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ELECTRONIC MEDIA MANAGEMENT - Ayo Menulis FISIP UAJY

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<strong>ELECTRONIC</strong> <strong>MEDIA</strong> <strong>MANAGEMENT</strong><br />

312<br />

The design of the fund-raising drive is in the hands of the local station. For<br />

NPR stations, there is also a national fund-raising framework. Special versions<br />

of popular programs are presented. For a producer’s manual for the WWOZ<br />

spring membership drive, please see Appendix B, “Excerpt from Membership<br />

Drive Producer’s Manual.”<br />

Most stations prefer not to break the existing format during fund drives.<br />

Instead, special editions or encore presentations of programs are presented in<br />

their regular time periods. During fund-raising, a station might use a Garrison<br />

Keillor special, for example. Such programming is then interspersed with onthe-air<br />

appeals to the audience. Premiums might be anything, but the more<br />

successful ones are books, such as Go Public, which features coverage maps<br />

and format information on public radio stations across the country, and coffee<br />

mugs displaying the names of popular programs. Phone-in pledges are<br />

taken by volunteers, usually community leaders and members of community<br />

organizations. Where possible, involvement of local sports or entertainment<br />

celebrities is desirable.<br />

Public radio stations do engage in other kinds of fund-raising. Music stations<br />

often mount performance events for revenue. WWOZ, for example,<br />

organizes a series of Piano Night concerts. The station also arranges an annual<br />

Mangold Freeze. These two events generate $75,000 in net annual revenue<br />

for a station whose annual revenue is $1.4 million.<br />

Some public radio stations produce auctions. However, this fund-raising<br />

method is difficult because radio lacks the visual element. Special events, with<br />

personalities from national programs carried by the station, are another type.<br />

New methods of audience fund-raising are developing and evolving. It is<br />

important to be aware of ideas and success stories from stations around the<br />

country. This can be done by direct contact with other public stations or by<br />

membership in selected organizations. Other development and fund-raising<br />

information is available on the Internet. 19<br />

UNDERWRITING This revenue source is used either to develop or<br />

present programs. As a rule, public radio stations are more active than television<br />

stations in program development. Stations involved in program production<br />

may submit grant applications to large corporations or foundations to<br />

secure funds.<br />

Stations not engaged in program development still may rely on underwriting<br />

to defray some of the costs of presenting programs. To secure presentation<br />

underwriting, a representative of the station offers to a local business sponsorship<br />

identification during the program in exchange for a monetary contribution.<br />

To preserve noncommercial integrity, close attention must be paid to the<br />

preparation of underwriting copy.<br />

Product identification is acceptable. Price information, product comparisons,<br />

and customer motivational language are not. Comments made earlier<br />

in the chapter about the specific guidelines are relevant here.<br />

Since underwriting is one of the few realistic revenue sources available to<br />

public radio, management should provide sufficient personnel and support to<br />

develop it.<br />

For a summary of the principal sources of revenue for a public radio station,<br />

please see Figure 9.9.

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