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In Memoriam DANA BROCCOLI Her many friends at the USC School of Cinema-Television were saddened to learn of the loss of actress, producer, novelist, and humanitarian Dana Broccoli on February 29. She was 82. A New York native, Broccoli studied acting at Cecil Clovelly’s Academy of Dramatic Arts at Carnegie Hall and eventually moved to California where she and her first husband, actor Lewis Wilson, joined the famed Pasadena Playhouse. Separated from Wilson, Dana met Albert “Cubby” Broccoli, one of the most successful producers working in England and Europe, in 1959, and the two were married shortly thereafter in Las Vegas, with Cary Grant serving as best man. Dana Broccoli was perhaps best known for her work as custodian of the James Bond franchise, following the death of Cubby Broccoli, the film series’ producer, in 1996. It was Dana who brought a then-unknown Sean Connery to the attention of the Bond filmmakers, and she has been credited by the Ian Fleming Foundation and others as a “creative force” on the 007 films. The Broccolis adapted another Ian Fleming book, Chitty Chitty Bang Bang, for the screen in 1968, and, in 2002, Dana Broccoli produced the successful London stage version. She also published two novels, Scenario for Murder and Florinda, adapting the latter for the musical La Cava, which premiered in London in 2000. Dana and Cubby were committed philanthropists, raising hundreds of thousands of pounds to benefit a variety of worthy causes, including the UK’s National Society for the Prevention of Cruelty to Children. The Dana and Albert Broccoli Foundation Scholarship at the USC School of Cinema-Television is awarded to distinguished graduate students in the School’s Division of Film and Television Production. Dana Broccoli is survived by four children, including Michael Wilson and Barbara Broccoli who continue to produce the legendary James Bond films. JOHN HENCH John Hench, a friend of the USC School of Cinema- Television and founding supporter of the School’s Division of Animation and Digital Arts, passed away on February 5. The longtime Disney artist was 95. Born in Cedar Rapids, Iowa, Hench grew up in Southern California and studied art in Los Angeles, San Francisco, and New York City. He began his association with Disney in 1939, working as a sketch artist on Fantasia. In the years that followed, Hench came to symbolize the company in a way that was matched only by Walt Disney himself. In addition to Fantasia, Hench lent his vast artistic talents to such classic Disney films as Dumbo (1941), Make Mine Music (1946), Cinderella (1950), Alice in Wonderland (1951), Peter Pan (1953), and 20,000 Leagues Under the Sea (1954). In 1954, he joined a small but visionary group of artists and designers that was the genesis of Walt Disney Imagineering, the creative team behind Disney theme parks and resorts worldwide. The group contributed its design expertise to the VIII Winter Olympic Games, held in Squaw Valley, Idaho in 1960, and Hench went on to help develop four Disney shows that debuted at the 1964 New York World’s Fair: “ Great Moments with Mr. Lincoln,” “Carousel of Progress,” “ It’s a small world,” and “Magic Skyway.” 14 | in motion fall 2004 John Hentch and Walt Disney discuss an original model for Disneyland. “ He truly was a contemporary ‘renaissance man,’ a genius who could do and understand anything,” said Vibeke Sorensen, former chair of the School’s Division of Animation and Digital Arts. Hench was particularly interested in extending the language of animation through education. He met regularly with students (“He wanted to see everything they made,” notes Sorensen) and continued to advise Sorensen and other educators on a wide range of projects, including the design of the animation studios at USC, until the very end of his life. In 1990, Hench was named a Disney Legend, an honor accorded to individuals whose contributions to the company have been truly exceptional. He also received lifetime achievement awards from the Themed Entertainment Association and the International Animated Film Society. Up until two weeks before his death, Hench still worked daily at Walt Disney Imagineering, and was actively involved in the design of Hong Kong Disneyland. RAY STARK Ray Stark, the legendary Hollywood producer, agent, and executive, and founder the Peter Stark Producing Program, died in January at the age of 88. A native of New York City, Stark attended Rutgers and New York University Law School. After serving in the Navy during World War II, Stark shifted his focus to the entertainment industry. The Broadway musical Funny Girl, which he produced, told the story of his mother-in-law, comedian and beloved Ziegfeld Follies star Fanny Brice. The show was an instant hit and launched the career of a then-unknown Barbra Streisand who went on to star in Stark’s screen version, receiving an Academy Award in 1964 (she tied with Katharine Hepburn in the Best Actress category) for her debut film role. Although he was perhaps best known for Funny Girl and its sequel, Funny Lady, Stark helped bring more than 250 motion pictures — including The Electric Horseman, The Goodbye Girl, Night of the Iguana, Smokey and the Bandit, and Steel Magnolias — to the big screen during a prolific and influential career that spanned more than four decades. In 1993, he won an Emmy for the HBO made-for-television film Barbarians at the Gate. Among the other prestigious honors accorded Stark were the Irving G. Thalberg Award, given by the Academy of Motion Picture Arts and Sciences, and the Lifetime Achievement Award from the Producers Guild of America. Stark and his late wife, Frances were committed philanthropists whose substantial early contributions to and ongoing support of the School’s Peter Stark Producing Program helped prepare some of the today’s most notable producers, creative executives, and agents for top-level careers in the entertainment industry. The world-renowned program, which will celebrate its 25th anniversary next year, was named for the Starks’ son, Peter, who passed away in 1970. The Starks continued to support the program and remained Ray Stark
“ Advanced Editing Students “Eye” New Opportunities Production students at the USC School of Cinema-Television shoot and edit short films of varying lengths and complexity, but no class has ever edited an entire feature-length film. That is, no class had ever done that until last spring, when 12 students in Norman Hollyn’s Advanced Editing Class (CTPR 556), reedited Aaron Woodley’s feature film Rhinoceros Eyes, starring Michael Pitt, Paige Turco, and Gale Harold. The film, winner of the 2003 Toronto Film Festival’s Discovery Program, was released in May by Madstone Films. The project was set in motion when two of the film’s producers, Tom Gruenberg and Chip Seelig, began supplying footage to schools for students to re-edit scenes. We [were] thrilled with our cut, but the nature of the story is such that there are many stories that could have been told from the source material,” said Gruenberg. “We thought that the project would be enlightening as well as help generate college/university-level discussions of the film.” The two contacted USC and, through Professor Doe Mayer, were put in touch with Hollyn. In Memoriam (continued from page 14) dear friends of the School, establishing an endowed faculty chair in 1997 and providing funds for student support and other vital needs. Ray Stark is survived by his daughter Wendy and granddaughter Allison. T.C. WANG Legendary Hong Kong filmmaker T.C. Wang, who studied cinema at USC more than a half-century ago, passed away in April at the age of 93. Widely regarded as the patriarch of the Chinese movie industry, Wang was involved in the production of hundreds of film and television shows, including The World of Suzy Wong, The Deer Hunter, Rush Hour 2, Hawaii Five-0, Love Boat, and Shogun. Wang founded Salon Films, a worldwide leader in film production headquartered in Hong Kong, and also served as honorary chair of the Chinese Film Foundation. Wang’s children, including Fred, director of Salon Films, also studied at USC. In 2002, he established the T.C. Wang Internship Program at the USC School of Cinema-Television to provide more opportunities to film students committed to depicting Asian matters in film. Wang is survived by two sons and three daughters. “ We were in the process of taking a new look at the editing curriculum,” Hollyn said. “While we’re always interested in getting professional footage for our students to learn editing techniques, it struck me that there was a larger opportunity here. Most of our graduate students go on to work in longer formats than they make here. But there is an appreciable difference in the editing process, between long and short films. In the re-editing process, it’s important to learn how changes in one area of the film can subtly impact the story 45 minutes later. You also get a much different sense of pacing when you’re working across 100 minutes, rather than 10.” Hollyn contacted Madstone and proposed that, instead of supplying the raw footage from some selected scenes, they supply all dailies, as well as the original music that had been recorded by John Cale and Eric Woodley and all of the film’s paperwork. He and Madstone also agreed that the film’s director would come out to speak to the class to discuss his editing process. “ Aaron’s visit to the class was crucial for me since this wasn’t a class just about Rhinoceros Eyes, but about the entire editing process,” said Hollyn. “I crafted the class so there were constant visits from people involved in post-production. We had Walter Murch discuss editing Cold Mountain; composer Lee Curreri talked about how music interacts with editing; assistant editor Greg Thompson spoke about organizing editing rooms; and DVD producer Mark Rowen talked about the very new job category of creating DVDs. We also had USC alumnus Marcel Valcarce discuss Adobe After Effects, and DVD authoring maven Bruce Nazarian gave instructions about how to author a DVD. In addition, career consultant Janet Conn addressed the class on job hunting, networking, and résumé building.” Hollyn added that he is already working on finding new films to anchor the class in succeeding semesters (students will again work with Rhinoceros Eyes this fall). Seelig reported during his visit to the class that, of the dozen schools participating in the program, only USC was able to re-edit the entire film. “ There are some things that you’ve done,” director Woodley told the class, “that I wish I was able to put into our film.” Scenes from Rhinoceros Eyes. Actors pictured: Matt Servito, Victor Ertamanis, and Michael Pitt in frame 1; Pitt in frame 2; Paige Turco and Pitt in frame 3; and Pitt and Ertamanis in frame 4. Ross/Time Warner Award (continued from page 1) dean’s chair at the USC School of Cinema-Television, the Steven J. Ross/Time Warner Award honors leaders who have advanced the modern media industry and culture. Honorees share Ross’ unwavering commitment to nurturing the talent and technology of the future. Past recipients include the late Ambassador Walter Annenberg, Kirk Douglas, Bill Cosby, and John Calley. This year’s award was presented to Daly by Richard D. Parsons, chairman and CEO of Time Warner Inc. Parsons spoke eloquently about the award’s legendary namesake and, in particular, about how Steven J. Ross brought fun and humanity to the workplace. “ Steve really was a giant,” he noted. “He not only dreamt big, but he accomplished big things.” From left to right: Richard D. Parsons, chairman and CEO of Time Warner Inc., Steven J. Ross/Time Warner honoree Robert A. Daly, and Dean Elizabeth M. Daley. Like Ross, Daly’s management style — notably, his emphasis on friendship, teamwork, and individual integrity — set the standard for those who followed. “We at Time Warner are grateful for everything you did,” Parsons told Daly. During his years at Warner Bros., 13 of the more than 400 major motion picture releases overseen by Daly garnered Academy Award nominations for Best Picture, and three (Chariots of Fire, Driving Miss Daisy, and Unforgiven) received coveted Best Picture Oscars. Daly also had a guiding hand in bringing top-rated, top-quality programming (including such acclaimed series as China Beach, ER, Friends, and Murphy Brown) to television. Daly, a self-described “suit,” made a heartwarming acceptance speech, thanking his family and telling the gathering that “the most important person in my business life was Steve Ross … I owe him a lot.” Ross, said Daly, taught his colleagues that “it’s OK to bring your heart to work.” fall 2004 in motion | 15
Page 1 and 2: Game On! A Night To Remember FALL 2
Page 3 and 4: A Night To Remember (continued from
Page 5 and 6: Renov Named Associate Dean for Acad
Page 7 and 8: First Pitch: A View from the Trench
Page 9 and 10: officially launched the search for
Page 11 and 12: Game On! (continued from page 1) Th
Page 13: unch of very different personalitie

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