teeth on a comb.
The baleen is pliable when wet and frayed along one edge. The
hundreds of plates along each side of the mouth act like a sieve,
trapping food and letting water pour back out. As the whales
swallow their catch, they loll about at the surface for a few
moments as though relishing the enormous bite. Then comes the
series of spouts and arching backs which precede the deep dive
that begins the process again.
The long fluid motion of this act of eating performed by
a single whale is one I can visualize. What is intriguing is how and
why whales take part in the process together. What relationship
do they have to each other? Is this group feeding activity a cooperative
effort? If so, how do the whales delegate roles in the performance?
Which whale or whales blow the bubbles? How do
they position themselves to get the completed motion, the timing
just right? The questions surface like so many bubbles of the unknown,
trapping me in the realm of the human. I can only marvel
at the elegant form given to such a fundamental act of living, at its
precision and efficacy, at the intelligence that conceived it.
x- x- * * a-
On a mild June afternoon, I set out in an aluminum
canoe to try and catch up with a lone humpback whale. This
canoe has been modified for rowing, a miniscule advantage in the
effort to keep up with this powerful swimmer. The whale has
been bubble net feeding, grazing widely throughout the bay. I
pursue it out of a simple desire for closeness. I want nothing
between us but air and water and the bottom of my boat. I want
the noise of its sharp breaths fresh in my ears. I want to see the
specific blackness of its skin, watch the water pour off its flukes as
they rise. I want a true sense of its size. Without binoculars, I
want to discern the swell of its blowhole, note the pattern of
white markings on the underside of its tail when it dives. I want to
make out the ring of bubbles that will mark its presence, hold my
breath while I wait for the whale to reappear.
The day is calm, the conditions just right for rowing. I
head toward the vicinity where the whale last surfaced, having no
clue where it might come up again. Nearing some islands half a
mile from shore, I pause to adjust the oars. As soon as I stop
rowing, my attention is alerted to a resonant tone permeating the
whole area around me. It is like the ringing of crystal, a pure
single note vibrating in my ears. I glance about quickly, trying to
discern where it is coming from. Turning to look behind me, I
notice the curving line of bubbles marking the water's surface
several hundred feet away. As the bubbles move in a circle, the
ringing continues. I barely have time to make a connection
between the two when the circle of bubbles is completed and the
ringing stops. I am stunned. Not only do these whales feed with a
fourish of form, but they add music to this performance! I am so
taken by the idea that the whale's lunge to the surface startles me.
I can only stare as it lounges about, swallowing its mouthful of
food. The questions begin to flood my mind while the whale
rights itself, blows a few sharp breaths, and sounds with a show
of flukes.
Once I am free to move again, I ease back into the
rhythm of rowing and head in the same direction the whale
seemed to be going when it went down. With each stroke of the
oars, my imagination pulls at the truth about the whale's song.
Why and how? Why didn't I hear it from the porch that morning?
Having no answers only fuels my urge to encounter the whale
completely and directly. I want a constant reminder that this
whale is an integral part of the world.
I have rowed some distance now and have seen no sign
of the whale. Any assumption about where it might surface would
simply be a guess. I stop rowing. I drift and wait. I am in the
middle of a wide channel, a mile from either shore. The canoe
seems especially small in this expanse of water, but there is no
wind; swells from the ocean beyond are small and gradual. The
freedom of wide open air is welcome and I feel safe. I scan the
distance of this watery stretch for signs of the whale. There are
none. I notice some larger boats a long way off and think perhaps
the whale is theirs to watch now. But then the ringing begins. It
seems to be coming directly up through the bottom of the canoe.
My eyes dart around the immediate area and find the bubble ring
THE EVERGREEN REVIEW FALL 1990
forming on the starboard side, only 30 feet away. My mind races
through the possibilities: quickly get out of the way or stay put. I
am fairly confident the whale won't come up underneath me, but
its lunge to the surface could generate waves that would catch the
canoe sideways. I have a life vest on, but there is no floatation in
the canoe and no boat close by to pluck me out of the water. I
know how cold the water is, but I may never have a chance to be
this close to a whale again.
I stay. The whale's song fills me. My heart pounds out its
own rhythmic accompaniment and I am not afraid. I watch the
circle of bubbles define itself. In its center the water boils with fish,
their silver backs flashing in the light. They are driven into a frenzy
by their ringing captivity. The bubbles complete the circle, the
ringing stops, and in a matter of moments I am looking directly
into the enormous mouth of the whale, pink and fleshy and
spotted with gray. The dark tunnel of its throat extends into the
water. Its accordion jaw balloons out to hold everything it took in
on its way up, and water begins to pour out through its baleen
plates. The slap of a warty flipper keeps it at the surface where it
rolls about lazily. If it is aware of my presence, it is unconcerned
and matter-of-factly goes about its routine. I watch it blow and
surface twice, see and hear the air burst from its blowhole, run my
eyes over its back gleaming in summer light. It blows a third time,
arches its body sharply and raises its flukes in the grand motion of
the deep dive. White underneath, bordered in black, they slide
silently into the water.
I sit a moment then reach forward with the oars and
realize my whole body is trembling. The day has been filled. I
steady myself with each stroke and head home.

• ~Z^^ ^^^^^^^^T^^*^^^^~^^^^^~" I
iHHBHHHHHftBBHHRHBI
H! GEODUCK l^l
• SALUTE •
OBM*"""]
People, businesses and organizations who gave to the Evergreen
Fund, July 1, 1989-June 30, 1990.
CORPORATIONS & FOUNDATIONS
3M Medical-Surgical Division
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Foundation
Apple Computer, Inc.
Apple Higher Education
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Asterisk & Cheese Library
Ara Services
A.T. & T. Information
Systems
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Foundation
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Foundation
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Corporation Foundation
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for the Humanities
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Arts Commission
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of Health
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24 THE EVERGREEN REVIEW
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Mitsuhiro & Lilly Kodama
Robert Sc Jean Hiatt Kramer
Mark Kuntz
Gilbert & Mary Kurtz
Burton & Dale Kushner
Lyda Ebert Kuth
Thomas & Evelyn Lajiness
Joseph Lalonde
James David Lang
Russell & Raven Lidman
James 8c Helen Linger
Gene Roy & Carol Little
Jennifer Lord
Alicia MacArthur
James & Nancy MacWhinney
Rona & Harvey Malofsky
Rudy & Gail Martin
William Martin
Mark Matthies
Robert McChesney
Lawrence Charles McDonald
James & Jacqueline McFerran
William & Margaret
McLaughlin
W. Roy & Ellen Mellen
Carol Minugh
John Moore III
Connel & June Murray
John Murray
Robert & Mary Neill
James & Katherine Nelson
Roderick John Newton
Charles Malcolm Nishida
Joseph & Sheryl Olander
Peter & Mary Ellen Onno
Bruce Daniel Ostermann
H. Martyn & Candace Owen
Thomas & Angela Owens
Hamilton & Muriel Page
Derek & Nancy Parker
Victoria Yeager Patton
Christine Peck
James & Connie Pemble
Lawrence & Cathleen Peters
James & Pam Phillips
Thurman & Laura Poston, Jr.
Wallace Quistorff
Mary Randall
Doug & Sandra Rasmussen
Max Ratzer
Maryan Reynolds
Dennis John Roda
Arnaldo & Lucia Rodriguez
Irwin & Zelda Rose
Philip & Marianne Ross
Nancy Rowell
David & Joanne Rudo
Barry & Evette Saines
Irwin & Marion Saltzman
Oscar & Lois Sandberg
Betty Kay Schaefer
Richard Thomas Scheffel
Brenda & Scott Schenck
Lester & Harriet Servid
George & Clara Shinn
C. F. & Katherine Shoemaker
Gillian Ann Siegrist
Mickey & Sheila Simonson
Robert Hamilton Sims
Maxine Sitts
Richard Noel Skadan
Niels & Diane Skov
Stephen & Maria Smith
Arnold & Eileen Souder, Jr.
Shirley Speidel
William & Carolyn Staley
Daniel Lewis Stein
Larry Stenberg
Richard & Patsy Swindler
Thomas Sykes
Jessie & B. J. Tetlow
Stephen Douglas Thomas
Joann Thompson
Kenneth & Joan Thompson
Nancy Marie Thompson
Olga Thompson
Robert Byrd Thompson
Valerie Jean Thorson
Eleanor Townsend
Jeanne Shappell Tribe
John Turner
Leslie & Devora Turner
Uta Ford Family
Mark & Wendy Visconty
Donald Vollmer W
Scott Wall
George & Joan Wallace
Kenneth Wallace
Renee Wallis
Marilyn Ward
Robert & Louisa Wells
Edward Paul &
Marilyn White, Jr.
Thomas & Judith Willging
Darlene Williams
Darrell & Barbara Williams
Michael Stanton Witz
Tony & Judy Wolff
Benjamin & Ruth Woo
Karen Wynkoop
Kathy Jean Ybarra
Hanley 8c Susan Yorke
James & Julie Zanner
ALUMNI
A
Walter Acuna
Stephen Agnew
Michael Ahern
Bradley Aiken
Kenneth Albert
Douglas Albertson
Sarah Albertus
Paula Aldrich
Sara Algots
Edward Alkire
Colleen Allen
Megan Allen
Donna Alora
Ronald Alpert
Fernando Altschul
David Anderson
Katy Anderson
Linda Anderson
Richard Anderson
Thomas Anderson
Marcia Andrews
Thomas Ansart
Carolyn Ansell
Simon Ansel!
Thomas Anson
Allan Anttila
Laura Arnow
Janet Atkins
Lucv Auster
B
Christopher Baggott
Edlamae Baird
Richard Baker
Scott Baker
Stephen Mallet-Prevost Balch
Joyce Banaka
Joyce Barker
Debora Barkus
William Barmore
Aisha Barnes
Michael Barnes
Sherri Barrett
Michael Barren
Craig Bartlett
Colette Beatty
Annamarie Beckmann
Patricia Bedinger
Deborah Behnfield
Janet Behrenhoff
Jane Bell
Richard Bender
Scott Benedict
Gregg Bennett
Sara Bennett
Russell Joel Bennett-Gumming
Mary Bensen
Janet Bent
Michael Bergstrom
Steven Bertran
Carolyn Bevan
Martin Biedermann
Susan Billedeaux
Terry Billedeaux
Donald Bird
Susan Bird
Margaret Birnbaum
Mary Bittinger
Bernard Blackburn
Juiie Blanchard
Nicholas Blattner
Renee Blattner
Mary Bley
William Blodgett
Joseph Blum
Phil Boawn
Betsy Bogardus-Gallagher
Michael Boggess
David Boggs
Neil Bogue
Janice Bomgardner
Jill Boniske
Gregory Booth
Thomas Booze
Gretchen Borck
Ronald Bowitz
Jerry Boydston
Carol Bradford
Barbara Branstetter
James Brauneis
Marjorie Brazier
Daniel Bretzke
Tikva Breuer
Steven Brewster
Hugh Bridgeford
Stephen Briggs
Karen Brisley-Bown
Michael Bristow
Neal Broida
Carmi Brooks
Melissa Brooks
Angela Brown
Beverly Brown
Janie Brown
Louise Brown
James Brunner
Thomas Bucchiere
Nelsa Buckingham
John Burbank
Mary Burg
Barrett Burr
Alan Burrer
Lynn Busacca
Marjorie Butler
Nancy Butler
C
Lynda Caine
Susan Calhoun
Jeanne Camelio
Charles Campbell
Sharon Campbell
Douglas Canning
Gary Cantreil
Lucille Carlson
Donald Case
Lawton Case
Craig Chance
Jerry Chapman
Nathan Chess
Andrew Chitty
Cynthia Choo
Benjamin Chotzen
Claudia Chotzen
Erik Christiansen
Kent Christman
Irene Christy
David Clarkson
Janet Cleveland
Melva Coates
Elizabeth Coe
Kenneth Coffin
Bruce Cohee
Andrea Coker
Craig Collins
Carey Concannon
Carolyn Conner
Cathy Conner
Nancy Connolly
Keith Considine
Joan Cook
David Cordier
Ginna Correa
Stuart Corsa
Clifford Cotey
FALL 199O
Carmela Courtney
Teresea Crabtree
Kenneth Ctawbuck
Mananna Crawford
Clayton Creager
Nancy Cress
Deborah Creveling
Andrew Cripe
William Croft
Lindsley Cross
Calvin Crowley
Jonathan Cruz
Nancy Cruz
Scott Cubberly
Roberta Curfman
David Current
D
Bruce Daily
Barbara Damron
Kurt Danison
Hal Darst
Robert Dash
Charles Davis
Janet Davis
Joy Davis
Susan Davis
Dorothy DeMatteo
Jana Dean
William Dean
Joseph Dear
Linda Delorme
Michael Denoyer
Roxanne Denoyer
Donald Denton
Patricia DesChene
Janet Detering
Mary Devlin
Christina Deweese
Dona Dezube
David DiDomenico
Guy Diamond
Michael Diamond
George Dickison IV
Brenda Dickison
Laurie Dieterich
Ida Dightman
Danylla Dimitroff
Sheila Dinwiddie
Debra Dishberger
Larry Dobberstein
Carmen Doerge
Kathleen Doherty
Margaret Donaldson
Lisa Donally
Edwina Dorsey
Elaine Doyle
Janet Drew
Karen Drumheller
Susan Drumheller
James Duncan
Christopher Dupre
Mark Duxbury
E
Caroline Early
Carmen Eastman
Anthony Eckert
James Ehret
Jodene Eikenberry
Eric Einspruch
Keith Eisner
Carol Ellick
Judith Elliott
Steven Engel
Karen England
Scott Englander
Heidi Engle
Tamara English
25

F
Gregory Falken
Christiane Fara-Skalecki
Daniel Farber
Samuel Farmer
Dale Favier
David Fehsenfeld
Katherine Fehsenfeld
Florence Feldman
Richard Ferguson
Kent Ferris
William Ferris
Jane Field
Thomas Findlay
Kimberly Finger
Mike Finger
Lisa Fisher
Per Even Tor Fjelstad
Jennifer Flynn
Kristi Fog
Jeffrey Foster
John Foster
Laurie Frankel
Julie Frederick
Thomas Freeman
Michael French
Elizabeth Frey
Steven Friddle
Peter Friedman
Jan Frost
Joseph Fuller
Richard Furman
G
John Gaasland
Roger Gaines
Edward Gales
Jonathan Gallant
Patricia Gallup
Johanna Gangemi
Benjamin George
Gabrielle Geraghty
Vel Gerth
Thomas Ghormley
Christopher Gibson
Harry Gibson
Jim Gilfix
Wyatt Gilkie
Jimi Gillespie
Carolyn Gilmore-Judd
Dorothy Gist
Marian Glossner
Barbara Glover
Laura Goff
Ronald Gold
Robert Golden
Roger Goldingay
Charlene Goldstein
Cheyenne Goodman
David Goodward
Margare Goodward
Michael Gordon
Carol Goss
Janet Gould-Nolan
Barbara Graf
Julie Grant
Donovan Gray
Duncan Green
Ellen Green
Elisabeth Greene
Joan Gregory
Robert Gregory
Matthew Groening
Teresa Grove
Jean Gruye
Martina Guilfoil
H
Jean Haakenson
Thomas Hagen
Barbara Haggerty
Gwen Hall
Richard Hall
Jon Halper
Michael Halperin
Christopher Halsell
Allison Halstead
Nowlin Haltom
Roland Hamel
Douglas Hamilton
Claudia Hampton
Michele Hankins
Karen Hansen
Mark Hansen
Michael Hansen
Jennifer Hanson
Kimberiy Hanson
Jeff Hardesty
Barbara Harmala
Andrew Harper
John Harrington
Marilyn Harris
Mary Hart
Shaine Hart
James Hartley
Leslie Harvill
Carla Hasegawa-Ahrendt
Thomas Hatch
Donald Hayashi
Stephen Haykin
Wanda Hedrick
Sue Heflm
Roger Heine
Dennis Heinekin
Ellen Henderson
Scott Henderson
John Hennessey III
Catherine Hennings
Timothy Hennings
Charles Henry
Randel Herd
James Hester
Joseph Hogan
Christine Hoggatt
Lisa Holliday
Paul Holt
Diana Holz
Fern Honore
Cynthia Hope
Katherine Hopkins
Michael Horgan
Susan Horowitz
Esther Howard
Sidney Hsu
Jean Hudson
Marjorie Hudson
Sabra Hull
Peter Humleker
Sherry Hunt
Elizabeth Hunter
Amy Hunter
Martha Hunting
Karen Huntsberger
Gregory Hutcheson
Judy Hyslop
I
Brandith Irwin
Gregory Irwin
John Irwin
Joseph Iski
Robert lyall
J
Jennifer Jaech
Helen Jaeger
Randolph Jaffe
Debra Janison
Dorothy Jaskar
Shepherd Jenks
Lawrence Jensen
Daniel Jetter
Joan Jevne
Herbert Jewell
Bernard Johansen
THE EVERGREEN REVIEW
Brenda Johnson
Daniel Johnson
Daniel Johnson
Dora Johnson
Lisa Johnson
Craig Jones
Crystal Jones
Gregory Jones
Hillin Jones
James Jones
Laurie Jones
Leslie Jones
Richard Jones
Kathryn Joost
Christopher Jordan
Marcia Jordan
Joseph Joy
Maureen Juhola
Eduard Jurkovskis
K
Kendra Kambak
Paul Kaminski
John Kane
Alan Karganilla
Kinley Karlsen
Scott Kauffman
Toy Kay
Raymond Kelleher
Evelyn Kelly
Mary Kelsoe
Manosothy Ken
Barbara Kendziorek
Mark Kendziorek
Eleanore Kenny
Phyllis Kenworthy
John Kersting
Barbara Keyt
Ralph Kile
Amanda Kincaid-Kass
Quentin King
Thomas Kirschner
Ellen Kissman
Valerie Kitchen
Annette Klapstein
Peggy Knapp
Julie Knott
Elizabeth Knox
Kathryn Knutson
Kari Knutson-Bradae
Daniel Koch
Jon Koeze
Alan Kohl
Daniel Koos
Christina Koons-Baker
Stephen Kopp
Deborah Kosman
Gretchen Kottke
Cynthia Kouris-Wilkerson
Alan Krieger
Lester Krupp
Kathleen Krzastek
Mark Kuntz
Lyda Kuth
Susan Kuzenski
L
Susan Lacina
Bruce Ladenheim
Ellen Ladenheim
Barbara Laforge
Paul Lambert
Tanna Lambert
Philip Landale
Dorothy Landeen
James Lang
Margo Lauritzen
Virginia Lawior
Geraldine Lawrence
Peter Lawson
Norbert Lazar
Raymond Lee
Janice Leinwebber
Mike Lempriere
Kristina Lenke
Jerry Lenz
Debra Leslie
Marcia Levenson
Norman Levy
James Lewicki
David Lewis
Paul Lewis
Patrick Libbey
Sandy Libbey
Rebecca Liebman
David Lifton
Judy Lindlauf
Timothy Linger
Catherine Loftus
Jennifer Lord
Jenifer Louden
Bette Low
Douglas Luckerman
Thomas Lufkin
Marilyn Lund
Nancy Luster
James Lux
Leslie Lynam
Jeffery Lyons
Linda Lyons
M
Carol MacCracken
Dori MacDonald
Pamela MacEwan
Mary MacKenzie
Andrew MacLeod
Elizabeth MacWhinney
Alan Mador
William Mahan
William Mahler
Nikki Majkut
Patrick Maley
Kim Kaunnan-Malin
Donna Manders
Duncan Mann
Grace Manzie-Werner
Sally Marquis
Tracy Marsailes
Kathy Marshall
Allison Martin
Barry Martin
Georgia Martin
Stuart Martin
Joann Mason
Richard Matchette
Wendy Matthews
Larry Mauksch
Martha McCartney
Duane McDermond, Jr.
Catherine McDonald
Sandra McDonald
Lee McGarity
Bruce McGaw
Anita Mclntosh
Bobbie Mclntosh
Vaughn McLeod
Edward McQuarrie
Susan McRae
Lynn McCaffray
Keith McCandless
Mary McCann
Robert McChesney
Deed McCollum
Andrew McCormick
Martha McCoy
Tamara McCracken
Lawrence McDonald
Lee McDonald
Amy McFarlan
Paul McKee
Michael McKenzie
Linda McLain
John McLaren
Gerald McLaughlin
Thomas McLaughlin
Thomas McLaughlin
Deborah McClellan
Brent McManigal
John McNally
Luann McVey
Corey Meador
Patricia Meessen
Michael Mehaffy
Lee Meister
John Mellen
Mark Meredith
Matthew Mero
Christina Meserve
Robert Messer
Consuela Metzger
Janet Meurs
David Mevorach
Christopher Michaels
Jules Michel
Sandra Milano
Elizabeth Miller
Norma Miller
Steven Miller
Michael Mills
Ralph Minor
Martha Mistretta
Mary Moen
Christopher Mondau
Mercedes Monte
Laurie Montero
Sharon Moody
Angela Moore
Charles Moore
James Moore
Martha Moore
Todd Moore
Jonathan Morris
Patrick Morris
Roland Morris
Judith Morrison
Shelley Morse
Diane Morton
Jeremy Moser
Sarah Moser
Judith Mosier
Claire Mount
Alan Mountjoy-Venning
Jane Mountjoy-Venning
Susan Moyer
Gary Mozel
David Mozer
Timothy Mulcahey
Madeline Mullen
Dennis Mullikin
Peter Mullineaux
Roxann Mulvey
Marcianne Munson
Linda Murphy
Velina Murray
Nancy Musgrove
N
Deborah Nagusky
Elaine Naylor
Mary Neal
Jennifer Neilson
Pamela Neimeth
Welton Nekota
Cara Nelson
Marjorie Nelson
Jane Neuharth
Polly Newcomb
Annette Newman
Ronald Newsome
Roderick Newton
Rebecca Nichols
Emory Niles III
Charles Nishida
Mark Noble
Wesley Norman
Rebecca Northway
James Norton
Richard Nuckolls
Roberta Nugent
O
Patti O'Brien
Richard O'Brien
Bridget O'Connell
Marc O'Connor
Susan O'Grady
Joseph Ochoa
Clifford Olin
Gregory Olson
Charlotte Olson-Alkire
Christina Orange
Lorraine Osborn
Arlee Osborne
Marian Osborne
Gail Osheroff
Bruce Ostermann
Leslie Owen
P
Jennifer Page
Leonard Pagliaro
Kitty Parker
Melissa Parker
David Parrish
Victoria Patton
Russell Paulsrude
David Pavelchek
Raymond Pavelko
Bruce Pavitt
Maris Peach
Christine Peck
Millicent Peha
Rodd Pemble
Paul Perry
Karen Petersen
Mary Petersen
Abbo Peterson
Christina Peterson
Jack Peterson
Thomas Peterson
Vicki Phelps
Richard Philips
Anne Phillips
Kevin Phillips
Molly Phillips
Scott Phipps
Martha Pierce
Priscilla Pierce
Steven Pinard
Elizabeth Pinder
Carol Pinegar
Curtis Piper
Mariel Plaeger-Brockway
Roy Plaeger-Brockway
Steven Pointer
Bradley Pokorny
Noah Poritz
Laura Potash
Nina Powell
Nicholas Prebezac
Judith Prest
Roger Price
Janet Purkiss
R
Stephen Rabow
Michael Rainwater
Teri Ramsauer
Mary Randall
Victoria Randlett
Monica Rands
Scott Rapp
Kay Rawlings
Emily Ray
Russell Rayburn
Julie Reed
Nathan Reed
Ruth Reed
Garth Reeves
Joan Reynolds
Kathron Richards
Robert Richerson
Avriel Rideau
John Ridgway
April Rieck
Lisa Rigney
Moyne Riley
Robert Riopelle
Patricia Ritter
Harvey Roberts
Maureen Roberts
Tamara Roberts
Tyler Robinson
Diana Robishaw
Dennis Roda
Barbara Roder
Gareth Rohde
Sarah Rolph
Leslie Romer
Pearl Rose
Ellie Rosenthal
Gary Rossman
Nancy Rowell
Diane Royal
Robert Rudine
Marie Russo
Rosemary Ruth
Anson Rutherford-Olds
Barbara Ryan
James Rymsza
S
Albin Saari
Alice Salinero
Scott Salzer
Terrese Salzer
Jane Sameth
Robert Sandelin
Vivian Sanders
Anne Schaefer
John Schaeffer
Lillian Schauer
Richard Scheffer
Kimberly Schnittger
Beth Schoenberg
Susan Schoos
Timothy Schoth
Steven Schreurs
Mary Schroeder
Douglas Schuler
Eliza Schulte
James Schultz
Tad Schutt
Mark Scott
Susan Scott
Kathy Scovel-Rodrique
James Seekins
James Sevier
Thomas Shackle
Laurie Shannon
Robert Shannon
Amy Shapiro
Edward Sharp
Marjorie Shavlik
Robert Shephard
James Shiflett
Deborah Shulke
Robert Shumate
Eric Shutt
Andrea Siani
Sergio Siani
Richard Siddoway
Maria Siegler
Gillian Siegrist
Lisa Sieracki
Mikael Sikora
Janet Silliman
Christiane Silverthorne
Margaret Simms
Wendy Simms-Rudolph
Janet Simons
Richard Simonson
Robert Sims
Thomas Sims
Richard Skadan
Jack Slagle
Roo Slagle
Paul Slate
Susan Slate
Don Smith
Gary Smith
Michael Smith
Nancy Smith
Pat Smith
Sharon Smith
Victoria Smith
Willene Smith
Susan Snyder
Patricia Soderberg
Susan Southwick
Danny Spearman
Peter Speer
Shirley Speidel
Arthur Spies
Donald Sprague
Wendy Squires
Loy Stafinbil
Annette Standifur-Metz
Pamela Stasivk
Carla Stehr
Daniel Stein
Emily Stein
Janet Stein
Claudia Steinkoenig
Charles Stephens
Jonathan Stephens
Terry Sterley
David Stevenson
Kristin Stewart
Diana Stobart
John Stocks
Anne Stone
Janet Stonington
Jeffery Strauss
Conni Strope
Linda Sullivan
Mark Sullivan
Craig Swanson
Sky Sue Ann Swanson
T
Helen Talkington
Evetree Tallman
Gail Tanaka
Sandra Tarzan
Stephen Tarzan
Marcus Teeters
Kathleen Theoe
Stephen Thomas
Nancy Thompson
Storme Thompson
Leslie Thorpe
Valerie Thorson
Kris Thorsos
Roberta Tidland
Claire Tinkerhess
Paul Tinkerhess
Charlotte Todd-Kerr
Jamie Tolfree
Amy Tolk
William Tomlinson
Joshua Touster
Paul Traub
Jeff Traugott
Jeanne Tribe
Nancy Tsakos
Glenn Tucker
Barbara Turner
U
Toshiaki Udo
Jody Underwood
Peggy Ushakoff
V
Christina Valadez
Mitzi Van DeWege
Laura VanDilla
Jeanne Vanderiet
Joel Vanetta
Martine Vanpee
Andrea Varcalli
Lewis Vaughan
Richard Veach
Bruce Vecchitto
Gerald Vermeire
Kathleen Vermeire
Mark Vestrich
Gay Vogt
Richard Vogt
Diane Vosick
W
William Wake
Warren Waldorf
Petrina Walker
Kate Wall
James Waller
Renee Wallis
Linda Walsh
Marilyn Ward
William Ward
Gregory Ware
Janet Ware
Carole Warner
Norman Warner
Nancy Warshaw
Andrew Wasserman
Terry Watness
Nanci Watson
Kathleen Waugh
Bruce Weilepp
Karen Weingarth
Lynda Weinman
Lucille Wellander
Sheri Wertheimer
Martha West
Joyce Weston
Margaret Wharton
Donald Whiting
Marie Wick
Robin Wiggan
Frances Wilk
Ronald Wilkinson
Edward Willert
Darlene Williams
David Williams
Donna Williams
Elizabeth Williams
Patrick Williams
Hazel Willmarth
Marcella Wing
Jane Wingfield
Michael Witz
Margaret Wolcott
Philip Wolcott
Carl Wolfhagen
Sanford Wolgel
Nina Wolsk
George Wood
Janice Wood
John Wood
Annette Woolsey
Theresa Wright
Kristopher Wudtke
Karen Wynkoop
Forrest Wynne
Y
Kathy Ybarra
Evelyn Yellowbird
William Young
Z
Thomas Zahn
Vicki Zarrell
Anne Zellinger
Dolores Zschomler
FALl 1990
PARENTS
David & Ilene Adams
Eugene & Marilynn
Alexander
Steven & Rose Alfred
Durwood & Dorys Alkire
Grace Allen
Steven & Leanne Allen
Clifford & Charlotte
Alterman
Robert & Joan Ames
Ruth & Morton Amster
Kenneth Andersen
Myron Anderson
Penelope Anderson
Richard & Barbara Anderson
Richard & Susan Anderson
Stephen & Sandra Anderson
John & Jewel Andrew
Terry & Lynnda Anthony
Anne & John Aram
Thomas Armstrong
William & Helen Aron
Kenneth & Susan Atwell
Fred & Donna Austin
B
Agnes Badgley
James & Phyllis Baerveldt
Franklin & Mary Balch
Elizabeth Balderston-Ttee
Christopher & Linda Ball
Esther Barclay
Mary & Joseph Bartek
Carolyn Bassett
Arthur & Kay Batt
Duane Beck
Robert Pike & Nancy Becker
David Bennett
Dery & Barbara Bennett
James & Mrs James Bennett
William Benoist, Jr.
Joanne Berg
Leonard Berger, M.D.
Abraham Bergman, M.D.
Arthur Berlin
Ronald & Kay Bland
Fowler & Norma Blauvelt
Larry & Mary Boatwright
Frank & Lynne Bocarde
Gerald & Sally Bodine
Jeanne Bonynge
Larry & Deanna Book
Mr. & Mrs. William Bowen
Jerry & Carol Bowers
Robert & Beverly Bowers
Rebecca & Robert Bown
Robert Boyer
Rod & Paula Braaten
Patricia Brady
Mary Brandt
Stanley & Aviva Breen
David & Kathleen Bristow
George & Dorothy
Broadmerkel
Keith & Deborah Brown
Leland & Barbara Brown
David & Suzanne Brownell
Stephen Brozovich
Bill & Mary Brumsickle
Wilma Bucci
Ernest & Dianne Buchanan
Nathan & Irene Buitenkant
Beth & Truman Bullard
William & Victoria Burch
Elizabeth Olmsted Burchall
F. & Lucille Burgio
27

Judy Burnett
John Burton
Arthur & June Busch
Brian & Danielle Butz
Eleanor Butz
Bill Bylte
C
Paul Camelio
James & Lila Cammack
Ellen & Charles Campbell
Charles Campbell
Marilyn Canaris
Mr. & Mrs. James Carey
George & Anita Games
Linda Carpenter
John & Margaret Carr
Patrick & Marjorie Carr
Wayne & Audrey Cassatt, Jr.
Johnny & Carol Castelletto
John & Florence Cavcey
Edward Cazier, Jr.
Rebecca Chaitin
Matthew & Susan Chamlin
Drs. Richard & Donna Childs
Carol Chirman
Horace Christensen
David & Betty Christiansen
Eionel & Mary Christopherson
Mary Allen Clark
Raymond & Alice Clark
F. & Diane Clayton
Gary & Mary Cleasby
Liane Clorfene
Joan & Frank Cohee
Frederick & Jessie Cohen
Ellis & Colleen Collins
Jose & Marilyn Colon
Winifred & Jack Colwill, M.D.
Ward & Helen Combs
William & June Comcowich
Eugene Connolly
Harry & Patricia Cook
Michael & Linda Cook
Errol & Cissy Copilevitz
Leona Corsa
Henry Corwin
Joseph & Charlotte Cotter
John & Elain Covert
Mr. & Mrs. Charles Cox
Stanley & Rosemary Crawford
Charles & Linda Cretin
Thomas Croley
Richmond Cross
Robert & Linda Crothers
Barbara & J. Crow
David Cryan
Gordon & Sheila Currie
D
Benson & Mary Daitz
Roy & Mary Damonte
Dr. & Mrs. Carroll Damron
Albert & Charlotte Dangler
David brownwood
Charitable Foundation
Harry & Alice Davidson
Marilyn & John Davis III
Albert & D. Davis
Dorothy Davis
Robert Danielson Davis
Ronald & Margaret Davis
Ryley & Nancy Dawson
Joan DeGroot
Robert & Genevieve DeWeese
Scott & Sandra Dean
Diana Degroot
Americo & Janice DelCalzo
George & Mona Delavan
George & Joanne Delyani
Charles & Mary Dethier
Pete & Elsie Devries
R. & Idalice Dickinson
James Dinerman
David & Stephanie Dodson
George & Mary Dolan
James & Barbara Dolliver
Richard & Norma Dominguez
John & Kathleen Donald
Patricia Douglas
Arthur & Marion Downey
Wilbur Downs, M.D.
Gail Drillings
James & Judith Drummond
Rita Dubrow
James & Rachel Dudek
Richard & Mary Dunlap
Michael & Carolyn Dunn
Elisha Dyer, Jr.
Dale & Edith Dzubay
E
Alfred & Ingrid Eckersberg
Dr. Clifford & Carol Eckman
Karl & Nancy Eikeberg
Jan Eisenhardt
Linda &c Eisenstein
Dr. Victor Eisner
Katherine Ellegood
Joell Ellis
Diane Ellison
Lewis Elwood
Margaret Enderlein
Gordon & Blossom Engen
Frederic & Linda Engstrom
Donald & Susan Enright
Frank Erickson
Ronald & Anne Espedal
Jane Espy
Duane & Nada June Estes
John & Gloria Evans
F
Robert & Gerry Faley
Ruth Farber
Thomas & Marjorie Farreil
Peter & Sandra Farrow
Mr. & Mrs. W. Fawcett
Mary Feldman
William & Rita Ferguson
Norman & Barbara Ferry
Don Fincke
Charles 8c Janet Findley
Myron Elka Fink
Louis Fiset
John & J. Fletcher
William & Adele Fletcher
Gladys & Billy Fogg
Charles & Charlene Foil
Marie Forbes
Donald & Susan Forsling
Branislava Foster
Paul & Genevieve Frankenburg
Ralph & Mary Franklin
Karen & Timothy
Malone Fraser
Pamela Free
Alan & Kathleen Freeman
Donald & Lizabeth Freeman
Norma Fried
August & Jeanne Fromuth
Miram Frost
28 THE EVERGREEN REVIEW
Herbert & Carol Fuller
W. Fuller
Wanda Fullner
Jean Fulton
Anne Futterman
G
Ann & Lee Gagnon
Michael & Martha Galvin
Francisco & Maria Garcia
Clark Gardner
Gloria Lewis Garling
Bernard Constance Games
Robert & Sandra Gates
Ann Dear Gavell
Jean Gaznier
Keith & Sara Gehr
Barbara Geller
Herb & Barbara Gelman
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i he Evergreen ReView
Editor: Keith Eisner
Writing: John Crosby,
Keith Eisner, Jon Epstein,
Ray Kelleher, Steve Salmi,
Carolyn Servid, Andrea Swett,
Mike Wark
Design: Brad Clemmons,
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Photography: Steve Davis,
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Services
Other Help: Dale Baird,
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Zalachozic
Illustrations on pages 15-17,
and 22-23 by Rockwell Kent
'rom the 1930 Random House
Edition of "Moby Dick "
31

eview
lllliH'ill'I'i'Jt.U.ilMii.L.!
The Evergreen Review
November, 1990; Volume 12, Number 1
Published by Information Services
The Evergreen State College
John Crosby, Evergreen's hand bookbinder,
is just what every bureaucracy needs.
Finding one of his poems on love, physics,
youth and just-about-everything-else in your
in box is a sanity-saving break from memos
and reports. This poem was written as an
explanation of Heisenberg's law for
Crosby's daughter.
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