Red Allen Chapters 9 - The Jazz Archive
Red Allen Chapters 9 - The Jazz Archive
Red Allen Chapters 9 - The Jazz Archive
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quickly - particularly in the case of the<br />
Welsh and Turner bands, where the<br />
various musicians fitted in as though they<br />
had been led by <strong>Red</strong> for twenty years.<br />
Once <strong>Red</strong> took the stage it became<br />
obvious that he is a thorough professional<br />
as well as one of the most telling<br />
weapons in the jazz armoury.<br />
It is possible that there are better jazz<br />
trumpeters than <strong>Red</strong>, but I can think of<br />
none, traditional or modern, who can play<br />
such an unwavering stream of tasteful and<br />
apparently limitless jazz. For there is no<br />
question that Mr. <strong>Allen</strong> is one hundred<br />
per cent a jazz musician.<br />
AUDIENCE REACTION<br />
It was remarkable also to watch the<br />
way in which <strong>Red</strong> handled his audience.<br />
Hardened jazz fans usually sit stonyfaced<br />
and glassy-eyed with awe in the<br />
face of one of their idols, but on these<br />
nights <strong>Red</strong> had everyone involved and<br />
singing to his requirements with no<br />
trouble at all. I don't believe I have seen<br />
any artiste give such a concentrated and<br />
yet relaxed performance - and I don't<br />
think any one member of the audience<br />
would have thought for one second of<br />
asking for a penny of their money back.<br />
<strong>Red</strong> mixed with his audience, too. He<br />
is one of the most likeable and<br />
appreciative Americans - his only worry<br />
during his stay was that no one would let<br />
him buy drinks for anyone. His delightful<br />
asides (for instance, his repeated yells to<br />
Jack Swinnerton in mid-number - "How's<br />
my man Jack") and his immediate<br />
compliance with any requests for<br />
numbers or auto-graphs endeared him in a<br />
way which will never be forgotten. ("He<br />
just sat there and talked to me!" said<br />
someone in ecstatic delight after <strong>Red</strong> had<br />
signed his shirt during the interval.<br />
What were the highlights ? It was ALL<br />
highlights, but my own personal<br />
thermometer blew over on hearing the<br />
Alex Welsh band entirely integrated<br />
behind <strong>Allen</strong>'s lead - Roy Crimmins<br />
always amazes on these occasions, and<br />
other outstanding individual performances<br />
came from Alex, Lennie<br />
Hastings and Ronnie Mathieson. But the<br />
Welsh band succeeded as a group, and<br />
were probably the ideal European group<br />
for the job. A CHALLENGE<br />
Saturday brought <strong>Red</strong> the challenge of<br />
Sandy Brown's very creative and<br />
unorthodox settings. In this group, <strong>Red</strong>'s<br />
pithy and sometimes almost saxlike tone<br />
stood out very clearly. Danny Moss, for me<br />
our finest tenorist, reverted<br />
subconsciously to early Ben Webster<br />
sounds and blew with great heart and<br />
taste-shades of the late 'thirties and<br />
memories of Chuck Berry's records with<br />
<strong>Red</strong> in all this.<br />
But the individual who reacted most of<br />
all to the <strong>Allen</strong> stimulus was predic-tably<br />
Bruce Turner. After due thought, I am<br />
convinced that this was Bruce's finest<br />
hour and the way in which <strong>Red</strong> enthused<br />
over him had no basis in flattery.<br />
Suddenly the scene was 52nd Street in<br />
1940, and one found that <strong>Red</strong>, whose<br />
musical associates over the years have<br />
- 127-<br />
Jack Swinnerton-<strong>Red</strong> <strong>Allen</strong>-“Jenks“ Jenkins, at the MSG<br />
<strong>Red</strong> <strong>Allen</strong> with a tankward from the Welsh band and a silver tea set for<br />
Pearlie Mae from the MSG<br />
usually been Coleman Hawkins, Jay C.<br />
Higginbotham and Buster Bailey, was<br />
suddenly home.<br />
Pete Strange, already a convincing<br />
threat to Roy Crimmins as a trombonist,<br />
followed through as indeed did Ray<br />
Crane and the superb rhythm section led<br />
by Johnny Armitage and Jim Bray.<br />
Jenks and Jack Swinnerton are already<br />
discussing who to bring over next. As<br />
far as I'm concerned they can keep on<br />
bringing <strong>Red</strong> <strong>Allen</strong>. At the moment I<br />
don't really think I want to hear anyone<br />
else - unless they have <strong>Red</strong> <strong>Allen</strong> with<br />
them ! This has been a brave experiment<br />
which has been an enor-mous success in<br />
jazz terms.<br />
But the real honours must go to Jenks,<br />
one of the most talented organisers I<br />
have encountered; to Jack Swinnerton,<br />
who is one of the people who really<br />
likes jazz; to Betty, who debts for Jenks<br />
and who did such a good job in washing<br />
<strong>Red</strong>'s shirts, and to the staff who pulled<br />
God knows how many different kinds of<br />
muscles in keeping us all supplied by<br />
the finest bar service in many miles.<br />
I think it is true to say that everyone<br />
involved in the operation was in it for<br />
the sake of jazz and not for financial<br />
gain. When you think about that, you<br />
will realise that this is something<br />
remarkable. It is only right that such<br />
efforts should be tnet with a success<br />
which will stay, in my memory at least,<br />
for ever.<br />
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