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IN MOTION (backup) V.3 - USC School of Cinematic Arts - University ...

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Bumstead Honored<br />

Henry Bumstead’s sketch <strong>of</strong> Gondorff’s room in The Sting.<br />

L egendary<br />

Hitchock Remembered<br />

Patricia Hitchcock O’Connell<br />

<strong>University</strong> <strong>of</strong> Southern California<br />

<strong>School</strong> <strong>of</strong> Cinema-Television<br />

George Lucas Building, Room 209<br />

Los Angeles, California 90089-2211<br />

www.usc.edu/schools/cntv<br />

art and production director Henry<br />

Bumstead, a 1937 graduate <strong>of</strong> the <strong>USC</strong> <strong>School</strong> <strong>of</strong><br />

Architecture, received the 2004 distinguished Alumnus<br />

Award, presented by the Architectural Guild.<br />

Patricia Hitchcock O’Connell discussed<br />

her memoir, Alma<br />

Hitchcock: The Woman Behind the Man, at<br />

a recent Friends <strong>of</strong> the <strong>USC</strong> Libraries<br />

Literary Event. The book traces the fascinating<br />

life and career <strong>of</strong> O’Connell’s<br />

mother, the wife <strong>of</strong> the renowned filmmaker.<br />

O’Connell and her family are<br />

longtime friends and supporters <strong>of</strong> the<br />

<strong>USC</strong> <strong>School</strong> <strong>of</strong> Cinema-Television.<br />

Soaring with High-Def<br />

New Equipment Elevates Educational Experiences<br />

Digital motion picture technology continues to advance by leaps and bounds at <strong>USC</strong>,<br />

propelled in recent months by donations <strong>of</strong> two Sony 24P high-definition (HD)<br />

cameras, three Sony HDCAM decks, several Canon HD zoom lenses, and an HD<br />

Ultimatte, which allows real-time compositing <strong>of</strong> digital images from the green-screen on the<br />

Kurosawa Stage in the Robert Zemeckis Center for Digital <strong>Arts</strong>.<br />

Although digital technology has been improving steadily for years, the state-<strong>of</strong>-the-art Sony<br />

camera — improved and refined at the urging <strong>of</strong> alumnus George Lucas — is the first to<br />

make significant inroads against film, replacing traditional 35-mm film cameras in highbudget<br />

feature productions and episodic television series. Indeed, the equipment enabled<br />

Lucas to deliver the dazzling imagery showcased in Star Wars: Episode I. Likewise, the next<br />

generation <strong>of</strong> high-caliber digital imaging technology will once again help Lucasfilm set new<br />

industry benchmarks when it is unveiled in the next installment <strong>of</strong> the Star Wars saga.<br />

Taken together with other cutting-edge tools, such as the state-<strong>of</strong>-the-art HD projectors<br />

available at the Ron Howard Screening Room and Frank Sinatra Hall, an HD digital compositing<br />

system provided by Ultimatte Corporation, along with Sony’s generous donation <strong>of</strong><br />

HD cameras, HD lenses, and HD videotape decks, is enabling the Zemeckis Center to<br />

secure its position as the world’s leading university-based HD production center.<br />

“<br />

This new state-<strong>of</strong>-the-art equipment is an important addition to the <strong>School</strong>’s vibrant palette<br />

<strong>of</strong> digital tools, which is helping to unleash the imaginations <strong>of</strong> tomorrow’s storytellers,” said<br />

Robert Zemeckis.<br />

Already, the center has become a favorite destination for organizers <strong>of</strong> the Santa Fe High-<br />

Definition Workshop, an enterprise that brings together educators with working cinematographers<br />

and directors <strong>of</strong> photography to learn about new technology. It is anticipated that, as<br />

familiarity with the resources available at <strong>USC</strong> rises among leaders in the field, the <strong>School</strong>’s<br />

ability to support and expand HD production will increase as well.<br />

“ The use <strong>of</strong> this level <strong>of</strong> HD equipment distinguishes the <strong>School</strong> as a leader in production<br />

capabilities,” said Richard Weinberg Ph.D., director <strong>of</strong> <strong>USC</strong>’s Computer Animation<br />

Laboratory. “Students are already integrating live action HD with computer-generated environments<br />

and digital characters, enabling a new generation <strong>of</strong> stories to be told. Imagine a<br />

building where you can shoot HD on a giant two-wall green screen, digitally composite<br />

computer animation, visual effects, and motion-capture into the images, and screen the project<br />

down the hall on the HD projector. That’s the Zemeckis Center.”<br />

Dean Elizabeth M. Daley<br />

Associate Dean,<br />

External Relations Marlene Loadvine<br />

Editor/Writer Jacqueline Angiuli<br />

FALL 2004<br />

Contributors Jill Aske, Margaret Dunlap,<br />

Norman Hollyn, Cindy Iwanaga,<br />

Ann Spurgeon, Justin Wilson, John Zollinger<br />

Researchers Jiby-John Kattakayam<br />

Michelle Kramer<br />

Design Leslie Baker Graphic Design<br />

Copy Editor Lisa Killen<br />

Contributing Photographers Margaret Dunlap<br />

Jonathon Craig Holland<br />

Michelle Kramer<br />

Alberto Rodriguez/Alan Berliner Studios<br />

Michele A.H. Smith<br />

Laurie Wierzbicki/Alan Berliner Studios<br />

Justin Wilson<br />

John Zollinger<br />

Address service requested<br />

NONPROFIT ORG<br />

U.S. POSTAGE PAID<br />

GLENDALE, CA<br />

PERMIT NO.1233

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